San Francisco

mp3 & Live Preview: ‘Holy Grail’ – Tidelands, Magik*Magik at Rickshaw Stop

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San Francisco duo Tidelands has teamed with John Vanderslice’s Magik*Magik Orchestra for its debut album, If… to be released July 26. Download the dramatic first single “Holy Grail,” and don’t miss the Magik*Magik String Quartet on Monday, May 30 at the Rickshaw Stop with Dustin O’Halloran and the women’s choir Conspiracy of Venus.

Magik*Magik is the official studio orchestra for John Vanderslice’s Tiny Telephone Recording studios, and its latest work will be showcased on Tidelands’ If… Tidelands is comprised of duo Gabriel Montana Leis on guitar and flugelhorn, and Mie Araki on drums and keyboards, with both on vocals. The all-star collaberation for If… includes Deerhoof engineer Ian Pellicci responsible for bringing together the orchestral and traditional rock instruments, looping, Moog bass and vocal harmonies.

Mark your calendars for Tidelands and Magik*Magik at the If… record release party on July 26 at Café Du Nord.

–Shauna Keddy

Tidelands – Holy Grail by fanaticpro

San Francisco

mp3: Afghan Raiders – ‘If Only’

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Further proof that Brooklyn doesn’t own post-punk dance electro, San Francisco-based trio Afghan Raiders is giving us "If Only," a track from its forthcoming EP Calls From the Universe.

Not yet convinced? Listen to the boys remix local favorites Morning Benders’ "Promises" or Neon Indian’s "Deadbeat Summer" (don’t miss Neon Indian spreading its psychedelic pop through the Bay from May 29-June 1).

–Whitney Phaneuf

Afghan Raiders – "If Only" by AfghanRaiders (Official)

San Francisco

EP Review: The Soonest’s ‘Quarters’

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With the debut EP “Quarters,” San Francisco’s The Soonest delivers intimate indie rock comprised of subtle, angst ridden lyrics, reverb-filled guitar lines and a thunderous rhythm section. The band is quite elusive, and its songs are mysterious and ambient. “Quarters” contains four haunting tracks, with Young (Vocals, Guitar) guiding us through his emotional journey of guilt, denial and exuberant happiness. His vocal style and The Soonest’s Brooklyn sound will please fans of early, moody indie bands such as Interpol. Listen to “Quarters” and catch The Soonest on June 3 at 111 Minna. 
–Ed Guardaro

King by The Soonest

San Francisco

Album Review: tUnE-yArDs’ “w h o k i l l”

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Hands down the most buzzed about new D.I.Y. artist today is whiz-chameleon and Oakland resident Merrill Garbus, band name tUnE-yArDs. Her new album w h o k i l l—an African-inspired, poppy, jazzy, folk lo-fi—might be the smartest party music of the year so far. Garbus’ voice is at once a yelling-howling beauty and a cool jazzy style, and she manages both of these vocal styles onstage through the manipulation of vocal loops. No surprise her live shows across the U.S. keep selling out.

Garbus made a trip to Kenya after the release of her debut album Bird-Brains, and it’s heard in w h o k i l l. Originally from New England, Garbus lived in Montreal during her first release, and relocated to Oakland, California for her new album. She is a creative force, and this album is a perfect balance of lyrically profound, quieter, moody tracks, and shake-your-booty dance grooves. To feel the intense dance party first hand, be sure to watch the music video for w h o k i l l’s single “Bizness.”

tUnE-yArDs’ songs range from wild and fast to slower and often visceral, in a way that may be most comparable to the power of the Yeah Yeah Yeahs’ Karen O. w h o k i l l  features infectious beats with a hip hop feel. Listeners familiar with Oakland will notice the song “Gangsta” is undeniably influenced by Garbus’ new home base. The song features the chorus “Bang Bang Boy-ee, never move to my hood, because danger is crawling out the way” and begins with the sound of sirens, but slows down near the middle with Garbus softly singing “Life in the city makes sense.“ In “Wooly Wooly Gong,” Garbus contemplates romance and attachments, with heart-wrenching lines like, “Keep your bleeding heart wide open.” Inspired by Garbus’ sincere music, this album rips hearts and ears wide open. —  Shauna Keddy


 

San Francisco

Live Preview: Brilliant Colors at Pop Fest Night on May 28

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Trying to find variety and originality in girl bands today can be difficult. After awhile all the fast-paced, two minute, indie pop-rock songs start to sound the same. Luckily, Brilliant Colors has found a way to stand out. 

Singer and guitarist, Jess Scott formed Brilliant Colors in 2007 and released “Introducing” in late 2009 to rave reviews. Their 7” Never Mine was released shortly thereafter in April of 2010. “Never Mine” categorically fits under the proto-typical girl band song described earlier with fast-paced drumbeats, simple guitar riffs, with slightly off-key but undeniably catchy vocals. “Kissing’s Easy” presents itself as a fuller track in which the girls chose to stray from the formula. The song mixes a sweet, almost-twee lyrical sound with a fast pace that feels like a rush to the end until the breaks where Scott’s vocals become more distorted.  True to form, Brilliant Colors is on excellent local label Slumberland Records.

Don’s miss Brilliant Colors with 14 Iced Bears at Pop Fest Night at the Rickshaw Stop on May 28.

–Anna Oseran

 

 

Brilliant Colors – Never Mine by Slumberland Records

San Francisco

Live Review & Interview: The Beehavers

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Seaweed Sway presented another great local band showcase last Friday night at the Mission bar Amnesia, with The Beehavers headlining and Montra and FpodBpod opening. Amnesia provided the intimate and theatrical setting for this fun array of bands. The beautiful lights and red aura of the bar set the stage for a night of entertaining and experimental music. Each band has its own unique sound, and the audience took to all three acts with enthusiasm and dancing.

Sean Olmstead led FpodBpod with a sizeable set, playing many songs from his recently completed full length album, and pleasing friends (who passionately sang along) and new fans alike. The dispersal of bubble containers into the audience enhanced their performance of a song that featured a playful chorus about–bubbles! Olmstead projects his voice clearly and sings with unique inflections over the pop and pyschedelic sounds of his guitar playing .

The Beehavers’ set was eclectic, as their music interweaves folk, rock and a "gypsy" sound (as the band explains), led by Beeface Killah, real name Bryant Denison. The band formed about a year ago, but Denison has been writing songs for twenty years, and says some of the songs they play now are at least ten years old. The group is usually comprised of Michael Fortes, Zach Rubin-Rattet, Jake Nochimow, and Denison, and sometimes includes a cello player named Leo Suarez and violinists Erma Kyriakos and Charithe Premawarth.

The Beehavers’ music often features violin, and this performance included a slide whistle and ukulele for more than half the songs. Of note, the title track to the album the band is working on currently, “The Fairgrounds,” featured these two old world instruments. Although the band has been playing what Denison describes as “gypsiefolkvoodoobalkanrock” for the last year, he explains that now they want to “get back to feel good party music." He said they aim for a garage pop sound with their newer songs, and names Zach Condon of Beirut, Talking Heads, Roy Orbison, The Zombies, The Beatles and the Cars as his top influences. He goes on to explain that he comes from “a community in Sacramento that loves Garage catchy pop songs.”

“I grew up around the people in Cake,” Denison continues. “I love the Rockets, the Smashing Pumpkins. I was kind of a Goth kid in middle school then kind of went hippie in high school. All my friends were more into Guns and Roses, but I liked the Euro sound. Recently I was greatly influenced by Beirut, that’s where the ukulele and flugel horn came into our music.”

“I’m really feeling more comfortable with being able to orchestrate. I learned a lot from Matt Adams of the Blank Tapes,” he explains. Denison said that people always ask: "‘Are you covering a Magnetic Fields song,’ but the truth is I was introduced to Stephin Merritt (lead singer of the MF) after I started singing super low. Like he is known for.”

Further influences of the band include Screamin’ Jay Hawkins, Brian Eno, Joy Division, The Kinks and Devotchka. “It’s good because we have a set that is very genuine and quieter for cafes and places that we can’t be too loud, like (another Mission neighborhood bar) Viracocha, but when it comes to Bottom of the Hill or Amnesia we can turn up the amps and get people moving!”

Danceable and original, The Beehavers charmed the Friday night crowd. Watch for the band’s debut album this summer.

–Shauna Keddy

 

San Francisco

mp3 Premiere: Blackbird Blackbird & Pandit, “Lovesick”

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The prolific Bay Area bred Mikey Maramag aka Blackbird Blackbird teamed with Texas’ Pandit for the marching-band-meets-chillwave track "Lovesick" available for free download here. Tough to resist
a download tagged with “weird" and "california," aptly described by Blackbird Blackbird label UFOLK RECORDS. Just as he did on recent solo albums “Halo” and “Summer Heart,” Blackbird Blackbird paired the single with cool, original cover art.


Don’t miss Blackbird Blackbird with Ghostland Observatory at The Regency Ballroom on May 10, Rickshaw Stop on May 25 or 105 Pioneer St. in Santa Cruz on May 28.

–Whitney Phaneuf

 

San Francisco

Album Review: Blue Sky Black Death, “Noir”

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"Noir," the new album from San Francisco and Seattle based Blue Sky Black Death, is a sweeping, shoegazing soundtrack reminiscent of early trip hop. The fourth studio album for Young God and Kingston, accomplished producers known for their collaborations with hip hop’s Jean Grae, Crooked-I and Hell Razah, "Noir" continues to build upon the duo’s cinematic style. Combining live instrumentation and sampling, the sound is intricate and ambient. The meditative layers in tracks such as "Where Do We Go," "And Stars. Ringed" and "Sleeping Children Are Still Flying" carry the album and create what feels like a composition rather than a collection of singles. Listen to all of "Noir" on Blue Sky Black Death’s YouTube channel.

-Whitney Phaneuf

 

San Francisco

Live Review: You Are Plural at the Great American Music Hall

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You Are Plural—duo Jen Grady on cello and Ephriam Nagler on Wurlitzer—opened for The Felice Brothers to a packed Great American Music Hall show last Thursday night. The San Francisco-based pair also joined the New York folk-rockers Felice Brothers in Seattle, Portland and Salt Lake City.

The band returned to Grady’s home-base of Washington to record "Hand It Over," its seven song debut EP, which is sold at shows and on Bandcamp. Grady and Nagler’s music is both dramatic and calming. They harmonize quite beautifully on many of the songs, while Grady confidently steps into lead vocals on other songs. Nagler adds piano to their classical yet highly experimental sound. He has played in bands such as Marin-based Oddbird and with Tim Kasher of Cursive, while Grady plays cello with Emily Jane White and Garrett Pierce. She also played bass on Two Gallants frontman Adam Hayworth Stephens’ solo tour last fall. 

This is the first time these talented musicians are leading their own project, and the audience took well to the innovative sound. The ornate interior of the Great American Music Hall was an ideal venue to enjoy the rich, complex sounds. The show was then taken in a rocking direction with The Felice Brothers, whose fourth album "Celebration, Florida" (Team Love Records) will be released next week. Their folk songs are filled with fascinating personal narratives, enhanced by accordion and violin among the usual rock instruments. Their new songs feature unexpected rave beats, which got the audience really going, as did older songs which were shouted along to by a dancing crowd.

Shauna Keddy

San Francisco

Show Preview: Silver Swans at Popscene

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Save a slow dance for Silver Swans at Thursday’s Popscene, sharing the bill with Brooklyn’s The Hundred in the Hands. Silver Swans’ dark, dream-pop lullabies are the project of DJ producer Jon Waters and songwriter Ann Yu. The duo likes to record late night and it’s heard in the ethereal, bedroom sound of the "Secrets" EP. Together they marry synth and low-fi with Portishead-style distorted female vocals, feedback, piano, loops, and rhythm noises. The upbeat remixes will warrent more than a slow dance while covers such as The National’s “Anyone’s Ghost” show off Silver Swans’ ability to leave its signature moody mark on any song.

-Whitney Phaneuf

Silver Swans – Anyone’s Ghost (The National Cover) by silverswans

San Francisco

Cannons & Clouds Announce EP Release + Tour

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San Francisco six piece Cannons & Clouds have announced the release their latest EP June along with a supporting tour. On the heals of their 2010 debut album After All, this EP marks a change of pace for the band from the likes of indie folk into the more upbeat realm of rock. June marks new ground for the band as they embark on their upcoming West Coast tour and prepare for a new full length album (set to release later this year). They will be celebrating this release tonight at the Cafe Du Nord with Silian Rail and The Lambs. To have a listen to the tracks on June, or for more information on their West Coast tour, check them out here. Otherwise, grab yourself a hard copy of the EP tonight at the Cafe Du Nord.