New Madrid Faults has an eclectic sound, pulling in all sorts of influences simultaneously. Take a wistful ambience reminiscent of Broken Social Scene, add in the occasional huge, rockin’ hook, and wrap it all together in a sweet pop sensibility. Then, bring in some bells, a horn section, and a trip to SXSW, and you’re convinced that New Madrid Faults can go anywhere. The best example might be the seven-minute epic "To the West Goodbye," which begins with a flurry of horns and then builds up from steady atmospherics into big, anthemic chords.  Mar Bar, 200 S. 40th Street, 8:30pm, $5, 21+ – Joe Poteracki

 

Am I having flashbacks? I’ll probably be experiencing déjà vu when I step into the new/old Grape Room tonight when the BurnDown All Stars reunite. Once a promising local hip hop/rock group that fell into the trap of the music biz allowing egos and mismanagement of earnings to tear them apart. It’s been a while now since their last show, and it seems the fellas have grown a bit missing those days when they had such an organic collective. Let’s hope this won’t be a one and done. Grape Room, 105 Grape St., 10pm, $7, 21+ – H.M. Kauffman

 

The Broken Prayers and Psalmships bring you sounds that you might find in the Old West: the classic heart and soul of country music. These cowboys sing with heavy hearts about lost love, little old towns, the pearly gates, wooden porches and rocking chairs. Their guitar twang can be as slow as the tumbleweed rolling across the road in front of you, or as hand-clappin, toe-tappin-ly upbeat as the Saturday night barn dance. Tritone, 1508 South St., 9pm, $7, 21+ – Katie Bennett

 

We are in the midst of summer folks so get ready to work on your tans because it’s festival season. Yes, yes – we know. You can’t ignore that this Saturday will be The 3rd Annual Roots Picnic with the hometown heroes inviting local buddies DJ Jazzy Jeff and Pattern Is Movement as well as a few Pitchfork darlings like Vampire Weekend (headlining? – whose picnic is this?), Mayer Hawthorne and The Very Best. Raekwon, Ghostface and Method Man should be a more interesting performance than originally planned Reverend Run and DMC. We’re also diggin’ on 4AD’s Tune-Yards and Brooklyn’s Das Racist. But if you don’t have eighty bucks ($66 ticket + $14 rip-off charge), then you can join us economically-challenged music lovers at Best Fest (check out the feature interview below). Don’t forget your brown bag for your forty! Festival Pier at Penn’s Landing, Columbus Blvd. and Spring Garden St., 2pm, $80 w/charges, All Ages

 

Clark Park (43rd and Baltimore Ave.) Best Fest SAT U.S. Girls 1:00-1:20; Joshua Marcus 1:25-1:45; The Golden People’s Game 1:50-2:10; Attia Taylor 2:15-2:35; Death Panel 2:40-3:00; Far-Out Fangtooth 3:05-3:25; Unidos de Filadelfia Samba School 3:30-3:50; Skeletonbreath 3:55-4:15; The Lesbian Dorkestra 4:20-4:40; My Mind 4:45-5:05; Kozak 5:10-5:30; Chosen Dance Company 5:35-5:55; Reading Rainbow 6:00-6:20; Mojohand 6:25-6:45  

 

Johnny Brenda’s (1201 N. Frankford Ave.) FRI MC Digga, SAT Black Landlord

 

Kung Fu Necktie (1250 N. Front St.) FRI Pilot Cloud, SAT Thinking Machines, SUN Woe

 

North Star Bar (2639 Poplar St.) FRI Buy Star Bombs and Desoto Jones

 

The Fire (412 W. Girard Ave.) FRI (Early) Owl Stations, (Late) Toy Soldiers, TJ Kong & the Atomic Bomb, The Divine Lorraine

 

M Room (12 W. Girard Ave.) SUN Cannons, Mirador, Pet Primative, Northern Valentine

 

The Khyber (56 S. 2nd St.) FRI Codename and Igor’s Egg, SAT Levee Drivers 

Tritone (1508 South St.) SAT The Broken Prayers and Psalmships

 

World Café Live (3025 Walnut St.) SUN Marah

 

Danger Danger Gallery (5013 Baltimore Ave.) FRI The Armchairs and TJ Kong & the Atomic Bomb

 

Mar Bar (200 S. 40th St.) SAT New Madrid Faults

 

Angler Movement Arts Center (1550 E. Montgomery Ave.) SAT Fatima Adamu and Eric Carbonara

 

 

Gil Mantera’s Party Dream and Sunbears are two bands that are equally faszinierend. But when both bands take the stage during tonight’s Super-ficial Opening Night Show of Philly Beer Week, they’re not the only acts that are going to have you saying, “Achtung Baby!” Because they’ll be joined by Philly’s only emcee to bust rhymes in Deutsch, MC Digga. What started out as a joke by Mill Creek Tavern’s Director of Music, Ben Morgan, a few years back has since spawned into his German rapping alter ego. From his anthem about being born “Geboren”, to his umlaut-filled version of “Ice Ice Baby”, you will find yourself giggling with glee (not that painfully awful type of Glee – sorry ladies, gay men everywhere and teenie boppers who don’t know better) as you dance along to the pulsating beats. Johnny Brenda’s, 1201 N. Frankford Ave., 9pm, $10, 21+ – Bill McThrill

 

Justin Lerner and Nick Biscardi first started Pilot Cloud two years ago as a means to create the music that they wanted to hear so the indie shoegaze duo set off on their journey and released their debut album In Transition. Since that time, the band formed a live set so they could embark on several small tours, and managed to have their work picked up by startup netlabel, Acoustic Firework Records. The guys have recently started a new chapter when they put out their follow-up Halcyon, and tonight’s show at Kung Fu Necktie marks their first show back since the mini-tour that they did in support of it. When you listen to their music (which you can download for free on their website) your ears will become awash in intricate guitar work and spaced out harmonies that aim to transport you to another galaxy. Kung Fu Necktie, 1250 N. Front St., 8pm, $10, 21+ (Photo by Melissa Marie Hernandez) – Bill McThrill

 

We went to Best Fest last year and had an absolutely fabulous time! It’s just a really special event with such a beautiful community vibe, and it’s FREE so we suggest that you swing by Clark Park this Saturday afternoon. What can you say about a festival that has always been so supportive of our music community and has brought you such notable local acts as Kurt Vile, Tickley Feather, Pony Pants (debut performance), The Extraordinaires and many, many more. We had a chance to grab some beers with the “Best Fest Girls”. Sorry, should we say “Best Fest Ladies” (Erin Engelstad, Vicki Zwicker, Molly Landergan, Kassie, Richardson and Tess Sorensen – absent Eileen Horgan)? We had an enjoyable time chatting about the festival and the thing that brought us together – music. Kassie Richardson was kind enough to answer a few of our questions after we had a chance to get some of the alcohol out of our systems.

 

The Deli: How did Best Fest start?

 

Kassie Richardson: In 2005, a group of ladies living together in West Philly heard the park calling…it asked us to make a festival, we agreed to make the Best Fest. 

 

TD: What is Best Fest about?

 

KR: Best Fest is about friendship, love, engagement, pleasure, having a sense of humor, figurative youth, art, open air, green, calmness, excitement, trees, respect, and gratitude, among others. Altogether the festival is about creating a day where everyone in the community can come together outside in the park to have fun and listen to some good music and see some interesting performances.

 

TD: Why did you choose the name Best Fest?

 

KR: We were all sitting in a room together at the old house trying to think of names and calling them out. I think we all wanted something that didn’t sound too serious. There were a lot of longer ones. “Best Fest” was short, easy to remember, fairly broad, and it rhymed, which we liked. It’s jokingly superlative. We’re proud of what we do, but we try not to take ourselves too seriously.

 

TD: What are your favorite moments from Best Fest?

 

KR: One year Make a Rising performed a fantastical play in which they inflated a huge plastic bubble over the whole crowd. Rebirth!

 

TD: Who are you looking forward to hearing this year?

 

KR: All of them, of course! If I had to choose just one though, I’d say Unidos Da Filadelfia! because I’ve never seen them perform, and I love the idea of a large group of people performing together outdoors, especially drummers playing Brazilian beats!  They’re going to make the heat cool. 

 

TD: What do you love about West Philly?

 

KR: There are a lot of people trying to make ends meet, and it gives you the sense that you should be a part of fulfilling something greater than you are. I love the potential of this neighborhood and the DIY culture that is prevalent here. It gives you the sense that you’re not locked into something that’s out of your control.

 

TD: What do you hate about West Philly?

 

KR: Not enough brunch! Not enough Mexican restaurants! Don’t get me started on that!

 

TD: What local artists are you currently into?

 

KR: U.S. Girls and Buffalo Stance to name a couple – the former will luckily be performing at Best Fest! Buffalo Stance, or Jamey Robinson, is an amazing musician…it’s always exciting to hear what he’s going to do next!

 

TD: What’s the first concert that you ever attended and first album that you ever bought?

 

KR: My sister took me to see Dwight Yoakam when his album This Time came out – “A Thousand Miles from Nowhere” still gives me chills. I think the first album I bought was Janet Jackson’s Rhythm Nation. Actually scratch that, my mom bought it – I bought it with my heart though. “5-4-3-2-1…” 4eva. 

 

TD: What’s your favorite thing to get at the deli?

 

KR: A Reuben, when I’m feeling up to the task!

 

(Poster by Christine Jones)

 

– The Deli Staff

Once again, this most recent poll was a nail biter. Kudos to the efforts of Blood Feathers who absolutely rock with their sweet, sweet vintage sound, but today we are here to celebrate the victory by shoegazey indie rock outfit Voletta. We caught up with guitarist/vocalist Joe Sheairs before their upcoming show tomorrow night at the M Room with Hellican and The Deli NYC’s May Artist(s) of the Month The Aviation Orange.

 

The Deli: How did Voletta start?

 

Joe Sheairs: In 2002, I started Voletta with my friend Chris. We left the standard rock band we were in and decided to start a new project with synths and drum machines. Over five years, we completed a full-length record and an EP. We split in 2006.

We reformed in 2008, which is when we met Greg, and started playing as a three-piece. That didn’t last long: Chris left for good to start a Brazilian Jiu Jitsu school. So Greg and I continued on, and have been working together ever since. For years, I thought Voletta was always doomed to be a two-piece, but luckily we’ve found two more members.

 

TD: Where did the band name come from?

 

JS: Voletta means "the veil" in French. I got the name from this ancient looking baby name book. The binding was disintegrating.

 

TD: What are your biggest musical influences?

 

JS: When I was little, I listened to my parent’s collection of ’80s new wave records over and over. Then I came of age right when the ’90s alt rock thing was happening, so the combination of those two elements has always been my musical starting point. Sad news: I recently found out that my Mom threw away all the records without telling me.

 

TD: What artists (local, national and/or international) are you currently listening to?

 

JS: We listen to a lot of Beach House and the Radio Dept.

 

TD: What’s the first concert that you ever attended and first album that you ever bought?

 

JS: Smashing Pumpkins, 1993. I believe the first CD I ever bought was The Cars’ self-titled album.

 

TD: What do you love about Philly?

 

JS: There are a bunch of nice venues to play.

 

TD: What do you hate about Philly?

 

JS: SEPTA. The strike last year had Bryan skateboarding 5 miles each way to work.  Not awesome.

 

TD: What are your plans for 2010?

 

JS: We’re going to go back into the studio to record some new songs, and play out as much as possible. We’re also going to continue our endless (and seemingly futile) search for a female bassist.

 

TD: What was your most memorable live show?

 

JS: Our first show. What a mess. Greg and I wanted to get the butterflies out before playing a "real" show, so we played at an open mic night at this horrific bar in Jersey. Apparently, this open mic always turned into a jam session, so after we got done playing, this hippie guy came up to Greg and asked him if he could use his synth rig to jam on. Greg’s face was priceless. We didn’t stay long…

 

TD: What’s your favorite thing to get at the deli?

 

JS: The deli? You mean Wawa?

 

– The Deli Staff

 

There is something about Power Animal that takes me to my happy place. Not really sure if it’s Keith Hampson’s calming vocal delivery, his beautifully orchestrated arrangements or his casually poetic, thought-provoking prose, but I just feel the need to share it with everyone. Grab Power Animal’s People Songs from Waaga Records, and your world might become a happier place too! Danger Danger Gallery, 5013 Baltimore Ave., 9pm, $5 – $ 10 donation, All Ages – H.M. Kauffman

 

Creepoid is another one of those buzz-worthy local bands crawling out from basements of homes/makeshift practice spaces/recording studios lately in Philly. On their debut EP Yellow Life Giver, they use a reel-to-reel tape machine circa ’56 to help document their evolution. Yes, they are another lo-fi act flooding the indie music landscape, but Creepoid’s raw, gritty production perfectly compliments these four eerily engaging tracks. They open the album with “Rotten Tooth” which is filled with the spirit of Kurt Cobain and that 90’s Grunge angst all heroined out. In “Pink Tag Sale”, you’ll experience a dreamy Left Coast vibe that feels like it was written around a campfire in the lonely desert night. It’s in that Mazzy Star vein that haunts our subconscious. You’ll also find Creepoid putting on their dreary Brit-pop/post punk masks in “See-Through” before closing with their experiment in minimalism “Magic Drum”. The four-song EP is a tease. You can’t help but wonder what these guys and gal have in store for us next. – Q.D. Tran