Nashville

SoundLand – Justin Townes Earle @ Cannery, 9/23/11

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Justin Townes Earle sure isn’t his daddy – and that’s truly an awesome and remarkable thing. Though the work of the elder Earle has made its mark for good reason, there’s hardly a roots artist – for lack of a better, all-encompassing term – around today as candid and musically versatile as JTE. He appeared on Cannery Ballroom’s candlelit stage Friday night as a smartly-dressed gent and played nearly an hour and a half’s worth of old and new songs that were still resonating the next day.

Earle made Jason Isbell’s set, which was right before, seem a little monotonous in comparison. With bassist Bryn Davies and fiddle player Amanda Shires hacking it out with Earle nearly the entire set, he breezed through vintage ’50s and ’60s country swing and folk as easily as he ground out the blues. It hit home from start to finish, from the wrenching “Slippin’ and Slidin’” to “Memphis in the Rain.” It’s hardly a secret that Earle’s rougher experiences have squirmed their way into his songwriting, but therein lies the beauty of his work and the explanation for his songs’ dual personalities – even when his experiences themselves aren’t relatable, the emotions are.

It’s just a shame that the venue, save for the cluster of folks nearest the stage, was louder than an elementary school cafeteria, and the glare of cell phones contested with the lights onstage. Earle wasn’t fazed by anything though, offering possibly the world’s pleasantest “fuck you” to whomever yelled out a request for “Copperhead Road,” and encoring with the beautiful gospel number “Harlem River Blues” with a stage packed with backup that included Isbell. – Jessica Pace

Nashville

SoundLand

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So, SoundLand is officially here (as of yesterday), and needless to say, we’re pumped about it. In years past, we’ve had a lot of fun at Next Big Nashville – sometimes a little too much fun – and we’re ready to get it on again. There’s an array of talent lined up for the rest of the week and through Saturday, both local and otherwise. Stay tuned for reviews from The Deli, and get your schedule together if you haven’t yet.

Nashville

D. Watusi, Natural Child and Diarrhea Planet open for Hunx and His Punx

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We just wanna stand next to Hunx and His Punx in the hopes that some of their cool will rub off on us. For that matter, same goes for the rest of the lineup at Spring tonight – D. Watusi (pictured), Natural Child and Diarrhea Planet all a killer Monday make. Think of this as a pre-show show for Diarrhea Planet’s record release, only better. Check back soon for a review of Loose Jewels, out Sept. 20.

Nashville

Tetsuo, Parachute Musical record releases, 9/10

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It’s a month for record releases – new LPs from Diarrhea Planet and Modoc are coming up in the next few weeks. But this Saturday there are two release parties happening that are worth your dollars. Tetsuo’s celebrating Inmates, the follow-up to These Crystals Don’t Burn, at The Springwater (stream it now here), which should be quite a noisy affair with The Black Shades and The 1-10s. And across the river Parachute Musical indie-rocks The 5 Spot in honor of Kill It Cut It Down with Eastern Block. Both 9 p.m.

Nashville

Buffalo Clover, “Low Down Time”

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Low Down Time is a lot like driving around just for the hell of it. There’s no destination, no complexity – just a ride, and you might be feeling like shit, but at least you’ve got a buddy and a drink at the end of it. Like its predecessors, the record is a mess of sonic colors – the love child of soul divas, some vaudeville actors, country barflies, rockers, rollers, swingers and those gypsies that stole everything from your car. But Buffalo Clover manages to string together the acts in this variety show, namely with a songwriting prowess that takes an interest in tales of woe and wanderlust.

On opener “Can’t Stand Still,” Margo Price spouts the archaic convention: “Women ain’t supposed to ramble/women ain’t supposed to drink,” then shrugs it off in favor of romantic speculations of finding rambling men to be with and stallions to ride. Low Down Time extends an invitation to the rambling types in a number of ways – when the band recalls the folky spirit present on their previous recordings, or when Price lays out her deal, then begs, “Tell me you aren’t the same” on “Cure Me.”

Buffalo Clover can swing country and blues jaunts (“Oklahoma,” “Saint Cathleen”) just as well as they can play the ragged and lonely card, like on the lovelorn drag, “Don’t Lie to Yourself,” whose cascading piano backdrop is fit for a western lounge act. “Nobody Cares” is another standout with guitars boiling down around Matt Gardner’s vocals, which take the lead to glowing female backup as they do on “Oklahoma.”

The record wanders into gaudy territory, like on the carnivalesque “Oh Well,” a brassy, kitschy number that could’ve been plucked from a trampy roadshow version of Grease. But anything goes. Maybe the complaints, stories and speculations of Low Down Time are genuine, or maybe it’s all just a big show, but it doesn’t matter either way. It’s a fun ride and a relatable one that can soundtrack roadside stops, short-lived trysts, low down time or just wandering around looking for something. – Jessica Pace

Buffalo Clover play the MusiCares benefit Sept. 10 at Exit/In’s 40th anniversary bash. Check out the video for “Saint Cathleen” here.

Nashville

JEFF contest deadline 8/31

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We think it’s worth mentioning that time’s a-runnin’ out to enter the JEFF the Brotherhood album contest. You have til midnight Aug. 31 to buy a copy of We Are the Champions, on CD or vinyl (though you oughtta have one already), which will automatically enter you in the contest. First prize is the sold-out JEFF deck plus the Equilibrium Backpack packed with a crapload of stuff (see above). Second prize gets you the backpack with Volcom products and they’ve cooked up a third prize as well. Enter/purchase the record here.

Nashville

Modoc @ 12th & Porter 8/25/11

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Some of our favorite rock ‘n’ rollers are playing 12th and Porter Thursday night. Modoc’s Zeppelin-Petty crunch has been scarce in Nashville lately because they’ve been working on a new record, the first since 2008’s Passive Aggressive EP. That thing is awesome, but it’s getting fuckin’ dusty, so here’s to the upcoming release of Hard Times (it was reportedly finished this month…). Stay tuned. And go to the show. And you can still download the title track from Hard Times for free right here.