Photo Credit: Jerry Maestas

L.A. artist Wallice shares the music video for “Off The Rails,” the title track to her new EP, out Friday, June 4th independently. The video portrays Wallice and her band as avatars of a Sims-like computer game, with her actions unexpectedly controlled by a puppet master unseen until the very end of the video. It’s a humorous metaphor for the way our current lives seem to be directed by an ever-present but unseen hand.

Musically, the track is an effervescent slice of indie pop. Beginning with Wallice’s innocent, if slightly stoned solo vocal, she’s soon joined by angelic overdubbed harmonies that fill the listener’s ears, until the track explodes with the full-band arrangment: surf-style guitar with mixed electronic and acoustic drums share the stage with Wallice’s vocal.

Wallice says of the new track: “’Off the Rails” is about feeling like you don’t have any control over your life and that the world is against you—and that you’re the only one that feels that way,” which definitely seems reflected in lines like: “my life’s a mess but I don’t give a shit/I never try my best I learn to live with it. I live my life like I’m the only one going off the rails.”

Fuzzy synth bass towards the middle changes the vibe slightly, and soon Wallice’s vocal begins to feel as distorted and reverbed as the lead guitar. Eventually you can hardly tell the difference when her voice and the guitar blend into one another at the very peak of the songs’ build-up. The guitar almost becomes an extension of the narrator’s buried stress and desperation. Gabe Hernandez

Billy Kim’s a busy person. Along with being a multi-instrumentalist member of electronic musician Tycho’s touring ensemble since 2016, he’s also been hard at work making music of his own as Karaboudjan (a reference to a ship in the Belgian artist Hergé’s classic children’s comic strip The Adventures of Tin Tin). And now we have our hands on “Let Go,” the second single from his forthcoming debut EP, IMAGO, scheduled for release this September, along with and exclusive look at the new music video for the track.

Intended as a tribute to Kim’s late father, “Let Go” feels simultaneously chilled-out and hard-hitting, if such a thing is possible. If it is, it’s certainly thanks to Kim’s excellent use of dynamics in the production, with fluorescent synth pads and electric pianos deftly sharing space with reverb-drenched guitars, rubbery bass guitars, cavernous, strutting drums, and spiraling tape-delayed vocals, while the whirlpool-like builds to the chorus betray a definite psychedelic streak in his sound.

“I want to thank you for your time here,” sings Kim during the chorus. If this new single is any indication, we’re eager to spend more time in Karaboudjan’s musical world very soon. Gabe Hernandez

Tulsa native and L.A.-based psych-jazz auteur Byron Crenshaw unveils their second official work as The Growth Eternal. Clocking in at a brisk 10 minutes, Kensho ! EP, is a collection of six lovingly-crafted miniatures that offer, according to the artist, “…introspective sentiments on Black identity, love for the environment, social media anxieties, and more.” Crenshaw continues: “This EP comes from my direct experience, me trying to see and connect with my true nature. I hope it helps you like it helped me. If it does, that’s Kensho.”

Kensho is a Japanese word from the Zen tradition, roughly translated as “seeing one’s true nature.” And these six tracks, although just a taste, feel as if we’re getting a small but vivid glimpse into the artist’s inner world. The songs pulse with anxious and wobbly, pitch-shifted vocals; haunting, spiraling vocal harmonies; guitar fragments filtered through a broken kaleidoscope; skittering minimalist grooves, and elastic and jazzy bass lines reminiscent of L.A. jazz/R&B virtuoso Thundercat. In other words, it’s a view into a complicated yet fascinating musical world.

Here’s hoping that The Growth Eternal shares a fuller look at their true nature with listeners soon. A fuller sense of Kensho. Gabe Hernandez

Photo courtesy Trick Gum

L.A. duo Trick Gum is the work of producer Justin Raisen (Charlie XCX, Angel Olsen, Yves Tumor) and Jordan Benik of cult LA band Sweaters, and their debut single, “Hot Rifle,” sends out a strong current of left-field 90s indie pop quirk.

The new track marries tasty acoustic drums to a loping, charmingly clumsy fuzz bass, jaunty rhythm guitar touches, and gravely bass vocals. They show some real muscle in the chorus, with lines like “I am cheap perfume/I’m your prince of doom/Come get and eyeful/Of my hot rifle,” but overall the vibe is of two buddies horsing around, while still showing off their considerable skills in the studio.

The band says “‘Hot Rifle’ is about being pushed to the edge and losing your faith in societal norms, the moment you give up on the rules and consider stealing a very large amount of money, and the peace that dwells within you in this moment, freed from the constraints of principle… in other words, a summer jam.”

If only pondering grand larceny had a soundtrack a catchy as this. Gabe Hernandez

Photo: Joseph McMurray

LA artist Jonny Kosmo has built a dedicated following fusing immaculately-produced 70’s-vintage funk/soul tunes with an at-times truly surreal visual sense that evokes contemporaries Unknown Mortal Orchestra, albeit with a seemingly more playful and innocent heart. But with his latest video, “Fool,” which also serves as a preview for his upcoming album, “Pastry” (out June 4th on Feeding Tube Records in the States), he’s upped his game on both fronts. 

The track itself is a warm, pleasantly viscous slab of gently psychedelic slow-funk steeped in 70s Stevie Wonder-era synths, shimmering tremoloed guitars with occasional wah-wah lead flourishes, a bass line as thick as hash oil, and soulfully gauzy close-mic’d vocals.  

The accompanying video, however, left us questioning our sanity in the best way. Set in a hilly beige meadow that could’ve served as a Windows ’95 desktop background, Kosmo sings the title track while intently at work with a metal detector. He ends up crossing paths with an unusual new friend, and the dance party ensues. It’s simultaneously hilarious and unsettling, another example of the David Lynch-lite vibe that is quickly becoming a Jonny Kosmo signature. Gabe Hernandez

Photo Credit: Basil Vargas 

Lionel Deguzman, the singer/songwriter mastermind behind Lionel Boy, hails from Hawaii, one of the chillest places on Earth. Clearly the laid-back island vibe stuck with him, even after his move to his current home base of Long Beach several years back, as the first single from his self-titled debut album (Out May 14th on Innovative Leisure) demonstrates. 

“Mango Michelada” delivers a satisfyingly chilled-out, mildly psychedelic downtempo groove, with a minimal but assured beat draped by gauzy synth pads, while the breezy male/female “call and response” vocals amp up the sense of absolute cool. Overall, the impression is of a track that falls somewhere with within rap, RnB, ambient and psychedelic music all at once. 

Lyrically, the track is a softly stream-of-consciousness recollection of a past love that ended in betrayal. “All my life I’m fuckin’ with savages/looking for love in the wrong places,” sings the female vocalist, at first by herself with only the synths framing her. When Lionel Boy joins in to double her, just as the full arrangement returns, it’s a genuinely relatable moment of emotion that make us eager to hear what Lionel Boy has in store for us with his coming debut. Gabe Hernandez

More signs the light is at the end of the tunnel for the pandemic comes in the form of “Barbara Ann,” the sprightly, confident, but also wistful lead-off track from LA indie rock artist Rosie Tucker. 

Beginning tentatively with crystalline guitar arpeggios over a bed of soft static and guitar line noise, the track quickly blooms into a melodic brew of pleasingly crunchy rhythm guitars, sweetly endearing alto lead vocals, and breezy but half-jaded “oohs” and “ahhs,” joined later by a subtly humming, retro monosynth line. 

It’s a proper “75 and sunny” highway driving track, but its energetic sound puts a polished sheen to an simultaneously earnest and jaded lyric, with the narrator addressing the titular Barbara Ann with lines like “the life you chose that sent you reeling/How did it go? How was it,” while also reassuring Barbara by mentioning that “with a Louisville Slugger/Under your side of the bed/No one’s gonna hurt you now.” It’s a delicate balancing act, mixing hurt with hope, but Rosie Tucker pulls it off nimbly. Gabe Hernandez

RIYL: Soccer Mommy, Phoebe Bridgers, Alvvays

BONUS: Check out the lyric video for “Barbara Ann” on YouTube below (courtesy Rosie Tucker)

“Dazed by the simple things,” sings Shahana Jaffer towards the end of “Dazed,” the buoyant and shimmery new single by Los Angeles indie duo Junaco. We’re inclined to agree.

Junaco (consisting of both Jaffer and Joey LaRosa) embody the philosophy of “less is more” on the new track. It’s hard not to indulge in the atmospheric bed of chorused guitar strums; the warm, punchy percussion; the buttery, muted fuzz guitar lines that flit in and out of the mix like June bugs and, lilting above it all, Jaffer’s breathy and confident vocals, offering a measured dose of melancholy to softly patina the otherwise glittering sounds on display. Gabe Hernandez

BONUS: Enjoy a live performance of "Dazed" below (via the Junaco YouTube page)

Kiss Hello wants to share a moment. The project is the pseudonym of DTLA-based experimental/alt pop auteur Linus Landucci, whose most recent self-titled album is an effervescent blend of nimble yet blissed-out electronic instrumentals and endearingly melodic, guitar-forward indie pop songs.

Standout tracks include "Juicy Time,” with its acrobatic, Jaco Pastorius-style bass, spun-glass synth pads, softly bit-crushed drum sounds, and ambient vocal samples, which evoke a nostalgia for a past that may never have actually arrived.

Meanwhile, “Don’t Fret” and “Goodbye (Smiling My Way Home) are summery blasts of beachy jangle pop with a distinctly California vibe, perfect for blasting over the speakers on a long drive up PCH.

Overall, Kiss Hello’s engaging mid-fi aesthetic and wistful lyrics demonstrate an advance from their earlier, more lo-fi and ambient work, and bring them into 2021 poised to be the new soundtrack to your socially-distanced summer outings. Gabe Hernandez

Jake Hays jumps into his new single “Overcomplicated” with sufficient swag: his vibrant vocals, glazed with reverb, strut to a sexy drum rhythm, and a pulsing bassline that adds a sweet caramel groove to that. Hays discusses in the song the complexities of bad first dates, their brevity, and vast potential for comedic/horrific stories – based on the Goosebumps tribute music video, perhaps it is the latter? With its bouncy choruses and continuous sonic edge, “Overcomplicated” keeps its appeal simple and its theme the perfect conversation-starter piece. Stream “Overcomplicated” below for a thriller-fun video and a song that is scary good. – René Cobar

If all reminiscences were as charged as those in Los Angeles group Jacob The Horse’s new single “College Party Mixtape” we may all live happier lives. The new single is the group reliving college’s best nights via jolting fuzzed-out guitar riffs and an atmosphere of freedom. The band offers the grit of garage rock with enough anthemic choruses and pockets of refined skill to produce a lively brand of indie. The new single will form part of a March 5th release of the band’s record College Party Mixtape, vol. 1; stream the new song below to get the party started early. – René Cobar

Adult Books continue to get us excited for the release of their upcoming record Grecian Urn (3.26), with singles as breezy and cool as their latest one titled “Florence.” The new and quite elegant track sedates the senses most pleasantly – via a combination of softly picked electric guitars and a warmly plucked bass that both trot to a breezy rhythm. The vocals, seemingly distant but at the heart of the pastel-like composition, are soothing. “Florence” is the unexpected hug of a good friend in sonic form; stream the new track below and feel its heat. – René Cobar