L.A.

New To Us: Ambient artists theendisthebeginning show promise, have grounds to prove in live set

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There’s a lot to say about ambient rock outfit theendisthebeginning: They’re large.  Aside from being a 6-piece outfit, their music is all about soaring vocals and big prog-rock landscapes to the likes of As Tall As Lions and Circa Survive.  Tracks from their debut LP master machine [sic] offer layers upon layers of well produced space sonics and tight performances, making their first impression a truly memorable one. But it is in the live avenue where we’ll see how far theendisthebeginning can take their tracks. We’ll be keeping tabs with them.

L.A.

Local natives Local Natives host holiday bonanza at Echo Saturday night

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*Date Corrected* Just when you thought we couldn’t possibly shove enough Christmas joy down your throat, think again. The good people at L.A. Record host local natives Local Natives for a night of music, holiday gift giving and general all-ages awesomeness at The Echo on Tuesday, December 22.  Bring non-perishable cans of food for charity and Local Natives will give you a Christmas present (present TBD).  Advanced tickets are $5, at-door for $10.  Fans would probably like to know that the group are touring Europe until March just after this set, so this’ll be your last chance to see them until they come back all Europe’d out.

L.A.

LA newbie and songstress Meredith Meyer previews new LP tracks at Garden Party Thursday night

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Downtempo singer/songwriter Meredith Meyer pens music for the lost with the execution of a silent rock star. Under her signature whisper is a confidence that puts her in the company of Lex Land and Miranda Lee Richards, all while never scaring any of us away with truly haunting (and very Kate Bush-inspired) pop tunes.  Recent weeks saw the release of Meyer’s second full-length It’s Spooky To Be Young, whose tracks she’ll be previewing Thursday night at the Garden Party. (IsGoodMusic / EVFA / Sweet Heat PR present Meredith Meyer at the Garden Party, 542 S. Alameda, LA — 9 p.m.)

 

L.A.

Zooey Deschanel, Ben Gibbard and others join Aimee Mann’s Christmas show

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For the last three years, Aimee Mann‘s annual Christmas Show has provided variety holiday entertainment with the help of A-list indie buddies from all walks of life (thespian, musical and comedic) and this year’s no different.  This Sunday at Largo, the three-night event kicks off with two nights of music with Zooey Deschanel, Ben Gibbard, Mann’s husband Michael Penn and an expected number of surprise guests.  The first two nights are completely sold out, so your only chance of getting in will be for Tuesday night’s show.  With a past guest list including Paul F. Thompkins, John C. Reilly, Patton Oswalt, Amos Lee and Jackson Browne (just to name a very few), we’d suspect just about any night is a pretty fucking good night if Aimee Mann is your host.

L.A.

Paper Zoo finish tour with Roger Daltrey, would rather rock more than sleep

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Paper Zoo | "Paper Zoo"

It’s not every day you hear the words "self-titled track from their self-titled EP," but, alas, today’s one of those days. Just days after having finished a long string of dates with Roger freaking Daltrey, Linda Perry-mentored and local psych rockers Paper Zoo aren’t taking a day off. Check them out this Wednesday night at the Viper Room where they’ll be showcasing new material for locals who haven’t had a chance to see their live set yet.

L.A.

Superlocalgroup Big Whup play Echo Curio on Friday, size of whups TBD

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Good luck trying to pin Big Whup‘s sound down to a scene; we ended up sounding like Gene Shalit if he overdosed on Radio Free Silver Lake. ("It’s as if Win Butler teamed up with Prince’s backup vocalists, and the Talking Heads came over to their lockout and said, ‘Let’s have some ear sex or something.’ ") The group, made up of borrowed members from local bands like Pizza! and Morgan and Her Organs, are as grassroots and who-gives-a-fuck as you can get, so cheek–I mean, check them out at their Echo Curio set this Friday.  Details next to the naked bod below.

L.A.

Crash Kings deliver violent, multi-layered set at El Rey

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Crash Kings have a favorable identity crisis. The rock trio’s El Rey set last Friday as support for Rooney opened with their single "Mountain Man," a heavy, blues rock piece uncommon in local sounds.  But the southern grit seemed to end there.  What followed were high voltage piano-based big beat songs charged with loud, confident and tasteful pop anthems.  Best off, their power pop isn’t precocious.  Aside from proving themselves multifaceted, Crash Kings exhibited an unusually high energy from each member’s trying to topple each other in how severely they could beat the shit out of their instruments. A battle truly worth witnessing. -Hugo Gomez