New artist Kitty Coen is keeping Austin Weird with the release of her latest single “Dark Soul”. This "psychedelic disco cowgirl" will captivate you with her haunting voice but hold you with the catchy disco beat. 

Cowboy, psychedelic, alt-rock, disco and high fashion are just a few ways to describe the vibe of local artist Kitty Coen. Sound familiar? Although she is new to the scene, Kitty Coen fits right into the Austin motif. She was set to perform at SXSW 2020 but has gifted us with this single and video to help heal our cancelled and broken hearts. 

Fire up the big screen, cuddle up to the new kitten and buy a disco ball because her new song and video for "Dark Soul" will take you on a trip. This video is a journey into the altered mind of the artist. The beginning is reminiscent of Fear and Loathing in Las Vegas followed by a western night on 4th street. Truly a video not to be missed. 

With the upbeat tone and hallucinogenic visuals, do not overlook the strong feminist lyrics. What feels like a sexy party song is actually about being a desirable independent woman. She knows that men want her, but what she wants is a man who is not so clingy! 

Once the world opens up, Coen will be a sight to see live. With this being the second song she has streaming, Austin has a lot to look forward to.  

– Magz Baillio

Do you remember when The Mighty Mighty Bosstones and No Doubt were on the radio? When music videos were full of bright colors, weird angles, and sometimes flannel? Trace of Lime has achieved a nostalgia usually only brought on by watching a 90s hits playlist on Youtube. From the first second the video "Creature of Habit" started  till the last, I was drawn in to both old memories and admiration for the new music this amazing city is harboring. It’s bands and music like this that made me want to start writing about them, and Trace of Like has only anchored the hope I’ve held for what Austin bands can bring us all.

These guys are fun, energetic, creative in every video from "Business" with a unique twist on the fable of "The Three Little Pigs"  to the out right blatancy of color in "Creature of Habit". There’s always an obvious yet fun statement being made with every video they seem to do. "Creature of Habit" is "about dealing with things inevitably changing around you" the band says. A topic all too familiar today with Austinites dealing with Covid and our evolving city.

The video was written and directed by Jordan Karam, Trace of Limes lead Vocalist, who you see submerged in a solid world changing around him in the video. Dusana Risovic directed the video after hashing out the details with the band. "We wanted something visual to move the story, and chose red and blue because of their dynamic differences." In my personal opinion, this was an absolutely brilliant way to convey the message and keep up the pattern of fun play the band seems so good at doing.

Currently Trace of Lime are not playing any live shows, which has me screaming louder into the Universe to "PLEASE GIVE US LIVE SHOWS BACK!!!!!" It is an absolute travesty that a band so good as these guys, has to be quarantined away, fearfully until 2021. They are however, planning to finish work on their current album and have already started planning out the next fun video for us all to enjoy. Until then, check out "Creature of Habit" on YouTube, follow the guys on the social places @traceoflime, and keep your fingers crossed that we all get to see these guys play live again soon.

-Michael Lee

Austin’s hardcore music scene is quickly evolving and picking up momentum. The best evidence of that is the punchy and powerful partial debut of Exhalants new album, Atonement. The album is stocked with hard-hitting tracks such as “Bang,” which sends tremors of rage and exultation down listener’s spines. Exhalants comprise of a trio of compact heavy guitar riffs, crashing drums and intense vocals that rip through each song, creating a multi-front assault on the senses.

Diving into “Bang,” we instantly feel the distorted bassy guitar riffs which resonate power and raw energy, and seemingly imitate the heavy metal version of a Beach Boys phrase. All of a sudden, screamingly loud vocals come into play, and punchy drums follow, which rip through the little bits of background silence left behind from the awesomely intense guitar ostinato. Virtuosos of mastering intensity, Exhalants’ Steve, Tommy, and Bill absolutely shred through the song and leave no doubts left behind about their skill. 

    As the song wraps to a close, the crash and deep instrumentals that Steve, Tommy, and Bill create continue to persevere and they even add entirely new vocals and slides into the picture. With twenty seconds left, the drums begin to fall out of the picture, leaving behind a guitar and vocal duo that could make you shout and yell with excitement. Together the duo work together to leave no note left untouched and to fill each and every moment with the punchyness that the Exhalants are renowned for. 

On September 11th of 2020, Exhalants’ LP Atonement will be released, and if “Crucifix,” “Blackened” and the rest of Atonement is equally loud, this premier is sure to meet Exhalants mission of being “loud as fuck.” Likewise, with Steve on throat and guitar, Tom on drums and Bill on bass, we are absolutely sure to see one of the craziest, punchiest and most extreme albums that they have ever dropped. Mark your calendars for the 11th Austin, you don’t want to miss this one.

-Eric Haney

Fresh off announcing his multimedia collaboration, A Home Unfamiliar, which also doubles as a COVID-19 relief project, Austin artist Mobley is back with a Foster The People-led rework of his single, “Nobody’s Favourite.” 

Originally released as a single in February 2020, the “Nobody’s Favourite” rework is the anchoring single to Mobley’s new EP, Young & Dying in the Occident Supreme. Thought initially as a self-described “dancepunk number,” the Foster The People rework pulls away from the “punk” portion and pushes full-steam ahead towards the “dance” side of the original concept. 

Unintentionally or not, the original version of “Nobody’s Favourite” leans awfully heavily on a couple of teeter-totter guitar riffs quite similar to that of Tame Impala’s “The Less I Know The Better” and “Do I Wanna Know?” from The Arctic Monkeys. With the Foster rework, thought the riffs are still present, the track is reimagined in the shape of a punchy, hypnotic synth-pop dance track not out of place among the catalogs of the DFA label releases and Theophilus London.

As quickly as anything becomes relevant in 2020, it is buried beneath an unending pile of other; a song from February may as well be from another lifetime. For Mobley, the rework feels like a reminder, perhaps even a pang, of all the late, summery dance nights currently shelved (or relegated to Zoom) until further notice. 

-Benjamin Wiese

Photo credit: Andrew Bennett

A Home Unfamiliar is an experimental collaboration in music and filmmaking conceived and directed by musician/multimedia artist Mobley. The project brought together 30 musicians and filmmakers from all around Austin, TX, to create a visual album over the month of April 2020. Each artist had two days to create their segment, having seen or heard only a small portion of the previous artist’s contribution. The finished product is a single collective work that explores each artist’s unique experience of profound isolation and interconnectedness. Today you can watch A Home Unfamiliar at Alamo on Demand. All proceeds will be going to Central Texas Food Bank and The Dawa Fund, an organization providing direct aid for people of color serving as artists, social workers, teachers, healing practitioners and service industry workers.

The list of collaborators is meant to highlight the depth of Texas’s talented and thriving music and film scene. At the helm was Mobley, whose new EP was scheduled for release in May but was delayed due to the COVID-19 pandemic. Jim Eno shares his first solo work, after decades behind the kit in legendary indie act Spoon. They are joined by Shakey Graves and acclaimed composer Graham Reynolds, known for his work scoring Richard Linklater films. One of the filmmakers, Jonathan Horstmann, had to make a cross-country move and ended up creating his piece entirely from the passenger’s seat, while another, Shannon Wiedemeyer, didn’t have access to her professional gear in quarantine, so she shot hers on her childhood camcorder. See below for the full list.

On the idea behind A Home Unfamiliar, Mobely says "I came up with the project because, like so many, I felt bewildered and helpless in the face of the global pandemic. But I looked out and saw countless people working hard and braving incredible peril to get us all through this. The work I know best is music and filmmaking and I knew there must be a way to direct that work toward their crucial efforts. Pooling the talents of a bunch of musicians and filmmakers for a project like this seemed like a great way to raise some money for COVID-19 relief, but the radically collaborative nature of the project is also a compelling demonstration of the beauty and potential of collectivism. Virtually everyone involved has expressed how meaningful it’s been to contribute to something greater than themselves at a time like this."

Generous charitable donations were provided by Alamo Drafthouse, Franchise Charities, Karbach Brewing Co., Last Gang Records, Lyft’s LyftUp program and Ozarka® Brand Natural Spring Water. 101X, KUTX and Do512 added promotional support. All the artists donated their labor, with the goal of using their art to help those affected by the pandemic.

While many things in the city of Austin have been placed on hold because of the ongoing pandemic, The Cuckoo’s have released a bit of hope for us all, in the form of a new video for their song "I’ll Be Ur Tramp". The Cuckoo’s have been a staple among band names, in the Austin live music scene for a few years now. Front man Kenneth Frost, along with his motley crew of band mates, Dave North, Eric Ross, and Cole Koenning offer up a chemistry that is impossible to ignore within the electrifying almost synth pop originality of the music they have created and released, untamed and unapologetically, into the streets and ears of both local and national fans.

 "I’ll Be Ur Tramp" is the band’s first video release for their upcoming EP "Honeymoon Phases", with no set release date, as off yet. Both song and album come after the fantastic success of "I Hate Love", the bands first self titled album. Songs like "Lady Boy" and "Why Don’t You Call Me Anymore" give a funky twist on familiar inspirations from bands like The Talking Heads and Pink Floyd, while paying tribute to artists such as David Bowie.

"A funky soulmate diddy about finding a partner in crime to walk through life with," Kenneth tells me, is the feel he was going for with writing " I’ll Be Ur Tramp". The video is simple yet enticing, inviting you to stay and watch the eccentric frontman dance and sing alone next an old TV flickering clips from previous Cuckoo’s music videos and live performances. Frost also conceived and directed the video himself, proving he’s more than just a pretty voice wielding a keytar!

With the success of their last album, there has been pressure to produce equally ear catching tunes and barbed hooks with new music for the band. The Cuckoo’s don’t seem to be letting the pressure get to them, and keep on hammering out smooth and funky acid pop hits like "I’ll Be Ur Tramp". If anything is apparent, it’s that this band is here to stay, and they are going to keep putting out songs and videos that make you feel good and remind us all that "it’s ok to be a little sexy and dirty sometimes."

-Michael Lee

 Austin’s own song-writer, producer and MC, Randell “Kydd” Jones, is making history with new hip-hop, neo-protest song “Goblin”. While most musicians are scratching their heads in response to the screeching halt of live music, Jones pushes forward and refuses to let anything slow the progression of Black music in Austin.

Jones starts “Goblin” off by asking, "Yall want to be civil or want civil war?" Written and recorded as a form of therapy after attending a civil rights protest, the track directly addresses the unjust killing of George Floyd in the first verse. The self-produced beat carried by it’s soothing vocal pads and throw-back shuffle groove, is a perfect landscape for the MC’s stark rhymes.

Kydd Jones started rapping with his brother (Tank Washington) as a teen, going on to perform at clubs like Victory Grill, a historical Black Music Bar/Venue in East Austin, while still attending high school. “Sometimes when I was younger, it felt like a struggle just to make people outside the hiphop community […] care about what we were doing,” remembers Jones. More recently, the MC performed as part of the first all-Black artist line-up of Austin’s Blues On The Green, aptly renamed to “Blues On The Screen” due to COVID-19 restrictions. 

In the current dystopian state of Austin, “Goblin” is the introspective, fever dream anthem we didn’t know we needed in 2020. “It was just an organic experience of recording the track and releasing it immediately the next morning without any kind of real rollout,” says Jones, concerning the streamlined production of “Goblin”. Regarding goals for the rest of the year, Jones states “My plan is honestly just to take care of my family and make music that inspires me.”

– Chris Lopez

The Greyhounds’ July release “Primates” delivers an expansive, neo-soul sound drenched in 1970s disco and African Jazz. Recorded at songwriter and guitarist Andrew Trube’s East Austin studio, the material has embraced a new purpose in the wake of Coronavirus culture and a halt to live performing. 

Trube and keyboardist Anthony Farrell worked with Los Lobos’ multi-instrumentalist and producer Steve Berlin to take a chance on co-writing material and experience a different creative process than seen on their previous albums.

“It’s definitely our heaviest record,” Trube said. “It’s the one we let go the most on. Steve was able to take us and help lift us up sonically, musically… A lot of this album was about letting go and being open to ideas.”

Due to uncertainty in the music industry, many artists have postponed release dates for material that would typically coincide with record store signings and promotional tours. When the Greyhounds were faced with the cancelation of East Coast and European dates, they decided to go ahead with the release in solidarity with the artistic community.

“If anything people need music and art to reflect on,” Trube said. “It’s made us kind of reflect and look at things that take that energy that we would use, which is a big piece of energy like touring, and be able to focus on some other things.”

Trube has seen the longest break in his career since his first performance at 14 years old. The unexpected break has lended time to songwriting and rehearsal for the material on “Primates”, which marks the 20th anniversary of the Greyhounds conception. “It’s pretty fascinating to navigate this time right now, especially as an artist. It’s kind of had the rug pulled out from under us,” Trube said.

“Everybody’s figuring out a way to keep moving forward, and I think a big renaissance is going to come out of this.” Trube found an outlet for creativity through producing live streams at Bud’s Recording Services, a historic motorcycle shop that was converted into a studio and mixed-use development space for themselves and fellow artists.

“There’s just nowhere else to perform or get your music out, you have to do it all online,” Trube said, “but you have to keep it fresh and keep new things happening.”

While venues and artists have coexisted in creating an experience for concert goers, the equipment needed to produce an atmosphere and professional sound for live streams is something many groups do not have access to. Trube added multiple cameras to their studio and quickly learned how to produce live online content for their Youtube channel Bud’s Records.

“It’s really made us look at every aspect of our performance, from making the right sounds, to what it looks like, because it’s the only way for us to reach out to our fans,” Trube said. “It’s been a real weird transition for everybody.”

Over the past two months, Bud’s Recording Services has hosted live streams for Tameca Jones, The Marshall Hood Band and The Last Jimenez, with future dates scheduled for fellow artists and non-profit organizations. Trube has seen some weather the storm by applying for unemployment assistance and finding work with restaurant delivery services.

“Everybody’s trying to find a Band Aid to be able to help the hemorrhaging a little bit,” Trube said. “The flame is still lit, you know, there’s still hope. People are going to need entertainment when we come out of this, more than ever people are going to need that energy.”

– Andrew Blanton