Blending and often juxtaposing elements of pretty much any genre out there, from Pop to Doo-Wop, from Americana to Math Rock, and using all sorts of instruments to do so, Brooklyn’s In One Wind can be described as a big musical carousel. The band is about to release their debut album "How Bright a Shadow!" on August 16th and the 2 songs available for free preview (embedded below) are very promising. This is obviously a group of people belonging to the that category of musicians who are trying to find new musical paths within the pop realm, and these tracks succeed in being at once entertaining and interesting – something both pop and experimental music too often fail to achieve. Don’t miss their upcoming shows at Rockwood on 08.12 and Sycamore on August 19. We recently sent the band a few questions, you can read the full interview here.
Weekly Feature: Mister Melt
On “Drive Your Car,” from its forthcoming debut EP, boy-girl duo Mister Melt sings about cars, sex, fighting, and dancing—the Big 4 of rock ‘n’ roll. Mickey, the band’s car-averse singer and guitarist, calls the tune “totally ironic,” but “escapist” is more like it. The sampled drums evoke Escape Club’s party-starting 1988 hit “Wild, Wild West” — still a highway howler, even if it’s a blatant Elvis Costello rip-off — and Mickey’s vocals suggest at least some affinity for ‘50s and ‘60s American pop culture. If nothing else, Mickey and Maria dig how Brits like the Jesus and Mary Chain recontextualized malt-shop memories. – See Mister Melt at Cake Shop on July 24 and at Bruar’s Fall on July 31. Read Ken Partridge interview with the band here.
NYC Artists on the rise: Ghost Ghost play Knitting Factory on Saturday July 30
The term "ghost" encapsulates a lot of ideas. Poltergeists, dead relatives, revenge bent evil spirits, lonely souls with unfinished business, Casper, pixilated Pac-Man enemies… anyway, Brooklyn band Ghost Ghost is like that, in a way. They encapsulate a lot of genres, though they choose to define themselves as freak-folk. Kevin Peckham (vocals, bass, keys) and Karl Ward (vocals, percussion, guitar) lead a mixed bag of musicians and artists on a journey that is both strange and familiar. It would be like seeing a phantom band led by Jeff Buckley and Jerry Garcia fronting a jammy, catchy blend of gentle spirits. Channeling influences as diverse as The Mountain Goats to Leonard Cohen, Ghost Ghost will be at The Knitting Factory on Saturday July 30. Check out their music here. – allison levin
U SAY USA and Jangula play House of Yes on Saturday July 23
There’s an interesting selection of rising Brooklyn bands a the House of Yes on Sat night, within the "Viva Vuvuzela" fest.
U SAY USA, coming off their recent residency at the Trash Bar and appearance at the Northside music festival will be one of the highlights of the night with their indie pop-rock . Also on the line up is Jangula, an excellent BK based band who made our "Best of 2010" list and has been building up their resume with lots of press. Event details here.
Caveman on the cover of The Deli! Read issue #27 online in pdf format!

Click on the cover (or HERE) to get to the pdf file – enjoy!
Bird Call premieres Video for “Waltz in the Snow” + kicks off tour
Bird Call, the work of Brooklyn musician (but San Francisco native) Chiara Angelicola, landed number 75 on the Deli’s Best New Emerging Artists of 2010 poll (the full results can be seen here). She grew up listening to her mother play music, serenading people with a plastic microphone throughout her childhood. Before moving to New York in 2009, Angelicola rocked the Bay Area scene, winning honors and showcasing at the International Folk Alliance in Memphis, Tennessee. Bird Call’s new EP of cover songs, "Other Creatures", was released in the spring, marking the second time Angelicola has collaborated with Joel Hamilton, producer of music giants such as Elvis Costello and Tom Waits. Haunting and nostalgic, endearingly sincere and mindblowingly creative, her music ranges from a warbling pop sound to morose and elegant pieces. The Deli is premiering here Bird Call’s new video for "Waltz in the Snow", the song that won her the International Songwriters Competition award as judged by Tom Waits and Peter Gabriel among others. Bird Call will kick off her summer tour with Johanna & The Dusty Floor with a show at The Knit on August 2.
NYC Shoegaze Label launch party on July 23rd at Bruars fall with Dream Diary, Telenovelas, Youth Castles + more
To celebrate the launch of the brand new Bleach Blonde Records, Richard San Luis and crew will be hosting a party on Saturday July 23rd at Bruar Falls in Brooklyn. Scheduled to appear will be Bleach Blonde recording artists Telenovelas, Blemishes and Youth Castles. Non-label mates Young Boys and Dream Diary will also be playing later in the evening, with DJ sets from members of Young Boys as well.
Blemishes debut single release "Keep It Quiet" does anything but that. Squalls of harsh feedback eventually give way to pitch-bended guitar chords and cathedral hall vocals. The percussion is forward forceful, allowing the bass to slither a groove while layers of guitars and vocals float you down alleyways of pleasurable dreams.
Youth Castles take the dream vibe in more romantic directions. There is a soft soulfulness to "Sight Seeing" which finds patterned percussion segments deeply embedded against the swirling, reverberated vibe. It’s lush and dramatic, and could be the soundtrack of your wonderful summer, if you would just let it.
Host band Telenovelas in the picture) have progressively evolved over the last year. Since the release of their 3 song EP a year ago, their steady gigging has seen them grow more confident and dynamic with each successive show. The band will soon release a brand new studio track – "Lost in the Sand" via a split 7” single with Australian solo artist Colours on the other side. Hop on over to Bleach Blonde and check out other up and coming artists and stay tuned for future BB releases/showcases. – Dave Cromwell
Bear Hands debuts video + kicks off west coast tour
Deli cover band of our Summer 2010 issue, Bear Hands just debuted the music video for "High Society", which the band’s guitarist, Ted Feldman, had a "hand" in directing, together with Andrei Bowden-Schwartz. The video is like a moving mosaic – a myriad of tiny videos of the band playing form the bigger, moving picture. To realize this the band stood in front of the cameras performing "High Society" 78 times. The directors brought the overwhelming footage to New Orleans to be edited with the help of Bob Weisz, who directed Big Freedia’s video for "Y’all Get Back Now". This video comes on the heels of the vinyl release of Bear Hands’ debut album, "Burning Bush Supper Club". The Brooklyn four-piece started a new national tour yesterday in Washington, DC and will rock the stage of Webster Hall on October 30 with opening acts, We Were Promised Jetpacks and Royal Bangs. – Abigail P. Devora
Pursnatchers release video + CD release for “A Pattern Language” at Union Hall on July 22
We introduced these new promising Brooklynites to our readers here back in May, they just premiered this video for "Wet Cement", fashioned after a scene from Francoise Truffaut’s 1960’s film, "Shoot The Piano Player". Pursesnatchers, which features members of Au Revoire Simone and Dirty on Purpose, will be celebrating the release of their debut CD "A Pattern Language" at Union Hall on July 22.
NYC Artists on the rise: The Echo Friendly releases single + announces EP
Borrowing in equal measure from the bubble gum ballads of the 60s and the decadent atmospheres through which – during that same decade – The Velvet Underground were implicitly fustigating that music and a few other things, The Echo-Friendly’s new single "Same Mistakes" is pretty much a contradiction in terms. The band’s sound, also because of the addition of a female voice, has obviously evolved tremendously since the debut EP "Still Not Sorry", released at the end of 2010, which was faithful to the dark ballad format, but carried much stronger rootsy influences. The single was released a few weeks ago on Cantora Records. The foursome is well into completing its first EP, expected to come out this fall.
Sam Mickens premieres video for “One Final Round” + Upcoming 7″ – Live at Silent Barn on July 30
Sam Mickens has, since his teen years, been a shadowy figure operating across the landscape of international pop music with an experimental edge, in groups The Dead Science (Constellation Recording artists), Xiu Xiu (which he’s recently rejoined and for whom he’s presently composing new material) and Degenerate Art Ensemble, and acting as a sideman/guest musician with artists ranging from Daniel Johnston to Carla Bozulich. Additionally, for the past few years he’s been extremely active composing music for large-scale modern dance works by a number of choreographers, as well as creating his own epic performance works, both as co-chair of the now-defunct Villainaires Academy and most recently under his own name. He presently lives in Brooklyn, NY, where he leads his large ensemble Sam Mickens Ecstatic Showband & Revue. You can see him live at Silent Barn on July 30.
Experimental NYC: The Human Carpet, Borts Minorts and Little Band of Sailors
We welcome new blog contributor Valerie Kuehne, a Brooklyn based cellist and composer, who will write for The Deli about experimental/performence music. Valerie curates the live experimental series "The Super Coda" out of Cafe Orwell in Bushwick.
When I first moved to this city I took a Craigslist job working as an ‘assistant’ for The Human Carpet. This meant attending happy hour at a handful of dive bars and lesbian clubs, helping roll The Human Carpet into his carpet, standing on top of "it" for the next 2 hours, encouraging everybody within 10 ft. to do the same. The compensation was 20 bucks plus drinks. So it seems this is the fate of performance art.

But then there’s Borts Minorts. Borts plays a ski. Borts dresses in a head-to-toe spandex suit that walks a distinguished line between condom and intergalactic time capsule. You kinda want to reach out and pet Borts. You want to take Borts home to meet your family. You are also vaguely afraid that Borts might eat a kitten. Clearly Borts carries the torch once ignited by Laurie Anderson and Klaus Nomi, god rest his soul. However Borts is living dissonance, and while you might see him accompanied by dancers, they are less exuberant and more scary, scantily clad or dressed in burkas depending on whatever zeitgeist he’s feeling by the hour. His songs rarely span more than a minute and there is darkness. His eyes burn with a nostalgia hungering for the grit and freaks of old New York, leering behind the scenes of Taxi Driver and scarcely escaping that fated commute in The Taking of Pelham 123..

The resurrection of Borts Minorts (it’s true, he started a family and briefly left the circuit) took place at Cafe Orwell, during a Super Coda show 6 months ago. Borts was summoned by Little Band of Sailors (in the picture), the brainchild of Rachel Mason, a Yale graduate whose degree was underwritten by gay porn and whose press kit is staggering. Ms. Mason’s Band of Sailors includes a revolving cast of personalities and a dizzying sequence of costume changes that pay homage to as many star-struck figures and iconoclasts as will fit into a 40 minute set. (Lately Ms. Mason has been spotted dressed like Borts). In the spirit of all tortured heroines her sound pulls P.J. Harvey out of quicksand by the hair while recounting a rich tradition of witchcraft. She is soothsayer, harlequin, medicine woman, demolishing any accountability to history through terrified hysteria and incongruous outbursts. Before the resurrection, I helped her roll Borts up like a mummy. I have no idea who inherited the Human Carpet gig.
Both Borts Minorts and Rachel Mason will be featured at this years Experi-MENTAL festival at Goodbye Blue Monday, August 5-7th.