At a DIY junction between industrial, goth rock and contemporary noise, Brooklyn’s Dolores Boys introduced themselves at the start of the year with a dark self-titled debut (Psychic Mule). Drilling, screeching, rasping sounds, distortion, bad recording and ominous drumbeats, inspired by ‘sado-masochism’ and ‘confusion’… neither techniques nor influences matter much as long as the sum is unhinging. Even ‘Jesus Gave Up On Blues Singers’, filled with silence and minor tones, is somewhat a soft torture of a blues track. Recording in ‘a claustrophobic coffin of a box 6 steps down’ with a balance of pedal effects and odd electronic noises, the duo sustains the angst as the soundtrack to their horror scenario drifts from chaos to eerie calm. On July 19th they played a noise rock party at Xpo929 with Insect, Hot Tub Panorama and Ice Balloons. Tracy Mamoun