Pictured: Shego is a Madrid-based dulce punk band

It’s a sad-but-true fact that by far most Americans are monolingual pendejos—and I hasten to add this applies to yours truly too cuz those two years of college Fraunch stuck about as well as frog legs to a Mack truck’s tires—and this in a country where almost 20% of the population is Hispanic and/or Latin American (almost 30% in NYC!) but lucky for all us gringos you don’t need to know Spanish to groove to all the great Spanish-language music on offer in our fair city with various organizations and events serving as both a guide to cultural outsiders and a haven for Latina/o indie music lovers…

…with indie music broadly defined not only as genres typically covered by this publication, ranging from shoegaze and punk rock to techno and jangle pop and hip hop, but also the many indigenous Hispanic genres that likewise exist in the independent and underground realms of musical culture ranging from psychedelic cumbia to charango music like for instance the Brooklyn-based pan-Latino band Eclectic Charango Beats who take the plucky Andean lute and spike it with heavy doses of psychedelic headiness and Chicano roots music as on their latest single  "Amigo" (feat. Miles Solay), a song that "moves with cumbia and rock and talks about mental health through a metaphor about the violence left by the armed conflict in Colombia"…

…and then there’s the recent U Street Festival held at Maria Hernandez Park in Bushwick this past April, hosted by the lovely and talented Ximena Zuluaga, with bands running the gamut from merengue punk (Hecho En Brooklyn) to Latin-Venezuelan fusion (La SaZound) to queer-identified operatic electroclash (Chico Raro) to "new wave meets No Wave" punk rock (Spite Fuxxx) plus many other styles besides with the stated goal of the all-day fest being “to create a crossroad for the spectrum of the people that live in Bushwick today” in response to rapid change and gentrification in the neighborhood (quoting from festival co-organizer Diana Hernandez working alongside Lucho Parra) by bringing together various otherwise Balkanized alternative music scenes in a locale where they already oft-unknowing co-exist…

…with the aforementioned gentrification vividly portrayed by Ridgewood’s own (a Queens neighborhood adjacent to Bushwick) Maria Lina a.k.a. Maria Machete, one of several vocalist/multi-instrumentalists in local punk rock combo Frida Kill, in "Mujeres Con Mangos" from 2022’s EP 1, a song inspired by reports of undocumented workers being arrested for selling churros in NYC and a memory I have of passing by an old family friend Margerita, who sells mangos year round on Knickerbocker Ave., getting ticketed by cops in the bitter freezing cold for selling mangos as described by Maria to Kate Hoos in the music blog Full Time Aesthetic…

…who are but one of the players on in the vibrant Latinx punk scene as witnessed both at the recent annual Latin Punk Fest held at the Windjammer last month in Ridgewood, Queens featuring Sebastian Ortiz, Mau, Wakala, Microprismas, Depression Tropical, and Mal De Ojo, and also at the Abort the System showcase and fundraiser (“fund abortion, not police”) held at Bushwick’s May Day Community Center in March 2023… 

…which featured a panoply of international and immigrant punks such as NYC hardcore badasses Kārtël, a band comprised of immigrants from Brazil, Colombia, and Mexico, and let’s not overlook the local Latin-American metalhead contingent either as represented by Non Residents (“no flags or race / divide our way / no shit to obey / we don’t discriminate”) nor the experimental electronica (Slic), alternative pop (Valley Latini), and hard rockin’ rawk (Joudy) artists relocated to NYC from South America as previously profiled on this blog and of course we’re leaving out many, many others…

…and when it comes to the broad spectrum of indie pop/rock/electronica from the Latin/Hispanic diaspora in New York City there’s a new player in town known as SON Estrella Galicia who made a memorable entrance with their kickoff event at Baby’s All Right a couple weeks back featuring a beer tasting paired with live sets by Brooklyn-by-way-of-Madrid-and-Galicia songstress Marem Ladson (Deli profile coming soon!) and local hypnotic-motorik-psych-rockers GIFT and in case you were wondering son means sound in Spanish and serves as a prefix for various Latin American genres such as son cubano as famously brought to the masses by Buena Vista Social Club back in the late ‘90s…

…while Estrella Galicia refers to a brand of beer from the Galician region of Spain brewed since 1906 by five continuous generations of the Rivera Family with funding from 100% Spanish and independent capital in accordance with the ten principles of the UN Global Compact and Sustainable Development Goals but best known to hopheads for their lager made from a mix of blended malts and bittering hops but if you’re looking for something to pair with wild boar or roe deer cooked over deep coals with spices and aromatic herbs garnished with chocolate then allow us to recommend the 1906 Black Coupage which received a gold medal at the World Beer Awards a little while back…

…and yeah you caught us quoting/paraphrasing from the Estrella Galicia press kit but rest assured this ain’t no paid endorsement and when we say the beer is quite good and does the job it’s meant to do it’s not because the Riveras paid for our staff to take a Harlan Crow-style luxury vacation via megayacht across the South Seas tho’ it’d admittedly be hard to turn down such an offer especially with the air in NYC being unsuitable for breathing at the moment (thanks a lot, Canada!) but for now we’re mere unpaid shills and mostly proud of the fact given how most of our staff are Bernie-lovin’ card-carryin’ commie bloggers who regard all forms of mercantile exchange as a filthy sin except for when it comes to drink tickets (they always accept drink tickets) and complimentary finger foods too…

…but I digress from the main point of how SON Estrella Galicia is dedicated to bringing independent music and emerging artists from the Spanish-speaking world and beyond to receptive audiences the world over and thank goodness they’ve made their way to these orange-hued shores cuz it’s high time someone endorsed the pairing of music and beer and introduced us to a bunch of cool new music from the Hispanosphere cuz we’re always up for cool new music, monolinguism be damned, and for expanding the DeliCorp brand in the process…

…which you already know if you’ve been listening to our “Deli Delivers” monthly playlists which routinely feature rock en español from Mexico, South America, and yes even Spain especially in the realms of shoegaze, noise punk, psychedelia, garage rock, grunge, and dreampop that so many Spanish-speaking/bilingual bands seem to have mastered and carried into compelling new directions…

…like for instance artists like Margaritas Podridas (Hermosillo, México), Lorelle Meets The Obsolete (Baja California, México), Sonic Emerson (Ciudad de México), Generacion Suicida (SoCal), The Slashes (SoCal), shego (Madrid), Soleá Morente (Madrid), Sexores (Ciudad de México via Ecuador), El Shirota (Chiluca, México), Silvana Estrada (Veracruz, México),  Melenas (Pamplona, Spain) and Cala Vento (alt Empordá) to name but a handful…

…and hey here’s a "Rock En Español” playlist which is a work in progress being unveiled here for the first time for your listening pleasure and personal betterment and hey we haven’t even touched upon many of the many, many other artists of Latinx ancestry that are prominent on the NYC indie scene including Alexandra Blair (The Silk War), Katie Ortiz (Debbie Dopamine, batsbatsbats ghostghostghost), and Sofia Zarzuela who wowed the crowd at the recent Great American Mud Wrestling Show in Bed-Stuy but that’ll have to wait for another time…

…so check it all out if so inclined cuz it’s good for ya to get outside your own hermetically sealed bubble once in a while (if not your hermetically sealed apartment) and there’s a good chance at least some of this music will speak to your heart and soul no matter your native tongue… (Jason Lee)

NERO//FLESH is a band we admittedly know very little about—and would know nothing about if not for a brief email from a relation of the band with an advance SoundCloud link to their debut full length Disposition of Intimacy released this last Friday—but sometimes that’s a good thing which is easy enough to forget in today’s media-saturated Debordian society of the spectacle in which it’s not unusual for an upstart band to come armed with a slick electronic press kit ("EPK" to all you bizzy insiders) and a TikTok page full of would-be memable content involving cats (of course) and doubloons, biscuits n liquid silver ladies none of which makes a lick of sense tho’ we respect the hustle…

…but if you really wanna stop making sense, it can make even more sense to go the opposing direction by daring to remain more than a little enigmatic if not outright inscrutable which is a pretty neat trick to pull off in this day and age when your average Joe or Joesephine leaves a detailed digital footprint practically from birth (or literally from birth if your parents livestreamed your exit from the womb) comprised largely of drunken selfies and massage parlor Yelp reviews…

…and it doesn’t hurt to write songs full of gauzy, smudged melodies and hypnotically pulsating “tribal” rhythms and ambient, swirling timbres and reverb-laden-drifting-in-outer-space vocals veiled in spiderwebs of chiming bells (“Fragile Replacements”) and synth swells (“Random Hold”) and lush harp arpeggios (“The Ritual of Seasons”) and sepulchral piano tones (“Loose Change”) with influences sounding like they likely range from This Mortal Coil to Massive Attack to Saint Etienne with carefully sculpted arrangements giving the whole thing an Eno-esque Music For Films quality…

…which is exactly what NERO//FLESH do and they’re smart enough to understand nothing spoils the mood of a gloriously introspective dark-hued dreampop/triphop/shoegaze song more than looking the listener directly in the eye (ergo “shoegaze”) whether figuratively or literally so it’s just as well they keep the biographical details and representational visual imagery to a minimum with the latter geared more to a Vaughan Oliver-esque “use of texture, shapes, and mood in an overall disorienting yet cohesive manner” aesthetic…

…which is exactly how the “Flesh” from NERO//FLESH (a.k.a. Richard Flesh, a.k.a. Richard Penzone) describes his own visual art on his webpage—Richard’s other projects include Color Film, Immaterial Heat, and Head Automatica plus the occasional “Ketamine assisted psychotherapy” natch—and yeah I said "on his webpage" so there is a little info floating out there in cyberspace tho’ ultimately I decided, assisted by laziness, not to attempt to solicit any more hard facts from or about the band outside of M. Flesh’s thumbnail profile…

…cuz I’d rather just assume lead singer Lucy Nero (good luck finding any info at all on Lucy Nero and tho’ I’ve since found out her “real” name I’m not sharing it here, so there) whose breathy delivery (“Asphyxiation”) doesn’t mean she can’t let loose with a bone-chilling scream when called upon (“Random Hold”) suffers from Cat Power/Hope Sandoval levels of stage fright and performs with her back to the audience even though for all I know both Lucy and Richard are unapologetically loud-talking, mouth-breathing, endlessly blabbering extroverts (tho’ somehow I doubt it) but anyway there’s no reason for us to know either way and potentially ruin the cloud-castle majesty of their music…

…cuz even just learning that lead-off track/lead-off single “Sayings In Slow Motion” is “a deep dive into an area of extreme spiritual and sexual repression from the point of view of someone approaching the early stages of adulthood through an abstract and contradicting lens [in a] cinematically atmospheric fashion” would feel like a violation of our non-existent non-disclosure agreement if it weren’t for the description not making a lick of sense to me which is just as it should be because music as immersive and enveloping, as sumptuous and mysterious as that found on Disposition of Intimacy doesn’t need to be explained even if I just spent six paragraphs not explaining it… (Jason Lee)