NYC

Rhys Tivey eyes the future optimistically on new track “Hopes”

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 It’s hard to be optimistic about the future these days for any shortage of reasons (that needn’t be listed in this piece for fear of inducing a panic attack for both writer and reader), yet Rhys Tivey embeds a steady resolve in new single “Hopes.” With a strong emphasis on chilled synth and bright horns, Tivey’s falsetto details love’s ability to overcome in terms sentimental, ever aware of the obstacles inherent to being together forever while expressing a desire to weather the storm (“while no one really believes in forever, can we stay together forever?”). Moreover, the track’s grand designs and emotive theming are drawn back by a minimalist approach to production, wherein accent vocals and trumpet lines seemingly float in and out frame, inducing a dream like quality reminiscent of acts like Rhye and San Fermin. Give it a listen below, and keep an out for Tivey’s debut record, out later this spring.

Chicago

Ngozzi “Just A Girl”

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Singer/Songwriter Ngozzi recently released her debut single "Just A Girl". This is a blend of folk and soul that fits perfectly with the her lyrics about finding yourself in a different place than you thought you would be when you were "Just A Girl".

New England

Mike Dubb is wacky-good in new single “Regular”

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Some tracks just cannot be denied, and that is the case with Mike Dubb’s latest effort “Regular.” The new song, and accompanying visual, are wacky-good with a beat that is hard to resist and anime-style graphics that take the Boston-based artist from our reality into his own. It is in the fierce verses of the song where Dubb’s skill is showcased, flowing with a combination of fun and fury that is contagious as can be. “Regular” is short and sweet; the song makes a hard statement that this is a dude you want to keep an eye on. Stream “Regular” below for an unexpected but sick weekend firestarter, it will carry you through. – Rene Cobar 

NYC

PREMIERE: Bug Fight lives among us in new video “Eggling”

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It only takes a few moments of listening to Brooklyn experimental rock trio Bug Fight for their creeping guitar work and shifting time signatures to induce a deep, thoroughly engaging discomfort, and new video for track “Eggling” serves as an apt visual representation of what makes the band’s dark tunes tick. Contrasting scenes of traditional middle Americana and rough-hewn (yet aesthetically stirring) individuals in insect costumes cinematically evokes the style of late 70s-early 80s horror — think Texas Chainsaw Massacre meets Invasion of the Body Snatchers by way of A24. Such elements reinforce the plainspoken eeriness inherent to the track’s abiding refrain (“It’s egg laying time”) while reinforcing its discordant, nearly cacophonous instrumentation, building drama up until the visual’s unhappy, deeply satisfying conclusion. Moreover it further cements Bug Fight’s status as some of the weirdest, coolest musicians working in NYC today — watch the video (directed by Matthew Marino) below.

NYC

Robert Leslie takes it day-by-day on new track “Trying to Stay Alive”

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It’s likely, during these very strange times, your mind is racing a mile a minute, trying to account for all the variables inherent just to just living throughout a generation-defining event. These thoughts inform the core of “Trying to Stay Alive,” the new single by indie pop artist Robert Leslie, which offers a pragmatic sketch of the mental gymnastics we all practice as we attempt to go about life as normal. Thankfully, Leslie’s evenhanded lyricism is offset by sunny acoustic strumming, upbeat walking bass, and muted horns, all of which provide a 70s-like energy that feels straight from the McCartney songbook. In all, it gives “Trying” with a triumphant energy, and makes for a small celebration of getting through another day — and isn’t that worth celebrating? Give it a listen below. Photo by Emmanual Rosario

 

Chicago

Jyroscope “Working On A Solution”

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Hip Hop group Jyroscope is back with a new single called "Working On A Solution". This is the first new music from the trio of I.B. Fokuz, Collasoul Structure and DJ Seanile since 2019’s "Mute".

For this track they enlisted past collaborator Malakh EL and invoke the reality that we all are working on something.

Chicago

Elijah McLaughlin Ensemble

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The Elijah McLaughlin Ensemble recently released their self-titled debut album. For this recording the Ensemble is McLaughlin on guitar, Harmonium, and electronics, Jason Toth on Upright Bass, and Joel Styzens on Hammer Dulcimer.

The album is a breathtaking step forward for both Free Jazz and Classical music. With the added elements of electronic ambient music, this is a complex but ultimately beautiful, meditative, genre-breaking must listen.

Austin

Waldo Witt Hits His Stride on New EP

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  Waldo Witt’s new EP, Inner Paths, beckons listeners to fully immerse themselves in the singer/producer’s psyche. The North Carolinian fuses together synth-pop, psych rock, and R&B to create groovy soundscapes that illicite introspection. It’s easy to get lost in the sauce of the dense arrangements he crafts, but the vocal melodies reach out and guide you back down his path. Recording his last record from his van, Inner Paths also allows Witt to use the studio as an instrument, as intricate production, mixing, and processing seamlessly eb and flow with the palette of a cunning professional.  

 

The five track EP takes the listeners on a fully formed journey of peaks and valleys, expressing a wide range of emotion. It is able to slide right into the rare pocket of stasis between adhering to pop music conventions and simultaneously breaking down those conventions with electronic experimentation. The opening track “For The First Time”, builds a groove into a multi-layered vocal release, swirling from ear to ear. The hooks from “Remember To Forget” and “Umstead Park” are undeniably catchy, while the title track could be heard at the club and “Lost On The Highway” could have been a hidden gem on The Breakfast Club soundtrack. 

 

Overall, Inner Paths carves out the middle ground between Toro y Moi and Peter Gabriel, sentimentally nodding to the 80’s whilst sprinting past them into the world of contemporary production. With this release, Witt is able to actualize what Kevin Parker was trying (emphasis on trying) to do with the last Tame Impala album. The detailed synthesis and drum sequences also hearken back to groups like Yellow Magic Orchestra. One of the most disappointing things about this EP is that it may be a while before these songs can be performed, which is a shame, because they are rife for live experimentation. 

 

-Hayden Steckel


 

L.A.

The Blossom shares “Bored Baby Blues” from home in Australia

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The pandemic hasn’t stopped musicians from putting out work, even if they’ve had to travel halfway around the world. The Blossom — the project of Lily Lizotte — has released her new single "Bored Baby Blues", a song pulsing with dream pop nostalgia and a sense of coming home. The video for the song consists of footage Lizotte took after arriving back in her native home of Sydney, showing her biking around and driving around her neighborhood in the earliest days of the pandemic. Surrounded by uncertain energy, the video shows Lizotte enjoying what freedom she can get. Take a look at the video for "Bored Baby Blues" below. – Will Sisskind

Chicago

Marina City “No Diggity (cover)”

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Marina City has released a cover of classic Blackstreet song "No Diggity". This comes just months after the release of their most recent album "The Crush".

The group blend elements of Pop, Rock, R&B, and more into sound that is modern, danceable, and ready for bigger things.

This is the work of Ryan Argast, Eric Somers-Urrea, Diano, Todor Birindjiev, and Aaron Heiy.

New England

Sprues & Runners offer an emo treasure in new EP “Trips To The Caribbean”

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Emo music seems a rarity in the days of overproduced dream-pop hits, and so an EP like Sprues & RunnersTrips To The Caribbean takes on the form of a treasure chest found in a cove breezy with 2003 winds. The furious pace of “Red Teeth,” with its serrated screams and eruptive drums, comes after a curious serenity where surf-rock influences sway you gently, and then ultimately swing you violently. “The Opening” lets the instruments fly, and embraces that thin film of garage comradery that also propelled emo to the top of the charts oh not so long ago. There is no doubt that there are still treasures to be found out there in the sonic isles of the modern world, here is one that Providence’s Sprues & Runners are offering a clear map to. Listen to the euphoric breakdown in “Cactus” streaming below. – Rene Cobar