Upstate indie pop outfit geoff gordon cover lots of ground on their latest album, Sex and the City. What begins on a drawling, folksy note quickly transitions to more electronically-infused, consummately relaxed effort, characterized by tactile, analogue-adjacent saw synths and at times lofi segues — in short, there’s a lot of distinct energies that characterize this nine track LP, all of which demonstrate an aptitude for experimentation in sound and song structure. Constant throughout the record is an ear for lush tones and satisfying melodic resolutions, making it recommended listening for fans of Porches and of Montreal — give it a listen below.
A Very Special Episode rip (in moderation) on “Cut for Time,” play Our Wicked Lady 3.14
Brooklyn post-punk trio A Very Special Episode know how to keep things in control. While discordant, shoegazing guitars and a healthy serving a feedback perforate their 2018 EP Cut for Time, the production and format hits a finely-tuned middle ground between cacophony and run-of-the-mill indie rock, opting to incorporate Fender-friendly sounds in a manner that’s aggressive, yet well-curated. At the center of the storm is singer and guitarist Kasey Heisler’s impressive vocal performance, one that imbues the band’s latest offering with an energy that’s characterized by an energy that’s as devil-may-care as it is triumphant — standout song “Crazy” is a succinct encapsulation of what makes AVSE tick, a track well-suited for a highway singalongs and pit-opening alike. Give it a listen below, and catch the band at Our Wicked Lady on March 14th for the Rizzo’s sixth annual PROM FOREVER.
The Shallows debut with pure shoegaze record “Arsonist”
Last November, a Boston collective called The Shallows released a shoegaze treat quite transportive. Arsonist is all that is good about the ethereal genre, why with tracks like “Beginners,” whose guitar chords linger splendidly, elegant vocals enchant, and reliable rhythms impress, there is little not to enjoy. The overdriven bass that leads the title track adds a rock edge to the floating arpeggios that explode into tough fuzz-rich strums in the choruses. “Glacial Lakes” pays homage to the genre’s ‘80s U.K origins with its pure dream-pop elements while “Charmed” coasts to a soothing end somewhere far from where your emotions were before the start of the record. Stream the title track of this new EP below for a quicker way to get to your weekend. – Rene Cobar
PREMIERE: Bask in the Silk War’s beauty and grit on “Velvet” (show 3.17 at TV Eye)
The coexistence of “beauty and dissonance” are key themes to understanding the Silk War’s sound, and new video “Velvet” is the band at their most aesthetically scuzzy. A midnight ride through the psyche of front person Alexandra Blair, one that incorporates proportionate handfuls of vulnerability and strength, the visuals incorporate a limited palette of high-contrast monochrome performance shots and blood red scenes of nocturne activity. Such a striking difference emphasizes the opposing themes inherent to band’s artistry (as well as the dichotomous nature of the song itself), which set against the music video’s backing track, heightens their post-wave goth rock sound; their overdriven guitar solos opposite cool keys and downtempo percussive tempo feel all the more polar, yet a sense of haunting unity prevails when soundtracking director Shelby Sells’ mise-en-scene. Partake in its dark indulgence below, and catch the Silk War at TV Eye on March 17th, performing alongside Pure Adult.
Sam Crossland
Indie Rocker Sam Crossland has released two singles this year, and the latest is called "Better Than Me". He has been very open about where he is at musically and mentally and where he hopes to be this year. This single is about doing things your own way and believe in yourself no matter what other might say.
Joyful. “Strangers In The Dark”
Rock trio Joyful. has released their debut single "Strangers In The Dark". This is a great introduction to the sound of Andy Hilligoss (Vocals, Guitar), Will Garza (Bass), and Jake Newling (Drums).
Torch The Hive “Shame On You”
Punk trio Torch The Hive have released a new single called "Shame On You". This is the first new music from the band since their 2018 EP, "Cut The Cord".
This is the work of Mike Fruel (Guitar, Vox), Tyler Sanders (Bass, Vox), and Eric Marciano (Drums Vox)
You can catch Torch The Hive on March 27th at Brauer House Lombard with Security Culture, Kingdom Zero, and Stellar West.
Evan Uhlmann “Prime”
Evan Uhlmann has released a second single, "Prime", from his forthcoming album, Tea Lady, which is due out on March 27th.
This follow’s the single, "Dying Again", that we were able to premier last month.
You can catch Evan Uhlmann at Hungry Brain on March 26th with Storm Jameson.
Ohmme “3 2 4 3”
Ohmme has released the lead single, "3 2 4 3", from their forthcoming album, Fantasize Your Ghost, which is due out June 5th via Joyful Noise.
This is the duo of Macie Stewart and Sima Cunningham and this is the follow-up to their breakthrough 2018 album Parts.
You can catch Ohmme at The Hideout on March 14th as part of their annual SXSW send off party.
Photo by Ash Dye
Carrousel releases modern day lo-fi video for “A Solitary Soul”
CARROUSEL — the duo of Joel and Sharon Piedt — have released a music video for their new single "A Solitary Soul", off their new EP I Wasn’t Well. The song brings the psych rock energy of the Piedts, but the video shows real creativity within limits, as the duo used iPhones alone to shoot the footage. In this day and age, to use just a phone to shoot a film might seem lo-fi. But the other production values the Piedts focused on took their video to another level. Their spacesuit costumes and locations — some of which were used to film the Tatooine scenes for Star Wars — create a sense of depth and atmosphere on top of that which the music already provides. Take a look at the video for yourself below, and go find I Wasn’t Well on CARROUSEL’s Bandcamp. – Will Sisskind
PREMIERE: Charlie and the Rays evoke folk’s political tradition on “There Goes My Baby,”
The opening drums of “There Goes My Baby” immediately bring to mind the vintage R&B of the 1960s — its initial rim accent sounds like the introduction to a Motown hit of yesteryear — but the track’s lyrical content couldn’t more contemporary. Such classic influences infused with extremely contemporary subject matter is the calling card of indie folk Brooklyn duo Charlie and the Rays, whose sunny, harmony-filled songwriting and acoustic-centered output belies the seriousness of this single. Inspired by America’s “lack of gun laws and failed mental health and healthcare systems,” and the fact that public schools are often in the crosshairs of violence bread by these two failures, the band’s choice to rebel against senseless violence in the form of a song characterized by bright, poppy vox, metaphor-laden lyrics, and noodling electric guitar lines interwoven among syncopated strumming recalls Paul Simon’s early work, demonstrating mellifluous, politically-charged craftsmanship that’s never heavy-handed. Listen to our premiere below, and catch the band at Muchmore’s on April 24th.
Valaska “New York Stories”
Valaska has released the first single, "New York Stories", from their forthcoming album. This is the first new music from the group since 2016 album, Inchoate.
This is the Dave Valdez, Zach Porlier, Matt Holmes, and James Young.
You can help Valaska celebrate the release of their album on May 31st at Schubas with Burr Oak and Cold beaches.