Toronto

Uncola – New Psych Single “Cactus Throat”, Monarch Tavern 12.13

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Uncola are a new group in the ever growing Toronto psych scene. They have released their debut single “Cactus Throat”. This lo-fi track features excellent vocals with a perfect amount of echo and reverb. The vocals bring a nice contrast to the noisy garage sound of the instruments. The rhythm section drives this song while the guitar is free to make all kinds of sweet sustaining noises. Uncola will be playing The Monarch Tavern on Friday December 13th along with Wine Lips and BBQ Pope in support of The Effens LP Release Party. – Kris Gies

Austin

Levitation: The Coathangers Thrill and Thrash at Barracuda

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The Coathangers, a punk rock band from Atlanta, headlined at Barracuda on a Friday during Levitation. First thing that comes to mind when you think of a  coat hanger? If you’re thinking DIY abortions, you got it. This 3 piece female outfit arrive at the venue early to sound check and shoot the shit. Meredith, the bassist, and Stephanie, on drums, were there to answer some questions. Check out the interview at the end of the article. 

They went on at 12:30am. The show was loud and fun and upbeat. Julia, lead vocalist and guitarist, takes the stage in a raspberry beret. One of the funky features of Levitation is the wild fashion that walked the streets. Everyone looks like they are in the band, and this weekend revealed that berets are back. 

They progress through the set with only a few pauses to laugh or banter between songs, or ask Karen to bring them all shots of tequila. The played mostly songs off their new album released this year, The Devil You Know. As the band loosens up with tequila, so does the audience begin to jump around and get hyped along just in time for “F the NRA,” an anthem that sounds exactly how it sounds. Fuck yeah. 

For the final songs, the ladies rotated instruments clockwise: Meredith moved to drums, Stephanie moved to vocals, Julia moved to bass for “5 Farms.” Stephanie on vocals was a visceral affair, her rapping raspy voice stirred the crowd into a mild mosh marked by jumps and stomps in unison. The audience shouts along to the liberating (and existential) chorus: “Can’t take it with you/ Nobody gets out alive.” 

Back to their own instruments, they close the set with “Bimbo” and Julia has now introduced a squeaky toy. She squeaks the squeaker how someone would bang a tambourine, the squeaks complementing the satirical nature of the song as she laughs maniacally with her bandmates. See the music video once, and you’ll wish you were in their band too. 

The Coathangers give their entire selves to the performance. You can see the spirit of music pulsing through them as individuals but also through the band as a greater entity from beyond the ether. Saturday night at Barracuda was one of the most alive lineups of Levitation, and these ladies killed it with a class of their own coathanger design. 

-Mel Green

Do you ever feel fear when releasing music or art out into the world? 

 

Meredith: Not really because we do it for ourselves.

Stephanie: No, fuck no. Everyone’s going to have an opinion and you can’t control that. 

 

Did you have to cultivate that feeling within you?

 

S: It’s with anything else, I guess. If you live your life based on what other people think about you, it’s not much. 

 

What advice do you have for young punks?

 

S:  Do whatever you want but be nice. 

M: Just be nice! 

 

What artists inspire you the most?

 

S: Jesus. The good lord, Jesus. 

M: Julia and Stephanie inspire me. 

S: Yeah, my other Coathangers. We were inspired to start the band because of a lot of local Atlanta bands back in the day. It was Predator, The Hiss, Black Lips, Dear Hunter, Mastodon. That’s what helped us get the idea to do what we do now. 

 

There’s a lot of music in Athens, too, right?

 

S: What we joke about back home is that Athens is the musicians, and Atlanta is for people in bands. So, they do drum circles and stuff there and we just get drunk and play shit. 

Chicago

Blase “Elusive Colors”

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Blase released his debut EP, “Elusive Colors”, last week. This is the hazy Psych Pop of Mitch Settecase who has spent the last few year performing with the likes of Jude Shuma, Dried Spider, Niika, B Forrest, Subhi, and more.

The EP’s opening track is called “Weightless” and is accompanied by the B Forrest directed video below.

New England

Rhett Price offers a taste of urban classicism in new single “Get It”

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There is nothing quite like discovering new music that is provocative, inspiring, and tastefully unique. Boston’s Rhett Price impresses with his novel take on hip-hop: by letting luscious violin melodies lead the way Rhett creates feverish beats that have a touch of the classical, an urban haze to them, and an elegant club tinge. The intrepid violin work of Rhett is on full display in the artist’s latest track, “Get It,” which boasts an ominous-lingering bass that complements the violin flourishes coloring the composition. The song is direct, graceful, dangerous, and wholly unique. Rhett is an artist doing things his way, one not afraid to try something different; if you ask us, we say that he is walking down the right path. Stream his latest single below and discover something different. – Rene Cobar

NYC

Shake the Baby Til the Love Comes Out have get darkly rhythmic on new LP, play Trans-Pecos 11.27

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New York duo Shake the Baby Til the Love Comes Out have no problem making disconcerting-yet-engaging math rock (as their slightly unsavory name belies). Their new LP Growth and Healing Through Bringing Others Down continues the stumbling momentum of last year’s in a pretty suit; sludgy melodic riffs and absolutely massive drum fills on single “For All the Days That I Am Happy” shows Shake the Baby has no problem letting the lead out while seamlessly switching rhythmic gears. Revel in the noise below, and catch them at Trans Pecos on November 27th for their album release show.

Chicago

The Daisy Heaves “Apparition”

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Last week The Daisy Heaves released two new singles, “Apparition” b/w “Missing”, from their forthcoming full-length album, the sleep of reason produces monsters.

The Daisy Heaves is primarily the Dream Pop of Ryan Dahl, and these first two single show a lot of promise first upcoming album.

Chicago

Quiet Pterodactyl Launch Event @ Constellation (11/27)

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A new nonprofit focused on the creation of music and art, called Quiet Pterodactyl, is launching this week. They are hosting a launch party and fundraiser on Wednesday, November 27th at Constellation. The event will feature performance from a handful of Chicago’s most talented musicians including Dan Bitney, LeRoy Bach, Dustin Laurenzi, Jeremy Cunningham, Macie Stewart, and Lane Beckstrom.

The event will also include a silent auction with proceeds going to cover the startup fees and their first public activation series, which will begin in January 2020 and announced at the Launch Party.

Chicago

Yumi Rose “KYSS”

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Future Society Collective member Yumi Rose (aka Erik Norman) released a new track, "KYSS", for the first time in awhile earlier this month. This is instrumental Hip Hop and futuristic funk, and a great sign of what we may be able to expect from his forthcoming album Lazy Smokers Club.

Chicago

Kachi The Band “This Is Not”

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Kachi The Band has released a new single called “This Is Not”. This is the first single from the band’s forthcoming EP, "I Only Want To Play For You”.

This is the Indie Rock group fronted by Kachi Ebiringah who is supported by Griffin Tarach, Austyn Carey, and Collin Acklin.

NYC

Follow SUO’s nocturnal hunt in video “Unsatisfied Blood,” plays The Broadway 12.14

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It’s possible you’re already acquainted with Brooklyn-based musician Saara Untracht-Oakner by way of indie four-piece tour de force BOYTOY, but under the name SUO she steps out as a solo act to lay down grooving, tactile indie rock on new track “Unsatisfied Blood.” Muted guitars and atmospheric wah-wahs underlay Untracht-Oakner’s post-punk vocal delivery, drawing inspiration from a wide range of artists including David Byrne, Prince, and Patti Smith; the song (and its lyrics detailing insatiable bloodlust) serve as a nice score for the music video in which SUO engages in nocturnal bloodsports, Man Bites Dog style. Check it out below, and catch her at The Broadway on December 14th.