NYC

From the digital submissions: Shanny kicks off the year right with debut album Swirl Diet

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NYC’s Shanny is an artist in every sense of the word, and she is starting her year right with debut album Swirl Diet, a record that displays the very best elements of neo-soul, hip-hop. Wonderfully layered with funky basslines, jazzy chord progressions, soulful vocals, and conscious-driven lyrics, this solo effort sounds like a sign of great things to come. Shanny has been using multi-disciplinary arts (visual art, theatre, and music) to address today’s social issues and give a greater voice to movements of female empowerment. She is also a traveler, yoga instructor, event planner, and more but – as you will be able to tell from the track below – she is a musician above all else. – Rene Cobar

This artist submitted music for coverage here.

Chicago

Engine Summer “Indiana”

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Engine Summer has released their latest album, Indiana. This is the trio of Ben Kostecki (Bass/vocals), Ryan Ohm (Drums/vocals), and Jeremy Marsan (Guitar/vocals). This is the first new music we have had from the band since 2017’s LP, Trophy Kids.

You can catch Engine Summer at Cole’s Bar on April 26th with Rookie and Bat Zuppel.

Philadelphia

The Deli Philly’s April Record of the Month: Nothing Feels Beautiful Anymore – The Madalean Gauze Band

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A gust of wind ushers in “27 Stones,” as it eerily declares, “Poor little girl, you are in a world and no one knows your name.” Then, the gentle strums of acoustic guitar and keys intertwine to brighten the mood, and a mission statement and a motif of dissatisfying reality vs. a fantastical ideal is established. “I want to feel anything that’s real” is countered by the cutting chorus of “Nothing feels beautiful anymore,” before the longing of “I wish I could find the place, where all the things you love, you could hear them call you…” is revealed. A gradual momentum is built as the narrative of falling off course due to selfish desires unfurls. Clarity comes through over the course of a pensive climb, introducing us to The Madalean Gauze Band’s enchanting new LP Nothing Feels Beautiful Anymore.

It is followed by a menacing instrumental tone that sets the scene for “This One’s For You”. The swirl of tension creates a head trip as the vocals encircle in a chaotic, mesmerizing twist, before “Hotel Room” shifts gears, recalling the moments of falling in love in New York. The guitar sets out striding in accompaniment of the single in a singular, intimate manner. The recording serves as an admission of one’s true belief/desire. “Loneliness is safe, but a love will keep you going strong.”

“Welcome to the Party” greets us with its bewitching tones, requesting Madalean to “free yourself from the darkness,” as an ominous bell toll is cast against the proceeding, sunny vocals. “Life is a journey full of heavy demons” – the search for meaning in one’s life continues, before “Spooky Voodoo” spirals downward like a rumbling, runaway locomotive. The album’s title/sentiment is reiterated in an interlude of sorts and during the firestorm of “HAHA!” The song taps into destiny through a dream-like imagery and suggestive fall from grace: “You’re not the most beautiful anymore.” It toes the line between aggression and playfulness.

With “Talking,” there is a temporary reprieve, checking in on the listener. Foreshadowing the next track with the line: “Love, it shouldn’t be so hard.” “More Than You’ll Ever Know” has a strolling, percussive-guitar, one-two punch. Suggesting a sense of loss and loneliness – “things could be different, but they’re gone,” – a bouncy yet melancholy atmosphere filters through; the disappoint over revealing one’s genuine self and not being accepted is counterbalanced by a hopeful observation: “I want to believe in something that’s bigger than what I live in…”

“Electric Moment” seems to acknowledge an optimistic, personal outlook whilst taking ownership of one’s emotions, as acoustic guitar and angelic background vocals create a bare but bright aura. The aptly titled “The End” goes full circle, reinforcing its lyrical purpose in coda form. Nothing Feels Beautiful Anymore pages through a personal scrapbook of recent memories and relationships. Its ups and downs are viewed through a captivating psych lens, providing us with a kaleidoscope of wondrous sonics to enjoy. – Michael Colavita

Chicago

Four Letter Words “Pinch Point”

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Four Letter Words is the improvised jazz trio of three Chicago transplants Jake Wark (tenor saxophone); Matt Piet (piano); and Bill Harris (drums). The is preparing to release their third album, “Pinch Point”, on April 13th via Harris’ label Amalgam.

Below you can hear “Five”, the second track of seven from “Pinch Point”.

You can catch Four Letter Words on April 13th at Constellation with Jason Stein Quartet.

Philadelphia

New Ther EP Available for Streaming & Purchase

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nonultrajoy, the new EP from Andi Jones-led Ther, is available on cassette via Deep Sea Records. A calm, contemplative catharsis unfolds. Words are woven in well-realized stories/songs that carry depth whilst flowing breezily free. On Wednesday, April 17, Ther will be performing at Everybody Hits as part of a lineup that also includes Noera, Lirra Skirra, Christina Puerto, Host, and Warm Dust.

Chicago

CAVE Psychic Summer Reissue

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CAVE has released the first single, “Made in Malaysia”, from the forthcoming reissue of 2009’s, Psychic Summer, which is due out April 26th via Drag City. This will mark the first time the album will be widely released and available through Drag City, and will celebrate the album’s 10 year anniversary.

Cave is currently touring Spain and will spend the Spring in Spain, Portugal, Netherland, France, and Belgium.

NYC

Trace Mountains release autotune-heavy single “Where It Goes”

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One of the positives to come from the split of beloved-indie rock band LVL Up in 2018 was the beginning of Dave Benton’s solo project Trace Mountains. While some elements of LVL Up could be found on Trace Mountains’ debut album A Partner to Lean On—lo-fi production, understated vocals, and a subtle taste for pop hooks—for the most part it ventured into new territory. Tender acoustic guitar, bedroom production, and light electronics made Trace Mountains a different but equally exciting project. The band’s newest single, “Where It Goes” opens with the same gentle charm of that debut but moves into a more heavily electronic territory only briefly explored on the album. With a minimal arrangement ruled by bass and an 808 drum beat, Benton sings of a childhood friend and the death of her father in a nostalgia-glazed whisper. It’s a soft but worthy addition to the Trace Mountain catalog that opens up the field for an even more eclectic sophomore album. – Cameron Carr