“Luxton,” the new single from the quartet of Nonfiction, traces the steps of addiction and grief. Lingering memories and sadness resonate as one perpetually recalls what’s been lost. Emotive, nostalgic melodies and harmonies blend the present with the past. It’s so difficult to move forward when images from one’s former life keeps finding their way into one’s vision.
Lunar Hotel “Day Songs//Night Songs”
Lunar Hotel are preparing to release their debut EP, “Day Songs//Night Songs” on February 1st. The EP’s lead single will be officially released on January 18th, and is called “Side To Lose”. This is jangly rock of Marvin Albor, Sergio Valentini, Ryan Paroline, and Joe McLoughlin.
You can catch Lunar Hotel on January 6th @ Beat Kitchen with AfterSound, Bernie and the Wolf, Dead Lucid, and The Braided Janes
Holly,
A band we missed in 2018 is the soulful group call Holly,. This is Tanner Bednar and Brandon Couture, formerly of The Reverends, with Dominic Zeier (Bass) and Rafe Soto (Drums). Back in September, the group released their debut album, Letter from Lawndale, and the fun video below the album’s lead single, “Pull Me In”.
The Deli Philly’s January Record of the Month: Big Dogs – Johnny Utah
Delicate piano and an airy rhythmic push allows one to drift into “Crazy For Your Love,” which kicks off the Big Dogs EP from Jacob Sullenger, a.k.a. Johnny Utah, available via Z Tapes Records. Toggling between bright falsetto and introspective, spoken, behind-the-scenes asides, the song hovers in a slinky, playful manner, as intermediate trumpet blasts breathe fresh air into the mix. It’s followed by “Folding Like Honey,” which creeps in a funky, key-oriented, night-time groove. The soft, secretive delivery of the vocals rides over the sirens of the streets. It’s a brief confessional track of infatuation, shown through pops of neon light, while “Really Meant” builds drama & warmth in a strolling, vamping headspace. “Patty” is instantly dipped in a deep R&B/funk tone. The song is a candid manner of reaching out, revealing one’s feelings in the hopes that they will be reciprocated or a relationship rekindled. At the same time, the smooth flow of that instrumental elixir induces movement on the dance floor. Album closer, “Skytop Garden,” opens with an encouraging message, draped over a mellow, jazz sample of the classic “Blue Moon,” which is kicked up by the backbeat. Featuring SCALISI, the recording creates a soulful, musical dialogue that serves as a snapshot of an earnest love story. With the EP clocking in at about 12 minutes, one becomes easily immersed in Sullenger’s experimental, bedroom-pop world, which is definitely worth revisiting. – Michael Colavita