It’s odd that no bands have successfully attempted to replicate the sound of the Grateful Dead in the 2010s yet. You’d think a band with that devout a following would have more imitators, especially since Dead & Company are still touring to this day. Garcia Peoples are here to fill the void of psychedelic jam bands in the 21st century; through combining extended songs with dynamic production flourishes and vivid songwriting, the group finds that forward-thinking sweet spot of freewheeling spirituality and unbridled rock personality. It’s a welcome return to Deadhead ideals without desecrating the grave by way of relying on nostalgia. You can check out the group’s trippy rock at Alphaville on Nov. 2. –Tucker Pennington

New York City band Deaf Poets recently released a new addition to their discography with new EP Change and Bloom. The new collection may contain less material than their previous full-length records, but it certainly does not make less of an impact. Building on their core sound of heavy, distorted guitars, the tracks hit with a wall of dialed-up noise that blends classic rock and 60s psych influences with a modern, hard hitting twist. Their sound leans on their raucous drums and vocals, forging a style that is carefully produced but executed with grungy, carefree aggression. Do not, however, mistake this group’s recklessness with thoughtlessness. After their relocation from Miami back to their NYC roots, their need to produce a new path for themselves carried enlightened ideas of progression and self-discovery into their latest work.  Tracks like “Change and Bloom” and “Cigarette” give a look into this band’s continual development, and a listen into the inner torment of feeling displaced and confined – but for these guys, there’s no better therapy than getting on stage and causing a sonic riot.  If that’s up your alley, check out Deaf Poets’ release show at Brooklyn’s Alphaville on 10.27. –Rebecca Carroll