Philadelphia

Debut Goodbye Max EP Available for Streaming & Download

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Reminiscing as a stage of grief, the new self-titled EP from Goodbye Max demonstrates an ongoing melancholy, with a sense of appreciation. Expressing regret over choices made and carrying the weight of those decisions afterward, there’s an innocent fragility to the bedroom-folk sound. Moving forward is such a difficult process, especially when the people from the past had such a meaningful impact/influence. It sometimes feels like living in the present discounts that importance; however, it’s just part of emotional evolution.

Chicago

Little Church @ Chop Shop (7/16)

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Little Church released their latest EP, "Episode 2”, last month. This is the four-piece warped pop and soul group led by the vocals and guitar of Chelsea Foss-Ralston with Christian Whiting on Bass & Synth, Khori Wilson on Drums, and Sean McConnell on Synths.

You can catch Little Church at Chop Shop on July 16th with Post Child, North By North, and Boo Baby.

NYC

Evelyn hone their sound with new EP, perform at Knitting Factory on 07.01

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With the release of Light Full, Evelyn presented itself as a fully materialized band. The riffs were striking, the vocals were fiery and the lyrics were streamlined to be evocative on first listen. How does a group like this, with their sound seemingly fully formed at launch, continue to engage their audience? By releasing a tighter, laser-focused follow-up. The four tracks of Slowly expand on the band’s philosophy of “hearts-on-their-sleeves” indie rock by allowing for the impassioned performances to be more dynamic. The opening song “Honey” charges forward with the swagger of a band more in tune with themselves, while the eponymous and spacey “Slowly” offers a dreamier take on catharsis. The more in sync performances allow for Slowly to find breathing room for each emotional element, so when a solo kicks into full gear, it burns brighter and remains stirring long after the EP is over. Evelyn continue to blaze a path that is wholly their own, where every small emotion is explored and bursts open in a wide-eyed release. You can watch the video for the “Slowly” single below and see Evelyn perform at Knitting Factory on July 1. -Tucker Pennington 

Philadelphia

The Deli Philly’s July Record of the Month: So Cool – Blushed/Secret Nudist Friends

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It’s a joy to see what happens when artists come together and collaborate on projects, especially when the outcome bears something like So Cool, the new split cassette from Blushed and Secret Nudist Friends, who happen to also share bandmates Matty Klauser and Missy Pidgeon. Coming from the DIY community of South Philly’s Tralfamadore, our July Record of the Month is out now via goodhowareyou records.

Pidgeon initially takes the reins with Blushed. It might not exactly be the first time you’ve heard these three tracks, which also appeared on the band’s debut DEMO EP. However, with the addition of guitarist Dan Leinweber (to Klauser on drums/percussion and Alyssa Milman on vox/bass) and recording/mixing help from Kyle Pulley and Jackie Milestone at The Headroom, these tracks have proven to be deserved of a revisit. Side A opens with “Weak,” a grunge-pop ditty that pulls at your heartstrings. The endearing yearning in its vocals captivates, drawing you in, before giving a playful smack across your face. It’s a good lead up to the rambunctious cheer of 90’s riot grrrl, gang sing-along – “Webcam,” which kicks things into another gear, while still hinting at the group’s ever-present lazy-day, surf sound. That sun-blistered imagery is fleshed out in Blushed’s final track, “It’s So Cool,” which is reminiscent of the bittersweet dichotomy that can found on Anna Troxell-led Creepoid recordings.

Handing the mic over to Klauser and his Secret Nudist Friends, which also includes Pidgeon on keys), Brian Hullihen (vox/drums/percussion), and Andy Slepman (bass/keys), there is a shift in sonics, as well as decades. Inspired by a plethora of artists, ranging from The Kinks, to The B-52, to contemporaries like Oh Sees, Klauser crafts soul-filled songs that often feel timeless. With “Something on Your Mind,” you can find a bit of that beloved, old time rock ’n’ roll that might feel absent from the airwaves these days, while “Triangle” comes at you from all sides, building from its math-y introduction, before letting loose and giving way to EP closer and Side B standout, “I Can’t Love Anyone”. Taking us on a psychedelic voyage of reverb, distortion and self-loathing, the anthem of the loveless hits home with a sobering gut-punch.

With So Cool, you’ll have a hard time deciding which side you like best. And that’s a good problem to have. – Alexis V.

Nashville

Yearløve has written our favorite new indie rock anthem about unrequitted love

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 Okay, okay, perhaps the title of this post is a little bit clickbait-y, because making sense of words without a lyric sheet is tricky, but in my opinion, "Runaway" is definitely about unrequitted love. And it’s also definitely an indie rock anthem that everyone should be getting down to. "Runaway," Yearløve’s debut single, is fast-paced from the start- you’ve gotta applaud drummer Austin Way and vocalist/bassist Kenny Walker for two top-notch performances. "It’s 2am and I don’t know what else to do" is the last line of the song, and one of the most relatable. This is a song to blast at 2am, speeding down a deserted highway on a summer night, tears streaming down your face. –Geena Kloeppel

 

Nashville

Ayanna Jahneé is the one of the strongest new voices in RnB

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 When I first heard Ayanna Jahneé’s voice, I thought she must be at least 30 years old- the singer has already developed the confidence and self-assurance of an artist who has been singing for what sounds like eons at only 22. On "Mind Games," Jahneé flits between tempos like an agile cat dancing with a mouse, but slows down the pace and switches gears emotionally with her EP’s title track "Unfinished Business." Some artists can convey sadness extraordinarily well, others are more geared towards revenge songs and others sing great upbeat, happy tunes. But it is rare to find an artist that can so deftly tap into many different emotions and nail them all. We can’t wait to hear more from this artistic powerhouse. –Geena Kloeppel