We don’t know for sure if the name of Brooklyn band Sooner was inspired by My Bloody Valentine’s seminal track ‘Soon,’ but we think it’s extremely likely that the British band from the ’90s had its fair share of influence on their sound. The New Yorkers offer a more muted approach to the shoegazer formula, mostly built on John Farris’ electric guitar parts, which build from intricate arpeggios to slightly overdriven chords, and the cloud of reverb surrounding them. Federica Tassano’s placid vocal melodies complete this gentle sonic picture, supported by a tight and clean rhythm section. The band will be playing Alphaville on 10.28.
NYC
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Milk Was A Bad Choice Benefit Showcase (11.01)
In the wake of the recent fires in Napa and Sonoma, the monthly Milk Was A Bad Choice showcase is donating the proceeds from the next show to relief for those communities. The stacked lineup includes a funky mix of the Bay Area’s best indie pop bands—all of which have been previously featured on The Deli. It’s hard to resist dancing to the upbeat, semi-electro melodic pop of Panic is Perfect, a five-piece with afro-pop influences. The jazzy six-piece LOCO TRANQUILO is sure to make you move, as well, with their unique blend genre-defying funk music. Finally, the slow-brewing soul-influenced alt rock of MOSAICS tops off the lineup. – Lilly Milman
Be sure to drop by the Milk Bar, catch this stacked line up, and donate to a worthy cause on November 1st at 8 pm. Until then, listen to our playlist of the performers below.
NYC
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San Fran rockers Culture Abuse bring grunge revival to LA Waterfront (10.28)
In their debut LP Peach, Bay Area rockers Culture Abuse provide their take on the frantic, fuzzy garage rock that enamored the late 90s. At its core, Peach is a grungey daydream—every track is an onslaught of guitar-driven, droney punk rock that takes its influences from every corner of the genre. The band doesn’t waste time transitioning from hardcore, to shoegaze, to (dare I say) power pop. Instead, they do it all at once—a feat rarely done at all, much less often done well. In a deceptively simple presentation, Culture Abuse provides an intricately crafted instant classic that you can’t help but bang your head to. They are currently on a North American show, and they will be playing LA Waterfront on October 28th. – Lilly Milman
Listen to our favorite track “Dream On” streaming below.
Philadelphia
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Krust Toons: “When You Buy A New Hoodie From Your Favorite Band” by Tedd Hazard
Krust Toons: "When You Buy A New Hoodie From Your Favorite Band" by Tedd Hazard – please feel free to drop him a line at teddandthehazards@gmail.com if you dig or have any funny ideas. You can also check out more of his illustrations and animation shorts HERE.
Nashville
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Legendary Shack Shakers shakin’ The Basement (10.28)
The rambunctious Legendary Shack Shakers, fronted by JD Wilkes, released their latest album, After You’ve Gone, just a couple months ago. Their lo-fi brand of americana-tinged rock and roll is infectious as it draws on southern traditions from Cajun New Orleans to old Appalachia. This Saturday (October 28th), Wilkes and co. will be shaking The Basement beginning at 7:30 PM ($10/$12, 21+). Check out their newest music video below, and head out to the show! – Chris Thiessen
Nashville
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Legendary Shack Shakers shakin’ The Basement (10.28)
The rambunctious Legendary Shack Shakers, fronted by JD Wilkes, released their latest album, After You’ve Gone, just a couple months ago. Their lo-fi brand of americana-tinged rock and roll is infectious as it draws on southern traditions from Cajun New Orleans to old Appalachia. This Saturday (October 28th), Wilkes and co. will be shaking The Basement beginning at 7:30 PM ($10/$12, 21+). Check out their newest music video below, and head out to the show!
Philadelphia
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Debut The Lame-O’s EP Available for Streaming & Download
Lame-O Records‘ Eric Osman found himself behind the drum kit on Cherry‘s latest release Dumbness. And now, the label head is kicking out the jams with Modern Baseball‘s Ian Farmer and The Superweaks‘ Evan Bernard, under the befitting moniker of The Lame-O’s. The fledgling power trio captures an exuberant energy to accompany the hook-laden melodies that make up the band’s all-too-brief self-titled debut EP, which was recorded at Big Mama’s and The Metal Shop by Bernard and Farmer (who also mixed the album).
NYC
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The Fluids release debut LP, plays Mercury Lounge on 10/26
Brooklyn post-punk rockers The Fluids continue to share tracks leading up to the release of their debut album “No Kidding!”. While initial singles “Creatures and “Sign N’ Drive” provided early insight, more recent focus on deeper tracks point to a complete full length recording. Utilizing an extended keyboard intro and siren-like effect, “Just Like Me” (streaming below) ultimately bursts out as a full-on guitar, bass and drums stomper. While the vocal inflections have accurately drawn comparisons to Berlin-era Bowie, the band’s full, expansive sound is in part reminiscent of early aughts post-punk revivalists Interpol but also ’80s icons The Psychedelic Furs. The album is available 10/27 on Axis Mundi Records, with the release party on Thursday October 26th at the Mercury Lounge. – Dave Cromwell
Philadelphia
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New Track: “Exposure” – Remote Control
Philly darkwave trio Remote Control just shared its official debut single. The heart-pounding, low-end synths of "Exposure" gets you right from the gate. The guitar rings out beckoning for the macabre combination of vocals to emerge. Be warned: "Winter is coming," and you can find "Exposure" on the band’s upcoming EP Wasteland. It is also now available on limited edition cassette and digital format (below), which is accompanied by a remix from Crash Course In Science.
Portland
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Nasalrod makes ‘Building Machines’ their Mississippi Studios debut
It seems that 2013 was like a blip in history. Back then, people said "YOLO" literally all the time and Vine was gaining app traction, but there was something else about that year that made it special – it was the last time "experimental punk" outfit Nasalrod released an album. Though It’s Our Pleasure was definitely a pleasure for fans, their first record in five years is even more of one.
This month Nasalrod dropped their vinyl debut Building Machines, and it’s exactly what we need from them now. Nasalrod has always been distant from any strict genre classifications, incorporating everything from noise to rowdy punk to even more dancier grooves to create their chaotic tunes. Building Machines is raucous and raw, with each member contributing integral bits to their aural storm.
On Sunday 10.22, Nasalrod are playing Mississippi Studios for the first time for Building Machines release, along with psych punk act BOINK and Honey Bucket. Tickets are only $5, such a steal for catching one of the most energetic acts in town.
NYC
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Jess Audrey and more perform at Brooklyn Bazaar’s BASSment on 10.21
Five electronic producers/DJs hit Brooklyn Bazaar for WAXX’s monthly event BASSment on October 21.
The showcase includes producer and visual artist JessAudrey, as well as WAXX residents Noah B, KLM, Rubie Lee, and Chase Jam.
The lineup’s stylings range across a varied spectrum of hip-hop & bass, dreamy electronica, disco grooves, and more. Should make for a fun night out.
Check out their work below:
NYC
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#52 of The Deli NYC is online: Guerilla Toss + BK Synth Expo! + Electronic Music Issue
New music seekers,
We have a brand new issue of The Deli NYC available online for you – and it’s a gooooood one, can read it here!
We are super thrilled to have new DFA Records signee Guerilla Toss on the cover (check out their wonderful single "Skull Pop") streaming below.
This is also our yearly electronic issue, linked to the upcoming Brooklyn Synth Expo, and therefore features:
– An article about the state of the electronic scene in NYC,
– Several Q&As with other electronic NYC artists,
– An ample section dedicated to the gear participating in the Synth Expo.
The paper version will be distributed in NYC around October 20th.
Enjoy!
The Folks at The Deli