NYC

David Strange brings his eccentric psych rock to Knitting Factory on 1/30

Posted on:

David Strange is delightfully weird, devilshly hypnotic, and guaranteed to pull you down into his personal rabbit hole. With psych rock leanings, it’s easy to say that the ex-session musician’s sound belongs to a different era, but there’s a hard-to-place oddness pumping through the twisted heart of his self-titled EP–so much so that it’s perhaps more fitting to say Strange’s music belongs to a different dimension. Stand out track "Aztec Corn" pulses with the grit and glam of old-school rock n’ roll, but has a jaunty, sinsiter quality that feels as if Strange is edging closer and closer to becoming wildly unhinged. The result is a delirously delicious aural treat, especially for those craving something a bit more unusal. You can catch him at the Knitting Factory 1/30 with ZEBEDEE, Logan X, and Toot Sweet, but in the meantime, be sure to stream him below. – Olivia Sisinni

NYC

Free Throw plays emo that might make you feel like you’re in middle school again

Posted on:

So maybe you gave up on wearing your sister’s jeans, but your heart was never were able to fully give up on your middle-school-era emo music phase. Free Throw may be just the band for you. The Nashville natives serve up songs busting with visceral punches, and primed to cut right through your gut and leave you screaming the lyrics along to your car radio. The band’s currenly revving up for a national tour (dates here) but in the meantime, stream them below.-Olivia Sisinni


L.A.

Post-punk trio REXX releases new EP “To Communicate”

Posted on:

Post-punk trio REXX once again fulfill their adventurous streak with their latest EP "To Communicate", a unique collision of punk and funk fusion that epitomizes their frantic eclecticism and twisted melodic approach. Led by Rex Osterkamp, the five track EP seamlessly coheres rasping guitar leads with funky bass lines that, at their most urgent, recall the short-lived days of tropical punk. But Osterkamp takes on different musical styles, and not once is he disloyal to delivering a well-sequenced effort that honors the blistering brevity of punk rock. Juan Rodríguez

 

 

NYC

Glassine blurs music and noise on album “No Stairway”

Posted on:

Having spent 3 years working inside a corporate music store, I can personally attest that the sounds you hear all day are not exactly the most musical. It’s pretty common to be asked by wide eyed customers how you can possibly deal with all the noise while kids who have never touched a drum set before wail on the heads with reckless abandon. Honestly though, after a couple of months of working against all the clamor, the constant set of squeals, squawks and crashes tends to bleed into the background, and answering a hush-toned phone call takes no real effort. 

But this is why I was instantly interested in Glassine’s (aka Danny Greenwald) latest release. No Stairway is made up solely of manipulated field recordings from the artist’s local Guitar Center, and before you write it off as a weirdo, novelty album take a listen–the LP is a bona fide avant-ambient record that stands even without its premise. With 7 tracks of vaporwave vibes that feel warm, hazy and exceptionally human, Glassine forces the take-for-granted din of music retail into the forfront of his work. How he’s managed to transform the cacophony of middle aged men stumbling through three chord songs on thousand dollar guitars into emotive ambiance is beyond me, but it’s a creative tour de force that will have you questioning the line that lies between music and noise. Check out No Stairway streaming below.-Olivia Sisinni

 

Philadelphia

New Track: “I Got Mine” – Residuels

Posted on:

Residuels frontman Justin Pittney has a cathartic moment with the band’s new single, "I Got Mine". It’s "a classic revenge tale to kickstart the New Year and celebrate the passing of 2016 with just the right amount of swagger." Recorded in mono and direct to tape, the outlaw ballad is an intimate look into the stripped-down recording sessions for the band’s first full-length album, which is due out later this year. Residuels will be taking a break from the studio, and debuting a ton of new tunes tomorrow night at Kung Fu Necktie, where they’ll also be supported by The Nude Party and The Robotrippers. (Photo by Liz Bretz)

Philadelphia

Debut Ghost Heron LP Available for Streaming & Purchase

Posted on:

Deep Six, the new album Ghost Heron, bristles with a bluesy Americana feel. Slipping into that barroom, piano twinkling, harp-blowing zone, or pushing the tempo with harmony-powered, up-tempo folk, the band gathers steam from a myriad of road-tested sonic stylings. However, those time-stamped moments, whether it’s the grit of funky blues-rock or the sway of earnest barrelhouse, hold a fresh breath.

NYC

Modern Diet Release Imaginative Animated Video For Song Red Eye

Posted on:

Literary rockers Modern Diet, our fresh artist of the month, have released an imaginative animated video for their latest track “Red Eye” (streaming below).  Visual artist Jaron Lionel depicts dreamlike scenarios based on lyrics which juxtapose relationship struggles against a doomed airline flight.  Initially sparse and moody, the track develops on top of a dynamic bass guitar phrase, while sustained guitar atmospherics hold steady over softer shuffling percussion.  Reaching the central hook, lyrics detail being “on a nonstop with nowhere to go” as they’re “asleep in the eye of the storm,” leaving little doubt this is a troubled ride. The slow burn builds to a majestic coda of reverberated “ooooh wah” vocals, forceful guitar chord accents and jazz-styled drum fills. “Wake up in a cold sweat, Not coming back to bed, Plane crash and a wet dream, 747 under fitted sheets, Where she’s waiting for me, I will not go to sleep.”  It’s a powerful track and video that incorporates the grand storytelling of Arcade Fire with the jazzy touches of Steely Dan. – Dave Cromwell

Philadelphia

New Track: “Head” – Geisha Facade

Posted on:

Geisha Facade, a.k.a. Jordan and Zoe Dupree, put their many talents and DIY ethos on display in the duo’s latest track, "Head". A dark sadness eminates from Zoe’s lovely vocal rasp that is reminiscent to a subdued sounding Amy Winehouse, eventually floating off into the ether before the thump and rattle percussions intensify and disintegrate. It’s the new single off their forthcoming album, You Went To Space, Good Bye Dear, scheduled for release this month, and they are also currently planning a Midwest tour.

Toronto

POSSUM – “QUICK DAMAGE EP”

Posted on:

This band Possum is absolutely lighting up the garage scene in Toronto right now. There’s a lot of buzz around whenever they are playing so the release of their latest EP came with much delight to many people. The EP titled "Quick Damage" is exactly that. 4 tracks of raw, in your face rock. The EP is quick but you can cause a lot of damage in the short time while listening…quick damage I get it. Possum will be playing Horseshoe Tavern on January 14th for Exclaim’s Class of 2017 Series. Joining them will be New Swears, The Kents, Crazy Bones and the Detours. – Kris Gies

 

Philadelphia

The Deli Philly’s January Record of the Month: a cheap close-up of heaven – So Totally

Posted on:
Philly four-piece So Totally gives listeners the ideal soundtrack for winter sadness with the release of their debut EP. Equal parts moody reverb and poetic gloom, a cheap close-up of heaven is a brutally candid depiction of unfiltered millennial feels.
 
Opening with the swell of “i can’t wait,” So Totally prove that not all twenty-somethings are afraid to wear their hearts on their sleeves. Heightened by lyrical concision and atmospheric riffs, the song is a melodic rumination on uncertainty and intimacy. On “lead & alchemy,” the universal need to be loved takes center stage amidst crashing riffs and lines like “I want to taste the real thing, follow me home” just before the track “rare form” pairs the sincerity of early aughts emo with the unfettered intensity of mid-90s shoegaze.
 
Infused with well-tempered nostalgia, “rare form” is the perfect summation of both genres’ devotion to doomed love and self-loathing – two themes further explored in “late gloomer”. Brutal like a best friend’s honesty, it is a ready-made wake-up call for anyone prone to self-induced sorrow or prolonged bouts of sulking. Comprised of hissing snare and reminders like “no one cares if it’s raining out, no one cares if you hate yourself,” the song is a bitter pill to swallow, but in a good way, while “easy leave” is a grunge-y hymn about the necessity of escapism, despite its limitations, and the frustration of temporary lows. a cheap close-up of heaven ends with the somber burn of “zoetrope,” a bleak but breathtaking portrait of human closeness eclipsed by apathy, a befitting end to an EP that isn’t afraid to find light at the center of an existential abyss.
 
The tracks on So Totally’s debut are ready-made mantras for the New Year, a collection of anthems for realists and romantics alike. With a combination of nostalgia and sincerity, a cheap close-up of heaven might not help you live your best life, but it will make you feel less alone, giving even the staunchest pessimist a glimmer of hope. (Photo by Austin Crostarosa) – Dianca London