We’ve talked about Henry Hall’s versatility before here at the Deli, but the NYC artist keeps impressing us in how often he manages to redefines himself. Hall worked on the Introduction EP with electronic producer Ellis, and the result was five tracks of soulful vocals supported by soaring, and at times poppy electronic arrangements. Recently, he has released a video for one of those tunes, "More Tiny," where Hall is singing around Times Square masked by various Snapchat filters. It’s one of those videos that’s either meant to be deeply symbolic or sardonically funny, but either way it suits the track well – check it out below. Henry Hall will kick off a monthly residency at The Bowery Electric tonight (09.07). — Henry Solotaroff-Webber

"Punk-Rock" is one of my favorite adjectives, in particular when preceded by the word "very." It helps me describe in a fun way otherwise gross scenarios (the constant influx of garbage entering my car, the shoes I wear with holes in the sole). This gritty aesthetic is something I’ve held near and dear to my heart since high school. The trap of listening to a lot of punk music though is that, after a while, it gets damn near impossible to yield to those primary principles that separate the punks from the poseurs, without like a thousands other bands. It becomes easy to get lost wondering just what punk should sound like in 2016.  Well, I’m going to lobby for something like Shop Talk.  Formed by members from both Liturgy and the Pygmy Shrews, the band delivers a sound that’s so immediately compelling that I was smitten from the first jagged riff on their EP s/t. Shop Talk is dirty, catchy, and threatens to burst at the seams any second. Check them out at Cake Shop supporting Sleepies and Joey Sprinkles on September 16th.-Olivia Sisinni

Brooklyn’s Swoon Lake are releasing today their debut EP Like Being In A Mouth, and earlier this summer they shared the appropriately titled lead single “Narcolepsy”. The “spooky folk” trio take a wonderful minimalist approach in their compositions, using delicate guitars and ambient synths. Front-woman Melodie Stancato wrote this song on her ukulele after spending her first night in her New York City apartment, alone. Her gentle crooning drives the haunting, joined occasionally by her bandmates with subtle harmonies. Swoon Lake will be celebrating the release of their EP tonight (September 6th) at the Silent Barn. – John Honan

Lina Tullgren is a New England-based singer-songwriter who composes raw and intimate music that seeks to find the balance between light and darkness. Tullgren’s latest EP Wishlist is a charming blend of honest folk and indie rock tunes that feature only Tullgren’s mellow, dreamy vocals and lightly strummed guitars. The album was influenced by her childhood growing up among many New England-based musicians and artists. On “Older” Tullgren sings in a hushed toned about wishing she didn’t have to grow older when its all she wanted as a kid. The track employs a minimalist style using only layered vocals and slow, dreamy guitars similar to Julien Baker. Lina Tullgren will be playing the Ian Sweet LP release show at the Middle East on September 6th! – John Honan

First and foremost, Foursix isn’t an artist, but rather a collective of seven, including rappers, producers, songwriters, a singer and a guitarist. Their output on Soundcloud so far has been limited to three tracks by a duo of emcees named J-Payso and Verdé Madera, and each song has demonstrated a ton of potential both on the rapping and Foursix’s producers side of things. J-payso and Verdé both have abstract, yet unpretencious flows, often stretching aproachable lyrics with complex rhyme schemes over several bars. Foursix’s producers then do a good job of accentuating their rapping with minimalist beats that give the lyrics enough room to shine. A good example of this is "Favors" (video streaming below), where the duo rap about being sick and tired of being asked for stuff while getting nothing in return over a fresh, keys-driven trap beat.

As a bonus, they also released a hilarious music video for the track which you can check out below. You can see them live at SoB’s on 9/6. —Henry Solotaroff-Webber, photo Credit: Brandon Todd

A sun-dappled song that soulfully tackles inner ennui, “The Cross I Wear” (streaming below) by Nashville-based singer/songwriter Sam Lewis is quietly pretty. Emanating a lilting alt-country feeling that warmly recalls My Morning Jacket or Hiss Golden Messenger, the keys-fleeted track (off Lewis’s eponymous debut album) is the yearning of a man with aching worries but, in its very existence, its sheer sounding out, is the coddling of those concerns, too. Sam Lewis is currently touring the country, and has a home town gig scheduled at The Basement East on September 23rd. – Zach Weg