NYC

Tele Novella unveils Sci Fi video for ‘Heavy Balloon’ + announces new album

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This super fun video by Tele Novella for single "Heavy Balloon" caught our attention today. Somewhat disavowing their own name, the Austin based pop quartet looks for visual inspiration in the cheesy Sci Fi movies of the ’70s. The song strikes a perfect balance between catchiness and sophistication, in a vein not too dissimilar from Camera Obscura’s most memorable singles. The song will be included in their upcoming album House of Souls out 9/23.

Chicago

Creatures From Dell Pond

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Creatures From Dell Pond have released the first single, "32 Regis Rd, Marshfield, MA", from their forthcoming EP, Battered Boyfriend. The new album is due out on November 4th. Unlike the other releases from the band, this EP is primarily the work of Gordon Pond.

You can catch Creatures From Dell Pond at Club Soda on November 5th and at Emporium on November 11th.

Philadelphia

New Music Video: “By The Light” – Moor Mother

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Avant-garde sound sculptor Moor Mother, a.k.a. Camae Ayewa, premiered her new music video for "By The Light" earlier today over at Impose Magazine. The Patrick JF Smith-directed creation does an excellent job of playing off the eariness of the track and capturing her tale of urban horror in a a fitting setting before Ayewa spits fury and demonstrates the ability to control her own destiny, no matter the circumstances, through her convictions, words and art. "By The Light" can be found on her new full-lenth album, Fetish Bones, which is available via Don Giovanni Records. Moor Mother will be celebrating her record release in Philly on Saturday, September 24 at Yung Kandy Collective, sharing the stage with NAH.

NYC

New England Record of the Month: Astronoid (live at Great Scott on 09.13)

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Boston’s Astronoid interject beautifully dreamy instrumentation and ethereal vocals into black metal on their impressive debut full length Air, which was released in June on the Finnish metal label Blood Music. It cohesively blends shoegaze, thrash, prog-rock, black metal, and punk to form what they call “dream thrash”. While the five-piece embraces the clean atmospheric sounds of post-rock bands like Explosions in the Sky, they also offer a pummeling and swift assault of black metal blast beats that shows off drummer’s Matt St. Jean’s solid skills. Instead of resorting to the usual harsh and guttural screams the black metal genre is known for, vocalist Brett Boland uses an elegantly clean vocal delivery that channels the airy sounds of popular shoegaze acts such as Slowdive and Ride. It would be easy to lose sight of their goal on an LP that pulls from an eclectic group of influences, but Astronoid do a fantastic job at forging a sound that stays consistent throughout the album. They will be playing at Great Scott on September 13th in support of Ghost Bath! – John Honan

NYC

Weyes Blood moves from NYC to LA, release singles “Do You Need My Love” and “Seven Words”

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Straddling the line betweeen Otis Redding’s soulful vintage pop and Nico’s decadent, maudit songwriting, Weyes Blood (aka Natalie Merring, who recently relocated from NYC to LA) is certainly a singular talent. Gifted with an incredibly deep and expressive voice, until recently the singer songwriter performed solo on stage with just an acoustic guitar and a four track recorder playing anything from vintage sounding instrumental tracks to background noise, but she will be joined by a full band for her upcoming tour. Weyes blood recently unveiled two singles from her forthcoming album, Front Row Seat To Earth, titled "Seven Words" and “Do You Need My Love” (both streaming below). The latter, released a few days ago, struggles with impossible love, and the feedback loop that such a love engenders: the harder to grasp, the easier to let oneself slide into unchecked romance. Angelinos will be able to catch her at The Resident on September 15th, while New Yorkers who missed her performance at Rough Trade this weekend will get another chance on November 10th at The Park Church Co-op.

Philadelphia

Happy 10th Anniversary Week, Johnny Brenda’s!!!

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For those who’ve been lucky enough to live through the renaissance that Philly’s music scene has been experiencing for the last decade or so, we’d like to remind you of a time when the next big thing in music was not likely going to be discovered in your favorite local DIY space. With the exception of R5 Productions, who was only consistently booking the First Unitarian Church at the time and just starting to gain a great reputation nationally in the indie music scene, many of the music venues were known more for ripping off artists than helping to nurture the music community. However, once Johnny Brenda’s renovated its second floor into a concert space, it was a total game changer – forever raising the bar in Philly. (Thank you!) We finally had a world-class music venue that actually cared about the artists’ and concertgoers’ experience. (What local musician out there didn’t appreciate the complimentary Greek plate in the backstage when he or she first performed there?) Johnny Brenda’s became a cornerstone for the arts & culture community in Fishtown and throughout Philadelphia.
 
This week marks the beloved establishment’s 10th Anniversary as a music venue, and they’ll be celebrating it with some kick-ass events that start this evening with the soulful, powerful ache of Hop Along frontwoman Frances Quinlan, the polished indie-pop of Hurry, and the “heavenly blues” of The Goodbye Party. You also surely don’t want to miss Tuesday night’s psych explorations with Bardo Pond, Birds of Maya, and Chris Forsyth. The rest of the week’s festivities will also include evenings with Rocky Votolato, The Album Leaf, IGNITE Philly, and much more. Cheers to all the good folks at JB’s! – Q.D. Tran
NYC

Listen to “v e r o n i c a” by shoegaze duo p h o e b e ‘ s g u i t a r

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p h o e b e ‘ s g u i t a r are a shoegaze project based in Diamond Bar, with characteristic bedroom shimmer and Beat-era drones. The work of Amanda Vong and Jeffrey Fast Brian Eloriaga—which includes a now-lost cover of My Bloody Valentine’s "sometimes"—has quietly drawn attention from Internet afficionados and Pasadena locale with their most recent performance at the second curated Art & Music night by Bird Pick Tea & Herb.

Listen to their newest single "v e r o n i c a" below.

Philadelphia

Ticket Giveaway: Julien Baker & Grayling at Underground Arts This Tuesday

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Julien Baker is one of our favorite rising singer-songwriters, and she’ll be performing this Tuesday, September 13 at Underground Arts. We are happy to send you and your favorite person in the whole world to see her and Philly’s own Grayling. Please DO NOT sleep on this show because it’s on a Tuesday night. To enter for a chance to win a pair of tix, just send an email to thedelimagazinephiladelphia@gmail.com with the subject line "You’re Gonna Run". Please also include your cell number in the body of the message (in case of an emergency). Good luck!

Philadelphia

Embrace the Ethereal Capacity of Dulls at Ortlieb’s Sept. 11

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A muggy yet enticing psych haze draws one toward the dream-like state that is Dulls. Then, as your about to drift into the sonic waters, a tumultuous typhoon appears, smacking you into shoegazing submission. Increasing gradually, the force of the storm becomes more evident, but once you’re in its volatile center, there’s no need to retreat. Embrace the ethereal capacity of searing guitars, incoming percussions and enchanting vocals. Tonight at Ortlieb’s, they’ll be paired with the drifting, ambient, time-warping tones of The Stargazer Lillies, the tempered, magnetic, enclosing harmony of The Lulls, and the cloud-exploring expanses of Tessellations. Ortlieb’s, 847 N. Third St., 8pm, $10, 21+ – Michael Colavita

L.A.

Heartwood releases impassioned new single “Peace of Mind”

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Indie rock quartet Heartwood first graced us close to half a year ago with "Can’t You", a promising single that had a vivid anthemic quality with its prominent harmonies and noodling guitars. Their latest single, "Peace of Mind", is a serious step up for a band that is embracing a no-frills form of guitar rock that both ehtuses and invigorates. Lead by Michael Armstrong’s superb vocal range, the track propels forward a hyper-melodic guitar hook that steers its way to a memorable chorus that is all the more augmented by the band’s radiant harmonic phrasing. 

Heartwood are currently working on releasing their first set of recorded material. – Juan Rodríguez