Here’s our usual, blurb-less recap of new music by not so emerging NYC artists from the last few weeks, enjoy! Pictured, Holly Miranda, who graced the cover of The Deli back in 2006 with her band The Jealous Girlfriends (7th issue of The Deli NYC) – she just landed a residency at Bushwick speak easy Hell Phone.
Journalism releases debut LP ‘Faces’ + plays Trans-Pecos on 5.21
Anyone living in New York City can attest to the fact that it’s a bit of a mess, wonderful and cacophonous but also slightly terrifying and frustrating. Brooklyn based post punk quartet Journalism manages to encapsulate the nervous energy of trying to make it in this city with their new album ‘Faces.’ Bouts of energetic anxiousness permeate the songs, exacerbated by feverous guitar riffs and accentuated by the mild tension in frontman Zema’s vocals. The reverb drenched guitars pluck away tenderly in songs like “Watching and Waiting” and “Everywhere I Look” before erupting into a string of mesmerizingly fast paced chords, climaxing with “Naked.” Journalism questions if what we’re doing in the end amounts to anything, but the inherent uncertainty of it is what makes it thrilling in the first place. Catch Journalism live at Trans-Pecos in Queen on May 21 and give their album a listen.
New Track: “Orion” (Live) – Tapes & Tubes
Recorded live at W/N W/N, this take of “Orion” by Tapes & Tubes (a.k.a. Austin Potter) paints a historically nostalgic portrait of a town that’s been rundown by time. Catching a bird’s eye view, the brief scene is a reminder that a simple setting still carries a deeper story. Tapes & Tubes will bringing his poetic verses to Ortlieb’s on Thursday, April 28, with Patrick Mansfield, Lauren and Paddy, and Thick Red Wine.
The Deli LA Artist to Watch: Gibberish
It’d be facile to give some literal meaning to Gibberish considering there’s really no limit to their scope of imagination. The experimental synth pop duo of Derek and Lorie Bromley put forth spiraling streaks of lucid textures on their latest track “RudeDude”, in which they fuse together a wash of vocal harmonies alongside a weaving tapestry of layered sounds. It’s music to get lost in, and it can certainly leave you bewildered, as it is truly a practice in escapism. But this isn’t just indulgent nonsense; if anything, they guide you into a wondrous, unexplored realm that’s never too far removed from reality.
Julius Earthling plays O’Brien’s Pub
At first you think that this band sounds like most indie rock bands: melodious guitar riffs, a fat bass chord, steady drums, and a captivating voice. But Julius Earthling quickly dispel this notion with their EP NFL Bliss, which erupts into a raucous rhythm that starts heading one way before completely changing up the tempo and heading down another path, then switching up again. It’s quirky, spastic, catchy and unpredictable which makes for one heck of a fun album. They play tonight at O’Brien’s pub so head on down for a night of great music. If you miss them make sure to keep tabs on their Facebook page for upcoming concerts.
DAISY EYE – BRAND NEW MUSIC FROM TORONTO
Sit back, relax and enjoy this brand new music comin’ out of Toronto. Daisy Eye is bringing us some laid back shoegaze tunes that touches on some 90’s grunge rock vibes. They have released one track "Exoexistence". The beginning makes you want to sit back and ponder life. It has some nice and gentle guitar licks along with lazy vocals to set the mood. Don’t get too comfortable though…they pick ‘er up near the end and grunge out for a while. I’m glad I came across this band as I’m sure not many people have yet so I’m glad I can spread the word. Keep your eyes and ears open for more "daisy-gaze" tunes coming from Daisy Eye soon. – Kris Gies
MUELKIK – HITTIN’ UP THE BOVINE
Rock and/or roll from the Nation’s Capital. Muelkik play a nice blend of different kinds of punk rock. I don’t want to say "pop punk" and I’m not going to classify them as "hardcore" either. Their guitars rip and the vocals howl but they manage to do so in a way that leaves you hooked and wanting more. They could have definitely fit right in on the old Punk-O-Rama compilations from the 90s. I dig it. They have tunes available on their bandcamp page but better yet…go see them at Bovine Sex Club on Saturday with Wine Lips and Possum. – Kris Gies
Joan as a Police Woman, Okay Kaya and Kelsey Lu play at The Hum on Sunday with many other NYC female artists
We’ve been big fans of Brooklyn based Norvwegian songwriter Okay Kaya since we saw her first video for single ‘Damn Gravity,’ released in the spring of 2015. We’ve been missing her live a couple of times (she cancelled a CMJ show on us in 2015, and we didn’t cath her at SXSW in 2016, so we won’t miss the oportunity to see her at The Deli’s sponsored appointment with The Hum, this Sunday April 24th at Greeinpoint’s Manhattan Inn, when she will be playing a semi-improvisational set with Aerial East and Kelsey Lu. We are also happy to report that she has released some new material earlier this year, which showcases a welcome orchestral development of her uber-sparse style – check out single Keep On Pushin’, streaming below.
Kelsey Lu (pictured) is a NYC based artist we’ve never covered before that is also worthy of attention. Born in Charlotte, NC, this classically trained cellist plays with Solange among others, although her own music flirts with ambient and experimental tendencies.
At The Hum this Sunday you’ll also be able to see Joan Wasser of Joan As Police Woman (who needs no presentation) in a set with drummer Jordyn Blakely (of Stove) and Noga Shefi of Zula, who will also share the stage with Taiwanese vibraphonist Yuhan Su in a separate set.
This is the last appointment with The Hum, a series The Deli has been sponsoring for the second year in a row – you can read about past showcase previews here.
New artist to check out: Zebulon Gone plays Baby’s All Right on 04.23
We are not sure if the concept of "sulking while danicing" existed before the introduction of goth music, but we certainly find the paradox amusing. Were you in the mood for it, we recommend you to watch this video, practice at home, get dressed appropriately, and then go showcase to the public your new moves and attire at Baby’s All Right on April 23rd, during Zebulon Gone‘s live performance. This is a very new, local, one man act that blends goth with industrial (which is an electronic version of goth) without venturing in the latter genre’s overly clangy tendencies. Check out single ‘Get Out, streaming below.
New Music Video: “I Can’t Live Without Your Love” – A Sunny Day in Glasgow
A creepy, hostile scenario engulfs the group in A Sunny Day in Glasgow’s new video for “I Can’t Live Without Your Love”. The band is taken individually off the streets under duress, and forced to perform by a masked man. The identity of the unknown assailant is eventually revealed toward the conclusion. (Photo by Chris Parker)
New Track: “Sweet Wife Life” – Son Step
Featured on their forthcoming full-length album Natural Majique, Son Step‘s new single “Sweet Wife Life” offers a cozy melodic warmth, as keys and percussion cruise, roll and lift the soft, harmonious vocals, maintaining a rhythmic course with an experimental-pop stretch. With the album due out on May 27, the band is already set to head out on a tour. However, you’ll be able to find them in Philly this Friday, April 22 at Magic Gardens.
Beverly announces “The Blue Swell” LP + unveils two videos + plays Baby’s All Right on 05.05
Brooklyn dreampop rockers Beverly are preparing to drop their second album “The Blue Swell” on May 6 through Kanine records. To celebrate that release they have scheduled a few live appearences: a full fledged live show at Baby’s All Right on May 5 with EZTV, Painted Zeroes and Tall Juan, and a free, in the store show at Rough Trade Records at 2 pm on May 7th. In our 2014 interview with the band singer and songwriter Drew Citron confirmed how “harmonies are the most important thing to me,” and how they can “set one moment of the song apart from the other.” That process is clearly on display on recent single “Victoria” The simplicity of the songs intro seems to exist for this very “set apart” reason. But it’s the gorgeous chorus that pulls it all together. “Why do you need them to adore you?” With a sound like this, it’s hard not to. Newly release song and video for “South Collins” takes those incredible harmonies and bathes them in a haze that marries Mazzy Star’s “Fade Into You” with The Jesus and Mary Chain’s “Some Candy Talking.” The noir film video that accompanies adds a darker edge to its sonic haze. – Dave Cromwell