A warm folk-rock track that vividly details a rugged life, “Miracle” (streaming below) by Queens quintet Hollis Brown is intriguingly enigmatic. Portraying the intense struggles of a down-on-her-luck heroine, the guitar-curled song off the band’s forthcoming release ‘Cluster of Pearls’ impressively purveys both the forlorn literariness of Dylan’s “Sad-Eyed Lady of the Lowlands” and the hopeful, country jive of such Gene Clark tracks as “No Other” while emitting its own rough splendor. ‘Cluster of Pearls’ will be released on Record Store Day (4/16) and Hollis Brown has an upcoming residency at downtown Manhattan venue Berlin in May, playing there every Wednesday. Full details can be found at the band’s Facebook page. – Zach Weg
Rentz Leinbach is your new favorite musician
*photo by Calvin Chen
It’s always nice to switch up your musical routine and add some fresh talent to your aresenal. Rentz Leinbach is exactly who I’m talking about when I say this. The recent Deli Artist of the Month is multi-instrumentalist, inspired by greats like Guided by Voices, Hasil Adkins and Elvis Costello. He’s been a solo acoustic artist (under the names the Pink Leather Tats and Root Shocker) and part of a three-piece band (Neither v. Either), but his current incarnation is quite addiciting. Rentz has got a show coming up on the 18th with Moon By You and Dim Wit at the Liquor Store, and a cassette release show at Mother Foucault’s Bookshop on June 18th. He may only be one person, but he can put on one hell of a performance.
Hotel for Strangers play at the HiHat tonight
Hotel for Strangers are a quintet that operate at the fringes of pop while maintaining a synth-driven sound that’s both intimate and spacious. With their soft falsetto choruses and metronomic drum sampling, which they execute with some idiosyncratic advantage, the outfit are poised to carry that momentum into their upcoming full-length coming out sometime in the Spring.
Listen to "Bat Face Girl" below, and catch them preview some new songs tonight at the Hi-Hat.
The Unders bring mosh pit-inducing garage rock to The Gateway on 04.20
The brainchild of The Deli NYC’s art collaborator Michael Zadick, The Unders declare their intent in the first seconds of their debut LP‘s opening song, with a male voice proclaiming: "I just wanna rock!" The band’s surely meets that goal with their inventive garage-surf, while also oozing fun thanks to simple but never banal vocal hooks. The breakneck speed of most of their tracks make them an ideal group to witness live, in particular for those who enjoy mosh pits and hearing loss. The next party is at The Gateway on April 20th with Total Slacker.
Twin Talk
Twin Talk (Andrew Green, Katie Ernst, and Dustin Laurenzi) are releasing their sophomore album and self-titled album on April 29th via ears&eyes Records.
You can catch Twin Talk on April 29th at Logan Center for the Arts and on April 30th at Constellation (Record Release).
George Clanton releases ‘100% Electronica’ LP + plays Alphaville on 4.22
Listening to 100% Electronica, George Clanton’s (aka Mirror Kisses) new release, is like walking in a hazy limbo somewhere between sleep and awake. Not quite a dream not quite reality. Lingering between the spacey drones and shimmering synths, Clanton’s 80’s styled crooning explores love, heartbreak, deception and frustration. You may call it chillwave or vaporwave, but the ’80s new wave’s imprint is still all over it, although it doesn’t stop there: Clanton keeps us teetering, never letting us settle into just one spot. He keeps us constantly moving. Immersing himself wholly into his performances, often abandoning his DJ set and rolling around on the floor, his live performances are always entertaining. You can catch him at Alphaville on April 22. – Adriana S Ballester
Surprise Creepoid Show for Pat Troxell’s Bday – BRING WEED at Ortlieb’s April 12
Creepoid just wrapped up a tour with Restorations, and the gang is back home to celebrate drummer Pat Troxell’s bday this evening with a surprise performance at Ortlieb’s. You have to know that the band will be tight, after clocking all those recent miles on the road. (Well, maybe a little looser since it is a party after all.) You’ll also be able to get your Taco Tuesday grub on. And the man of the hour requested that you bring weed so please don’t disappoint. Cheers, Pat! Ortlieb’s, 847 N. 3rd St., 10pm, $10, 21+ – Q.D. Tran
MOSAICS to Release EP – Year of Valor
The San Francisco based band, MOSAICS is releasing a new EP entitled Year of Valor on May 20th!
Combining the songwriting strengths of Alt-J and the production agility of Four Tet and Apparat, MOSAICS are a San Francisco trio making music for the modern world in all its jittery, glittering glory. With unconventional guitar lines, overlapping samples, and intricate production, they marry artistry and accessibility to create a sound that comes across like an old friend after a long journey- transformed entirely, but warmly familiar.
The band was formed with the ambition to paint sonic canvases with the mediums of modern technology. By following this principle and folding in organic inspiration, they have crafted their own method of songwriting that, by fully embracing the limitations of “bedroom production,” brings the art form to bold new ground. Naming Michael Hedges, David Bowie, Yeasayer, Moderat, Nine Inch Nails, and Radiohead among their chief influences, Mosaics have an ear to the past, but make music for the here and now.
New Mercury Girls 7″ Available for Streaming
Mercury Girls‘ new 7”, “Ariana,” will be released via Slumberland Records on May 20; however, both of its songs, the title-track and “All That Heaven Allows,” are currently streaming over at Brooklyn Vegan. The former is vibrant and youthfully airy, while the latter packs a more hard-driving energy, as backend provides the push giving the determined steady streaming vocals power. Mercury Girls play Underground Arts on Sunday, May 15 with King Gizzard & The Lizard Wizard and The Murlocs.
Andrew Strader’s debut “No Improvement” needs no improvement to be a solid listen
Andrew Strader’s debut recording No Improvement is a stripped down slacker tale that still feels fleshed-out and doesn’t cut any corners. No Improvement takes itself completely seriously, sometimes a feat for bedroom compositions, but still takes advantage of its lo-fi tape hiss aesthetic to keep the whole thing fun. Vocals hiss and crack, solos wander in and out of the frame, and the (remarkably tasteful) reverb fills your ears like cotton. It’s a brief listen, and you’d be doing yourself a disservice by skipping it. –Austin Phy
New Video: “Shake Hands” (Live) – The Original Crooks and Nannies
The Original Crooks and Nannies stopped by the Brig in Philly to perform "Shake Hands," one of the multiple standouts off their sophomore album Ugly Laugh, which is The Deli Philly’s April Record of the Month. Madeline Rafter calmly lays down strolling guitar lines, juxtaposed by her booming voice, while Sam Huntington charmingly bops around, manning the electronics, creating lo-fi, infectious beats, adorably playing off Rafter’s lead. The duo finds just the right harmonious balance that can be felt throughout the group’s latest LP.
The Original Crooks and Nannies – "Shake Hands" live at the Brig from Brig Sessions
WRITER releases new album “Principle Web” + video for single “Neighborly”
Former Deli Album Of the Month WRITER return with their follow up full length album “Principle Web.” Out on Small Plates Records, the ten track long player can be acquired in either digital or the once again popular vinyl format. Current single “Neighborly” presents a hypnotic drum beat straight outta Creedence Clearwater Revivals 1968 hit “Suzie Q,” as buzzy, distorted guitar and bass hover on a singular note before moving into a three chord progression. Chanted vocals come delivered with a mantra-like “I love – all of you.” A full minute in and the vocal cadence quickens, delivering simple observations like “there’s a shortage of clean laundry, and a mound of plastic bags” with the following verse declaring “there’s a party” as well as “a new tree that was planted.” In place of where one might traditionally expect a guitar solo is a falsetto vocal melody, moving it all closer to David Lynch film soundtrack weirdness. Harder power rock guitar chords lead the charge towards an ending that conjures the sound of a car wreck explosion. The accompanying video directed by Brooklyn-based visual artist Paul Remund portrays moving images in stark black and white, distorted by a form of digital cubism. – Dave Cromwell