NYC

Live Review: Steady Holiday at The Satellite 1/5

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At one point Dre Babinski joked if The Satellite’s audience could tell all her songs were in 6/8. The singer-songwriter sat snugly in her throne, a pistachio wing-back that contrasted sharply with the fireburst guitar in her hands. Softened by the acoustic hum of Bedouine and slightly inebriated, fans and friends threw their reactions to the stage, but Dre was unaffected. Her cool composure and glaucous coordination spun webs from Steady Holiday‘s soon-to-be-released debut Getting There — it was hard to move while songs like "Your Version of Me" persisted, even for the photographers. And at each definitive end, the cheers and applause reinforced our belief that even the softest voice can speak volumes under the right light, even on a Tuesday night.

See Steady Holiday perform again at the end of this month for Bootleg Theater’s GIRLSCHOOL Fest and stay tuned for the slated release of Getting There. Check out pictures from the night on our Instagram @TheDeliLA– Ryan Mo, photo by Michelle McCausland

NYC

Richmond-based Imaginary Sons release explosive single, Taste The Waste, play Strange Matter, 1/23

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It’s been a year since the release of their first full-length album, the eclectic Let it Beer, Richmond’s own Imaginary Sons put out a single to round out 2015. Taste The Waste is a departure from the previous releases, featuring light elements of thrash and garage rock instrumentality, but also having a feel of post with the somewhat ethereal vocals, which are somewhat reminiscent of Sigur Rós. Where Let It Beer was a delightful blend of heartland and psychedelic, this new single is a new step, keeping psych elements and incorporating some metal and garage flavoring. Through all of the high-speed guitar and drums, it’s exciting to see this band evolve so quickly. Catch their first show of the year at Strange Matter, 1/23, doors at 8.-Jonathan Goodwin

San Francisco

Music Video Premiere: Lords of Sealand – Architect

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It is yet again an honor and a pleasure to premiere music from another great Bay Area band! Check out the newest music video from the San Francisco based indie, prog rock band, Lords of Sealand!

Architect is a track from the band’s second EP, Found Fiction. Lords of Sealand are known for their haunting lyrics, dynamic rhythms and poetic storytelling. The music video for Architect is the culmination of their aural explorations brought to life in a visual medium. The video explores the conflict between creative freedom and the constrictions of modern societal norms. The video features Bay Area artists Allison Kane of Vanwave and painter Leslie Lambert. The video also includes life models Alexi Belchere of the band, The Y Axes and Carmen Caruso of Capybara.

Lords of Sealand will be hosting a video release show at Brick & Mortar in San Francisco on Wednesday January 13th, 2016 with Ghost Parade headlining and Cash Pony opening the show. The show starts at 9:00 PM with doors opening at 8:00 PM. The show is $7 in advance and $10 at the door.

L.A.

Live Review: Math at Pehrspace 1/3

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Although an out-of-towner was the catalyst for the show, local acts shined on January 3rd at Pehrspace. The event was curated by the prolific LA label Folktale Records, famous for its handmade releases and roster of intimate, visceral musicians. The night started off with a set from Moomaw, a one man electronic symphony. He seemed to be thoroughly enjoying himself as he performed, setting a groovy mood for the evening. Litronix followed, a duo fronted by the theatrical Kevin Litrow, backed up by the guitar-scapes of Avi Zahner, known to many as Avi Buffalo. Litrow barraged the audience with eye contact, managing to be both intimidating and inviting, like a space-age preacher using fancy footwork to tempt you into joining his cult.

Nashville’s Night Auditor took the stage next, and gave what should go down as one of the most passionate performances of 2016 (yes, even though it’s only 3 days in). Frontman Hilal Omar Al Jamal’s booming voice startled everyone during the soundcheck, and he continued to push boundaries during the set, aggressively hitting himself with a tambourine as he sang. His bandmate switched between playing guitar and adding electronic flourishes atop funky beats. Closing out the show was West Covina-based band Math. Once a bedroomy solo project, Math has expanded to a four piece, with Josh Lopez’s straining, emotive vocals now backed by familiar San Gabriel Valley musicians, such as Gio Chumpitazi of Stupid Bummed. The amount of gloom one comes to expect from one of Lopez’s sets was a bit toned down with the new instrumentation, except for the final song which he did by himself, utilizing loops and vocal effects to create a haunting cautionary tale. – Brittany Scheffler 

NYC

Best of NYC 2015 – Open Submission Results for HIP HOP + OTHER: DAYAN, I.O.D., The Vagabondz

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We continue churning out results for the Open Submissions to our Best of NYC Poll for Emerging Artists. Here are the ones who qualify to the next phase of the poll in the category "HIP HOP + OTHER."

Total submissions in this category: 11

Jurors: Cervante Pope (The Deli Portland), Ryan Mo (The Deli LA), Michelle Bacon (The Deli KC).

1. DAYAN – 7.33 (out of 10)

Dayan is Laura Dayan and Darko Saric.  Their indie-electronic Latin American folkloric funk is a swelling and pulsing exploration of the darkest corners of the dancefloor.  Laura’s voice beckons from an alternate universe with stories of magic and soul, while Darko maneuvers from House to Shoegaze.  The elements work together weaving a nostalgic longing for places unseen, rabbit holes, wishing wells, forgotten questions. – BrokeMc

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2. I.O.D. – 7.16

21 year old rapper I.O.D. a.k.a. Brownsvillian performed in front of thousands at the 2015 Brooklyn Music Festival, yet he has only six tracks on his Soundcloud.  This dearth obviously works in his favor.  From the raw candor of his “Grief Freestyle” to the spitfire Spanish and English “‘15 Originator (sida A),” I.O.D. demonstrates a fine balance between raw street spit and endearing quirkiness.  His style is still coalescing, but his skill is undeniable, and with Mtv and Hot97 vouching for him, his follow up to the critically lauded “11212” mixtape will only open him up to larger crowds and venues. – BrokeMc

2. The Vagabondz – 7.16

The Vagabondz, a rap band and collective originating out of Beacon High School, don’t stray too far from Hip Hop’s roots.  Their debut album “Lessons” is an unpretentious, jazzy, trappy swarm of flows reminiscent of The Pharcyde and Project Blowed.  The production feels so authentically West Coast, it’s hard to believe The Bondz rep Manhattan, NYC.  Dropping references from Common to Black Sheep to Mark Morrison, their foundation is as solid as it gets.  Though they’ve matriculated to various colleges, The Vagabondz promise they’ll always find their way back home. – BrokeMc

Honorable Mentions (score above 6): The Real Mike Wilson

Philadelphia

New Track: “Peace Of What” (Feat. Jordan Brown) – RJD2 & New Album Announcement

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RJD2 has just announced a new album, Dame Fortune, which will be released on March 25 via his own imprint RJ’s Electrical Connections. The soul-fueled, beat-driven collection includes guest appearances from Son Little and Phonte among others. It’s first single “Peace Of What,” featuring Jordan Brown, is spun from the threads of Main Source’s 1991 single "Peace Is Not the Word to Play,” merging panoramic orchestration with a soul-soaked, up-close view. RJD2’s tour will be rolling into town on Saturday, May 28 at Union Transfer. (Photo by Nick Fancher)

NYC

Sunflower Bean unveils single “Easier Said” + announce EU/US tour

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We are glad to see our CMJ 2014 babies Sunflower Bean take things to the next level in 2016: they just announced the February release of their debut album ‘Human Ceremony’ on Fat Possum, and a tour spanning two continents (Europe and the US) and two and a half month, also starting in February (the NYC stop is at Bowery Ballroom on 02.25). Check out their album’s preview single "Easier Said," which sees dreamyness and poppiness back into their often more muscolar psychedelic sound.

Philadelphia

Eliza Hardy Jones Steps to the Forefront at Boot & Saddle Jan. 6

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Eliza Hardy Jones branches out into the solo stratosphere this evening at Boot Saddle. Jones, who has already made her mark on the Philly music scene in working with Deli favorites Buried Beds, Strand of Oaks, and Nightlands, steps to the forefront, marrying her classical training with a futuristic spin. “Criminal” the first impression from her forthcoming solo debut Because Become (which will be released on January 15 via Admiral Byrd Records) demonstrates a composed determination. Catch her tonight backed by a full live band of exceptional local talent before she heads out on tour with Grace Potter, serving dual duty as an opener and within her band. The soulful R&B sounds of Jesse Hale Moore (Nightlands/Auctioneer) cracks open the proceedings. Boot & Saddle, 1131 S. Broad St., 8pm, $10, 21+ – Michael Colavita

Nashville

Natural Forces Releases “It Takes All Kinds”

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You’ve heard, right? Country music is cool again. You’d think rootsy Americana musicians were cicadas given their decades of silence followed by the omnipresent buzz we’re hearing now. And while this may be news on the national stage, those of us living in the heart of it know that groups like Natural Forces have been riding those heartworn highways for years now.

It Takes All Kinds, the group’s crowdfunded second full-length, is an exercise in branching out while keeping close to your roots. Maintaining a consistent touring schedule while pumping out catchy tunes one after another might be a stretch for some, but for these boys, it just comes naturally. -Austin Phy. Photo courtesy of Lightning 100.

Portland

Is/Is change their name to Candace

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Amid the terrorizing tragedies that have been involving ISIS recently, the lovely ladies of Is/Is have decided to change their name. In a statement (both emailed to me and now found on their Bandcamp page) the ladies give a little detail about the decision:

In light of realities far beyond our control, Is/Is will thus forward be known as “Candace.”



“Is/Is” (/iz-iz/) has metamorphosed from an intentional non-signifier to an unintentional reminder of what can be horrible in this world.



We hope that the new name will make room for us to be more of what we’ve always meant to be—a reflection of the good and small mysteries that make living worthwhile.

It’s a respectful and understandable move for the band, and hopefully won’t interfere with their future successess. All former Is/Is related pages and correspondance have been switched in observance of the new name. Their first show under the new moniker will be at the Know on January 16th with Ah God and Seattle’s Dræmhouse

-Cervante Pope