NYC

The fourth wall exists in Ferbus’ new track “Four Word Song Title”

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The twinkle is strong in Ferbus, a relatively new emo-rock band of Oklahoma City transplants and Los Angeles natives. First single they ever put out, "Explain Yourself", featured halcyon instrumentals and the deep baritone voice of Henry Dillon, which strangely makes me reflect on King Krule’s absence. And the newest single "Four Word Song Title" resonates American Football angularities with opaque lyricism — a bit of a downer journey through textures dense and sparse.

Played against the backdrop of Los Angeles’ winter, it has a slight warming effect, makes the winds bite just a bit less.

Ferbus are making their way through LA’s music circuit, and they’ve already hit up DIY venues like Bridgetown and the HiFi Deli with bands such as Twin Peaks and Slow HollowsHeads up for the release their self-titled debut December 11 through Danger Collective Records — these guys are making plans for a release party on the same date. Stream "Four Word Song Title" below. – Ryan Mo

NYC

Buzz Alert! Secret Weapons play Gramercy Theater tonight (11.18)

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Those of you who crave anthemic choruses and radio friendly melodies might want to check out Brooklyn’s electro duo Secret Weapons. Their tunes, uber-catchy reinterpretations of the dancy synth pop of the ’80s, are spreading like wildfire across the internet, and as a result the group, after playing Bowery this past August, will check off its list another large NYC venue: the Gramercy Theater, where they’ll be performing tonight, November 18. This is definitely enough to trigger a Deli NYC "Buzz Alert – not bad at all for a band whose Facebook profile was created this past February! Their main single "Something New" develops a verse that sounds like a more soulful and electronic version of the the faux rock of Huey Lewis, into a huge hook of a chorus. And that, ladies and gentlement, is what most people want to hear. 

San Francisco

Video Premiere: Royal Jelly – The Old Bay Bridge

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The cool thing about the Bay Area´s local bands, particularly the artists who are surviving in San Francisco right now, is that they tend to be very committed to their home base. A great example of local artists paying homage to the changing times in their city (for better or for worse) is Royal Jelly Jive. This great vintage swing-soul band has written a song and shot a video to commemorate the destruction of a part of the Old Bay Bridge.

The video was shot at the Embarcadero in honor of this special occasion with a song they wrote inspired by the bridge itself… aptly named, "The Old Bay Bridge". Check out the video and support local artists who are keeping their head above water in the San Francisco Bay Area (literally and figuratively)!

Chicago

SCIENTIST

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SCIENTIST is the experimental metal from Eric Plonka (Yakuza), guitarist/vocalist Patrick Auclair (Yakuza, Taken By The Sun), drummer Justin Cape (Taken By The Sun), and bassist Matthew Milligan (Making Ghosts). The band will be releasing their long awaited second album, 10100II00101, on December 11th. The album was recorded at Minbal Studio and features contributions from members of The Atlas Moth, Pale Horseman, Without Waves, and others.

Philadelphia

Debut The Mysteries Album Available for Streaming & Purchase

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Bluesy psychedelic four-piece, The Mysteries have issued a self-titled release. With an organ/key-directed spin, this crew is channeling a strong Doors influence, leading the way toward a cavernous setting that is dimly lit and ominous, while surprisingly loose. Venture into the void, and see what you discover.

Philadelphia

Rare MP3s Presents: Hudson Mohawke, The-Dream, Swizzymack, Diamond Kuts & Noah Breakfast at the TLA Nov. 17

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Rare MP3s, a record label, production, mixing and mastering collective, started by Noah Beresin, a.k.a. Noah Breakfast/formerly Xaphoon Jones of Chiddy Bang, and Ryan Schwabe, have been consistently releasing rad new tracks for months now. And tonight, they’ll be providing us with a stacked bill at the TLA. Head co-conspirator Noah Breakfast will be kicking things off, and setting the tone for the evening of grooves and beats. You’ll also find homies Diamond Kuts and Swizzymack helping to warm things up before the one-two combination of genre-defying sound sculptor Hudson Mohawke and Grammy-winning R&B artist/producer The-Dream. So what if it’s a Tuesday – fuel up with some tacos and work it off on South St.! Theatre of Living Arts, 334 South St., 7:30pm, $20, All Ages – H.M. Kauffman

NYC

Public Access TV reveal video for “In Love and Alone” + announce debut LP

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NYC indie pop quartet Public Access T.V. yesterday unveiled a new track/video combo entitled "In Love And Alone" – streamng below – which will be included in their debut full length, announced for some time in 2016. For those wondering what life in a NYC band is like, the video depicts a typical night in PATV’s world. Frontman John Eatherly says: "We filmed this video right after coming back from tour, and when you get home after being together for weeks you think ‘I need a break from these guys’… But we always end up just calling each other and hanging out within a couple of hours." That’s definitely a good sign! For the last year the band has been touring the US and UK extensively sharing stages with acts such as Weezer, Gang of Four, The Strokes, Wavves, Fidlar, Palma Violets, Twin Peaks, and performing at festivals throughout Europe.  

NYC

Not Blood Paint unveils video from upcoming LP “Believing is Believing” + plays Mercury on 11.21

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It’s a bird! It’s a plane! It’s a bird eating a plane and exploding rainbows! It’s Not Blood, Paint! The Brooklyn quartet, conjuring equal parts They Might Be Giants and TOOL, is nearing completion of their newest, most elaborate and bizarre album to date, "Believing is Believing."  To manifest this feat, they have initiated a kickstarter campaign rife with quirky desirables. They also have been churning out mind-bending videos to illustrate just how serious this new album will be. If seeing the videos doesn’t convince you, then you may have to settle for Believing is Believing. NBP plays Mercury Lounge Saturday, November 21. – BrokeMC

NYC

Album review: Toughies – Tough Enough

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“I don’t want it if it’s just for fun,” sings Toughies vocalist Carl Smith. The lyric echoes throughout “What Are Hands For?”, the second track off the band’s debut EP. Ironically, Tough Enough is a great deal of fun, complete with indie pop chords, full-chorus sing-alongs, and an adorable fluffy cat featured on the back of the album art. Yet this lyric perhaps encapsulates the tone of the EP’s 6 tracks—though the music is catchy and bright, it’s not ‘just for fun.’ In fact, the band has produced something of meaningful substance.
 
The Lawrence-based quartet released Tough Enough in September of this year. In addition to vocalist Smith, the band consists of Brad Girard on guitar, Joe Gronniger on bass, and Caroline Lohrenz on drums. The EP’s opening track, “Sloane,” immediately introduces us to Toughies as a unified team. Listening to the strong vocals sung in unison supplemented with the image of a wandering cowboy on the cover of the album, one can’t help but imagine singing this song while sitting with friends around a campfire.
 
Tough Enough explores that in-between space traveled by so many trying to navigate young adulthood: the sadness of a break-up, followed by self-reflection, leading to sweetly sincere attempts to mend the heartache by winning that someone back. On “Birthday Party,” Smith sings from the perspective of a man who hopes an ex will show up to his party and witness how much he has matured over the past year of separation. It’s sentimental, comedic, and honest all at once. However, the somewhat tender nature of many of the lyrics by no means makes the music of Tough Enough cheesy or dull—this is indie-pop, after all.
 
“Horsefeather” provides a dose of funk halfway through the EP that shows off the instrumental strength of each member of the band, and “Cheek” is a favorite that closes the EP on a high note. Listen closely to the last few seconds after the music stops and you can hear one of the Toughies mumble “we can go” amidst giggles, half-jokingly implying the recording was so flawless there’s nothing left for the band to do to raise the bar. Tough Enough is a skillfully constructed and warm introduction to a band we’ll hopefully hear much more of.
 
 
Mary Kennedy
Mary is a lifelong Bostonian learning her way around Kansas City. She can often be found in an art museum, checking out local music, or taking a nap.
 
 

You only have one more chance to catch Toughies before the end of the year—this Friday at Replay Lounge. They will be appearing with Oil Boom and Monster. Facebook event page.