Philadelphia

Marietta Opening for Tricot at JB’s Oct. 12

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At the intersection where endearing emotives and crisp melodies converge into an energy-releasing surge forward, Marietta flips the script, creating songs that turn personal anguish and despair into a collective resounding outpouring. Taking those internal contemplations and pushing them outside bedroom walls, the pop-punk quartet generates anthems that unite individuals in communion. Tonight, The Joint Chiefs of Math open the proceedings, pushing the boundaries with an intense, high-octane-fueled excursion in atmosphere-altering, noise-inflected math rock, exploring the outer limits with warp-speeding instrumental interplay. Armed with explosive instrumental transitions that play off fervent vocals, Japanese rockers Tricot headline. Johnny Brenda’s, 1201 N. Frankford Ave., 9pm, $14, 21+ (Photo by Kasmine) – Michael Colavita

Philadelphia

New Video: “I Saw My Twin” (Live) – Hop Along

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Hop Along stopped by 5 at 5 for an intimate performance at the Ace Hotel in Los Angeles. Check out the stripped-down version of "I Saw My Twin," off their latest LP Painted Shut (Saddle Creek) below. Hop Along will be heading out on tour with Modest Mouse, starting tomorrow, which will last through October, and they’ll also be bringing their tunes to Europe next month.

Hop Along: 5 at 5 : Ace Hotel Downtown Los Angeles from Ace Hotel

NYC

Richmond’s funky nine-piece The Flavor Project play The Camel, 10/17

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They’re big and they’re brash. The Flavor Project, a funk and R&B outfit from Richmond, features nine members and a seductive sound that fits perfectly in a smoky music hall packed with dancing listeners. Drums and brass unite to form a transcendental rhythm while the guitar-playing creates a funky beat that creeps into your body and makes you move and the vocals blast right to your head and heart. They’re playing The Camel on 10/16 with Philly-based Ill Doots. Doors at 8, tickets for $7.-Jonathan Goodwin

Philadelphia

New Asaad Album Available for Streaming & Purchase

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Controversial Philly rapper and former Deli Philly Year-end Fans’/Readers’ Poll WinnerAsaad, recently dropped his long-awaited new album Young 27. It features contributions from Sunny Norway, Oogie Mane, QB, P On the Boards, Problem, and more. You can stream the record in its entirety and purchase it below.

NYC

Mad electropop scientists Superhumanoids performs new album at El Rey Theatre 10/14

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It seems only yesterday that the Los Angeles trio Superhumanoids sculpted cane sugar citadels in the EP "Parasite Paradise", after their new wave adrenaline debut "Urgency" in 2010. When The Deli last spoke with the band, singer/guitarist Cameron Parkins admitted to indulging in "our more pronounced production traits," remixing tracks from Local Natives, Xiu Xiu, New Beat Fund, and more. Then in 2013, Superhumanoids went molecular and built tones from scratch in the charged LP Exhibitionists, only to mutate their sophomore game two years later with the confident electropop nightwalk Do You Feel OK? At this point it’s pretty clear that Sarah Chernoff’s voice goes well with everything — even copious amounts of gamma radiation.

So it’s not just that we like Superhumanoid’s diverse and uniquely superhuman sound.

We really like Superhumanoids’ shared devotion to secret-formula serums, and occasionally exposing their friends’ tracks to mutagenic chemicals.

We like that they’re throwing a homecoming party to end their Fall Tour, with Blackbird Blackbird and Rush Midnight on Wednesday, 10/14 at The El Rey Theatre.

But what we like most about Superhumanoids: their songs are always free to stream online. Seriously. – Ryan Mo

NYC

Album review: Riala – Be Here Be There

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The first track of Riala’s recently released debut album, Be Here | Be There, is immediately reminiscent of the kind of emotional math rock that made bands like Circa Survive so beloved. The vocals, passionate and echoing, mirror the strengths of the instrumentals and resonances that make this band so unique. Feeding my nostalgia for the sound, I dove in headfirst and listened as the track “Aether” gave way to “We Need More Land,” which led to my personal favorite track, “Poseidon.” This lengthy 7-minute song builds to an anthemic explosion of instrumentals around the 5-minute mark that will unavoidably cause some head-banging.
 
The rest of the 7-track album carries on with the band’s enjoyable mixture of atmospheric rock instrumentals (similar to Explosions in the Sky at some points) and the kind of shoegaze sounds that are impossible to sit still to. The eerily distorted track “Sun Blinks Out” melts into the final track “Captain (Dredge),” which is arguably the loudest in terms of intensity. It proves to be a perfect closer for this expressive album.
 
Riala consists of Nick Turner (guitar/vocals), Kalo Hoyle (bass guitar), and Morgan Greenwood (drums). The group met at the UMKC Conservatory of Music and Dance and has joined their similar talents and interests to create this electric debut album. Be Here | Be There was recorded at Element Recording Studios where the album was engineered, mixed and mastered by Kansas City’s Joel Nanos, who has proven to be quite successful in various aspects of the music industry. Riala’s album as a whole is no exception to Nanos’ abilities. The album is incredibly moving and dark in all of the best ways. If given the opportunity to catch them live, do not miss out!
 
 
Lindsey Alexander

Lindsey is a writer who loves live shows, Reddit, and really good tacos. 

NYC

Jesse Harris and The Gypsy Sparrows’ Farewell Show this Thursday

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(Photo by Martin Diggs)
 
Jesse Harris has been entrenched in Kansas City’s Americana music scene since discovering it as a teenager at BB’s Lawnside BBQ. He has brought that approach to his songwriting, along with a soulful country edge. He has found success as a solo artist and with his band, The Gypsy Sparrows. But after several years of playing and touring, the group has decided to call it quits. This Thursday, they will play a farewell show. We talk with Harris about the group, his music, and what’s in store for the future.
 
The Deli: Down and dirty: one sentence to describe your music.
 
Jesse Harris: Songs that are true to the soul that tell tales of both triumph and tribulation.
 
The Deli: Give me some background on your music; talk about your solo material and The Gypsy Sparrows. Why have you decided to end The Gypsy Sparrows?
 
Harris:I found the blues in my early teens and luckily, living in Kansas City, the blues scene was at my fingertips. Once I started to write songs, my blues roots really became evident. My songs tend to be on the depressing side but I promise there are a few upbeat ones too. The Sparrows really came together as naturally as possible. I had been writing songs for a few years and playing out in KC with Sean DeCourcy sitting in on harmonica. I got word that Jeff Perkins had recently moved back to Kansas City from New York. Sean and I had both worked on earlier projects with Jeff and we both were eager to get him involved with what we were doing. Crazy to think about but that was almost 10 years ago.
 
As the frontman for The Sparrows, I started getting booked often for song swaps and singer-songwriter nights in venues around the Midwest. These were new to me because song swaps in Kansas City were almost nonexistent. I got hooked on them. They were organic and lent room for stories and camaraderie between the performer and the audience. The more I did, the more I loved them, and I began to write songs that would fit that type of show. That is how my solo album As I Am came to be.
 
We decided to call an end to The Gypsy Sparrows for many reasons but mainly just one big reason. We had a great run, wrote some great songs, shared millions of laughs, only a few fights, traveled near and far and we did it all just how we wanted to. It was our way or no way at all and in true Gypsy Sparrow fashion we wanted to be the one who said we were done. We didn’t want to fade away or burn out, just simply say farewell.
 
The Deli: What inspires your music and songwriting?
 
Harris: My inspiration almost always comes from real-life events. For me, to write the song I have to feel the meaning, emotion, or the story. I feel connected to my songs like they are a part of me. Even if they have been fabricated to fit the song better, I can still tell you how the lyric came about. I feel that is what makes a song true, and truth is what I look for in any song.
 
The Deli: What is your songwriting process?
 
Harris: My process varies. Sometimes I’ll come up with a melody on my guitar and go from that, but every now and then I’ll start with lyrics first. If I start with lyrics first, it’s almost always right after a long drive.
 
The Deli: What have been your greatest musical accomplishments?
 
Harris: I went and saw a band play at Knuckleheads Saloon a year or so before I started to play music live and I remember how great the venue was. Everything about the show was perfect and I remember telling myself how great it would be to play a show there. A year after forming The Gypsy Sparrows, I finally got my chance to play there, and it was everything I had hoped for. Two years after my first appearance, my solo CD release show sold out Knuckleheads’ Gospel Lounge, and that winter I was asked to host a songwriter night there, called The Troubadour Sessions. Those are definitely top accomplishments to me, and I’m honored to be back this winter to host The Troubadour Sessions again!
 
The Deli: Tell me about your latest solo album As I Am. What can we expect?
 
Harris: As I Am was a challenge to myself. I wanted to give a true perspective to my sound as an individual musician. As I Am is the best representation of that. Nothing was altered, auto-tuned or digitally changed at all. This is me and my guitar. I am sometimes off-key, my guitar buzzes at times, and I even change lyrics on the fly. It is not perfect because I am not. The songs of the album cover many topics. From heartbreaking loss in “Love, Money, & Redemption” to songs of hope and guidance in “Boots On,” you are bound to find at least one song you can relate to in some way. That is what I was shooting for anyway.
 
The Deli: What does supporting local music mean to you?
 
Harris: The local music scene in KC has been growing like crazy over the last few years. When I started out, there were hardly any venues that supported original songwriters. We have been very lucky that the trend is ending. Venues like the recordBar, The Westport Saloon and The Tank Room have really made a name for themselves in the local music community. For me, supporting local music means supporting the venues that host and pays local musicians. This is just a hobby without those venues that pay their performers.
 
The Deli: Who are your favorite local and non-local musicians right now?
 
Harris: Local: John Goolsby has the voice of an angel and has written some great tunes. Also a new favorite is Tyler Giles, who is a regular at The Westport Saloon.
 
Non-local: Jason Isbell is a must in my CD rotation. A newer songwriter to my favorites is John Moreland. I played before him in Tulsa and have been hooked ever since! Both of them are the most truthful lyricists I’ve heard in a while.
 
The Deli: What is your ultimate fantasy concert bill to play on?
 
Harris: Alive: Jason Isbell, Amos Lee, St. Paul and the Broken Bones, The Black Crowes, Willie Nelson. Dead: B.B. King, Ray Charles, Levon Helm, Jerry Garcia.
 
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
 
Harris: Willie Nelson – A true road troubadour.
David Gilmore – Got me hooked on the sound of the guitar.
Robert Hunter – Because songwriters get little credit.
Levon Helm – Had a true passion and heart for music.
 
The Deli: What does the future hold for you as a musician?
 
Harris: I am heading to the recording studio to record my second full-length solo album this winter. I have some of the best songs I’ve ever written in hand and a fresh (and sober) new perspective on love, life and music. I’m not sure exactly where music will take me, but I know it’s going to be a great ride!
 
The Deli: Where can we find you on the web?
 
 
The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?
 
Harris: I’ll say goodbye with a quote from a song I wrote using some of the words of wisdom my dad said to me throughout the years…
 
“Hold your head up, don’t move so fast
But every second counts so make ‘em last.”
 
Join Jesse Harris with The Gypsy Sparrows at Knuckleheads Saloon on Thursday. Facebook event page.
 
–Michelle Bacon
 
Michelle Bacon is editor of The Deli KC and plays in bands.
 
 

 

Austin

‘Koolin’ at the End of Summer with Charlee Bankston x Deni

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Emcees Charlee Bankston and Deni come harder and hotter than a patch of city concrete sittin’ out in the Texas late-summer sun (we don’t have fall here, but y’all know that) on new minimalist track "Koolin." This beat is built on just about nothin’ else except a repeated oldschool rock ‘n roll sample counting "One, two, three, four," a few snares, claps and bass beats and the full-court press vocals of Bankston and Deni, who take turns spittin’ on the punchy beat. The rap here is allowed to be massively present due to the minimal beat, and it is some good damn rhymin’ with an earworm hook, and it’s hard to say whether the flow is the star for being so prominent and good, or if the boombastic beat is what makes it for providing so nice a frame for the emcees to do their thing over. Either way you wanna look at it, this hip-hop from Bankston and Deni is solid and catchy as fuck- the perfect thing to finish off the summer with a no-fucks-given bang. Get listenin’.

Austin

Geoff Earle’s New Project Stiletto Feels Releases its First, Funky-Weird Single

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Stiletto Feels is a project that we’ve actually posted on before, back when it seemed to be known online as The Big Fist, but when we dropped a piece on a track back at that point, we got us a confused but polite message from bandleader Geoff Earle wondering how we’d found what was then an unshared SoundCloud account meant to show off what he was working on to his close friends.

That track was taken down, and we’ve sat put on Earle (known for his work with Fresh Millions) ever since, until now. Just a few weeks ago, one of Earle’s other new tracks “Steal Your Guitar” was released at an Empire Control room show with a pretty fucking wildly good lineup (BLXPLTN, Shmu, Black Books, Corduroi, Chipper Jones and Dana Falconberry were just part of the list of groups playing), and now we can finally post on this killer-ass new music coming from one of Austin’s most uniquely musical minds.

We’re into being able to finally talk about the layered and indie electrofunky project that Stiletto Feels is, especially because “Steal Your Guitar” was so good back when we heard it a few months ago, we almost posted it as our single of the day instead of the track we went with. In fact, we like it so much, we’ve nominated Stiletto Feels for Artist of the Month on the strength of this track, as well on what we know is to come from these guys in the near future.

Backboned by a supersynthy, glimmering night of a melody that sounds a bit classic Vitalic or Kavinksy and then slammin’ into somethin’ funkier for the chorus, “Steal Your Guitar’s” main strength outside of its smooth synthetic grooves is its strange lyrics and subject and their equally weird delivery. Sung in a nicely and appropriately subdued but pretty manner that balances well with the heavy funk of the bass and the prettiness of the rest of the track, the lyrics of “Steal Your Guitar” are delivered from the perspective of a supposed friend of an unnamed musician’s friend who is outright telling the unlucky artist that they are about to have their guitar stolen, by said friend and for drugs.

The song is pretty bitchin’ in the way it creates this believable and poignant narrative of a situation that feels totally real (and, as I and many others who have owned guitars can tell you, this is definitely something that happens) and is pretty hardcore to listen to explained so directly. Paired with the fun and groovy instrumentals, it’s exactly the kind of pop song that we’ve been craving- something that pushes the edges of pop music out further while still being undeniably part of the pop canon.

Listen to this first track from Stiletto Feels here, and keep posted for more info on the rest of the tracks the project is said to be releasing soon. We hear it’s more of what we had found on that original SoundCloud page, all of which was perfectly killer, and that the recording process was quite unique indeed and involved folks from acts like Shmu and The Sword. We’ll have more on that as it releases, for now let Stiletto Feels tell you exactly how it goes down when a good buddy tells you to your face how they’re about to fuck you over.

San Francisco

Bay Area Musician DJ and Music Writer Curates Original Mixtape

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Editor´s Note:

The Bay Area veteran musician, record collector/retailer and music writer, Derek See curated a short but sweet mixtape today. We´re always into supporting local musicians who express themselves in different ways. I was personally lucky enough to have local musicians and music writers like, Joel Gion, Goldmine Sacks and Lauren Espina contribute mixtapes to my nonprofit organization, Publik / Private and Derek See has shared the latest edition of Publik / Private´s original mixtapes.

¨The Gentle Cycle is See´s current and main music project. He also plays occasional guitar with Myron & E, The Rain Parade and Chocolate Watchband.¨

Enjoy this mixtape of classics and be encouraged to put together your own mixtapes!

L.A.

Alyeska releases powerful new track “Medicine River”

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Alyeska is the recording moniker of Alaska Reid, a Montana native now based in LA with a dry, brittle-as-fine-glass vocal tonality reminiscent of contemporaries like Sharon Van Etten and Laura Marling. Her latest single, "Medicine River", is a drifting anthem that soars with an emotional freedom that allows her to cleanse herself thoroughly from all wounds. Produced by recording mastermind John Agnello, the track’s jagged guitar lines and thumping snares are accented with a newfound clarity that follows the song’s theme to move the story forward.

You can catch Alyeska play an acoustic show at the Ace Hotel in Palm Springs on October 15th, followed by a full band show at the Study on October 16th.