We’re not surprised by this announcement because it’s been quite some time since many of us have made the trek to the Fairmount area, but Philly.com just reported that the North Star Bar will cease being a music venue after 34 years. The establishment is shutting down this Saturday, October 17 in order to begin renovations, and it will be converted to a bar-restaurant promising "even better food" and "’more better’ beer," experiencing the similar fate as The Khyber – both had a stronghold on the city’s indie music scene at one point in time with Heyday Entertainment. However, with the emergence of Johnny Brenda’s in 2006, the music community shifted to Fishtown, and continues to spread throughout the city with spaces like Boot & Saddle, PhilaMOCA, and Union Transfer. Being in music is certainly a tough biz. Farewell North Star, we’ll miss the good times and when it used to be kind of scary to walk from our cars and the Broad Street Line.
New Tracks: “Sulk” (Live) & “Collisions” (Live) – Mercury Girls
Mercury Girls, featuring members of Literature, Little Big League, and Pet Milk, recently shared two new tracks, "Sulk" and "Collisions," over at Brooklyn Vegan. They were both recorded live to tape during a recording session. Mercury Girls will be performing this evening at Bourbon & Branch with Suburban Living and Eternal Summer.
The 3rd Annual 8static Fest at FUC Oct. 15 – 17
Every August, droves of Philly college students flood Benjamin Franklin Parkway for performances from some of the music industry’s most prominent hip-hop and indie-rock names at the Made In America Festival. While MIA definitely fills its purpose in providing a large-scale, corporate-up-the-wazoo exhibition in music industry gluttony (alongside some really solid acts, I acquiesce), this event is not what the locals would call a representation of our city’s unique DIY culture. Philadelphia, which is brimming with young underground talent, will be celebrating the 8-bit/chiptune community for the next three days with 8static Fest, which is in its 3rd year and is being held once again at the First Unitarian Church, featuring artists such as Cheap Dinosaurs, nml styl, random, Marshall Art, Storm Blooper, NO CARRIER, Ultrasyd, Bit Shifter, Inverse Phase, Mail Order Monsters and ohhinaifu. (You can check out the entire schedule HERE.) The annual event has certainly compiled an international lineup that demonstrates the nuanced differences of the chiptune genres in all of its chaotic, electro-psych computer music glory. First Unitarian Church, 2125 Chestnut St., 6pm (All Three Days), $20 per night/$50 for all three nights, All Ages – Blake Oetting
Foxtails Brigade Release New Music Video – Far Away and Long Ago
The Oakland based art nouveau indie rock band, Foxtails Brigade has released a lovely and impressively shot music video for their new single, Far Away and Long Ago. This video has a crisp and touching style that is reminiscent of famed director, Stanley Kubrick´s film, Eyes Wide Shut and shares the same title as the 1918 William Henry Hudson novel. The video is sophisticated and compliments this new track´s artsong, classical vibe.
The dynamic, multi-talented group will continue an already busy 2015, having signed to OIM Records earlier this year, with their first full-band full-length self-titled studio record with producer Jeff Saltzman due out in March 2016.
Enjoy this music video for Far Away and Long Ago and make sure you make it to Foxtails Brigade´s upcoming show at Awaken Café on November 21st.
TONIGHT! The Deli’s Pop CMJ stage at The Living Room
Last CMJ 2015 show! It’s pop time, who doesn’t like pop? C’mon everybody – there will be FREE SWEETWATER BEER from 7 to 8pm!!!
Check out this awesome compilation with a track by each artist performing tonight.
The Deli NYC’s Folks
New Video: “Red Cow & Dorothy” – mewithoutYou
mewithoutYou provided us with a treat yesterday at Pitchfork. The band premiered and linked two videos for its tracks "Red Cow" and "Dorothy," off the group’s latest LP Pale Horses (Run For Cover). You’ll find frontman Aaron Weiss amidst a frenetic train-hopping adventure before the footage morphs into a more reflective, down-tempo state, with both clips directed by Daniel Davison. mewithoutYou are scheduled for big back-to-back evenings on October 23 & 24 at Union Transfer with The Menzingers, Restorations, and Pianos Become The Teeth. Grab your tix ahead of time because we predict that these shows will sell out.
Same Depression, Different Era
Zach Schmidt looks like he sounds; jaw set tight even at rest and eyes that seem to have seen too much. He resembles a young Depression era prairie pastor.
Landing in Nashville two years ago, Schmidt came to town from Pittsburgh, Pennsylvania with his EP Horse, Truck or Train as a calling card. With the EP’s sparse production and lyrics which paint a picture that better days are coming, but sure as hell aren’t here, the Townes Van Zandt influences are noticeable. Train and Schmidt’s live performances have won over players in Nashville’s Americana scene as evidenced by the help provided to his upcoming full length: The Day We Lost The War (set to be released at the beginning of next year). Engineered, mixed and mastered by Justin Francis, with bass and steel provided by Santa’s Pub defacto house band rhythm section, Adam Kurtz and Carter Brallier. Aaron Lee Tasjan provided guitar for the album.
Schmidt will be playing songs from both records when he opens for Tasjan’s record release show on October 25 at The Basement. You can also catch him tonight at the 5 Spot for "Cover Your Friends Night," also featuring Cale Tyson, Caroline Spence and others. -Alex Vucelich
Caleb Groh Debuts Single “Let It Groh”
Photo: Juan Solorzano and Brothers Design Co
Dylan be damned; the soft cooing folk crooner, Caleb Groh, has abandoned the folksy roots sound he cut his teeth with for synth grooves. The singer-songwriter debuted his single, “Let It Groh,” off his forthcoming Hot Pop EP (October 30), and to say Groh’s foray into bedroom R&B is infectious would be a startling understatement. Groh layers irresistible synth melodies over purring Wurlitzer sounds, and carries the track with his dream state falsetto. A track with whispers of Phil Collins, Toto, and Phoenix, “Let It Groh” offers the perfect preview of his intrepid departure from indie-folk. -Sean McHugh
Isabel’s CMJ Day 1: Ron Gallo, Wet Leather, Caged Animals, and Weekend Money
My first CMJ day started at Arlene’s Grocery with Wet Leather, an NYC based band. The quintet filled the venue with their soulful and memorable alt pop. You can hear an 80’s influence (dominating synth & funky basslines) in their music, but it isn’t gimmicky. Performing alongside, “Yours and Mine,” a track of theirs with anthem potential, Wet Leather also premiered their new track, “Shame,” which had just been premiered on Consequence of Sound. Continuing my night at Cake Shop, Caged Animals were a highlight. The group makes dreamy alt pop so momentous, I forgot I was in the Lower East Side of Manhattan; with introspective lyrics, Vincent Cacchione’s voice, often harmonizing with Magali Francoise, soared over the tightly organized instrumentation. Ending the set with their song, “Teflon Heart,” the track’s catchy melody and vocal hook followed me the rest of the night. To finish the night, I headed back around the corner to Arlene’s Grocery to see local Hip Hop duo (via Philly and Iraq!) Weekend Money perform (pictured). Lead singer Ne$$ was bold in every way, shouting into the crowd, “This ain’t spoken word, wake the fuck up!” Accompanied by Baghdaddy, the two made the audience bounce, but it was Ne$$’s lyrics that were most affecting. Performing their track “Yellow,” he exclaimed to the NYC audience, “Piggy piggy piggies, all I see/Roll around in NYC/And I just try to stay out their way/ We get money in Manhattan take it back to BK.”
Future Soul sensuals Air Life performs new songs at The Satellite tomorrow
Oh Taylor Dexter!
Beloved drummer of Hunter Hunted and the Body Parts. He who watched Daniel Garner and Ryder Bach raise roofs from afar. An apostle of the kit, born-again singer and frontman who spread the word of Pop and the future spirit of Soul into our hearts. Though our daily grind leaves us broken and defeated, the collective voice of Air Life lifts us up with such energy and funk, and carries us on.
Blessed are we Angelenos to have witnessed Air Life’s residency at the Satellite, the collab performance with HOLYCHILD, and the back-to-back showcases at Echo Park Rising. Blessed are the stalwart sextet backing Dex, musicians of immeasurable talent — bassist Brad Babinski and drummer Brijesh Pandra, Derek Howa of keys and Mark Einhorn of the brass, the dextrous Wesley Singerman on guitar, and singer Cassandra Violet who loops and spits like it’s nobody’s business.
Woe to the music purveyors who forsake Air Life’s next show, happening tomorrow at The Satellite with Steady Holiday and an undisclosed special guest to open the night. Forgive them, for they know not what they are missing out on (new music, an awesome live performance, $6 entrance with RSVP). – Ryan Mo
Zach’s CMJ Day 1: Captain Baby, Rosy Street, Henry Hall, and Ron Gallo at Arlene’s Grocery
The dimly-lit Arlene’s Grocery may have been rather empty yesterday afternoon (tough to fill up a NYC venue on an early Tuesday pm!) but it held several intriguing, strangely beautiful acts, booked by NYC promoters Siren Sounds. First up was the Brooklyn six-piece Captain Baby whose heavy guitars and warbled vocals conjured a darkly electric atmosphere, like something out of Gotham City. The Asher Rogers-led band also displayed a warmer side, though, their drum-pulsed last track (presumably from their debut album ‘Sugar Ox’) being catchy and even sexy. Next to take the disco ball-fronted stage were fellow Brooklyners Rosy Street. Down to frontman Kyle Avallone’s skinny black jeans and deep vocal rasp, the rock quartet was something out of filmmaker Jim Jarmusch’s universe, its ominous yet serene tracks of thin guitars and tumbling drums creating a spectral warmth. Afterwards came Henry Hall, a beguiling singer-songwriter whose hometown on his Facebook page amusingly states: "JFK//LAX." Along with his bassist Robby Caplan and drummer (apparently Nate Mondschein), Hall broke into the guitar-fuzzed songs (off his eponymous EP released earlier this year) that intriguingly sunk mellow R&B in hard rock, his virtuosic voice at times recalling Jack Black and at others Destiny’s Child and always commanding the room. Philadelphia-based rock trio Ron Gallo closed the afternoon with classic rock force, its thunderous guitar cuts (off a forthcoming album) fondly recalling Led Zeppelin and Cream while proving, as many of the songs from the previous groups did, that thrilling, committed music can occur at all hours of the day. – Zach Weg
Jaime Woods unveils new single “Hello Morning” + plays The Deli’s CMJ show at Rockwood tonight
If you saw the cover of Jaime Woods‘ new EP, "Troy," and thought it was an effort in nu-feminist rock, ala Tracy Chapman or Sinead O’Connor, you’d only be half wrong. Musically, she’s retro-soul with a modern twist; vocal inflections recall Amy Winehouse, though the restrained singer-songwriter vibe of cuts like “How Love’s Made” keep things resolutely personal and poetic. Her more recent single "Powers" (streaming below) has been resonating with thousands, online. Don’t miss he performance, tonight at Rockwood Music Hall within The Deli’s CMJ 2015 Showcases. – Brian Chidester