Philly guitar hero Chris Forsyth has reconnected with Koen Holtkamp to record The Island, the four-track follow-up to 2012’s Early Astral. The album is scheduled for release on October 16 via Trouble in Mind Records. You can sample the first tasty morsel of the forthcoming LP below, called "Long Beach Idyll."
Veins – Moon Garden
Lounge-rock, or, a haunting, roomy version of pop, with plenty of groove and emotion is what Veins is pumping out. With the Moon Garden LP, this offshoot from blues rock is a dreamy romp through some beautiful melodies and heartbreaking lyrics. Lead singer Hannah has soul to spare, and the whole band ebbs and flows with the emotion from the songs encased within. The garage-pop of Diggin’ In My Grave turns into a stripped down 50’s ballad, complete with falsetto back ups and a tambourine. The first band-included song, Runaway Girl, brings a late night dancer with some real mean lead lines and a heavy groove. Chops aplenty from every band member. The disc is chock-full of great songs, including Nightmare Gone To Waste, one of the heavier tunes included in the mix, with a great brooding, ambient melody guitar, and an even spookier sounding lead guitar plucking and scraping away at the notes. The album winds down to close with a sparse, solo piano performance, with an orchestrated string accompaniment, sounding like it was torn right from a Lynch-ish or Tarantino-esque climax. All in all, the dream-pop of Veins Moon Garden is a great piece of art, keep up-to-date with their facebook for shows in your area. – Cody Wright
Brooklyn singer Jonathan Hoard takes you deeper on ‘Tidal Wave (feat. Rabbi Darkside),’ performs at Brooklyn Bowl tomorrow (8.28)
Brooklyn vocal marvel Jonathan Hoard conjures power from the depth of soul seldom explored on his new song, "Tidal Wave feat. Rabbi Darkside" (streaming below). With a powerful yet smooth voice somewhere between Stevie Wonder and Beyonce, the singer/songwriter/arranger has the acumen to match the energy of any track he tackles. As his harmonies swirl and pulse, it’s easy to get lost in the wave’s giant blue heart. Known to many from his accompaniment with the New York jam session known as The Lesson (led by the band Gentei Kaijo), Hoard smashes with his solo work. “Tidal Wave” also includes a ferocious verse from hip-hop ambassador Rabbi Darkside. Brace yourself. Jonathan Hoard performs tomorrow (8.28) at The Brooklyn Bowl as part of The Lesson. – BrokeMC
Brooklyn singer/songwriter Janet LaBelle performs at Mercury Lounge on Sunday (8.30)
Back in May 2013, Brooklyn singer/songwriter Janet LaBelle released “Wide Awake Dreaming” (streaming below), a wistful piano track that Brian Wilson would approve of. Capturing a forlorn lover’s sleepless night with imaginative lyrics such as “The world’s an empty cup,” the song shows the merry LaBelle of “Just a Little Rain” or “You Don’t Get It (So Forget It)” as a melancholic nightingale here to coddle us back to rest. Reportedly at work on a new release, Janet LaBelle performs at Mercury Lounge on Sunday (8.30). – Zach Weg
New Track: “Lonesome Tonight” (New Order Cover) – The Morelings
The duo of The Morelings has released a cover of New Order’s “Lonesome Tonight,” which originally appeared on the album Thieves Like Us. While similar in sound, this version utilizes a combination of keys and delicate vocals, conjuring an ethereal sense of calm. The track is featured on VA – Dreams Never End, A Tribute To New Order, a compilation that is available via TBTCI Records. On Thursday, September 24, The Morelings are scheduled to perform on a bill with Dreambook and Living Hour at Johnny Brenda’s. (Photo by Lizzy Schwartz)
NYC indie group Caverns playing at Knitting Factory on 9.10
Caverns is a NYC-based indie-rock band whose latest EP, ‘Tonche,’ seamlessly blends elements of psych-rock, prog-rock, and a bit of pop into a replay-worthy debut. The influence of classic acts on the group is undeniable. The EP’s third track, "Count to Five" (streaming below), opens with a psychedelically dark guitar riff that would feel right at home on a Pink Floyd record, and yet there’s enough of their own fingerprints on the music that it has a unique sound. The rest of the EP follows a similar pattern, succesfully blending a modern indie-rock nature with psych-and-prog-rock qualities. Caverns has made quite an impact with its debut record. The opening track, "Ghosts," already has over 30,000 plays on Souncloud, just 3 months after the EP’s release. The band is currently working on new material and you can catch them live at Knitting Factory on September 10. – Patrick Wolff
Goldhouse @ Lincoln Hall
Goldhouse is the electro-pop music of Grant Harris. This year he has released two single, "Over" and "When I Come Home", along with several highly praised remixes.
You can catch Goldhouse with The Locals at Lincoln Hall on August 29th.
New Music Video: “Bug” – Alex G
Lo-fi singer-songwriter Alex G, a.k.a. Alexander Giannascoli, just shared his new music video for the track "Bug." It’s the lead single off his forthcoming album Beach Music, which is due out October 9 via Domino. The footage was shot in Ojai, California, and the video was directed by Micah Van Hove. Alex G has a hefty tour schedule coming up in the fall that will find him roaming the landscapes of the U.S., Canada and Europe. He’ll be returning home on Saturday, November 14 at The First Unitarian Church with Girlpool and Eskimeaux.
Alpenglow to perform their spacey folk-pop at Rough Trade tonight (8.28)
Originally formed in Vermont, Alpenglow, the now Brooklyn-based band, is dropping its old “atmospheric folk” sound and exchanging it for one with more sonic vibes. This band is blasting off. Their latest EP, ‘Chapel,’ which still encompasses their old sound, can be defined as the word Alpenglow itself: “the rosy light of the setting or rising sun seen on high mountains.” Lead singer Graeme Daubert’s shifting vocals and unforeseen relatability manage to give listeners the sense that they are on one of those mountains. Recently, Alpenglow added some singles to their soundcloud that we recommend you listen to. "Dreaming Too Much" (streaming below), for instance, encompasses the space vibe they claim to be working towards. The band should be previewing some of their work at Rough Trade tonight, August 28th. – Lauren Schechter
eighth blackbird
The super ensemble eighth blackbird have recently the first except from their forthcoming album Filament (Cedille Records, Sept. 11th). The album futures recordings of works by Bryce Dessner (of The National), Nico Muhly, and Son Lux (Ryan Lott), along with a live recording of Philip Glass’s classic 1968 work, Two Pages, featuring Dessner (guitar) and Muhly (organ). The excerpt below is a performance of Bryce Dessner’s "Tears For Sister Polly" from "Murder Ballades".
eighth blackbird have an ongoing residency at MoCA – Chicago with performances coming up on Sept 1st and 2nd. They will be performing the complete "Murder Ballades" piece at MoCA – Chicago in March.
MP3: eighth blackbird "Tears For Sister Polly" (right-click to download)
Mary Lattimore Opening for Meg Baird at JB’s Aug. 27
Indie quartet Life in Film rocked the Rock & Roll Hotel, 8/25, and continues headlining US tour
From across the pond comes one of the hardest working indie bands today. Founded in 2012, Life in Film is at the halfway point of their first headlining tour of the US. They just finished opening on the Wombats tour a couple months ago, but they’re back at it again, reaching out to new audiences and sharing their artistry with us Yanks. They also put out their debut album Get Closer in April and have more stuff in the works for a sophomore release.
I watched their performance Tuesday, 8/25, at the Rock & Roll Hotel, their first-ever show in DC and I was wowed from start to finish. I spoke briefly with frontman Samuel Fry before the show, who revealed the band all works together to produce their music and that his favorite part of playing live is the unpredictability, giving new life to songs that had only been written and recorded. While at the show, I certainly found new life in songs I had only heard on Spotify. Literally everyone in the crowded space was jamming to the music, dancing and bopping heads to the rich beats. The thick bass shook my beer bottle and the lefty lead guitarist rocked his glasses right off his face. Life in Film has a sound all its own, not derivative in the slightest. Their stage presence was simple and engaging in its appeal, avoiding unnecessary flash and hitting the essentials for a good time. Catch them at their remaining US shows or miss out on a fantastic experience. -Jonathan Goodwin