Le Tour has released the first single, "Friend" from their forthcoming debut album Terra Eyes (Aug. 10th, Berserk Records).
You can catch Le Tour at East Room ( 2828 W Medill Ave) with Slushy and Seattle’s Killer Ghost.
New Music, Emerging from your Local Scene
Le Tour has released the first single, "Friend" from their forthcoming debut album Terra Eyes (Aug. 10th, Berserk Records).
You can catch Le Tour at East Room ( 2828 W Medill Ave) with Slushy and Seattle’s Killer Ghost.
The name Erica Eso may sound like some music making beauty, but it’s actually the latest musical brain-child of Weston Minissali, also known as the synth player from Cloud Becomes Your Hand. Erica Eso’s synth-heavy pop melodies are a clear departure from the otherworldly avant-rock sound of Cloud Becomes Your Hand, but Erica Eso’s first singles make it clear that Minissali’s talents as an experimental composer span across genres. As of last week, the first singles from Erica Eso’s upcoming album, "2019," are now available for streaming (below) on SoundCloud and Bandcamp with the full release coming later this year. – Sam o’Hara
Heavenly Beat is the Brooklyn based solo project of former Beach Fossil’s bassist John Peña, and it certainly lives up to it’s title. the project’s latest and third release, entitled "Eucharist," is a glistening 40 minutes of refreshingly laid-back indie pop. Peña’s wispy voice elegantly floats over a procession of airy guitars, drum machine beats, and ethereal pop melodies, resulting in a record that lives up to the heavenly moniker. A fourth LP, tentatively titled either "Designer" or "Latino," is currently in the works and Peña is also gearing up for a new tour in the fall. Heavenly Beat will be returning to New York on October 9th for a performance at Baby’s All Right, and the first track’s from the upcoming LP are expected to be released sometime this summer, so be sure to keep an eye out. – Patrick Wolff
Everyone’s had it: That urge to sell everything you own and take to the road for a life of adventure and self-discovery. After a tragic loss, Ryan Murphy acted on that urge, and luckily for us, he took his guitar with him.
Fast forward a few years, add a couple of other talented musicians, and First Year on Earth was born.
With crystal clear vocals, upbeat down-home rhythms and well-crafted lyrics telling tales of life on the road, First Year on Earth is shaking things up on the roots scene. And in support of their self-titled EP, they’re bringing their folksy/pop sound to Nashville.
The award-winning Austin trio will be at Mad Donna’s TONIGHT with Noah Peterson and local bands Little Raven and North N South, and at The Bluebird Cafe’s Sunday Spotlight on 7.12. -Caroline Bowman
After leaving Philly indie-rock faves Dr. Dog to pursue his own voice in music, Juston Stens took off in the fall of 2011 on his 1972 Triumph motorcycle to travel around the U.S. and collaborate with his numerous musician pals that he had connected with over the years while touring and performing. He was also followed by videographer Drew Stubbs, who recorded his adventures and created the documentary I Lay Where I Fall. Stens also just released Share The Road, the soundtrack that accompanies the film, featuring appearances by members of Wilco, Spoon, Generationals, Floating Action, Brass Bed, Apollo Sunshine, and solo artists such as David Vandervelde and Jessica Lea Mayfield, which you can stream and download for free below.
With bold, smoky vocals and a straight-shooting live show, Whoa Dakota is making quite a name for herself in Nashville’s flourishing underground scene.
The Homophones emerge from their slumber to make a somewhat rare appearance at The Fire this evening. The Jason Ferraro-led group burrows under your skin with a haunting ease. Musically, there’s a polished folk backdrop erecting a familiar space for one’s mind and body to sink into. With hints of those quirky, slightly warped lyrics, they offer an alternate prism of experience that catches your attention with its ability to establish comfort from a set of twisted images and a captainly baritone. The Homophones will be hosting a trio of New York acts, including the somber yet percussively forward electronic songs of Goste and the crisp soulful R&B of On the Sun, which incorporates that bass-bumping, horn-blasting funk, while folk-rock trio A Penny’s Worth kick things off. The Fire, 412 W. Girard Ave., 8pm, $8, 21+ (Photo by Brandi Lukas) – Michael Colavita
It’s not easy to write a song that’s universally relatable without an ounce of cliche, but that’s exactly what Portland, Maine natives The Mallett Brothers Band accomplished on the title track of their fourth studio album, Lights Along The River. The story of reflection on a long journey home is delivered in layered vocals that rise to a powerful climax, while bluegrass-style instrumentals manage to evoke the feeling of floating down river as clearly as the lyrics themselves. The Mallett Brothers are currently touring New England to promote their new album – find a list of their upcoming shows here: http://www.
–Glori Blatt
Photo credit: Nicole Wolf Photography
Dan Boeckner, shows us there is no stopping him with his latest project Operators. Their latest track “True” is a sleek, synth-pop digital dance track with rousing vocals that will have your body swirling. The official video shows of some sneaky spy moves to this “True” track. See them live tonight 7/9 @ the Garrison.
We are doing a ticket giveaway for tomorrow night’s Meatbodies/Tough Shits/The Bad Doctors/Harsh Vibes show at Underground Arts. To enter for a chance to win a pair of tix, just send an email to thedelimagazinephiladelphia@gmail.com with the subject line "I Want Your Meatbodies!" Please also include your cell number in the body of the message (in case of an emergency). Good luck!
Joel, aka MaG, serves up a fresh slice of humble pie with “Songs for Charles” which he describes as an “open letter to his pops.” The introspective and plangent vibe prevalent throughout the album conjures the anxiety associated with confronting the expectations of one’s parents. His flow, somehow simultaneously effortless and thoughtful, leans into his dusty beats as if to procure some lost volume, as if the answer is in there. He sounds like Kanye mixed with Mos, or maybe Kanye back when he used to rap with Mos. Or maybe he’s just his own wizard practicing hip hop with respect for it like the alchemy it is. As he vamps on the jazzy “Better late than never,” “I would rather die than let go of one of my dreams.” It’s precision wordplay; Charles would be proud.