Typically when we post somethin’ electronic-leanin’ up in this house, we’re hittin’ the poppier, psych-ier, beat music-ier or hip-hop-ier sides of the style. That’s simply what most of what comes outta Austin these days in the tech-end of the scene (that’s still about the music and not just the party) sounds like. However, there is of course another side, and that’s the structured stuff. We avoid the term “dance music” here because, while the track we’re about to getcha on is well that, the term has a lot of baggage these days. Even the musicians featured here might not like that reluctance to term, but hey. It is what it is to the larger audience.

What local producers VVV and Dylan C do, here heard on collab track “Ricochet Pendulum Scanner,” is just that other side- some pure-minded Electronic Structure music with a hell of a pressure beat, a crunchy 90s warehouse mood and creative chops that obviously have involved thinking out a track much deeper than just tryin’ to make somethin’ to pop a molly and sweat to. If you see a bro in a dayglo tank gettin’ down to this, we’ll be straight shitted; it’s more from the end of electronic music that brings us detalists and genre expanders like Efdemin or Gui Borratto than it is something like David Guetta or even locals Run DMT, though we aren’t trying to say there’s not a place for that Big Party music too in this particular area of music (might as well ask someone to define art; yer gonna get a lotta pissed off folks who ain’t dancin’, head bobbin’ or fuckin’, and we’d argue that ain’t what music is about).

What we do want to do is to put at least what small spotlight we at The Deli have at our disposal onto these two iconoclasts in an Austin scene whose flows generally push strong in very different directions than this, both at large and within the electronic scene itself.

Both VVV and Dylan C have been putting out steady, strong series’ of music releases lately, movin’ music to the online masses at a high clip and an even higher quality, and this collaboration is among the best, sounding like somethin’ Richard D. James and Boards of Canada might have dropped in the mid 90s if they’d fallen into a vat of green shit and fused together, button-pushin’ fingers intact. Those who immediately perked at those names have nothing to wait for, get to clickin’ Play, but also those more into the pop side of bleepy music should still find this highly palatable if you want some good thinky music, and especially if you dug Radiohead’s post-OK Computer weird shit (which, wow, is getting really old now and that’s a strange thing to reckon with).

It’s music for the dark nerds and the night people, and you should listen to just about everything they’ve each been releasing. Start with “Ricochet Pendulum Scanner” below (man, even the name sounds like an Aphex track in just the right way), and soak into The Network just like the 90s good and well meant us all to by this ungodly advanced year. It’s a damn sight more productive than runnin’ your desperate eyes over your Facebook feed one more time looking for something actually worth a shit and wondering what the fuck failed, futile and probably deserved future we’ve brought on ourselves, if nothing else. In that way, this track is kinda future music for a future we’re all refusing to let happen, but should have, and it feels real damn good to dive in and let it make you a believer in a badass new millennium again, if even for a a few minutes.

Now this is one we’ve posted before as part of a previous Artist of the Month Poll roundup, but now we’re givin’ local pychpoprock (mmmhmmm, smush them genres) act Three Bones its own damn post because they’ve got a neat lil July residency goin’ on at the Historic Scoot Inn that’s jammin’ along quite nicely. We’ve been quite into this pair (headed by Victoria de Benedicty and Dalt Jacob with Grant Johnson and Mike Stavitz as well) since they put what has been one of the year’s prime headspace occupyin’ tracks and eyeball a’pleasin’ vids out earlier this year with the strummmeriffic and oddly super satisfyin’ “Hold on to Ya” earlier this year. Goddamn psychedelic earworms y’all: in a genre that finds itself in the long-noodlin’ territory more often than not, it’s not somethin’ you really expect for a psych track to be a tight, clean piece of pop that gets right up between your brains and shakes its tail for a week or two, but damn if “Hold on to Ya” ain’t just that.

I think what really gets this track and vid movin’ is that it just feels legit as Texas barbeque; even when hammin’ it up all weird and creepylike for the camera (as Dalt does just freaky fuckin’ well), you get that unfakeable sense of authenticity that tells ya these are some good damn people just doin’ the damn thing thing in the way they damn well wanna do it, and they’re down if you’re down and cool if you ain’t. We think y’should be, and a trip out yonder to Scoot Inn will likely get you on the Three Bones wavelength quicker than a blonde dude in an all white get up can strum a guitar, which if you check the vid, is pretty fuckin’ fast.