Post-punk trio darkturn released their latest EP, O Delmore, yesterday. The Florida transplants bring a wild and dark sound to the scene and some interesting album art courtesy Alex Matz.
You can catch darkturn at Reggies (2105 South State) with Psych-Rocker Jude Shuma, Dorian Taj, and Sounds Del Mar on June 5th for just $5.
Electropop/video artists Teen Men (featuring members of The Spinto Band) just premiered their new self-titled LP over at Pop Matters. The album is comforting, like an old friend who is always there for you. Teen Men officially drops on June 9 via Bar None, and the band is currently on Clap Your Hands Say Yeah‘s 10th anniversary tour. (Illustration by Natalie Simons)
Featuring Ryan Newmyer and Jen Goma of Philly’s A Sunny Day in Glasgow and Brooklyn’s own Kurt Feldman (Ice Choir, Pains of Being Pure at Heart), trio Roman à Clef crafts light-hearted songs heavily inspired by the sophisticated English pop of the ’80s (think Lloyd Cole and the Commotions and – in particular – Prefab Sprout). Their super breezy, borderline jazzy pop features alternating male and female voices, with Feldman’s crooning tenor carrying most of the lead vocals’ weight. The project has been around since 2013, when single PSBTV was released digitally; two years later (i.e. just a few weeks ago), the band unveiled that single’s video (streaming), a testament to how tortuous the creative process can be for indie musicians. Roman à Clef will be celebrating the release of their sophomore album ‘Abandonware’ at Union Pool tonight (June 2nd).
Big Eyes is a truly great sounding NYC based melodic punk trio that’s been around at least since 2010, and that for some mysterious reason went completely unnoticed here at The Deli NYC. They have a series of singles and two full lenght albums under their belt, the latest of which, "Almost Famous," was released in 2013. But our favorite track (at least of the ones we listened to) is last year’s single ‘Asking You To Stay’ (streaming, from a 7" split with Post Teens) which took us back to the days when Joan Jett was at the peak of her punkyness. If you are looking for a fun and loud way to spend June 4th, don’t miss these guys’ show at Shea Stadium.
On Cyberbully Mom Club‘s latest single, "No-Fun," it sounds like Shari Heck really wants to go on a roadtrip. Unfortunately, Mikey is never down; however, we think that it’d be a blast to travel anywhere with Heck, as long as she keeps playing the ukulele and singing us her charming ditties. We’ll also bring a bag of fun so give us a holla, Shari!
Even though they always shared a common passion for drugs, Punk music and Psychedelia have mostly been at opposite sides of the alternative rock spectrum, which prevented a lot of genre-blending (with some noteworthy exceptions like Butthole Surfers and early Mercury Rev). Brooklyn’s Acid Dad, who’ve been active for less than one year and have three singles on their Soundcloud page, call their music "psych punk." Their repertoire doesn’t touch the level of sonic insanity of the aforementioned artists, but does offer a fun blend of those genres, with a heavier punk accent. Notwithstanding their short existence, they are already getting a good amount of attention and made a list of best 10 new emerging NYC bands (which interestingly featured some not very new bands). You can check them out live at Aviv on June 6 with The Gradients and other locals.
Lately, Collin Ludlow-Mattson & the Folks have been stretching out their songs—exploring their material from many angles through improvisation. They’ve evolved into something of a post-punk jam band. This new improvisatory approach results in interpretations of songs that are highly situation-specific. What is played is not just a reflection of the song as written; the playing also very much reflects the atmosphere in which the song is currently being played and the evolving relationship of the musicians (Collin, Indianna Hale, Sean Olmstead, and Sterling Schlegel), who are housemates and friends. The kind of music Collin Ludlow-Mattson & the Folks are making now grows best when it is exposed frequently to an audience—people who respond to the music and cause the musicians to respond to their responses. It is perfect then that in June CLM & the Folks have a Tuesday-night residency at San Francisco’s Amnesia—placing them in contact with an audience weekly. Amnesia, which is the hub of a blossoming Bay Area music scene, will be hosting a number of very exciting lineups during the CLM & the Folks residency. The lineups for all five shows are full of local bands who have very compelling catalogs of songs and unique sonic approaches for realizing their songs in a live setting. This is a not-to-be-missed June event, one that will perfectly compliment other notable musical events taking place in Northern California in June—like Hickey Fest and the Grateful Dead reunion concerts.
Cosmic adventurer Marshall Allen recently celebrated his 91st birthday. The alto saxophonist and leader of Sun Ra Arkestra continues to prove that his creative nature has no bounds tonight when he teams up Man Man drummer and experimental beat-maker Christopher Sean Powell (a.k.a. Pow Pow/Spaceship Aloha). If you are looking for a rare evening of outside-the-box music, which is brought to you by Ars Nova Workshop (so you know that it will be definitely interesting), then you need to get your ass over to Johnny Brenda’s this evening. The two local heroes will be supporting blogosphere darling Holly Herndon, who just released her brilliant new album Platform. Johnny Brenda’s, 1201 N. Frankford Ave., 9pm, $15, 21+ – H.M. Kauffman
Reef The Lost Cauze & King Syze came out with one of our favorite local hip-hop albums last year, Year Of The Hyenas. Unfortunately, it came as a surprise around the holiday season so we feel that it didn’t get the attention that it deserved. Well, we are happy to see that the record will be getting reissued July 3 via Goon MuSick Records, Inc. Check out their new music video below for "Sigel (Snowgoons Remix)," which was directed by MDot Cinema!
Jennifer Hall is preparing to release a tremendous new self-titled EP this month. Hall has a power voice and is a skilled songwriter. This is the follow-up to her 2011 EP, "In This". The first single from the EP is called "Make It Out Alive" and is available for purchase on itunes or streaming below.
You can help Jennifer celebrate the release of EP on June 12th at Subterranean with Hemmingbirds and Mike Maimone.
In celebration of the release of its third album Suneaters II: Loving Relationship, four-piece rock group Suneaters is our Artist on Trial today. Self-described as “psychedelic, post-graduate rock,” the band takes a passionate, sometimes sarcastic and playful approach to its music, and draws influence from groups as diverse as Hall & Oates, Thin Lizzy, Slayer, and X. Frontman Christopher Garibaldi, who also owns local label Lotuspool Records, talks with us a bit about the project.
The Deli: Down and dirty: one sentence to describe your music.
Garibaldi: Rock rooted with an ambitious commitment to confuse and delight those who listen to our songs.
The Deli: Give me some background on Suneaters. How did the band come to be?
Garibaldi: I started a band, Dr.Doctor in LA with KC native and star of HBO’s True Blood, Michael McMillian. When Michael opted to focus on acting, writing, and directing, I took our songs back to Kansas City and formed Suneaters with longtime friend Scott Hartley. Our first album Suneaters I was a mix of new collaborations and rehashed Dr.Doctor songs. Our second album, Suneaters XIII was a soundtrack (mostly written by Scott) for Michael’s movie Charlie 13. When that album was finished, Scott and I committed to releasing a total of 13 Suneaters’ albums. We then started a plan to release albums in pairs.
After Suneaters II: Loving Relationship is released, Suneaters XII will soon follow. We both agree to end Suneaters when the ascending albums and descending albums meet at Suneaters VII.
After several fruitful years with drummer David Saab, we changed the lineup to include Chris Cardwell and Michael Judd. Both Chris and Michael each added their own unique energy to the band coupled with broad musical tastes and abilities. Scott and I couldn’t be happier with the current lineup and what this oddly matched/perfect fit group is capable of creating.
Suneaters’ recordings are supported by a number of folks, including Michael McMillian on vocals, multi-instrumentalist Matt Nalbach, and Matt Ku (vocals/Kaoss pad).
The Deli: What inspires your music and songwriting?
Garibaldi: Generally, we look for the perfect intersection of sincerity and smartass.
The Deli: What have been your greatest accomplishments as a band?
Garibaldi: Things keep getting better. We were pretty damn proud of SEII and then we started making videos with W. Dave Keith (director of Metcalf South Memories). That has been an energizing experience, and a way we can all better express the energy and fun in our music.
The Deli: Tell us about your new album, Suneaters II: Loving Relationship. What can we expect, and how do you think it’s shown your growth as a band from previous works?
Garibaldi: While it is the third album recorded in our basements, it is sonically the best thing we have done. Matt Allen (local producer) helped us make the most out of our home studio without relying too much on ProTools or plugins. The songwriting, sounds, and performances are a huge step up from our past recordings, yet we preserved our “anything goes” approach to making the songs. In all sincerity, it is an album concocted from an odd array of influences (America, Bread, Graham Nash, George Harrison, Al Green, Hall & Oates, and Slayer), but I think it makes sense when you hear it. As an example, “Hai Karate” is a song that ties together the styles of Thin Lizzy and The Cure.
The Deli: What does supporting local music mean to you?
Garibaldi: My perspective on local music comes from someone who has played in local bands and run a local label for the last 22 years. In my mind, supporting local music is a broader extension of the Suneaters/Lotuspool DIT (Do It Together) approach to creativity. I know that there is a tremendous group of creative folks in this area. I support and encourage us all to help each other raise the bar on our creative output. We should support each other locally with the goal of being globally recognized. And when we get that recognition, we should continue to grow the pool of our collaborators, supporters, and friends. When I lived in Lawrence, I was lucky enough to spend time with William S. Burroughs and James Grauerholz. Those dudes were very locally committed, but also fostered a collective of international writers, artists, and musicians. I am forever grateful for the support they gave Lotuspool and the example they set when it came to being global creative moguls with a dedication to the local scene.
The Deli: Who are your favorite local and non-local musicians right now?
Garibaldi: My favorite local musician is Heidi Gluck. I just saw her play at Love Garden Sounds in Lawrence with her, new band and that performance would have been just as amazing in Kauffman Stadium. She is the real deal. I also love Til Willis and Erratic Cowboy. Til is a dude who is down for music no matter what. I love that.
In the last month, I got to see Built to Spill and The Replacements live. Both shows were amazing for very different reasons. While many would consider those bands ancient, I am still in awe of what I saw them do on stage last month. As for somewhat modern performers, I think women vocalists are dominating the creative spectrum. Beyoncé, Taylor Swift, Christina Aguilera, and Niki Minaj are doing some crazy shit, but will never get the props of innovators like Slint, The Pink Fairies, or Faust because today’s ladies are doing what they do, shrouded in pop.
The Deli: What is your ultimate fantasy concert bill to play on?
Garibaldi: I know it is an impossibility, but I’d love to open for Minutemen. I had a life changing experience waiting on Mike Watt at the Blue Bird Diner in Lawrence, and I think Minutemen are Scott’s favorite band. In my humble opinion, Minutemen were the best example of punk rock.
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
Garibaldi: Michael Jackson, Barry Manilow, D. Boon, and Abe Lincoln. Needs no explanation.
The Deli: What goals do Suneaters have for 2015, and beyond?
Garibaldi: Finish a video for every song on SEII. Release Suneaters XII. Write Suneaters III.
The Deli: You also run Lotuspool Records. What bands do you represent and what are your goals with the label?
Garibaldi: Lotuspool Records was started in 1992 by Matt Hyde (currently owns 715 Restaurant and the Lady Bird Diner in Lawrence) and me. While Scott and I currently run Lotuspool, Matt is still involved in label activities. He introduced us to Heidi Gluck (arguably our most talented artist to date). We are releasing a four-track album of Matt’s sometime in the fall. We hope to someday sign his super talented daughters, who are incredible musicians and vocalists. The current Lotuspool catalog includes Zoom, Panel Donor, Bully Pulpit, Mild 7, Hollow Body, Krafty Love Lordz, Suneaters, and Heidi Gluck. Our goal is to be an artist-friendly label committed to music and music choices that pleasantly surprise our patrons.
The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?
Garibaldi: Thank you for supporting publications like The DeliKC. When we grew up, we needed zines to help us find life-changing music. With current-day media being a dense soup that is very difficult to traverse, an oasis like The Deli is just as important as those zines we read as kids.
Suneaters is:
Scott Hartley: Bass/Vocals
Chris Garibaldi: Guitar/Vocals
Chris Cardwell: Drums/Vocals
Michael Judd: Guitar/Vocals
Check out Suneaters’ latest album Loving Relationship, released today on Lotuspool Records. Watch out for their upcoming show in August at The Tank Room with labelmate Heidi Gluck.
–Michelle Bacon
Michelle Bacon is editor of The Deli KC and plays in bands.
June marks the official start of summer, and Tennis System kicks it off by premiering the video for "Such a Drag" from the 2014 album Technicolor Blind. Guitars shimmer and crackle in this down-tempo memento, but the song is anything but a drag — Matty’s and Zach’s harmonizing "oohs" swirl amongst the torrent of sound through fast and slow rhythms courtesy of ex-member Misha Bullock’s impeccable drumming.