NYC

Empress Of unveils video for ‘Water Water’ – debut LP out this summer

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Brooklyn’s Electro-Dream-Pop Deli darling Empress of just unveiled this video for single ‘Water Water,’ a taste from her upcoming debut album, scheduled for a summer release on XL Recording/Terrible Records. Spanish-American programmer and songwriter Lorely Rodriguez self-produced and wrote the album during a solo writing retreat in Mexico. Making the most of her bilingualism, she also released a version of the song in Spanish.

Chicago

Tinkerbelles 40 Walls Tour

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Is it possible to play 40 shows in 10 days across 7 states? Well, the duo of Adam Mohundro (bass/vocals) and Christian Dawson (drums/vocals) formerly of Gypsyblood will be finding out later this month. Tinkerbelles, who released their thrashing 7" Fine Asses late last year via the local label Teepeespeek Recordings, will be taking on this challenge, with sponsorship from Lagunitas Brewing Co., beginning June 19th. You can find all of the dates and locations here.

Below is the band’s wild video for their track "When Puppies Cry".

Philadelphia

New Track: “Roam Alone” – Krispy Kareem

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Krispy Kareem continue to craft easily lovable, well-rounded tunes, which is apparent with their latest track "Roam Alone." The song lulls you in with its beginning acoustic picking pattern before the trio bursts into a higher gear, weaving in and out of body-rockin’ instrumentation and the intimacy of the track’s verses. You can find the recording on Third Floor Tapes’s four-way split with Forever Lesbians, Tribute, and Time Hitler and the Assholes From Space.

Nashville

Patrick Kinsley & a Fistfull of Dollars, “Back in Illinois”

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We’re kicking off this week by digging into this new single (released June 5th ) by songwriter Patrick Kinsley and his band Fistful of Dollars. His debut track, "Back in Illinois" from his upcoming album "For a Thousand Miles" threw us for a loop; our lizard brains had already formed its opinion of what a country-leaning musician outta Nashville was going to sound like, so we were not prepared to catch echoes of Patterson Hood and Jay Farrar in this ode to the lonesome life of a truck-driving man.  Kinsley also comes across as refreshingly self-effacing, with the first line of his bio reading "Patrick Kinsley is a pretty lousy guitar player and sings just well enough to carry a tune." Even if this were true, Kinsley can pen a pretty compelling tune, and we love anything with some slide guitar. There is a video currently in the works, so keep checking www.patrickkinsley.com for updates!

 

San Francisco

Algiers and Le VICE Play Bottom of the Hill – 6/23

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The San Francisco based indie-pop soul band, Le VICE will be performing live at Bottom of the Hill in support of the Atlanta based grungy soul musical outfit, Algiers. We certainly recommend you attend this show because you’re going to get to experience a night of a super cool pastiche of new American music.

Both band’s musical styles are dipped in soul like a thick layer of chocolate on a Klondike (do they still make Klondike Bars?), but the soft center of Le VICE’s style is more pop-R&B oriented in comparison to Algiers’ who has a very rigid, rough ’round the edges rock style going on within its compostional core. These bands should be experienced live because listening to their recordings is just going to make you sit and ponder what exactly your ear drums are dancing to.

It’s summer time! Make your way out into the fresh night air and check out Algiers and Le VICE’s interpretations of thrilling soul music at Bottom of the Hill on June 23rd!

NYC

Wolf Colony plays Pianos tomorrow (06.09) with AYER and Cale Parks

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Wolf Colony is an anonymous, mask wearing NYC based singer-songwriter whose soulful and hopelessly romantic brand of electro-pop started receiving some attention in 2013, when is single "Beauty" became an online "cult hit." March 2015 saw the release of the full length debut "Unmasked," featuring 13 tracks of intimate and intensely melodic mid tempos, led by the songwriter signature dark, soul stirring vocals. Wolf Colony will be performing at Pianos tomorrow (06.09) within the AYER June residency.

Austin

Artist of the Month Nominee Highlight: Taylor and the Wild Now Bring a New, Matured Sound on “Salt”

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Our current poll for Artist of the Month is in full swing, and that means it’s time to get familiar with the nominees y’all! This go around, we’re talkin’ Taylor and the Wild Now, who sent a summer firework of a song up into the Austin air early this month, and who have been playing a ton of shows and appearances since to show this gorgeous new thing off.

A deep, sensual baseline and some island-soaked guitar are the unusual and welcome framework for the new pop-dubby track “Salt” by Taylor and the Wild Now, a crew known for their approachable indie sound with a roots bent that sometimes wanders into territory that may or may not be a step or two past the country music border (depending on where you personally mark it). This most recent track from the group after last year’s promising self-titled EP, which hinted of good oddness to come from Taylor et al., “Salt” is a move away from the more heavily country/folk-influenced sound and toward something all their own, and it’s a move which sees them only growing as a truly unique (a quality that is pretty rare) and enjoyable feature in the Austin indie scene. Taylor might well (though almost certainly isn’t) be singing the chorus of “Salt” to those afraid to leave the beach of genre and swim out into that deep place where the currents of different sounds mix together into something new when she croons, “I don’t even care what you say/It’s gonna happen anyway.”

And goddamn are we glad it’s happening, if by it we’re referring to what’s going on in "Salt" musically. All elements are on their game in this track, including a bassline that gives the song both its structural background and its considerable, moonlit soul, plus remarkably inventive guitar work that is unbound by genre. That last is a strength that the group has built on since their EP, and the dynamic, unique flavor of the guitar here may just put The Wild Now in contention for most interesting guitar sound in town. Add to those remarkable bits of instrumentation some siren vocals from Taylor herself that are somethin’ to swoon for, and you’ve got one hell of a shimmering summer track.

The smooth, beach-at-night trance that “Salt” coaxes the listener into should, if there is any justice for artists in this universe, be what puts Taylor and the Wild Now on blogs and playlists worldwide, and on the map in a big way in the indie music scene in Austin and beyond. We wouldn’t be surprised if it lands them in some pretty high caliber gigs quite soon, especially if there is more of this experimentation-done-right to come from Taylor and the Wild Now (that is to say, tracks that only allow thoroughly vetted and chosen elements to make it in). Get up into this newness at yon Soundcloud player below, and follow these rising stars on Facebook to be the first to hear when Taylor and co bring us more beautiful music. Oh, and if you feel the itch to help this group on its way to deserved major recognition in this city, get to votin’ at the right side of the page.

NYC

Artist on Trial: Witch Jail

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Though they created an online presence two years ago, Witch Jail has only been playing out as a band for a short time. Formed by husband-and-wife team Rob Gillaspie and Emily Filley, the group recently added drummer Zach Turner to the mix. Gillaspie—formerly of Lawrence bands The Spook Lights and Pale Hearts, as well as The Cramps tribute band Stay Sick—lends his extravagant frontman stylings to the surfy, primitive garage rock band. Witch Jail’s music has all the makings of the soundtrack to a sleazy horror movie, and we mean that in the best possible way. The trio sat down together to answer our questions, and we think you’ll be amused by the answers.
 
The Deli: Down and dirty: one sentence to describe your music.
 
Zach Turner: Pineapple Boom Bop.
Rob Gillaspie: LISTENABLE. Incredibly listenable Pineapple Boom Bop.
Emily Filley: A 45 you find in a thrift store dumpster but don’t know if you wanna listen to it.
Rob: I would. It’s LISTENABLE.
Zach: It came from the garbage disposal.
 
The Deli: Give me some background on Witch Jail. How did the band come to be?
 
Rob: There is this picture from the ‘40s of these classy­looking schoolgals standing in front of the old Salem Witch Jail in Massachusetts. We saw that and decided to steal the name before anyone else could. Made a Facebook page and a Bandcamp page before we even had any instruments. Locked it down. Conjured up the band around it. SORCERY. I’m used to just being a wild­ass frontman, breaking bottles on my head and taking off my pants and all that… so being anchored to a guitar has been a real humbling experience for me. It’s a good thing.
Emily: You forced me to play guitar even though I was super sick.
Rob: What?
Emily: Yeah! Remember that time I was sick for 6 weeks?
Rob: I forced you to play guitar?
Emily: Yeah, you were like, “We should do this!” and I was like, “I can’t even stay awake right now.”
Rob: So you’re saying I healed you? I cured your illness?
Emily: Yes.
Rob: THAT’S WITCHCRAFT.
Emily: We went through a slew of drummers. Then Zach came up to us in a bar and asked if he could play drums for us.
Zach: That’s how I get all my drumming gigs. I just go up to people and ask. That’s how I ended up playing with Folkicide, too.
 
The Deli: What inspires your music and songwriting?
 
Rob: Vintage melodramas. Old comics and sleazy movie trailers. Slime. Artists of singular vision­­ like Doris Wishman or that guy who directed Miami Connection. Unsolved murders. Drugs, obviously. The Devil—not the metal one but the blues one. Ghosts—at my age, the kind of life I’ve led, you start to know quite a few of them.
Emily: Romance comics, cats, shoplifting, movies.
Zach: Sticky buns. I think about sticky buns. Don’t put that.
Emily: Those sticky buns are gonna be good when I’m done. Better hurry up and finish this song.
Rob: What about your drumming? What inspires your drumming?
Zach: I just like to hit stuff.
 
The Deli: What have been your greatest accomplishments as a band?
 
Emily: Not getting frostbite in the shed at Satan’s Gay Acid Bath.
Rob: I was gonna use that show, too. Opening for Guantanamo Baywatch in that freezing shed. They’re one of my favorite bands. Also, Getting Zach to play drums for us.
Zach: I don’t know. SHE’S ASKING THE TOUGH QUESTIONS. I thought this was gonna be a fluff piece.
Rob: Actually, the fact that we’re playing shows ANYWHERE is an accomplishment. I’m just happy Kansas City has been such a good fit for us. We love it here.
 
The Deli: Rob, you’ve been playing music in the KC/Lawrence area for a number of years. How has the scene changed, in your opinion?
 
Rob: I don’t know that it’s changed a whole lot. The way I interact with it has changed as I’ve gotten older, sure… I think the only thing that really changes in a scene is perspective. The music in KC has ALWAYS been on point. It’s a creative town, lots of energy here. That being said, there’s always an ebb and flow. Kansas City just happens to be FLOWING in a huge way right now. We just moved here after living in Lawrence for 20 years. Lawrence is… not really a GULCH these days, but close. There’s certain things going on with the economy over there that makes it hard to be a struggling artist. Which is probably why KC keeps stealing such great talent from there, ha ha ha. I know it’s a BIG reason we decided to migrate here.
 
The Deli: Do you have any recorded music or anything in the works? What can we expect?
 
Rob: We have a really rough demo up on our Bandcamp page, but we’re gonna record everything over again, then start shooting music videos. Maybe do a horror movie about killer cats. And definitely put out a tape soon.
 
The Deli: What does supporting local music mean to you?
 
Rob: Reducing the amount of shit I talk online about local bands I don’t like.
Emily: Buying a round of shots for bands when we see them play.
Rob: I’m too broke and crotchety to get out to all of the shows I want to see, which is A LOT of shows, so I try to do my part by spreading the word to people, help build audiences. I’ve been trying to do art for local bands that I like, too, whether they want it or not. Ha ha ha.
 
The Deli: Who are your favorite local musicians right now?
 
Witch Jail: Johnny Blood. Lazy. Schwervon!. Psychic Heat. Drugs and Attics. Cop Knock. Folkicide. The Quivers. The Bad Ideas. The Latenight Callers. That band Bill Murray likes (The Philistines). Pretty much any band playing at the Green Lady.
 
The Deli: Who are your favorite non-local musicians right now?
 
Rob: Martin Denny? Liberace?
Emily: Can it all just be dead people?
Zach: Guantanamo Baywatch. Shannon and the Clams.
Rob: La Luz. I like them a lot.
Emily: Kid Congo and the Pink Monkey Birds.
Zach: Cherry Pits are really good. The Rebel.
Rob: I listen to rock music some of the time, but when I’m at home I mostly listen to exotica albums and lounge music.
Zach: I mostly listen to bubble-gum pop and soundtrack music.
 
The Deli: What is your ultimate fantasy concert bill to play on?
 
Zach: Wrestlemania in Hawaii.
Emily: Hasil Adkins with Tom Lehrer and The Cramps. The Cramps with Kid Congo.
Zach: I don’t know. I don’t really have a fantasy concert.
Rob: Playing at some seedy fucking titty bar in the 1950s and ending up on one of those Las Vegas Grind comps later on. Or opening for ourselves from 20 years in the future.
Zach: I’m not really a concert guy. So I don’t really have one. I like albums better.
Rob: That’s a really good answer. I feel like a lot of people come up with really extravagant concerts…
Emily: "The Who and Cher!"
Rob: …I think that’s a way more honest answer though. I totally feel that.
 
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
 
Rob: We were gonna say the Residents at one point, just four eyeballs.
Emily: Poison Ivy, Levi Stubbs, Mark Mothersbaugh, and Tuna from the Rock Cats.
Zach: Paul McCartney, John Cage, Erik Satie, Macho Man Randy Savage. There was a question on one of those Legends of Wrestling specials; it was an episode about managers, and they actually had a graphic of their top four managers on Mount Rushmore.
Rob: No girl groups?
Zach: Fuck. I wanna change Macho Man to Ronnie Spector now.
Rob: Martin Denny, Link Wray, Mrs. Miller… Nah, my Mount Rushmore is gonna have The Chipmunks and Screamin’ Jay Hawkins on it.
Emily: You’re just doing that out of spite!
 
The Deli: What goals does Witch Jail have for 2015, and beyond?
 
Emily: Get the all­important Dan Aykroyd endorsement.
Rob: Get a Crystal Skull vodka endorsement.
Zach: I don’t like vodka, though.
Rob: You like Dan Aykroyd, don’t you? Then you’ll like his vodka.
Emily: We’ll just fill a crystal skull with gin for you.
Rob: Also, supporting Zach in his bid to become a pro wrestling manager. What’s the story with that?
Zach: The story is, I got a walrus in my bathtub and a crapper fulla diamonds, and I’m gonna buy me a fucking champion!
Emily: And we’re gonna ride his coattails to stardom.
 
The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?
 
Zach: You should probably die before the war.
Emily: Good times, great oldies.
Rob: Never shower. It washes your creativity down the drain.
 
Witch Jail is:
Rob Gillaspie (Guy Slimey): guitar, vocals
Emily Filley (Suzy Bones): guitar
Zach Turner (Tommy Guyana): drums
 
There are several opportunities to catch Witch Jail this month; the first is tomorrow, June 9, at recordBar with Lazy, Heavy Buffalo, and Mr. & the Mrs. Facebook event page. They’ll also be at East Wing next Wednesday, June 17.
 
 
–Michelle Bacon
 
Michelle Bacon is editor of The Deli KC and plays in bands.
 
 

 

San Francisco

Matrixxman Gears Up to Release New Album – Homesick

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The Bay Area based post-electro artist, Matrixxman is gearing up to release his debut album entitled Homesick on July 10th. Matrixxman’s style of EDM doesn’t really play by the rules. Its choppily smooth computerized music embodies creative sonic inconsistencies (not the beats but in regards to a fixed genre specific style) that makes his music’s style intriguing and attractive. 

Before digging into the steely, handcrafted technoisms of Homesick, you need to know a few things about Charles Duff, the Bay Area artist behind Matrixxman… He’s also a voracious information junkie, soaking up government conspiracies and contemporary science-fiction like a proper X-Files fanatic. These cultural reference points are as integral to the background of Homesick as Detroit, Chicago, and Berlin’s musical legacies. Across the record’s versatile track list, Matrixxman uses the language of machines and dance floors like a hungry pulp novelist, weaving together his divergent narratives and characters under one sprawling dystopian sky.

Check out the lead single from his upcoming album due out on Ghostly.

Chicago

Lever

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Lever recently released their debut LP, Hover Bored. The ’90’s indie rock inspired 4-piece band match their energetic sound with entertaining lyrics. Below is the video for their single, "Last Call".

You catch Lever at Tully Monster Pub & Grill in Morris, IL on June 13th with Dunwich Rats, Programmable Animal and Delta 88 and at The House Cafe in DeKalb, IL on June 18th.

Chicago

Woongi

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Woongi (aka David Curtin) released a new EP today called Black Trumpets. The EP is filled with a mixture of dream and indie pop with layers of synths, electronics, traditional instrumentation, and solid vocals from Curtin.

Below is disturbing the video for the track "Beyond The Leaves" which was directed by Alex Jensen.