NYC

Bowmont – Interview about Gear and the Creative Process

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Bowmont is a Brooklyn based trio that’s been delivering beautifully textural and atmospheric synth-pop since the beginning of the decade. It has the luck of having a GRAMMY award winning engineer among its ranks (Jeremy Loucas), who also happens to be obsessed with synths.  The two other members, Danish lead vocalist Emil Bovbjerg, and German guitarist Elias Meister, are accomplished musicians who also share a passion for musical toys. We can’t think of a better band for a Delicious Audio interview about gear and the creative process. (Photo by Fabrizio Del Rincon)

LINK: BOWMONT TALKS ABOUT GEAR, SYNTH AND THE CREATIVE PROCESS


Philadelphia

New ialive LP Available for Streaming & Purchase

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Producer/emcee ialive, a.k.a. D. Phillips, shows off an effective one-two combination on his new full-length album, Awake In The Snakehole. He confesses it to be "an emotional dive into mental health, social struggle, psychiatry and personal responsibility." The record also features collaborative tracks with Mr. Lif and Onry Ozzborn of Grayskull.

NYC

Wade into Deep Fields’ new EP and watch them perform at Dirty Laundry TV Summer Fest

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Orange-based psych-jangle sextet Deep Fields released their debut EP yesterday, and it’s a sonic nebula of wonders. Six songs of tantric proportions swirl like an acid trip in vernal bloom, mixing lyrics languid and reflective, even venturing out to space-rock frontiers with the epic closer "Other Half". Guitarist and vocalist Christian Peters goes all-out in the band’s first singles "Salazar" and "Leonidas", bassist Emily Monnig’s voice takes point in the hair-swaying "Oh Well", and both trade off in "Flat Business"  with instrumentation as bright as a field of calliopsis, courtesy of the brothers Higa, Brian Jackson, and Dana Maier-Zucchino. Descriptors aside, this EP is tight, and it’s free to download!

And if you like what you hear, you can also catch Deep Fields this Sunday at the Dirty Laundry TV Summer Fest, where they’ll be performing songs from the EP and new ones in the works.

"Any opportunity we get to share our music is always exciting for us. It’s what brings this labor of love full circle. In our live shows, the highlights for us are the new tracks that we’re just starting to phase in. It’s been refreshing to devote time to internal development and exploring new directions. Plus, playing fresh stuff has really got us energized, it’s going to be a fun time on Sunday for sure."

Listen to the "Flat Business" below, and come out to see Deep Fields perform in the early afternoon at Dirty Laundry TV Summer Fest — did we mention it’s dad-friendly too? – Ryan Mo

NYC

Album review: Heidi Lynne Gluck – The Only Girl in the Room

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Back in the late sixties and early seventies, when artists like Emitt Rhodes, Todd Rundgren, and that Paul fella from The Beatles made records all by themselves it was a noteworthy thing. It’s been done plenty of times since.
 
Usually badly.
 
In her modest home studio, Lawrence’s Heidi Lynne Gluck made such a “solo” recording.  On The Only Girl in the Room, Gluck sings and plays every note. And she made a terrific record.
 
Gluck has an extensive resume as touring and session musician, including a stint in the band Some Girls with Juliana Hatfield and recordings with Margot & the Nuclear So and Sos. A 10-year Lawrencian, Gluck played previously in The Only Children with her ex-husband, Josh Berwanger.
 
The Only Girl in the Room is a refreshing EP (the first of four slated for release on KC’s Lotuspool Records), a focused gem of songwriting and performance. With these five songs, three co-written with Kenny Childers, Gluck makes a persuasive case for her art.
 
Gluck’s melodies are both composed and natural. Her poetic but unpretentious lyrics reflect on relationships, and on identity and destiny. Gluck’s voice is not a powerful instrument, but it has character and quiet power. Her sensitive musicianship creates a discreet emotional undertow.
 
On the title track Gluck’s phrasing is subtly swinging, evoking singers like Rickie Lee Jones and Carol Van Dyk (Bettie Serveert), women who can pull off a smoky ballad better than the run of the mill singer-songwriter. The lyrics convey loneliness and isolation, but a certain pride and resolve at the same time.
 
Gluck’s chamber-pop production values are likely a product of both design and thrift; their economy gives the songs focus. “Target Practice” is a nuanced look at personal and social weariness and mistrust. Gluck’s admiration for Jon Brion—especially his production work with Aimee Mann—is evident here. “One of Us Should Go,” guitar-based and closer to the folk idiom than much of Only Girl, recalls Paul Simon’s early songs, with a bridge that tilts toward Brian Wilson melodically.
 
Gluck is a convincing multi-instrumentalist; perhaps most at home as a bass player. Her bass lines, simple and supple, give “Orchids” an affecting throb. She has a fine ear for details, images of “your perfect shoulders” and a timely shift to falsetto highlight the insinuating melody.
 
Only Girl closes with “Where Will They Bury Me.” Death and the deposit of one’s remains is not typical pop song material, but it’s stock and trade for blues and folk music. Gluck’s Rickie Lee- ilt, and a lyric worthy of Tom Waits, favors a meditation on family and origins­–more than death per se. “Where” sucks you in with a chorus melody quietly evocative of the maudlin sixties hit “Last Kiss,” (J. Frank Wilson and the Cavaliers … or Pearl Jam?) a tragi-comic ditty about a dude losing his gal in a car wreck. It lends a familiarity, leavening the solemnity of the lyric.
 
The job of an EP is simple—to leave you hungering for an entire album of material from the artist. The Only Girl in the Room is a varied, inviting, and brief recital that introduces Heidi Lynne Gluck, and makes you want more.
 
Steve Wilson
 
 
Catch Heidi Lynne Gluck with her full band next Saturday, June 27 at Lawrence Field Day Fest; they’ll be playing at Eighth Street Taproom at 10 pm.
 

 

San Francisco

Premiere: Battlehooch – Type One Error + Plays The Independent 6/19

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The San Francisco based psych-garage rock band, Battlehooch has graced us with new music! The band describes their new song, Type One Error to be a relic that took years to sculpt into a compositional form they felt was suitable enough for recording and live performances:

"This song dates all the way back to our formative college days at UCSC. "Type One Error" was always a favorite of ours and kind of an homage to our love for stuff like Brian Eno’s early solo albums and other futuristic Glam Rockers. However, we were never able to nail it live or get a suitable recording back in the day. It eventually fell by the wayside until a couple years ago, we started jamming on it during band practice and it just clicked and everything fell into place. It has become a staple of our live shows ever since and has become much more of an epic beast since we’ve started playing it again. There’s a whole section in the middle where our horn player, Tom, builds up a crazy wall of interlocking sax loops right on the spot!"

Type One Error is part of a two song digital single. It’s meant to tide you over while we continue working on the follow up to our last EP, ‘Wink." – Battlehooch

We love music with a backstory. Don’t miss Battlehooch’s live performance at The Independent on June 19th with Sun Hop Fat, Bear Lincoln and Lords Of Sealand. Support local music!

NYC

2015’s Desert Stars festival shines bright with ticket sales and Kickstarter

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The nine-year-strong independent Desert Stars Festival opens its first wave of tickets with a ridiculously awesome lineup featuring Swervedriver, The Lemonheads, Lou Barlow, The Cosmonauts, and more. Founded in 2006 by Tommy Dietrick (Sky Parade/David J & The Gentleman Thieves), the first iteration of Desert Stars (then Clean Air Clean Stars) brought a strong sense of community and DIY spirit. Working with minimal finances and a conviction to showcase Los Angeles’ rising talents and alternative currents, Dietrick and friends threw the first festival in 2007 with less than 500 attendees who found out just through word of mouth.

In recent years, that number has nearly doubled, and for good reason. With past artists including Black Rebel Motorcycle Club, Ringo Deathstarr, Mark Gardener (RIDE), David J (Bauhaus), and The Black Angels, Desert Stars is the psych-rock campout experience more accessible than Burning Man and way cheaper than Coachella. This year’s lineup also includes bands from LA and Bay Area that run the gamut of alt rock including Drinking Flowers, Gateway Drugs, Feels, The Spiral Electric, Pearl Charles, and more to be announced.

The Desert Stars Festival will be held on the weekend of September 25th at Pappy & Harriet’s of Joshua Tree, with a Wild West vibe that favors natural landscapes over corporate sponsored tents and gaudy installations. Interested parties, bands, and vendors are encouraged to visit the Desert Stars Festival Kickstarter page where they’ll find a plethora of pledge awards, including a recording session at Dave Grohl’s 606 Studio. What more do you have to consider? – Ryan Mo

Philadelphia

The Deli Philly’s Featured Artist(s) Poll Winner: This Way to the Egress

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This Way to the Egress have many influences; however, we were certainly not surprised to hear that Philly’s own Man Man is played heavily in their tour van. The group came together in 2008 after feeling unsatisfied with the “current” landscape of music. They recently released their 3rd full-length album, entitled Great Balancing Act, and also emerged victorious as our Featured Artist(s) Poll Winner. Check our latest interview with This Way to the Egress’s “Saddle” Sarah Shown HERE!

NYC

Seen at Northside: Pooch, Looms, Secret Crush, Fat Heaven and Future Punx

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In the dim backroom of Greenpoint’s Matchless Bar, Brooklyn-based, Skidmore College-rooted quartet Pooch started the evening off with a warm set of songs that touched on several kinds of rock (indie, psychedelic, maybe even surf) that particularly captivated thanks to frontman Jonathan Benbeniste. With a warbled timbre reminiscent of Counting Crows’ Adam Duritz and a formidable yet welcoming stage presence, Benbeniste ushered his bandmates through guitar solos, electronic loops, and drum riots that showed a group furthering their cohesiveness.

Fellow Brooklyn rockers Looms took the stage next, playing loose tracks that thrilled with their spindly guitars and calmed with their plaintive keys. Singer/guitarist/keyboardist Sharif Mekawy certainly was engaging, especially during the four-piece’s closer: a cover of Radiohead’s “Bodysnatchers.” Simulating Thom Yorke’s vocal idiosyncrasies on the keyboard and belting the beautifully pained line, “I have no idea what I’m talking about,” Mekawy put a wonderfully electrified spin on the ‘In Rainbows’ cut.

Then came Secret Crush. As its lead singer’s triangular, red guitar foreshadowed, the Bushwick-based outfit performed mostly joyous electric rock tracks while periodically dipping into the tremulous madness of Deerhunter. Through guitar lines that changed volumes (at times low, at others house-breaking) and songs that began with an ominous recorded voice, however, the Brooklyn quartet blended these disparate sounds into their own odd-rock.

Bassist Jack Counce of the next band, Fat Heaven (pictured), wore a Heatmiser shirt but the New York-based trio sounded a bit more like Nirvana (or, perhaps, a grungier Green Day) than that Elliott Smith-co-founded group. Over Gayla Brooks’ extremely fast drumming, lead singer Travis Yablon yelled into the microphone ferociously yet sweetly, delivering such lines as, “Will you walk with me?” There was warmth in the chaos.

To end this by-now-rainy night, the aptly-named Brooklyn quartet Future Punx (a recent Deli NYC record of the month) put on a danceable set at Cameo Gallery. Assuming the stage like aliens come down to party, the post wave band bounced into a set of electronic trances, skittering guitars, and rubbery basslines. The Devo and Blondie of the late ‘70s and The Human League’s early ‘80s hit “Don’t You Want Me” were clearly heard in these songs but Future Punx is not a gimmick. Refreshingly, they just seem to not take themselves too seriously and, as a result, allow for a good time.  – Zach Weg

Chicago

Kyle Landstra

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Kyle Landstra creates atmospheric explorations in sound. He most recent release was a 4-way split double cassette called Skyward Territories, and his contribution was the beautiful "upon a field of suspend orbs". He creates music to get lost in while you discover something new and epic. He is currently finishing up his latest project, unshared properties vol. i – iv, which will be released later this summer via Sacred Phrases.

He will be participating in a "A night of electronic music in a small theater space in Chicago" at 1917 N. Elston on June 21st with Metavari and Volutes.

NYC

NYC synth-pop project The Kickdrums live at The Studio tonight (06.17)

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The Kickdrums is the synth-pop project of established Brooklyn based producer/singer/songwriter Alex Fitts, who has produced tracks for Kid Cudi, 50 Cent, Freddie Gibbs, Slaughter House, as well as official remixes for Adele, Kanye West, and Linkin Park. The track is the first ‘official’ independent release from Alex (The Kickdrums) in over half a decade. The Kickdrums will perform in its extended live lineup tonight (June 17) at The Studio at Webster Hall.

We added this song to The Deli’s playlist of Best  songs by emerging NYC artists – check it out!

Philadelphia

Kate Ferencz Opening for Jamaican Queens at PhilaMOCA June 17

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The endearing child-like vocals of Kate Ferencz will be ringing through PhilaMOCA this evening. The local lo-fi, avant-pop artists will have plenty of new material to share tonight since she recently dropped her latest LP Dying Alone. Ferencz will be opening for Detroit’s Jamaican Queens, who will also have their new cassette, Downers, in tow. Sandwiched between the two will be Philly acoustic singer-songwriter Shannen Moser. PhilaMOCA, 531 S. 12th St., 7pm, $7, All Ages – H.M. Kauffman

NYC

EZTV unveils single ‘Soft Tension’ + tours North America

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Many signs seem to point to trio EZTV as the NYC band of the upcoming summer of 2016, their laid back, jangly and dreamy sound functioning as a perfect background for outdoors activities – and traveling. Their label Captured Tracks (home to masters of dreaminess like Mac DeMarco, DIIV and  and Widowspeak) just unveiled new single ‘Soft Tension" (streaming), from the upcoming LP ‘Calling Out," which entertains in gently psychedelic ways. With a sound partly reminiscent of ’80s band Rain Parade and other belonging to the Paisley Underground movement, this song is the sonic equivalent to a couple of puffs of weed (without being illegal, anywhere). What’s not to like? EZTV is currently on a North American tour which will bring them back home on June 21st for a show at the Mercury Lounge.