San Francisco

The Tunnel Buzzmutt and The Ukiah Drag Play Hemlock Tavern – 4/1

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The San Francisco based, goth-surf punk band, The Tunnel will be performing live at Hemlock Tavern on April 1st. They’ll be sharing the bill with the SF based alternative experimental noise band, Buzzmutt and Providence, Rhode Island based noise rock band The Ukiah Drag. This is going to be an awesomely weird show that you shouldn’t miss. Noisy, thrashy, off kilter, alternative underground experimental rock and roll will dominate your ears at this show on April Fool’s Day. What more can you ask for?

NYC

Folky NYC band Del Water Gap plays Pianos tonight (03.27), Mercury in April

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East Village folk trio Del Water Gap plays a brand of folk that’s charming, melancholic and entertaining at once, often employing Hammond and horns to enrich their faster songs – such as streaming single "Sleeping." The band is about to enter a busy season, with four NYC shows scheduled in just over a month. The first one will be at Pianos tomorrow (March 27), and the most prestigious one at The Mercury Lounge on April 20 with Canon Logic. Full schedule here.

NYC

The Dough Rollers and the Recording Process – Delicious Audio Interview

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The Deli believes that if a band can rock properly, and does it for long enough, somebody important is going to take notice at some point. For NYC’s The Dough Rollers, that somebody was Jack White, who signed them to his label Third Man Records, under which they released single "Little Lily" in 2013 and – at the end of 2014 – EP "Gone Baby Gone." The band rocks so bad they recently toured with Bob Dylan, Billy Idol and then Queens of the Stone Age…

We had a chance to ask the guys in the band a few questions about recording and gear, you can read the Q&A on our sister blog Delicious Audio.

Chicago

Colin Morris

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Colin Morris has released his debut EP, Could Be Anything. Colin is a multi-instrumentalist songwriter and plays a catchy brand of power pop.

You can catch Colin at Martyrs on April 23rd.

L.A.

Artist to Watch: Dinosaur Parade

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A calm, sedate frame of mind is imbued in Dinosaur Parade, a folk quartet from four different parts of the world who now proudly call Los Angeles their home. They first met when lead guitarist James Ruvalcaba, the band’s only LA native, was seeking a number of musicians to form an "indie project" without any clear notion of how it would sound. He enlisted Americans Brittany Riffe-Ries and Anthony Prochaska (from West Virginia and Texas, respectively) and England native Michael Hardman on lead vocals, though their breezy, easygoing songs suggest Southern California informed their overall approach to songwriting. "Driving out/I’m leaving town", sings Hardman on lead single "El Camino Road", a strummy, gentle number accompanied with clucking pelican sounds and beach waves that demonstrates a candid naturalism. 

Dinosaur Parade will be releasing their debut EP, Reading Clouds, on April 7, which they’ll be celebrating with a release party at Hotel Cafe on April 17. 

 

 

Philadelphia

Title Fight Opening for La Dispute w/The Hotelier at Union Transfer March 26

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Since the release of their latest album Hyperview last month, vibrant indie punks Title Fight have been reluctantly grabbing hold of the spotlight. The ambitious four-piece, who are signed by ANTI- Records, have already jumped onto big tours that will find them playing for fans throughout North America, Europe and Australia in support their highly lauded third LP. They were also dubbed one of the standout bands to watch at this year’s SXSW. Their current tour with La Dispute rolls into town at Union Transfer for a sold-out gig tonight. And they’ll be joined by buzzing Worcester, Massachusetts emo outfit The Hotelier. Union Transfer, 1026 Spring Garden St., 8pm, Sold Out, All Ages – Bill McThrill

NYC

Braeves and Salt Cathedral headline Rough Trade on 04.04

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It’s nice to see two talented emerging NYC bands scheduled to headline a biggish venue like Rough Trade on a Saturday night (April 4th). Originally from Columbia, avant-pop duo Salt Cathedral has been on our radar for quite a while (we booked them a few CMJs ago when they went under the name of "Il Albanico"); they are one of those rare bands that seem able to keep improving year after year. Long Island’s Braeves (pictured) and their nostalgic, well crafted indie pop came to our attention more recently through our Best of NYC Poll for Emerging Artists (of which they won the readers’ poll in the pop category). The band has been building some buzz recently, in particular after selling out Pianos in January – FYI for the other bands out there: that’s how you get called by Bowery to play Rough Trade on a Saturday.

Chicago

Scout Ripley

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Claire Watkins and Ian Young are Scout Ripley. The duo released their debut EP Image Fiction via the local label Aerial Ballet back in November. The EP is filled with driving and meaningful Orchestral Pop.

You can catch Scout Ripley at Abbey Pub on April 3rd with Fields and Planes and Pool Holograph.

Philadelphia

New Track: “Glory, Glory” – Bad Braids

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Bad Braids, a.k.a. Megan Biscieglia, recently shared a new song entitled "Glory, Glory." The single is the B-side to a split 7" with Portland, Maine singer-songwriter Jacob Augustine. The release is currently available via Pretty Purgatory, a record label/artist collective that both the performers are involved with. (Photo by Tamyka Smith) 

Austin

Malik

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South By is dead, long live South By. Or maybe not, what with the trend this South By being a smaller, more compressed (but still quite corporate) version of itself, with less free shit, fewer unofficial parties and a lot more roadblocks downtown (that last is probably a good thing). Regardless, SX is over, we can all return to being regular levels of alcoholic-ness and taco consumption and maybe actually sleep a little and walk a little less. Speaking of, is it possible to get more and less healthy at the same time? Because all those miles walked have to count as some sort-of workout, but mixed with ounces drunk and pounds of tacos consumed…not so sure.

Now that the SouthBeast is good ‘n slain, it also means the online portion of The Deli is back in full swing. We’ve been goin’ hard as nails on the street at South By Southwest this year, and if you were there, you probably saw somewhere between one and five billion of our print issues, and maybe even our exhibits of synthesizers and stompboxes at the Convention Center, or our showcase with magazine cover-gracer and electronic wizard Roger Sellers. If you did pick up a magazine, or came by one of our events, The Deli thanks you and your wonderful, sexy, good-taste-having self very muchly.

To usher in the post-SXSW year (we might as well just call the day after SX the New Year on the Austin Calendar system), we’ve got somethin’ quite good for your ears that’s also appropriate to what we saw this year at SX. Quite happily for us at The Deli Austin, SXSW 2015 saw what this writer believes was the most hip-hop of the highest quality that the festival has ever seen. This has been a long time coming, and whatever made it happen (people finally realizing there’s an audience for it here? less indie acts shoved into the fest by a smaller corporate presence?), we’re goddamn glad that this city is finally coming around in at least some ways to hip-hop. With that in mind, we present Malik, a young homegrown hip-hopper that’s just the newest and freshest entry into the already excellent and underrated Austin hip-hop canon.

Malik’s dropped three tracks in the last month on Soundcloud, and listening across the three you can get a taste for what this kid can do and what he’s got to offer. And what Malik has to offer is smart, attractive hip-hop. From the most recent track, the chronologically-named "March 9th," you know that he’s music aware, with that beat based on a sample from classic Outkast ("Vibrate"). You know from track "On My Own" that Malik can toe that Drake-associated pop/hip-hop line, but that Malik falls more firmly on the hip-hop side while hittin’ the pop bullseye just as nicely as the Degrassi vet. And you know from all three tracks that the man can spit quite clever and thoughtful, with lines like "I can’t lie, you the baddest that I ever seen/But it’s sad to say that your tree of life is far from evergreen," on track "Life." It looks like Malik is about to drop more music soon, so get up to speed below with "On My Own" and keep a lookout for more from this top-notch example of the Austin hip-hop world. SXSW 2015 is just a start; there’s a hell of a lot more hip-hop to come from this town going forward.

NYC

Frogbelly and Symphony release debut LP “Blue Bright Ow Sleep” + announce UK + Ireland tour

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With their sound and attitude at times reminiscent of great ’90s UK band Tindersticks (whose music was too dark and decadent to make an impression in the US), and at others veering towards some kind of operatic math cabaret, Brooklyn and Sheffield, UK based band Frogbelly and Symphony just released their debut album "Blue Bright Ow Sleep," which was recorded in NYC by legendary producer Martin Bisi. Fronted by NYU-trained violinist & keyboardist Liz Hanley, the record emerged in its final form through a dense touring schedule mostly concentrated in northern Europe. That’s where the band will return in a few weeks, in occasion of their April tour of the UK and Ireland.