NYC

Jack + Eliza unveil new single “Diamonds,” announce debut album + play SXSW

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With their airy melodies and beautiful vocal harmonies, Jack + Eliza charmed the crap out of NYC in 2014. They are now (not so) secretly planning to accomplish something similar in Austin later in March, during the 6 days of SXSW’s Music Week. The duo just released this new single entitled "Diamonds" from their upcoming debut album "Gentle Warnings" (scheduled to be released in June). They have put together quite a team for this record, produced by Chris Zane, but also featuring the touch of Grizzly Bear’s Chris Taylor in some tracks like the one we are streaming below.

New England

Letters to Toska Reflects Zoya’s Rich Musical Background

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Letters to Toska, the fourth EP from Zoya, could easily be classified as “indie-folk” or “singer-songwriter”, but none of those labels would even come close to describing what takes place on these tracks. This EP reflects a perfect blend of jazz, folk and R&B, while still finding room to inject some hints of Zoya’s South Asian heritage. These influences are prominently displayed on the track “Willows”, with its smooth guitar-work and hip-hop/soul-inspired melodies and cadences. With such a dynamic mix of inspirations, I expect Zoya’s songwriting will only continue to become more intricate and mesmerizing as she continues her musical career.

For more information about Zoya, click here.

-Dan McMahon (@dmcmhn)
Photo Credit: Jerome Vivino



 

 

NYC

Seattle Deli’s Artist of the Month: Nightspace

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Birth and decay are both moments of abjection, wherein the subject is removed from the great mother and becomes conscious of a unique identity devoid of interference from cultural perceptions. The phenomenon is no magical circumstance, rather a self initiated exile into a world of infinite possibilities -a moment that generally evades our grasp. However, some are able to embrace this state of reality and become the uncanny abject of our heart’s desire.

Nightspace is Seattle’s very own destroyer of the super-ego; using synthesized sounds to distance themselves from the status quo of pop. Though, you may find something familiar in the four-on-the-floor kick drum, don’t let it fool you; Eurythmics did it too and they set themselves apart from the synth-pop of the 80’s with darkness and gravity much in the same way Nightspace also does so fluently. Rejecting themselves from the same school of industrial cold-wave as Cabaret Voltaire, Nightspace combines the sex and death of a slowed down Belgian Hardstyle DJ with Ian Curtis’ cavernous admonitions of a completely dejected reality, jutting out from the walls of deviance that seem to be closing in on them. Concurrently, looming and distorted synthesized lines weave in and out of Nightspace’s techno-terror with sincerity, conjuring fake memories of Demdike Stare covering the Suspira soundtrack, an occurrence that has not happened (though we wish it would).

The abjection that occurs from listening to Nightspace is a beautiful fracture of reality that all should be aware of. Whether you crave the horror of love or the placidity of death, hearing Nightspace will remove you from both and surly enhance you as a person and a listener. 

NYC

Miniboone announces “Bad Sports” LP, unveils “Basic Song” single

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Refmarkably attitude-free for a Brooklyn band, the MiniBoone troupe has been active since 2008, and – judging from the new single "Basic Song" from their upcoming LP "Bad Sports" – they still have plenty of good melodies to sing, and humurous things to say. The new album is presented as "a chronicle of looking for joy and failing, only to find that joy hiding within the soulcrushing hunt itself."

We added this song to The Deli’s playlist of Best songs by emerging NYC artists – check it out!

Chicago

Red Jr

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Red Jr. has released a video of their live performance of "Smoke & MIrrors" at Double Door last November. The video mixes footage for the performance and from their practice space. The track is from their forthcoming sophomore LP.

NYC

ONWE release “Hyperbole” LP + tour their way to Austin

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ONWE‘s odd mix of post-punk and psych-pop makes a fine vehicle for David Welles’ vindictive lyrical style. Single "Unpaid Internship"—a mini-hit perpetrated by blogs in summer 2014—mocked the dubious self-confidence of Brooklyn hipsters. I suppose they had it coming… ONWE released a new 8 track album entitled "Hyperbole" this past January, and will tour their way to Austin for SXSW in March. Check out single FOMO, streaming below.

Philadelphia

The Deli Philly’s March Record of the Month: Nightclub – Blood Sound

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Blood Sound’s post-punk tracks are informed by an audible nostalgia for the dance floors and goth clubs of the latter ‘80s. Their latest LP Nightclub is a hybrid of dark wave and dream pop. Marrying synth-drenched harmonies with emotively vibrant lyricism, the subtle romantics of the band’s debut full-length fit seamlessly with the buzzing percussive backbeats of earlier cuts by Cold Cave (circa Love Comes Close) or The Cure’s “Primary” stripped bare to its core.
 
“TV Synth 1” sets the tone for Nightclub’s narrative with a brief yet textured prelude to “I Don’t Want.” Relatable like an antithesis of The Smiths’ “There Is A Light That Never Goes Out,” Blood Sound’s “I Don’t Want” personifies the complexities of yearning, desire, and loneliness. As frontman Chris Jordan croons “I don’t want the city’s lights to go down/I don’t want to find home,” guitar riffs magnify the weight of his words without casting them melodramatic. The track is a fitting anthem for the passing of youth, failed love, and transition.
 
The buzzing start of “L.A. Punk” explores that thin line between authenticity and commoditization, the song’s instrumentation paying homage in its own way to the early underground and its subsequent subcultures. As if channeling a sedated rendition of Peter Murphy’s tone and diction, “L.A. Punk” is as memorable as it is brooding. “Acid Summer” gives an inward glimpse at the intimate nature of grief, mortality, and memory. When Jordan sings, “The 1980s died that day,” the listener feels it in their gut. It’s undeniable. The connection between what is experienced and how that experience is remembered is amplified by the track’s thumping tempo.
 
“Empty” plays out like the perfect soundtrack to an inevitable breakup, coupling affection with exhaustion, with the synth framing the heart-wrenching truth of lines like “I was too in love to say/that your story was a bore/Now I gave up on bad dreams and endings/beginnings and beginnings.” It offers a viable catharsis for jilted lovers with a penchant for fuzzed-out refrains.
 
“TV Synth 2” precedes the lyrically minimal yet heavy “Embrace” which serves as Nightclub’s melodic memento mori. “Almost” is subdued yet gripping, slowing the momentum of the record in advanced of “TV Synth 3,” which unfolds like a VHS fever dream. “Fake Blood” is evocative, with reverb and a pulsating backbeat that swells as the song progresses. Arguably the darkest track on the album, Jordan’s diction is hypnotic, “Kill your dreams and wait for/the fake blood to pour out.”
 
Ending with the well-placed “Catacombs,” Nightclub’s final track encapsulates the thrill of beginnings and the way one remembers them. Set to a beat reminiscent of Joy Division’s quintessential single “Love Will Tear Us Apart,” “Catacombs,” much like the songs that precede it, is reason alone to return to Nightclub. – Dianca London Potts

Philadelphia

New Music Video: “Chase the Night” – Work Drugs

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Though electro-pop crew Work Drugs have been taking a break from performing out live in 2015, they just announced a new show on Saturday, April 25 at Johnny Brenda’s. They also shared a woozy lyric music video for their new song "Chase the Night." It’s the first single from their forthcoming album Louisa, which is due out this summer. You can download the track for free HERE.

San Francisco

Hibbity Dibbity Celebrate Their Album Release at The Chapel – 3/5

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San Francisco based self proclaimed "swamp funk" band, Hibbity Dibbity is gearing up to release their sophomore full length album, Tinctures, Potions & Elixirs! This popular band will be performing live at The Chapel in San Francisco on March 5th with the talented alt swing band, Royal Jelly Jive. As always, we encourage you to support local bands, particularly when they release albums. Help Bay Area music continue to thrive!

This show is going to be an energetic and super fun soiree. Don’t miss the excitement!

San Francisco

The Stone Foxes Release New Single + Play Leo’s in Oakland, CA – 3/7

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The San Francisco based garage rock band, The Stone Foxes have released a new single entitled Cold Like A Killer. This new track is a smoldering rock anthem that cooks and simmers, showcasing the band’s bold signature garage soul sound that is reminiscent of The Black Keys. We’re always happy to cover such a hard working band! If you like what you hear, you should attend their show at Leo’s in Oakland on March 7th!