NYC

Brooklyn shoegazers Christines play Glasslands and Death By Audio on 07.23 and 24

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In the sea of 90’s grunge renaissance bands, and rediscovered new-wave sounds that Brooklyn has to offer, Greenpoint’s Christines stand out with their honed embrace of the shoegaze sound of the late 80’s/early 90’s. Perhaps a band this young would normally still be figuring itself out, but Christines have known what they’ve wanted to be from the get-go, having opened for Ringo Deathstarr at Mercury Lounge as one of their first shows, and flooring the crowd before the second opener even came on. A numbing, almost nuclear cold forms out of front man Andrew Burr’s fuzz and Jordan Parker’s bass, and is cut and warmed over by guitarist Matthew Wu’s beautiful lead guitar fills, and paved out entirely by Burr’s almost whispered lullaby-like vocals. There is not much movement on the stage, but you can’t help but notice how intensely and intently the four musicians perform. Though they only have two songs recorded and posted on their soundcloud, they have played a slew of shows around NYC in the past few months, and are playing July 23rd, and 24th at Glasslands, and Death By Audio, respectively. Don’t miss them! – JP Basileo

We added this song to The Deli’s playlist of Best Psych ROck/Shoegazer songs by emerging NYC artists – check it out!

NYC

Album review: The Oldfield Victory – A Thousand Doors (EP)

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Once upon a time, as many a story begins, there was a legendary beast that trod upon this great land. Across mountains and over rivers (wait, across rivers and over mountains; yeah, that’s it), all bowed before its grandeur and omnipresence … particularly human males between the ages of 18 and 34. What was the name of this benevolent and decadent entity, you ask?

Rock and roll.

 
Back in the ‘70s, when FM radio was becoming more of a force and big rock bands were strewn all across the dial, there was a particular guitar sound that dominated the airwaves: monstrous chord structures and tight riffs that had that the perfect combination of strum and crunch and buzz. There’s probably a better way to describe them, or even to explain how they were created, but you’d probably have to be a guitar player to do so—and since I am not, I must use words like “strum” and “crunch” and “buzz” to get my point across. An even better way to understand said point, however, would be to listen to the music of The Oldfield Victory, a newly-minted band that has recently released its newly-minted EP debut, A Thousand Doors.
 
This formidable foursome (Jon Freeman – vocals and guitar; Paul Hagedorn – lead guitar; Dave Tanner – bass and backing vocals; and Casey Wallace – drums) wastes no time getting down to business; “Wrecking Ball” is fast, loud, and has a nasty snarl, as all good rock ‘n roll should be. The EP’s title track is an instant audio time machine that takes the listener back to 1976, when The Oldfield Victory could easily have shared the Kemper Arena stage with Sammy Hagar, Triumph, Judas Priest, Spinal Tap, or any of the other legends of the day. The rest of A Thousand Doors, particularly “Built for Speed” and “She Disappears,” continues down that path, filled with the big drums, fat-bottom bass, razor-sharp guitar leads, and raucous vocal blends that made music fans from back in the day gas up their Camaros* and head to Sandstone or Arrowhead Stadium to KY102’s latest SummerJam.
 
Sometimes music does more than simply entertain—sometimes it just makes you feel like things are right in the world. This six-track EP hearkens to a time when rock was king, with willing subjects from coast to coast. Count me in as one of them, then and now. Long live The Oldfield Victory.
 
*author’s note: I did not have a Camaro back in those days. I had a Pinto. Not exactly the same thing … especially to the ladies. Awwww nooooooo.
 
Michael Byars
 
Michael is fooling you—he probably had the coolest Pinto on the block. And $240 worth of pudding. Awwww yeah.
 
 

The Oldfield Victory has a big rock show planned this Friday, July 25, at The Scene KC Rock Bar in Independence, with Federation of Horsepower, The Heroine (San Antonio), and Bad Wheels. Check it out, and bring earplugs. Facebook event page. 

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Philadelphia

Ticket Giveaway: Ryan Adams/Jenny Lewis/Dawes OR Beck/Band of Horses/The Districts at Susquehanna Bank Center This Saturday OR Sunday

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We have have a big ticket giveaway for our readers this week! Enter for a chance to win a pair of tix to see Ryan Adams/Jenny Lewis/Dawes on Saturday, July 26 OR Beck/Band of Horses/The Districts on Sunday, July 27 at Susquehanna Bank Center in Camden as part of XPoNential Music Fest. Just send us an email at thedelimagazinephiladelphia@gmail.com with the subject line "Not Bryan Adams" (for Sat.) or "Scientology Freak" (for Sun.), depending on which day you’d like to attend. Please also include your cell number in the body of the message (in case of an emergency). Good luck!

NYC

Martyn’s The Air Between Words

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Martijn Deijkers who goes by the stage name “Martyn” is no newcomer when it comes to the world of dubstep electronica. This Dutch producer and DJ currently resides right here in Washington D.C. Gracing the capitol with his sixteen plus years of experience, he presents his futuristic sets here, a pioneer who creates beats way ahead of their time. Martyn started his career back in 1996 working as a DJ for Drum and Bass. He spent time there gathering experience and confidence as a DJ and eventually broke into the world of dubstep, techno, and house music. He released his first album Great Lengths in 2009, contributing mostly of well-received experimental dubstep tracks. His second album Ghost People was released in 2011 and was comprised of an even more experimental sound.

Martyn’s sound is something that never stops changing, influenced by the melodic presence of the scenes in Chicago and Detroit, he is a true electronic vagabond. His most recent album The Air Between Words was released this summer and has a more of a deep house sound. This album is well worth a listen, as its hypnotic beats will transport you to a dark dance floor where its tracks will echo in your ears full of ambience. There is no telling where Martyn’s sounds will move to next, but for this moment lets enjoy the unique experience that is The Air Between Words. –Rohan Khanna

Chicago

The Locals @ North Halsted Market Days

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The Locals released a new single late last month called "The Willful Suspension of Disbelief". The indie pop trio further refine their sound with each release and this one sounds as radio ready as anything out there.

You can catch The Locals on August 9th at North Halsted Market Days with Girl In A Coma.

NYC

When The Due Diligence is not (at all) as boring as it sounds

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Before The Due Diligence began their set this past weekend at the sweaty Hot 97.4 warehouse space, their extremely eccentric front-person, Sir Isaac Diligence (a master of of audience inclusion) handed out mini tambourines to everyone in the audience, immediately forming a connection.  The Due Diligence sounds like they’re straight out of the 1960’s-70’s, fusing classic rock with RnB influences including (but not limited to) Lou Reed and James Brown.  Sir Isaac Diligence rejects the overly-pretentious atmosphere that runs rampant within Brooklyn’s scene through his eccentric presence, and general ability to let loose and not worry about being the hippest cat at the show.  At the same time he made it perfectly clear how much fun it is to feel cool with the band’s latest single, entitled (you guessed it) "Cool", during which Sir Isaac asked the audience to close their eyes and think about the first girl or guy who ever made them feel cool.  Audience participation is something hard to pull off in this self conscious city, but The Due Diligence definitely pulled it off, especially after their last song during which Isaac threw himself into the crowd, handed his guitar to Nick Kivlen of Sunflower Bean (who shredded for the last few measures of the song) and ran off to go buy donuts for everyone.  You can watch their Dunkin Donuts-featuring video (it’s a pun…Due Diligence…Dunkin Donuts….now you get it) for "Cool" below.  The video also features members of Deli favorites Ava Luna stuffing themselves with donuts. – Jake Saunders 

Chicago

Hurt Everybody

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The recent EP from Hurt Everybody is a perfect example of the current state of hip hop in Chicago. The trio of Carl, Supa, and Mulatto combine fantastic beats with inventive lyrics to entertain over all 17 tracks of the self-titled EP.

Philadelphia

Buffalo Stance Opening for OOIOO at JB’s July 21

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Buffalo Stance, the brainchild of Man Man‘s Jamey Robinson, has gone through many configurations throughout the years. However, with his funky, masterful keystrokes, Robinson has always managed to make the live experience one of the quirkiest dance parties in Philly. And with the project’s current lineup consisting of bandmate Christopher Sean "Pow Pow" Powell and multi-instrumentalist Matt Gibson (The Extraordinaires, ex-Man Man), Buffalo Stance’s grooves will certainly be intesified manifold. They’ll be the lone supporting act this evening at Johnny Brenda’s for avant-garde Japanese collective OOIOO. Johnny Brenda’s, 1201 N. Frankford Ave., 9pm, $15, 21+ – H.M. Kauffman