Doom metal masters The Atlas Moth released their latest album, The Old Believer, via Profound Lore Records earlier this week. It is the band’s 3rd full-length album.
You can catch The Atlas Moth at Bottom Lounge on August 10th with Boris & Subrosa.
New Music, Emerging from your Local Scene
Doom metal masters The Atlas Moth released their latest album, The Old Believer, via Profound Lore Records earlier this week. It is the band’s 3rd full-length album.
You can catch The Atlas Moth at Bottom Lounge on August 10th with Boris & Subrosa.
Lo-fi wunderkind Alex G, a.k.a. Alex Giannascoli, just share his new LP DSU, which is streaming over at The Fader. The album officially come June 17 via Orchid Tapes. He’ll also be heading out on an extensive U.S. tour next week with labelmates Elvis Depressedly that will close out in Philly on Sunday, August 17 at The Fire.
You can see Josh Berwanger Band this weekend at Boulevardia, in the West Bottoms. They play at 6:15 p.m. on the Chipotle Homegrown stage. Facebook event page. They’ll also be playing Lawrence Field Day Fest on June 28 at The Bottleneck at 11:00 p.m. Also, watch for Too Much Rock’s fourth volume of the Single Series to come soon!
Here’s a video of an in-studio performance for 90.9 The Bridge of the song “Mary,” recorded at Weights & Measures Soundlab.
Hopefully you had the chance to catch Lulu Mae on May 16th for their album release show with ELEL and The Oak Creek Band, as that may have been the last time to catch them live for a long, long time. However, they had the wherewithal to release a new album on May13th to tide fans over in the wake of their abscence. While it is a great momento to keep under your pillow to keep your tears of Lulu Mae longing from soaking into your mattress at night, its also a beautiful listen. Read on to learn more. -Terra James-Jura
If you’re in St. Joe on Friday the 13th, you can catch Scruffy & the Janitors at the Anglo release party at First Ward House, with Cupcake and Rev Gusto. Facebook event page. They’ll be celebrating the release in Kansas City on Saturday, June 14 at recordBar with Heartfelt Anarchy, Domineko, and Rev Gusto. Facebook event page.
These guys are playing our Northside show tonight… watch the video, it makes a pretty convincing case.
Just by glancing at the name, it’s clear that ghost-folk Weyes Blood (formerly known as Weyes Bluhd) isn’t afraid to get experimental – and yes, “weyes” is indeed pronounced “wise.” Natalie Mering, formerly of Jackie-O Motherfucker, brings this sense of creativity and adventure to every aspect of her Weyes Blood project, which she started back in 2006. Mering’s work is textural and multi-faceted. She layers tape samples with piano and guitar to create spectral soundscapes. Complimented by her ethereal voice, these collages are hauntingly penetrating. The live experience is even more haunting and rewarding – waiting for a soon to be announced new album, don’t miss her tomorrow June 13 at The Deli’s B.E.A.F./Northside Rootsy Stage at Spike Hill. – Corinne Bagish
Jody is back with a new single, "Tired", produced by The-Drum. The track comes from the R&B groups forthcoming EP Oasis with is set to be released this July. The trio previously released the title track of the EP last month.
Uumans is the electronic/pop creations of Chicago native Matthew Mehlan. The singer/songwriter has spent the last ten years in Brooklyn with his band Skeletons, but is flying solo the wonderfully intricate new album Flipping Out. This music is filled dense layers of beats, effects, and distorted vocals. It is at once music for the future and the present.
Flipping Out will be released on July 1st via Shinkoyo.
Secret Colours have released a new video for their track "Take It Slow". The track comes from their latest album, Positive Distractions, which was release back in April.
You can catch Secret Colour later this month at Milwaukee Avenue Arts Festival.
San Francisco based indie singer/songwriter, Travis Hayes is gearing up to release his upcoming full length album, Young Daze, which is due for release on July 7th. Hayes pulls from 90s indie pop compositional styles, and mixes in thoughtful and creative touches to his emotionally honest songs.
His new album starts with a tightly wound and well produced instrumental intro that lasts the length of a pop track. Hayes takes small risks like this throughout the album, and does not stick to traditional pop structures even though his album has a very radio friendly sound. It’s great that he can blend quintessential American music styles that nod to artists like Tom Petty and John Cougar Melloncamp, while creating his own spin on his ballads, bringing a fresh and modern sound that shines through the sonic presence of his musical influences.
Don’t miss Travis Hayes’ album release event at Bottom of the Hill on July 11th. –je