Portland

Ghost To Falco (Album Release) // Aan // 4.11.14

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Ghost to Falco have been shaping and re-shaping their experimental psych/prog rock sound in Portland since 2001, under the guiding hand of Eric Crespo. Friday night at Bunk Bar, the band will release their fourth album Soft Shield through Itialian based Fooltribe Records. GTF will be joined by the brilliant experimental popsters Aan, whose February release Amor Ad Nauseum was featured as the Deli Portland’s last Album of the Month (view our current Album of the Month, Polyester Itch by Hands In here). Seattle’s Dragging an Ox through Water open the night at 9pm. The cover is $7 and worth every penny.

Check out GTF’s video for their first single, ‘Born to Win,’ off Soft Shield.

Chandler Strutz

Nashville

The French Lips “Stray Dogs”

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Was there a better way to start a week than with a lineup of female leads? The East Room hosted "The Ladies of Rock" on Monday, April 7th, and among them were New York transplants The French Lips. Vocalist Sophie Kadow possesses a smoky voice that has a strong capacity to kick ass. The East Room lent the kind of dirty that Monday night drinking calls for with a stellar line-up including Kelly Ruth, The Dead Deads, and Lady E and the Blacklight.  All of these groups deserve greater attention, but the slow burn of "Stray Dogs" warrants your immediate concentration, so you can pick up on the nuances of Kadow’s exchanges with the growing guitar noise in the track. Those lucky enough to catch the show (and ignore the thought of working on Tuesday morning) will agree how phenomenal the song was live.  -Amanda Aydelott

New England

High Def preps “Milk and Honey” EP

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Boston’s High Def falls somewhere between jazz, R&B and hip hop – and they proved they can captivate an audience at Emerson College’s Cabaret this past Tuesday, alongside other R&B up-and-comers like Raquel Rodriguez and Anthony Hall. The band is currently prepping its debut EP, Milk and Honey, but you can take a listen to its latest release below. “Definition” shows the band at its best; although vocalist Brandon Donick can croon, the track’s rap-along chorus was undeniably an audience favorite. And those keys! As an added bonus, you can check out a live cover of Blackstreet’s “No Diggity” on the group’s SoundCloud page. – Jake Reed, @jakejreed

NYC

Denitia and Sene release video for “Divided”

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denitia and sene. – besides being an editor’s nightmare, with their lower case name and period at the end of it – were probably the best live act at our 2013 CMJ Marathon electronic showcase at The Delancey. The Brooklyn duo plays music that – if hard pressed – we would label as "trip’n’b," with many similarities to Tricky’s early records without the rap component or the British artist’s insane ‘bakedness’. They just unveiled this dark video for single "Divided," a single that was produced by twin brother producers Christian Rich (Pharrell Williams/N.E.R.D, Pusha T, Lupe Fiasco) as part of a Red Bull Sound Select mentor collaboration.

San Francisco

Civil War Rust Break Anchor and ToyGuitar Play Thee Parkside

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Tonight at Thee Parkside, it’s all about manifestations of bands from the past. Break Anchor is headlining the event with ToyGuitar and Civil War Rust.

Civil War Rust is a pop-punk band from the East Bay. Drawing from contemporary and not-so-contemporary bands such as Dead To Me, Jawbreaker and Crimpshrine, they play music containing equal parts of self deprecation, positivity and snottiness (we mean that in he most respectful way!). Also playing is Toyguitar, who is reconfiguration of ’90s East Bay punk band, One Man Army. They have a self-titled 7-inch on Adeline Records that leans more in the direction of power pop. And last but certainly not least is Break Anchor, a Detroit-based band and the product of former Suicide Machines vocalist Jason Navarro. This project is seen as a Navarro’s saving grace from depression and addiction that he endured. It’s melodic, heartfelt, and most definitely influenced by 924 Gilman bands of the ’90s. –Erin Dage

Chicago

Zeena

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Zaena is an artist on the new local label Maek Music. Her new EP, Harlequin, is an electro-pop gem and is available for free.

L.A.

Artist to Watch: Girlpool

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Acoustic punk duo, Girlpool, write unapologetically gut-punching songs with razor-sharp harmonies. Their debut release, the 7 song self-titled album recently released on cassette, has more depth than most over-produced rock albums that are sent straight to commercial radio. Each song clocks in at under 3 minutes, defining "leave them wanting more." Despite their lo-fi approach and punk aesthetic, the recordings are crystal clear, but still full of grit; creating punchy rhythms and plenty of groove without the use of drums. An impressive feat, these two are not to be ignored. And without sounding trite, it’s impossible not to recognize the eery resemblance to an unplugged Nirvana. Standout tracks, "Paint Me Colors, and "Slutmouth," prove there is a new generation of feminists. Pulling together pieces of 80s and 90s female punk/Riot-grrrl trailblazers, Girlpool is rightfully claiming them as their own, and joining their voices to create a collective mouthpiece for gender-redefining millennials. Stream the entire album on bandcamp below and see them live tonight at The Bootleg, or April 12 at The Smell. – Jacqueline Caruso

NYC

A hopelessly named good band from NYC: Vomitface

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Notwithstanding a name that – alone – will confine them to the deepest layers of the underground for the rest of their days, NJ/Brooklyn punks Vomitface aren’t actually that revolting. The power trio celebrated the release of their debut 4 song EP at Cake Shop on March 28, and we are diggin’ it. Single "Bill Me Later" is an enjoyable punk-pop tune that manages to blend (or rather skillfully juxtapose) diametrically opposite genres like math rock (see verse in 6/4) and slacker rock (see the melodic verse reminiscent of early Pavement) with a grunge chorus in there to wrap up the 90s references. The other track available for streaming, "P.S. I Hate You" follows a more traditional modern-punk-rock script, with incessant power chords and growingly angry vocals feeding a crescendo of tension that lasts a whopping one minute and 15 seconds. These guys should be fun live and you have many opportunities to check them out locally in the near future. Next shows are at Lamp Post in Jersey City on 04.24 and Shea Stadium the day after.

We added this song to The Deli’s playlist of Best guitar rock/punk rock songs by emerging NYC artists – check it out!

NYC

Q&A with FanAddict CEO Joe Lieberman

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Joe Lieberman is the founder and CEO of FanAddict: a new mobile app that allows music lovers to easily find, track, and share their favorite live events locally or nationwide. Here, Lieberman discusses FanAddict’s birth and future. This interview took place at his KC home.
 
The Deli: Why is it important for fans to follow bands they love?
 
Lieberman: It’s a natural inclination of people who really love music and to want to see their favorite bands live. That was one of my biggest passions as a kid. I remember reading the album covers from back to back…studying up on the band members…keeping track of my ticket stubs. I built a scrapbook of all my memorabilia. I felt that the tracking and the scrapbook could be combined. That’s the genesis of FanAddict.
 
The Deli: What’s your sales pitch for FanAddict?
 
Lieberman: Track your favorite bands and relive your memories. You can only say one message at a time. Because if you say too much you’re saying nothing.
 
The Deli: How has living in KC affected FanAddict?
 
Lieberman: There’s a very strong entrepreneurial in spirit KC and a community ecosystem that revolves around small business development. It’s very nurturing. It was easy to find other professionals who had skill sets that I could use collaboratively.
 
The Deli: How do you think FanAddict will change the live music industry as a whole?
 
Lieberman: We hope to change the way that artists engage directly with their fans. Even using Spotify or Pandora you’re really just listening to the music. It’s distant. We’re trying to create an environment where you feel connected using your own notes, photographs, and band twitter feeds.
 
The Deli: You’re involved with two other Kansas City companies.
 
Lieberman: Yes. ManGoDo Productions is a fun shell for some creative things I do. At The Capitus Group, I do business consulting to help small business owners through growth transitions.
 
The Deli: How do you divide your time between projects?
 
Lieberman: Everything ebbs and flows. Currently FanAddict is working on version two development. I’ve got a bunch of people who are busy with that. So I have more time to focus on business consulting. But over the last year I did ramp up my involvement in FanAddict as needed.
 
The Deli: How do bands sign up?
 
Lieberman: Right now we are working on phase two, which allows bands to directly use FanAddict to manage their tour, events listings, and social media feeds.
 
The Deli: What lessons have you learned about launching a venture?
 
Lieberman: Foremost, you have to build an awesome product no matter what you do. It has to meet the needs of a key group of people. If you don’t do that; give up. You have to be careful about the robustness of your first product set.
 
The Deli: You had a contest for bands to submit videos for a chance to win a FanAddict traveling band van (the winner was Not A Planet).
 
Lieberman: We wanted to see if we could get bands to market FanAddict in a way that we couldn’t get exposure otherwise. It worked. It was a month long contest; In a few weeks we got over 4000 Facebook likes.
 
The Deli: Who are your favorite bands?
 
Lieberman: Currently Arcade Fire, of Monsters and Men, and The Doves. My favorite older bands are The Smiths, Morrissey, and Death Cab for Cutie. One of my favorite locals is Cowboy Indian Bear. They have these really nice lush harmonies.
 
The Deli: How do users find you in the AppStore?
 
Lieberman: We use a multi faceted marketing program including lots of organizations who want to promote us, the bands themselves, and PR agencies. Within the store, we use Search Optimization to find people who are searching words about our product. 
 
The Deli: Bands can’t make money anymore by just selling music.
 
Lieberman: It’s the truth. It’s a sad state of affairs for the people developing the content that gets marketed by others. I think the bands that make it are quickly learning it takes a whole environment of cultivating fans. FanAddict helps with that.
 
The Deli: What’s the next big trend for bands making money?
 
Lieberman: It will continue to be fan access, like how big artists sell backstage passes. But I think smaller bands are going to get more and more creative marketing different ways to connect with their fans.
 
The Deli: Do you play music?
 
Lieberman: I don’t anymore, but I learned to as an adult. I took guitar lessons and started a band with a friend. We created our own music, played live, and cut a CD. But I couldn’t fit it all in, so I “put that to bed”. I then learned how to edit music, and now I have FanAddict.
 
The Deli: It’s a mystery to many users how apps actually make money.
 
Lieberman: It’s a mystery to me too [laughs[. Very little apps make money by selling themselves directly. We have affiliate revenues which make money off of song downloads, ticket commissions, and advertising.
 
The Deli: Do you have any new products on the horizon?
 
Lieberman: No, but I’ve had lots of ideas come and go over time. This is the biggest one I have jumped at. The experience has been incredible. I’ve been exposed to all sorts of great people I wouldn’t have met otherwise.
 
The Deli: How do you think FanAddict would have changed your experience as a young music listener?
 
Lieberman: It was what I was looking for. I needed it. I would have been clued in and probably obsessed with it [laughs].
 
–Hannah Copeland
 
Hannah Copeland is a UMKC business student and self proclaimed "Fun Engineer". She books concerts for local bands every month, is working on an e-commerce music merchandise start-up, and is a lyricist and singer for her electronic band, Hunter Gatherer. She cannot wait to graduate next spring and work in radio broadcasting, music promotions, or bartending in South America. You can contact her at HeyHannahCopeland@gmail.com.

  

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