Chicago

Bear Weather

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Bear Weather is fronted by Michael Fawnsluh and the trio released a very intimate album dedicated to Michael’s Grandmother who passed away this past year. Michael vocals through out the collection of songs brings that perfect blend of warble and yelp to match the emotion.

Fawsluh is joined by James Poyhonen and Aaron Cooper and Right In The Whalehouse is available for free through the band’s bandcamp.

Nashville

6minor Films Interviews Nashville Bands for “Songwriter”

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6minor Films has been working on a documentary series entitled “Songwriters,” focused on Nashville’s population of, well, you can figure it out. They’ve interviewed six Nashville artists from different genres on their songwriting process and motivation behind it, dedicating an episode to each group. One of the bands questioned is Them Vibes, a name that finds its way onto the Deli Nashville here and there. The entire series is a fascinating look at the space between an ‘idea nugget’ and the finished product, and all the work and intangibles that fill it. Take a look HERE at the Season One trailer to see if you recognize anyone! –Terra James-Jura

New England

Vote for the 2013 Deli New England Emerging Artist of the Year!

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Now that you’ve seen the results of our 2013 Open Submissions and learned a bit more about the artists that came in first place, second place and third place in that portion of the poll (and of course, the runner-ups) the Readers’ Poll is now open. Fans and Deli New England readers can click the link below to cast their vote for the 2013 Deli New England Emerging Artist of the Year.

 

CLICK HERE TO VOTE!

Philadelphia

Sore Saints Stirring the Cauldron of Emotion at Golden Tea House Jan. 19

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Stir the cauldron of emotion that boils at the surface of Sore Saints sound tonight at Golden Tea House. Jagged creeping guitar lines are set against a heavily pursuant combination of bass/percussion, giving the overall impression of moving through the murky moonlight as commanding vocals are delivered forcibly from deep down in the pit of the stomach. Sore Saints find a place in the cavern of darkness with its post-punk steely-cold noise feel to pull the listener up close. This proximity reveals the tie that binds the message with music. Golden Tea House, (Please email goldenteahouse42069@gmail.com for more info.), 7:30pm, $7, All Ages – Michael Colavita

Portland

Interview: Dennise Kowalcyke of KZME

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This week we’d like to highlight one of the supporters of our local music scene, Dennise Kowalcyke. She’s the station manager at KZME, a radio station which focuses on playing music from local bands and promoting their art through the airwaves. Ben was able to chat with Dennise about  the station’s history, future goals and their mutual love for rigsketball in an interview filled with insight into how KZME became a staple in our local scene. Read the full interview here!

KZME just launched a fundraiser to help their listener-supported radio going, go here to learn more info and show your support.

Philadelphia

Drown in the Honesty of Our Griffins at MilkBoy Philly Jan. 18

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Our Griffins will be functioning under the guidance of the sweetly sad songwriting of DJ Brown. The group’s deep reverbs and gentle, echoing guitar riffs complement the intensely emotional and personal lyrics mostly about Brown’s family and feelings. His latest album, Michael Boyd (named after his deceased uncle), is a waterfall of honesty, and it realizes it’s full finger-snapping potential with a hint of pop in all the right places. Following Our Griffins are the LA emo-pop boys Bad Suns, who will be releasing a new album next week, and the evening will conclude with the indie earworm machines, Royal Bangs, who are halfway through their January tour. MilkBoy Philly, 1100 Chestnut St, 8:30pm, $12, 21+ – Maggie Grabmeier

NYC

Album review: Sundiver – The Pull

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Spaced-out arrangements. Chunky, muddy guitar riffs. Down-tuned vocal harmonies. Echoes of the alt-rock greatness of the mid ‘90s. Any one of these features would be enough for me to give an album a listen; putting them all together is pretty irresistible. Kansas City rockers Sundiver have successfully merged this quartet of genre-defining factors, presenting them to the music-listening world in their debut full-length effort The Pull, recorded and engineered by Neal Brown at Harrisonic Studios and released in December of 2013.
 
The genesis of Sundiver occurred in early 2011 as guitarist/vocalist John Agee and bassist/vocalist Bobby Bayer started preliminary work on the general band concept. After the addition of Nick Organ on drums and Joseph Wells on guitar and keyboards, the fully-formed foursome released the EP Vicious in the spring of 2012. Upon the following release of The Pull, a brief tour took them to the west and southwest US. At press time, Sundiver’s focus is on that big annual music festival in Austin that gets a bit snippy sometimes when its four-letter acronym is used.
 
The album opens with “Lover’s Comfort,” which starts out as the closest thing you’ll get to a space waltz before the chorus settles in on the steady, driving sound that will power the rest of the record. Its pace is unhurried, its voice is mid-range, but its focus is clear. Sundiver is going to take you on a trip that is beyond earthly borders over the course of The Pull’s 43-minute lifespan, and there is no reason to rush or hurry. The destination will be there, so let’s enjoy the journey. Soaring guitar lines bring an added rush of energy to the song’s second half, which generates the momentum that will keep things rolling throughout the album.
 
The descriptor of space rock is often used in a mostly light and airy musical tone, but this album is relentless, hard-driving, and filled with gigantic arena-sized riffs that could easily fill any venue they play. No track epitomizes that more than the title tune, an eight-minute exercise in sublime intensity. Bayer’s bass threatens to dig a trench in the floor and drag the listener down into the mud and mire, with the twin guitar battalion of Agee and Wells and the thunderous drumming of Organ making this must-listen material for anyone yearning to put on the flannel and the Doc Martens once again.
 
Three of the nine tracks are mini-instrumental breaks that offer a chance to pause, take a breath, and prepare for the next segment. I’m sure there are stories behind their titles (“EV,” “F=G[(m1m2)/(r^2)],” and “C8H11NO2”), but you’ll have to ask the boys in the band. Given the nature of the band’s sound, it wouldn’t be surprising if the second one was a formula for rocket fuel and the third the name of a distant galaxy that serves as Sundiver’s muse for its intergalactic melodies. Perhaps there’s a connection with Area 51 buried within the lyrics? Instructions on the art of creating crop circles? Hmmm…
 
When I listen to the record, a variety of bands stand out as potential influences, directly or indirectly: Hum, My Bloody Valentine, Shiner, early Tool, and—for me, anyway, as I am an unabashed fan of this band—King’s X. The comparison to the latter is especially evident in the album’s closer, “Relevant.” The vocal style, the churning bass, the powerful-yet-melodic percussion… if imitation is indeed the sincerest form of flattery, then Ty Tabor, dUg Pinnick, and Jerry Gaskill should be feeling exceptionally honored.
 
It was the English poet Robert Browning who wrote in 1855: “A man’s reach should exceed his grasp, or what’s a heaven for?” Sundiver has chosen to extend its reach beyond the surly bonds of Earth and grasp at sounds fit for the stars. The Pull illustrates their success within their first LP…
 
…and it seems that, in this case, the sky may not be the limit after all.
 
Your next chance to see Sundiver will be Saturday, March 1 at Czar, with special guests In Aeona and A Light Within. Show starts at 8 p.m. Ticket link.
 
 
Michael Byars 
 
Michael likes Mexican coke, smooth jazz, Aero bars, and noses that are not bloody. We hear he has a big birthday party coming up. Gasp! 
 

Free Counters

San Francisco

Painted Palms Release Forever + Album Release Party TONIGHT at Rickshaw Stop

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Painted Palms’ newest album out on Polyvinyl is lushness exemplified. Though Forever was just released in what some may consider the dead of winter, the album gives off a Summer vibe. With light and airy pop tunes such as “Too High” and “Soft Hammer,” the San Francisco duo comprised of cousins Christopher Prudhomme and Reese Donohue gives nods to the Beach Boys. Making sure that they aren’t another ‘60s pop revival band, the band brings electronic elements into their sonic stylings. All of these factors come together to form the cohesive pop duo that is Painted Palms.

So, if you’re interested in seeing what Painted Palms has to offer, be sure to see them at their album release party TONIGHT at Rickshaw Stop with Soft Metals and Melted Toys. Erin Dage

L.A.

Stream: Linda Perhacs “River of God”

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The unexpected return of singer/songwriter Linda Perhacs can be genuinely described as a small miracle. The last we heard about the influencial singer/songwriter was in 1970, when she was considered an integral part of the West Coast psychedelic scene. That sole debut she recorded, Parallelograms, has become a valuable artifact for freak folk artists like Sufjan Stevens and Devendra Banhart, both of whom knew that Perhacs hadn’t sung her last farewell. "River of God" doesn’t stray too much from what made Perhacs such an enigmatic figure – the contemplative track ponders the existence of a higher power with a purity that’s far removed from the skepticism about faith that has increasingly grown in the last decade. That thought is inherently embedded in its delicate frame, one that becomes clearer as its gentle acoustic flourishes and haunting harmonies (backup vocals provided by Julia Holter) provide a funereal yet optimistic atmosphere. But the beauty of "God" matches with a simple, more potent message she shared recently on her facebook page: "Music can sooth the savage beast in everyone." No better words could describe this joyful emergence. – Juan Rodríguez

NYC

Hey Anna wins the Deli NYC’s Year End Poll INDIE POP Open Submissions

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Dammit Hey Anna! Nothing reminds me of how cold it is outside quite like a great band talking about how much fun it is to laugh and play in the warm weather. But latest EP ‘Pompette’ has done just this to me: with tracks like ‘Tim McQue’ and ‘Pia’ brimming over with the shimmering, sunny and pop-tastic sensibility that is making this band of three sisters get noticed. The group might come across as modest and unpretentious, but Hey Anna’s music drives home a very clear message: get out of your house, and find yourself a piece of heaven. Do just that when you see the group play at The Bowery Electric next Friday night (Jan 24th), and check out ‘Dance Until 3’ below to hear tons of good reasons to keep active at odd hours of the day. Mike Levine (@Goldnuggets)

We added this song to The Deli’s playlist of Best NYC songs by emerging NYC artists – check it out!

Philadelphia

Weekend Warrior, January 17 – 19

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The Boot & Saddle will be going out there this Saturday night as it welcomes three unique bands, who are known for the elaborate and transcendental soundscapes that their instrumentals create. Notorious for their “metal for astronauts,” Rosetta creates a programmatic soundtrack of pulse pounding drums, thrashing yet vibrant guitar riffs, ambient electronics, and sludge vocals that transport the listener on an otherworldly flight through time and space. From their epic debut The Galilean Satellites to their first totally independent release The Anaesthete, they have delivered riveting performances all across the globe, and their first Philly show of the year should be no exception. They are no strangers to sharing the stage with electronic virtuosos Grimace Federation, and heavy, apocalyptic instrumentalists Mohican will be in their element as they play in support of their newly released EP The Abuse Is Character. The Boot & Saddle, 1131 S. Broad St, 9PM, $10 21+ – Bill McThrill
 
More places to be this weekend…
 
Johnny Brenda’s (1201 N. Frankford Ave.) FRI Haggard, SAT Geology, Oldermost
 
Kung Fu Necktie (1250 N. Front St.) FRI (Early) Strength For A Reason, Rock Bottom, Heathen Reign, (Late) Rockers Galore, SAT Killer Bangs, SUN The Rivals, Younger Me
 
Underground Arts (1200 Callowhill St.) FRI Sunburster, Serpent Throne, SAT West Philadelphia Orchestra
 
The Trocadero (1003 Arch St.) SUN Our Waking Deception
 
The Fire (412 W. Girard Ave.) SAT Tungsten Album Release Party w/Power Theory, Mistress
 
MilkBoy Philly (1100 Chestnut St.) FRI Vertical Current, SAT Our Griffins
 
Ortlieb’s Lounge (847 N. 3rd St.) FRI Big Plastic Finger, Curandoros, NoiseMan
 
North Star Bar (2639 Poplar St.) FRI You Do You Release Show w/Tin Horses, The Great Vibration, Song Dogs, SAT Johnny Flynn, The Melodic
 
Connie’s Ric Rac (1132 S. 9th St.) SAT HOSER, Snoozer, Village, APE!, the Cloth
 
JR’s (2327 S. Croskey St.) Benefit for Project MEOW FRI Nightfall, Spent Flesh, Retreevers (Tape Release), Janelle (Tape Release), SGNLS, Population Zero, SAT Plague Dogs, Casket, (Record Release), Alement, Occult 45 (Record Release)
 
M Room (15 W. Girard Ave.) SAT True Will, Plantation, 20til8, Pravda, Starskream
 
Tin Angel (20 S. 2nd St.) SAT Bees In A Bottle
 
Fergie’s (1214 Sansom St.) SUN Rusty Cadillac
 
The Legendary Dobbs (304 South St.) FRI Ill Doots, Ashley Leone, Supreem and The New Experience, Platinum Mustache, SAT John The Conqueror
 
Voltage Lounge (421 N. 7th St.) FRI Lamplighters, SAT Reality Childs, SUN All Shepherds We Shall Be, Panic Sets In, Lower The Standard, Hansford, Winderemere
 
The Grape Room (105 Grape St.) FRI Sacred Cube, The Madeleine Haze, Fate 88, SAT Leo Minor, Funky T, Moonshine Heather, Hardwork Movement
 
Ardmore Music Hall (23 E. Lancaster Ave.) SAT Rolling Stones Tribute Night w/The Jesse Lundy Band: Mach 4, Brown Sugar, North Lawrence Midnight Singers and Friends
 
Little Berlin (2430 Coral St.) SAT Jesse Spearhawk, Mitch Esparza
 
Golden Tea House (Please contact one of the acts or venue for more info.) FRI Crybaby, Endless Mike and the Beagle Club, Pocket, Marge, SUN Kids, Sore Saints
 
Great Indoors (Please contact one of the acts or venue for more info.) SUN The Ambulars, Heavy Bangs
 
Freedom 75 (Please contact one of the acts or venue for more info.) SUN Cut The Motor, Eyeshock Swelter
 
Chicago

Lamp “Feel The Ghost”

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Released by the local micro-label Aerial Ballet, the 2013 self-titled EP from Lamp brought forth an eclectic, haunting, but ultimately pop-filled sound. The band recently released a video for the one of the EP’s best tracks "Feel The Ghost".

You can catch Lamp at The Burlington on Jan 26th and at Subt on Feb 3rd.