Philadelphia

New Videos: “I Think I Love You” (Live) & “Tangled Envisioning” (Live) – Waxahatchee

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Oh boy…this is really a crystal-clear recording from Last.fm and Gibson’s session with Katie Crutchfield, a.k.a. Waxahatchee. She stopped in to play acoustic versions of "I Think I Love You," off 2012’s American Weekend, and Cerulean Salt‘s "Tangled Envisioning" while on tour in the UK. Waxahatchee just also announced some winter tour dates with Cayetana in tow and a Philly show on Sunday, January 26 at the First Unitarian Church. Props to Sunchord Media Production on some beautiful sounding footage.


NYC

Weekly Feature: Drowners

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Taking their name from seminal Britpop band Suede’s 1992 debut single, New York City’s Drowners prepare to unleash their modern-day revival of that classic indie-pop sound. The band is fronted by Matthew Hitt, a Welsh-born former full-time professional male model, who has called New York his home now for the past two years. In April, the four-piece group signed to Frenchkiss Records, and, after a few important show at the recent CMJ Music Marathon, it’s currently putting the finishing touches on the upcoming record, scheduled for an early 2014 release. – LINK: Dave Cromwell‘s interview with Drowners.

Portland

Lovers Release Music Video for “Tiger Square”

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Lovers just released a new, beautifully shot video to accompany a track named “Tiger Square” off of their latest album, A Friend in the World. Artistic shots of the band in a field, singing and drumming the organic beats at the foundation of the track are as emotive as the track itself; they simultaneously compliment the subtleties of the music and bring the lyrical content to its forefront. Watch the video below and be sure to like Lovers on facebook to keep updated with news from the dynamic synth-pop outfit. – Benjamin Toledo

LOVERS Tiger Square (Badman Recording Co.) from Badman Recording Co on Vimeo.

Philadelphia

New Track: “Horror Film” (Feat. Saudi Money) – Reap Howard

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Ha…in preparation for last night’s Halloween festivities, we admittedly took it pretty easy yesterday as we donned our costumes and make-up with alcoholic beverage in hand, so we’re playing a bit of catch up with releases in honor of the beloved holiday. After needing a break from the hustle and social media, Saudi Money, a.k.a. Asaad, provided us with a few bars on Reap Howard’s track "Horror Film," reminding us that the controversial emcee is still alive and angry.

Philadelphia

Aunt Dracula Post-Halloween Freak-out at Ortlieb’s Nov. 1

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If you told most people that a band could sound like a trippy, post-apocalyptic rendition of The Muppet Show, they’d call you crazy; Aunt Dracula takes that as a challenge. The local Philly project from Scott Daly is a psychedelic, surf rock interpretation of the freakiest nightmare you’ve ever had, positively oozing ambiance and personality. Able to hop so rapidly and seamlessly between genres and musical styles that anyone listening is viable to think they’re having a psychotic episode, Aunt Dracula could very easily be the twisted lovechild of Animal Collective and the Dead Kennedys. They’ll be bringing their unique brand of freak-out rock to Ortlieb’s tonight with Jeff Zeigler, who has been working with Daly in the studio, opening with a solo set as well as lo-fi punk outfit The Carnivores. Ortlieb’s Lounge, 847 N. 3rd St., 8pm, $8, 21+ – Daniel Ludwig

AUNT DRACULA – Timecoat from TACHYONS+ 

NYC

From The Deli NYC’s submissions: Video Beast

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A whirlwind of noise greets you as Video Beast throws open the door to their 1,000 mile an hour rock on latest concept record ‘Beyond the Milky Lust.’

Not the kind of band that knows how to take a break very well, this high-energy three piece is constantly at it: bashing your head with tantrums of watershed distortion demons, and cymbal crashing retaliation, all set to a score of ’80’s cinematic sci-fi adventure. Check out ‘Rider’ below. Great for practicing your karate, and piloting B-52s through enemy territory. – Mike Levine (@Goldnuggets)

This band submitted their music for coverage here.

NYC

Surfing (while gazing at shoe)

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There is an intriguing blend of pitch bended guitar textures and (almost) jazz-inflected vocals running through the Bushwick based band Surfing. Moving the dreamgaze genre in a similar direction as fellow Brooklynites Sua (and Night Manager before them), the band’s marriage of a more sophisticated vocal style with multiple layers of driving, hook-heavy guitars is surely a welcome trend. Their lone track (so far) “Hollow Sparrow” throttles along like “Mustang Ford” era Swervedriver, this comparison made all the more accurate by fluid, looser, fill-loaded drumming. Jordan Stern’s voice is strong with a tonal quality and phrasing reminiscent of Caroline Crawley in 1992’s Shelleyan Orphan. The band – which went on a short hiatus earlier this year, to reappear just in time for CMJ in October – is currently working on new material. – Dave Cromwell

We added this song to The Deli’s playlist of Best psych/shoegaze songs by emerging NYC artists – check it out!

NYC

Morgan O’Kane headlines Bluegrass post-Halloween Party with The Hackensaw Boys

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If you’re like me, Halloween is just too awesome to celebrate one day a year. Lucky for you, the folkies at The 1st Annual Rotten Apple Roots & Bluegrass Halloween Party feel the same way. It’s a once a year celebration where you’ll get to wear your costume for a second time, and listen to some of the finest folk NYC has to offer. Headlined by Charlottesville’s The Hackensaw Boys and Hillbilly Brooklyn punk troubadour Morgan O’Kane, these acoustic virtuosos would be worth the price of admission alone. Joining them will be talented NYC fiddler Melody Allegra Berger, jamgrass impresarios Union Street Preservation Society sharing the stage with Diamond Eye Jack Superjam and bushels more of folk bands. So check out all the details here. See you on Fri, Nov. 1st at The Bell House, and remember to dress as silly as you can for the occasion. – Mike Levine (@Goldnuggets)

 

Philadelphia

The Deli Philly’s Album of the Month: Borrowed Time – Far-Out Fangtooth

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Philly gothic psych-rockers Far-Out Fangtooth befittingly released their follow-up to 2011’s Pure & Disinterested two days prior to All Hallows’ Eve via Siltbreeze Records. Beginning in the swirl of psychedelic vertigo, Borrowed Time, which was produced by Justin Pittney (Residuels, Moon Women) and mixed by Jeff Zeigler (The War on Drugs, Kurt Vile, etc.), is awash in lush vocals and buzzing reverb that sounds out like an audible projection extracted from the astral plane.
 
“Bow Your Head” is an impeccable start to Far-Out Fangtooth’s latest LP. Evocative and spellbinding, the song entices listeners within seconds with its soundscape comprised of unapologetic magnetism. Beginning within seconds, the track reveals itself as the probable witchy lovechild of the Age of Aquarius’ zeitgeist and millennial garage. Simultaneously crisp and fuzzed-out, “Bow Your Head” slips into “Mother Nature Fetish.” To the backdrop of tambourine and drums, melodic octaves reminiscent of chants carry the track from beginning to end. In its final moments, like a ghost, “Mother Nature Fetish,” lingers, giving listeners an appropriate yet brief silence to contemplate the weight of its passing as the album progresses towards “Beyond Your Bones.” Beneath the din of shoegaze gloom, “Beyond Your Bones” taps into an ancient rhythm once present in tracks by acts like the 13th Floor Elevators, The Stone Roses, and My Bloody Valentine. In the spirit of Jesus and Mary Chain’s brooding aura and introspective strength, “Beyond Your Bones” and “Green Hands” feel like an emotive extension of Psychocandy’s core, comprised of exuberant melancholy and orchestral finesse. Joseph Kusy’s diction feels prophetic, enhanced by strategic repetition and riffs. Further cultivating what Far-Out Fangtooth defines as “neo-psychedelic,” “Green Hands” is the perfect example of the genre’s evolution and its forthcoming future. With timing that tames the listener, the song unfolds with patience, gradually consuming its audience and their attention with sincerity and meticulous structure.
 
“Admit It,” with post-punk instrumentation, conjures moods reminiscent of Echo and the Bunnymen’s “Thorn of Crowns” meshed with Ty Segall’s “My Sunshine.” Much like the tracks that precede it, the tune crafts a lore of its own, opening with what feels like a nearly instrumental prologue. Expanding towards the minute mark, “Admit It” couples a gradually quickened backbeat with suitably transcendent lyrics and trippy shouts. Poignant lines like “can you find a home” are near universal, connecting fans to the track’s narrative until its staggered end. “Scalp” feels thankfully eternal, and takes advantage of deliberate echoed vocals – each presenting themselves as whispers alongside mournful chords and cymbals. Arguably sharing a kindred undertone as found in earlier cuts by Chelsea Wolfe (“Mer” or “Bounce House Demons”), Borrowed Time’s third to last track is best experienced through multiple plays, while “Girl (Like You)” paints a portrait of a tortured lover aware of the ritual of love and lust. Neither desensitized nor sentimental, “Girl (Like You)” presents a pragmatic view of romance framed by the visceral and emotional implications its duration often implies.
 
The album’s end gradually unfolds through nearly cinematic distortion. Subtle though elongated, “Stretch/Lips” and its title as well as its instrumentation suggests juxtaposition, a duality of sorts, coupling progression with what at times feels like devolving melodies. Resurging halfway through its duration, “Stretch/Lips” fails to divert its listener. Ending with haunting screams, it fades to a well-executed end of the record, wrapping up an impressive evolutionary step in the band’s discography. – Dianca Potts

NYC

Midwest Music Foundation Staff Spotlight: Michelle Bacon

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(Photo by Todd Zimmer)
 
The Midwest Music Foundation staff constantly works behind the scenes at live music events you have likely attended. They’re the ones who search for facilities, supply entertainment, coordinate with vendors, and generally ensure that your live music experience will be a good one. They’re also the ones that get the word out about musicians’ health care and other educational resources for musicians, filling a vital gap in the community.
 
Before the advent of the sixth annual Apocalypse Meow benefit, we hear back from some of the staff to find out what they do and why they do it. Now we’ll turn the tables on Michelle Bacon, editor of The Deli KC and Promotions Assistant/Social Media Coordinator for MMF.
 
The Deli: When and how did you first get involved with MMF?
 
Michelle: Michael Byars asked me to help with some of the web admin stuff for The Mailbox (his now unfortunately defunct podcast). I had been interested in the organization since hearing about its mission; I started blogging a bit on the website and volunteered at events. Then last year at MidCoast Takeover, The Deli was so impressed by the showcase that they asked if MMF would be involved in expanding its local music publication to KC, making it 1 of only 11 cities in the nation represented. Rhonda [Lyne] asked me to head up the publication, and I was more than honored to do so.
 
The Deli: What is your current role with the organization?
 
Michelle: I’m the editor of The Deli KC, which you are feasting your eyeballs on right this very moment. I hope you dig it. I also help maintain MMF’s social media presence and sometimes help with show promotion and booking and such. And I’ll edit anything you send me, because it would drive me crazy not to.
 
The Deli: Why is MMF such an important cause to you? What do you hope it will accomplish in the future?
 
Michelle: The music community has provided me with just that—a sense of community and belonging and likemindedness. Having MMF in this city provides all of us local musicians with a commonality: our devotion to what we do and an understanding of why we do it. And I want to do as much as I can to get the word out about MMF in as many ways as I can. I hope that we continue to grow, and hope The Deli can be a catalyst to bring more attention to KC music.
 
The Deli: Who are some of your favorite local artists?
 
Michelle: I would tell you, but then I’d have to add more hyperlinks to this post. Darn.
 
The Deli: Do you have a favorite memory of a past Meow? 
 
Michelle: I’m still the new kid on the block. Meow 4 was my first time in attendance, and I barely knew anyone there. Last year was Meow 5, and I had the honor of performing as well as volunteering for the first time. The overall experience was wonderful; I interviewed Abby shortly before the event, and seeing the show executed so well made it even more affirming of how much of an accomplishment it was.
 
The Deli: What are you most looking forward to about this year’s Meow?
 
Michelle: This weekend is going to be amazing for a number of reasons. I think everyone’s simultaneously excited and nervous, because it’s a big year—our first without Abby. It’s obviously going to be tough for many. I think the music will expose a lot of emotions, both for audience and musician. But this community has grown and will continue to grow together with these experiences; these are the kinds of things that push people to make astounding strides. I really think it’ll be beautiful, and I can’t wait to be a part of it. I’m honored to play again as well with an amazing group of folks in The Philistines.
 
 
Michelle will be at Apocalypse Meow all weekend, volunteering and playing bass with The Philistines on Saturday night. The event starts tomorrow, November 1 at The Midwestern Musical Co. and Saturday at Knuckleheads. Doors open at 6 pm both nights. Friday’s show is free and all ages, Saturday’s show is $10, 21+. Visit http://www.apocalypsemeow.net for a full lineup and schedule. Ticket linkFacebook event page. To find out more about MMF, visit http://midwestmusicfound.org, and learn about Abby’s Fund for musicians’ health care.
 

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NYC

Midwest Music Foundation Staff Spotlight: Rhonda Lyne

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The Midwest Music Foundation staff constantly works behind the scenes at live music events you have likely attended. They’re the ones who search for facilities, supply entertainment, coordinate with vendors, and generally ensure that your live music experience will be a good one. They’re also the ones that get the word out about musicians’ health care and other educational resources for musicians, filling a vital gap in the community.
 
Before the advent of the sixth annual Apocalypse Meow benefit, we hear back from some of the staff to find out what they do and why they do it. Read on to find out more about Rhonda Lyne, MMF’s Director of Development.
 
The Deli: When and how did you first get involved with MMF?
 
Rhonda: I first got involved with MMF helping with the first Apocalypse Meow in 2008. The MMF was formed after this event and I was asked to join soon after inception to help with various fundraising events based on my contributions to the first Meow.
 
The Deli: What is your current role with the organization?
 
Rhonda: My roles have changed over the years based on need, but mostly I work to organize fundraising events, schedule volunteers, work with health care grant applications and dispense grants, and just make tons of multi-tabbed spreadsheets. 🙂
 
The Deli: Why is MMF such an important cause to you? What do you hope it will accomplish in the future?
 
Rhonda: I got involved with MMF because of my friendship with Abby and her passion for the organization inspired me as well. I made a promise to her before she passed that I would carry on her mission to the best of my abilities. Over the years, it has become a huge part of my life as well. I have always loved live music and did what I could to support it, be it attending shows, hosting bands at my house, or just spreading the good word of the amazing music made in KC and the Midwest. I hope in the future, we can continue to grow and provide resources so that our musicians are compensated for the work they do and can make a living making music. It’s such an important part of life and the folks that made it work extremely hard for often very little money or appreciation.
 
The Deli: Who are some of your favorite local artists?
 
Rhonda: Oh wow, not sure where to even start on this one. I think I’ll just say "I love them all" as not to get myself in trouble.
 
The Deli: Do you have a favorite memory of a past Meow? 
 
Rhonda: Usually I’m too busy working at Meow and other events to really remember much of anything. Some time after the silent auction ends and everyone has paid is when I get to let loose and have some fun. The first year was really amazing how so many folks from the community came together to help Abby. We had to keep adding days because so many bands wanted to play. I had never seen Parlay or Sister Mary Rotten Crotch; Pendergast and Sandoval both played, which were favorites of mine as well. I’m pretty sure Abby got up and sang with Howard Iceberg—that was always a treat. Every year has had tons of great memories with so many amazing bands and people coming together. At Meow 3, I think one of my favorite memories is when the event was over and I was sitting on the coach in the green room at The Riot Room with Abby and Adam Lee and we all had a bottle of Jim Beam in our hands. Abby was the only person that could get me to drink that vile stuff. 🙂
 
The Deli: What are you most looking forward to about this year’s Meow?
 
Rhonda: I’m looking forward to hopefully one of our biggest years yet. Knuckleheads is a great space and hopefully Mother Nature will be kind to us so we can fully utilize the entire venue. We have some awesome auction and raffle items and a great lineup. Looking forward to hearing The Philistines for the first time and the return of SMRC to Meow. Also, the addition of the acoustic stage, which we haven’t had since the first Meow. It will be bittersweet because Abby won’t be there, but I know her spirit will be with all of us that night. I’m sure there will be much laughter and tears and I hope we can raise a ton of money so we can help more musicians in need.
 
 
If you can catch her, say hi to Rhonda this weekend at Apocalypse Meow. It starts tomorrow, November 1 at The Midwestern Musical Co. and Saturday at Knuckleheads. Doors open at 6 pm both nights. Friday’s show is free and all ages, Saturday’s show is $10, 21+. Visit http://www.apocalypsemeow.net for a full lineup and schedule. Ticket linkFacebook event page. To find out more about MMF, visit http://midwestmusicfound.org, and learn about Abby’s Fund for musicians’ health care.

  

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NYC

Midwest Music Foundation Staff Spotlight: Angela Lupton

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The Midwest Music Foundation staff constantly works behind the scenes at live music events you have likely attended. They’re the ones who search for facilities, supply entertainment, coordinate with vendors, and generally ensure that your live music experience will be a good one. They’re also the ones that get the word out about musicians’ health care and other educational resources for musicians, filling a vital gap in the community.

 
Before the advent of the sixth annual Apocalypse Meow benefit, we hear back from some of the staff to find out what they do and why they do it. This time we’ll be talking with Angela Lupton, co-founder and Executive Director.
 
The Deli: When and how did you first get involved with MMF?
 
Angela: I was involved with MMF at its inception. Abigail [Henderson], Chris [Meck], Mac [McSpadden], and I would sit around on our back porch and talk about all manner of things. We would talk about the ills of the world and what we considered the solutions to be. The gap in support for musicians in town was one of the issues we were sure we could actually do something about. So, the MMF was born in the hearts and minds of four people. I was the initial Executive DIrector because Abigail thought I should be. She did not want to be in charge, which is crazy because she was a person who got things done.
 
The Deli: What is your current role with the organization?
 
Angela: Currently, I am the Executive Director of the MMF. Mac and I had to step away from our initial roles when our daughters were born and I was in graduate school full-time, but have returned to the role now.
 
The Deli: Why is MMF such an important cause to you? What do you hope it will accomplish in the future?
 
Angela: MMF is important to me not only because I co-founded it with my best friend, her husband (now one of my best friends as well), and my wife, but because I love music. I go to music for everything in my life: to celebrate, to calm, to excite, and to grieve. The people who make music are so important and we should treat them that way. Musician should be a viable career option. In the future, I want the MMF to establish what, for ease of use, I am calling a musicians’ community center. It will be a space for the MMF offices, a performance space, several practice spaces, recording space, professional library, and computer lab. This space would provide a community gathering spot for musicians as well as a permanent home for the MMF to conduct professional development workshops for musicians. This is the big idea. This is the dream. Along the way there we will continue our current projects as well as develop a musician micro-grant program and we have some other things in the works.
 
The Deli: Who are some of your favorite local artists?
 
 
The Deli: Do you have a favorite memory of a past Meow? 
 
Angela: The very first Meow. In the planning stages of it, Mac and I went over to Abigail and Chris’s little brown mouse house in Waldo. Abigail did not want a benefit. She liked to take care of herself. I told her it was happening whether she liked it or not. If she wanted some kind of input she could go ahead and consent to my plans. Otherwise, someone, somewhere was going to do it anyway and she would have no say. She consented. We were off. It ended up being three nights and four venues. Everyone wanted to help. Everyone still does.
 
The Deli: What are you most looking forward to about this year’s Meow?
 
Angela: I am looking forward to the storytelling that I am sure will accompany this particular event. Stories of Abigail and how we all ended up in this place. Kansas City takes care of its own and anyone else that might drop by.
 
 
 
Join Angela this weekend at Apocalypse Meow. It starts tomorrow, November 1 at The Midwestern Musical Co. and Saturday at Knuckleheads. Doors open at 6 pm both nights. Friday’s show is free and all ages, Saturday’s show is $10, 21+. Visit http://www.apocalypsemeow.net for a full lineup and schedule. Ticket linkFacebook event page. To find out more about MMF, visit http://midwestmusicfound.org, and learn about Abby’s Fund for musicians’ health care.
 

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