NYC

From the NYC’s online music submissions: The Harmonica Lewinskies

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Get ready to dig in to a hearty vegetarian dish. The Harmonica Lewinskies have a new record ‘Salad Days,’ and it’s all you’d expect from a funk group with the tagline ‘funny name, serious music.’ Filled with domestic dialog between partners (‘Funky Home’), to folk anthems (‘Harlem ), the EP will get you shuffling and itching for the party, even while thinking about how much fun it is to be domestic.

An ode to home life, the record is written mostly by the members of the group who aren’t usually able to contribute tracks to the band’s records, like the all-important rhythm section (as a bass player… I can relate). So dig in to that salad and wipe that plate clean. Check it out below and see them at Webster’s Studio on November 30. – Mike Levine @Goldnuggets)

Nashville

All Them Witches at Springwater 11.9

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Usually when I hear the phrase, “They sound a lot like the Black Keys,” I take it as a red flag and exit the conversation as fast as possible, but this time I’m glad I stuck around. All Them Witches’ 2012 release, "Our Mother Electricity," tastefully weaves swamp-blues with a foreboding metal aesthetic. Check out the single “Charles William” off the new album, "Lightning At The Door," here. “Charles William” some pretty sweet slide guitar and back-round “Oohs” and “Aahs” that’ll make you want to do black magic in the woods. You can catch All Them Witches on their November tour at the Springwater on November 9th! -Michael Perry

Austin

Jazz Mills Releases EP @ Strange Brew, 11/9/13

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Pulling from the same pool as Lana Del Rey and She and Him, our own local 60’s songstress, Jazz Mills steps out with a spring in her step, daughter on her arm and a killer beehive. You may recognize her from Cowboy and Indian, an Americana band she’s been providing vocals for over the years here in town. Watch her hypnotize you with those vacant, exaggerated doe eyes and trippy retro visuals in the video below. For a taste of her "lollipop" sound live, see her at Strange Brew this Saturday, 11/9/13, for her EP release. -Written by Charise Sowells

Philadelphia

Our Griffins & Sean Hoots Trio Songwriter Sandwich at KFN Nov. 3

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Get off that couch, and make the most of Sunday by heading to Kung Fu Necktie. A pulsating back end groove coupled with DJ Brown’s leveled yet affecting, narrative vocals provide structure to Our Griffins. That pulse serves as a catalyst helping to push each lyric forward. The entire process has a bustling movement – sometimes with a troubled undercurrent, like the bright orange glow of the sun as the sky transitions to night and a cold breeze locks in the darkness. However, this transformation is capable of working in reverse bursting through the shadows in euphoric triumph. With the addition of the Sean Hoots Trio, whose songs are full of fervor, blending elements of rootsy Americana and heavier robust rockers. Youngstown pop-rockers The Building will be sandwiched between the two. Kung Fu Necktie, 1250 N. Front St., 8pm, $10, 21+ – Michael Colavita
 
Philadelphia

Night Panther Opening for Holy Ghost! at TLA Nov. 2

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Tonight, Night Panther will be sharing a bill at the TLA with NYC’s Holy Ghost!, who recently opened for New Order this past summer at The Mann Center. If you caught Night Panther headlining The Deli Philly’s 5th Anniversary Bash, then you should know that their polished sound is destined for bigger stages so this evening is a good opportunity to hear how they would sound on a larger system. Last month, the band wrapped up recording for their new album, which they are currently shopping around to labels, so expect to find some of those songs seeping into their setlist alongside favorites from their beloved self-titled debut LP. TLA, 334 South St., 8:30pm, $22, All Ages (Photo by Zach Blum) – H.M. Kauffman

NYC

Apocalypse Meow 6 Preview: Sister Mary Rotten Crotch

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Sister Mary Rotten Crotch. Try saying that name without making some sort of judgment about the music.
 
Not that your judgment would necessarily be wrong. We’ll let the band describe what they sound like, but it’s every bit as gritty and rowdy as you’d hope. The band got its start 15 years ago and reunited less than a month ago. Its last show was at the very first Apocalypse Meow. On the eve of the sixth and largest Meow yet, we talk to the four-piece to see what they’re up to and what they’ve been up to over the past few years.
 
The Deli: In a sentence, describe what Sister Mary sounds like.
 
Alison Dunlop-Sanders: Smirk, if you say it really fast.
 
Liz Spillman Nord: Your mom, when she’s really pissed you didn’t do the dishes or pick up your room, and you’re getting an F in math… yep, that’s what it sounds like.
 
Amy Farrand: Fun for the entire family.
 
Brent (Tammy) Kastler: Apple pie and Chevrolet. ‘Merica dammit!
 
The Deli: Why did you decide to reunite now instead of moving on to your other respective projects and not turning back?
 
Alison: Personally, because no other band or project will have me. I can play only Sister Mary stuff, if I play anything else it’ll sound like Sister Mary stuff. Who wants that?
 
Liz: We reunited because Alison wanted us to play the Mid-America Bully Rescue benefit. Collectively, I think, we decided we were having too much fun and we should ride the ride until the ride isn’t fun anymore.
 
Amy: It’s the 15-year anniversary of the beginning of it all. Why not?
 
Tammy: Cause we are that good, damnit! We do what we want!
 
The Deli: What other projects have each of you been in through the years?
 
Alison: I was in the Itty Bitty Biggy Titty Band in my teens. We never actually played. Anything. And I played bass for The Skags for like 15 minutes, I loved it! Big fan of Rudy.
 
Liz: I think the music projects fall to Amy and Brent. Alison and I have focused on visual stuff long before the band, during the band, and after the band. I’ve spent the last several years trying to create little musicians of my own with my kids, so I guess that’s my music project. I like to play the piano with my son when he practices his bass. I force him to improv.
 
Amy: I’ll just go over the ones since the old days. Shotgun Idols (guitar), American Catastrophe (bass), Whiskey Boots (drums), Rural Grit All-Stars (miscellaneous instruments), Experimental Instrument Orchestra (various homemade and experimental instruments), Dangerhand (drums), Atlantic Fadeout (drums), The Silver Maggies (theremin/percussion) Solo work.
 
Brent: In no particular order. Anti-state (bass) element (bass) the great planes (bass) the radtones (bass) chad Rex and the victorstands (bass) waiting for signal (bass) salt the earth (bass) spinal tap (drums) poison (vocals) milli vanilli ( backup dancer ).
 
The Deli: Have you written much new material or playing mostly material from before?
 
Alison: We haven’t written anything new yet. But we have brought back some stuff that’s new to Amy Lu and Tammy.
 
Liz: So far we have concentrated on our existing material. Amy and Brent have had to learn some songs that were crafted during the two John (John Barker and Jon Cagle) era. I have couple of little numbers in my head, and a draft on paper. We’ll tackle those following Apocalypse Meow. They will need massaged by the better poets in the group. Fortunately, there isn’t a shortage of stories or people to write about.
 
The Deli: What have been some of your biggest accomplishments as a band?
 
Alison: Epically bad humor. Epic, man.
 
I concur with Liz on our biggest accomplishments. I’m not even sure WE thought we’d pull it off, and I’m pretty damn sure no one else did. It really was kinda kismet. It didn’t occur to us to NOT do it, we just kept plugging away without looking up in a way. We did shit we didn’t even know how to do, but since we didn’t know we couldn’t do it we did. And we were so lucky to have amazingly talented people come along that never pointed it out, which was fucking awesome. We also had awesome support from other local musicians, who were also polite enough not to say "what the fuck are you doing?" hah. I freaked out once because I really have one style, that’s it, I can’t play other stuff because I have wackafied rhythms that I can’t seem to not have so I went crying to John Cutler about it when he practiced upstairs from us at El Torreon with Parlay and he was like "so fucking what? Embrace that shit, you have a style. Own it." He probably doesn’t even remember that but it totally made an impact on me. I was seriously ready to quit playing all together before that. I still have no fucking idea what I’m doing but fuck it. I’ma do it anyway. And I’m hurt that Liz is going to have a slumber party at Tammy’s without me.
 
Liz: Some might say our Pitch awards are our biggest accomplishment, but I would argue that the biggest and best accomplishment is that after 15 years, we can still call ourselves a band. Granted, we’ve had some long breaks and a few changes in line-up, but considering this was really a gimmick when we started, this is pretty amazing. I will never forget the moment on Rico’s porch, July 4, 1998, when Alison said to Hannah and me, “Hey, I’m learning to play the guitar… thinking about starting a band. Wanna be in a band?” Me: “Sure, I’ll play Tim’s bass.” Meanwhile, Aaron was making bombs out of sparklers, and Tanya was telling the story about breaking her tailbone during childbirth. I’m pretty sure guns were shot into the ground in the back yard that day, and god knows what else. I don’t remember much after my kids were born, but I remember that day. What followed was a week-long discussion about the name… Sister Mary Sodomy was on the table, among others, and I believe Kathy Dunlop gave some solid advice.
 
Tammy: That we are still doing it! After all of the years and line up changes, time off. We can still get in a room and spend more time laughing than playing tunes. We have fun dammit!
 
The Deli: How do you think the music scene has changed around here since you all last performed together? Is it better? Any local bands you’re really into right now?
 
Alison: I do not really know. Big fan of The Big Iron and Red Kate fo sho. And Amy Farrand is a bad ass. I’m old and stay in a lot tho.
 
Liz: Sadly, my life for the last nine years has been sucked away by the suburbs. I’m fighting my way out right now… My kids have been, and continue to be, my priority, so my life discovering new music and being involved has revolved around elementary school picnics and yearbooks. I am finally at a spot where I’m comfortable concentrating on things that I love, so ask me that same question in six months.
 
Tammy: I’m really into puddle of mudd.
 
The Deli: You’re headlining what hopes to be the biggest Apocalypse Meow yet. What does this mean to you?
 
Alison: We’re headlining? … It’s an incredible honor for sure, if that’s true. Little overwhelming. Now I’m scared.
 
Liz: There’s a little pressure that accompanies the headline spot, but I don’t think we’d be in that position if the decision makers didn’t have faith in us. It’s an honor for me to even be on stage with Amy, Brent and Alison. I think the world of them… all three have more talent in their little pinkies that most of us have in our whole bodies. The caliber of musicians that will be performing over the weekend blows me away, and I feel blessed to be part of it, even if it all ends tomorrow.
 
Amy: It’s pretty cool for me. I do what I can for this cause. It’s very close to my heart, and I want to see it continue for a very long time.
 
Tammy: I’m stoked to be playing. It’s a great cause.
 
The Deli: What else do you have planned? Anything in the works for you all?
 
Alison: I do what they tell me. And I wanna write some shit. I like writing shit. And then convincing these crazy bitches to go along with it.
 
Liz: I plan on staying the night at Brent’s house sometime in the near future. That is all.
 
Amy: More shows. More recordings. More. Taking over the world.
 
Tammy: Trying to piss people off one song at a time. I’m looking forward to truth or dare and the pillow fights that are gonna happen when Liz comes over for the sleepover.
 
 
You can hear some of Sister Mary’s music at http://sistermaryrottencrotch.com.
 
Sister Mary will be headlining Apocalypse Meow tomorrow, November 2, at Knuckleheads. It kicks off at The Midwestern Musical Co. Doors open at 6 pm both nights. Friday’s show is free (and features Farrand’s other project The Silver Maggies) and all ages, Saturday’s show is $10, 21+. Visit http://www.apocalypsemeow.net for a full lineup and schedule. Ticket linkFacebook event page. To find out more about MMF, visit http://midwestmusicfound.org, and learn about Abby’s Fund for musicians’ health care.
 
–Michelle Bacon
 
Michelle is editor of The Deli Magazine – Kansas City, and also plays drums Drew Black & Dirty Electric and bass in Dolls on Fire and The Philistines.
 

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NYC

Weekly Feature: The Stationary Set

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Since forming in 2009, The Stationary Set had their fair share of big venue performances. They’ve shared the stage with Phoenix and Mumford & Sons and most recently played a sold out show at Highline Ballroom along with January Jane. The band played The Deli’s CMJ show at Rockwood and is recording an EP over the course of the winter, so stay tuned for more warm and fuzzy goodness.

LINK: Corinne Bagish’s interview with The Stationary Set.

Philadelphia

Weekend Warrior, November 1 – 3

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So have you heard the new Far-Out Fangtooth album Borrowed Time? It’s really fuckin’ good! That’s why it’s our Album of the Month. You can read our review of it HERE. The macabre psych-rock four-piece will be celebrating its release this Saturday at The Boot & Saddle. Have you been to The Boot & Saddle yet? Well, I have, and it’s a great sounding room, so hearing Far-Out Fangtooth tear through their new material is an opportune time to do so. They’ll also be joined by noisy, metal-acid rockers Harsh Vibes, Lantern guitar-wielding maestro Zachary Devereux Fairbrother, and LODRO, who is currently a Deli NYC Featured Artist(s) Poll nominee. It’s definitely a not-to-be-missed evening in South Philly! The Boot & Saddle, 1131 S. Broad St., 9pm, 21+ (Photo by Justin Pittney) – Q.D. Tran
 
More things to do in case Halloween wasn’t enough…
 
Johnny Brenda’s (1201 N. Frankford Ave.) FRI Weird Hot, Voltheque
 
Kung Fu Necktie (1250 N. Front St.) SAT Pink Slip Daddy, Explosive Head, Blessed Muthas, SUN (Upstairs) Polar Ice Cap, Window Liquor, Well Boys, (Downstairs) Our Griffins, Sean Hoots Trio
 
PhilaMOCA (531 N. 12th St. Philadelphia) SAT St. James & The Apostles
 
Underground Arts (1200 Callowhill St.) FRI Drew Nugent & the Midnight Society, Chelsea Reed, The Fair Weather Five, SUN El Malito & The 33rd Century, Sugar Shane
 
Union Transfer (1026 Spring Garden St.) FRI August Burns Red
 
The Boot & Saddle (1131 S. Broad St.) SAT Far-Out Fangtooth (Record Release Show), Harsh Vibes, Zachary Devereux Fairbrother
 
North Star Bar (2639 Poplar St.) FRI James Lamar, Vinchelle Woods, SAT North End, Mohican, Imaginary Boys
 
The Fire (412 W. Girard Ave.) FRI Animal Style, Close To Good, Beta Test, SAT Chalk & the Beige Americans, SUN eu.Reca, Owk, Thee!General, Novacane
 
MilkBoy Philly (1100 Chestnut St.) FRI Halloween at MilkBoy w/Song Dogs (as Talking Heads), Val De Val (as Alice In Chains), Ross Bellenoit (as Elvis Costello), SAT The David Mayfield Parade, Black Horse Motel, The Gallerist
 
Ortlieb’s Lounge (847 N. 3rd St.) FRI Aunt Dracula, Jeff Ziegler, SAT The People (Samantha Rise Roberson’s Farewell Show), My Son Bison
 
World Café Live (3025 Walnut St.) FRI The Stray Birds, SAT Mattie’s Grand Ol’ Hootenanny w/The Happy Dog, Catullus, The Whiskeyhickon Boys, The New Kings of Rhythm, Gratefolk, Montoj, Philly Funk Hustle, SUN Robin Spielburg
 
The Trocadero (1003Arch St.) FRI Civil Holdup, The MaineStreet Band, Symbol of Sanity, Lost Haven, Mike Hail, SUN Wiggz and Wooten, 1stRateTrauma and AceGangJerm, The PIONEER$, Willie Starks, Cain Kerner
 
TLA (334 South St.) SAT Night Panther, SUN I Am King
 
M Room (15 W. Girard Ave.) SAT Under The Wire
 
Tin Angel (20 S. 2nd St.) FRI Ben Arnold, Katie Frank
 
Fergie’s (1214 Sansom St.) SUN Rusty Cadillac
 
The Legendary Dobbs (304 South St.) FRI The Royal Noise, SAT The Royal Noise, The Late Ancients, Paintbox
 
JR’s Bar (2327 S. Croskey St.) SAT Future Primitive, Spent Flesh
 
The Rotunda (4014 Walnut St.) FRI Sonic Liberation Front
 
Millcreek Tavern (4200 Chester Ave.) SAT Autumn Dirges
 
Connie’s Ric Rac (1132 S. 9th St.) SAT Bosom Band
 
The Grape Room (105 Grape St.) FRI Pete Grotch
 
Yell Gallery (2111 E. Susquehanna Ave.) FRI Meghan Filoromo
 
The Slow Club (Please contact one of the acts or venue for more info.) SUN The Bad Doctors
 
Philadelphia

Ticket Giveaway: Big Freedia at Underground Arts This Sunday

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Bounce diva Big Freedia will be shaking booties this Sunday at Underground Arts, and yours could be one of them. In support will be El Malito & the 33rd Century and Sugur Shane. To enter for a chance to win, just send us an email at thedelimagazinephiladelphia@gmail.com with the subject line “Work That Shit.” Please also include your cell number in the body of the message (in case of an emergency).
 
NYC

Ancient Sky announces upcoming album + opens for Psychic Ills on 11.18

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We are having a rather "psych" day here at The Deli – lots of spacey emerging NYC artists to blog about! Last but not least in this category is Brooklyn quartet Ancient Sky, which just unveiled the single streaming below (entitled "Wishing Well"). The band’s sound, with its droney, spacey and rather epic character, sits squarely in "psych rock" territory, and is somewhat reminiscent of The Occasion, a great (and rather obscure) NYC act that graced the cover of The Deli’s 5th issue back in 2005. Ancient Sky’s debut album ‘All Get Out’ will be released on November 14, and four days later the band will open for Psychic Ills at the BSP Lounge in Kingston, NY.

We added this song to The Deli’s playlist of Best psych songs by emerging NYC artists – check it out!