NYC

Touring Europe with Ha Ha Tonka: An interview with Lennon Bone

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The last time we caught up with Lennon Bone, he was getting ready to embark on Ha Ha Tonka’s first European tour (see our interview with him). Now the group has just come off its second European tour (literally—they just returned to the US today), which has proven to be successful. Ha Ha Tonka has also been busy at work on a follow-up album to its critically-acclaimed 2011 LP Death of A Decade. Read on to find out more about their travels and what they have in the works.
 
The Deli: Where in Europe have you toured?
 
Lennon Bone: We started out in Prague, went through Germany, the UK, The Netherlands, Ireland, Norway, and Sweden to go. 6 weeks total. 
 
The Deli: Coolest place you visited?
 
Bone: Prague and Dresden are the most beautiful places I’ve ever seen. So old and amazing. The architecture is so spectacular, it’s like being in a book or something. Not to mention all the history that you hear about, but becomes so much more apparent when you actually see things like soot on buildings from where they were bombed, or gold placards on the footsteps of doors that show when a Jew was ejected from their apartment building. It’s pretty intense stuff. 
 
Hamburg is the most fun city we’ve been in, I think. We saw the sun rise two days in a row and the people weren’t even close to done partying. To list a few of the events we saw take place: a drunk Brit stripped down to his underwear and jumped off his party barge and had to be rescued before he drowned; someone actually died just before the show right next door to the venue we played; we saw a ton of prostitutes next to Burger King; we chased down a guy that stole some girl’s phone, and just had an absolute blast. It was a wild couple of days. 
 
The Deli: What’s the most fun venue you’ve played so far?
 
Bone: Hmmm…. that’s a tough one. The most fun venue would probably have been in London, for me. Great crowd, pretty packed and it was a Tuesday night. Over 100 different bourbons to try. Plus we got fed by some friends that work at a restaurant called River Cafe the night before. To give you an idea of how posh this place is, Elton John is doing a private event there next month and dudes like Bono and Chris Martin frequent the restaurant. 
 
The Deli: How have these European tours changed your perspectives as a band?
 
Bone: I think it’s made us reevaluate our plan as a business. We see the potential in all of these new markets, and have an opportunity to break out somewhere besides the States, which can also help our draw within the States. 7 months ago we were arguing whether or not we would even be able to do a European tour, and now we’ve spent 3 months there in that time. 
 
As far as our relationships, it helps keep us all positive to do new things. We’ve toured the States so much in the past 8 years that we recognize gas stations from coast to coast…. it’s revitalizing to see new territory and even get lost now and again. 
 
The Deli: What’s changed and what have you learned since your first European tour?
 
Bone: We learned a LOT about how to save money from really screwing up on the last one. Everything from getting cheaper ferry rides to buying water at a grocery store (at a gas station it’s 2 euro 60 per small bottle… You can get 8 liters for the same price at a store) and recycling the bottles (Bottles are worth .25 each). 
 
We’ve seen some markets like London and Ireland grow exponentially, which is great. We had two pre-sold out shows in Ireland. I think they were sold out almost 3 weeks in advance, one of them around 6 weeks out. So, we’re seeing that things could go really well if we treat it all correctly. 
 
The Deli: How have crowds responded to the music? Do you plan to go back?
 
Bone: Crowd reception has been great! Even at the smaller shows, people seem to get rowdy and be really appreciative of us coming over here to play for them. We’re already making plans to come back next year.
 
The Deli: There are a lot of bands that have pipe dreams about going on an overseas tour. What is your best advice to any KC band looking to do this?
 
Bone: My best advice would be to tour the States relentlessly before going anywhere else. We’ve been touring nationally for nearly 9 years now, and if we didn’t have the knowledge we’ve learned from being on the road at home, we could have easily lost so much money being in Europe. I mean, we lost some money on the first trip anyway. It’s just really expensive to make it happen. Promoters over there actually do their job as well. One of our booking agents is so committed to knowing how things are going that he’s jumping in the van with us for a week. That being said, if we didn’t have the tour history at home that has also brought us press that they can see, we wouldn’t be having this amount of interest here… at least I don’t think. If you want to tour and have it be successful, you just have to know how to tour, period. It’s much cheaper to get your feet wet in the States before possibly losing your ass overseas. On the other hand, if you just want to take a vacation and play some shows, go ahead and book your tickets. Just like anywhere else, I’m sure you could find some places to play. It’s really just about what your goals are. 
 
The Deli: Tell us a bit about the album you’re currently working on. What can we expect?
 
Bone: The album is officially done, and we’ve never been so excited about something that we’ve made. It’s still totally us, but it’s like the Tonka we’ve always wanted to be, if that makes any sense. It was produced by Dan Molad out of Brooklyn and The Ryantist from here in Kansas City. In my opinion, two of the best producers that nobody’s really heard of. Yet. I’m not saying our record is their ticket, I’m just saying that these guys were my personal first pick from day one because they’re outstanding at their jobs. We’ve grown enough as a band that we were ready to really include the producer in the role of constructing and rethinking the songs, and Dan and The Ryantist really helped bring them to life in a way we never expected. 
 
We recorded the bulk of the album in Omaha where they did all the Bright Eyes and Monsters of Folk records. The whole team is basically the same age, and we’re used to working with producers that are older than us. For me it really felt like we were the junior high kids trying to show up the high schoolers. We just had all these mics and snare drums and shit everywhere in the room. Double-necked guitars, synths, organs, whatever… and we just had the best time making an album. We went back to recording live, so all the basics are the four of us (or sometimes the producers would just hit record and join us in the room to play other things) playing together. It just feels good to me. I can’t wait for people to hear it. 
 
We’re planning on a fall release. We’ll take off after this next US tour for a few months and get all the logistics of the new album worked out so we can start a full nationwide tour at the end of September.
 
The boys will be returning to the mainland and playing in Kansas City on Friday, June 14. They’ll be supporting Reverend Horton Heat at CrossroadsKC at Grinder’s. After that, they’ll head on a short US tour with Someone Still Loves You, Boris Yeltsin. Visit the band’s website to see the rest of the US tour dates.

(Photo by Todd Zimmer)

–Michelle Bacon

Michelle is editor of The Deli Magazine – Kansas City, and also holds down half the rhythm section in Drew Black & Dirty Electric and Dolls on Fire. Her?

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NYC

Album review: A Light Within – Preface (EP)

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There are millions upon millions of songs that celebrate happiness: “I’m in love!” “She said yes!” “It’s a great day to be alive!” All valid emotions to be sure, and hooray for those who get to experience life in those circumstances … but what about when the feelings you’re feeling are along the lines of “It’s cloudy outside” or “Why won’t she talk to me” or “I can’t take this anymore”? These are also valid emotions which deserve musical voice, and in their debut three-track EP Preface, A Light Within delivers on the desire to hear the darker side of the psyche being celebrated in bombastic, beautiful anguish—doing so not only with thunderous power, but with a deft touch as well.
 
The titles of the three songs are page numbers that reference the concept of the album: the writings of a man reflecting upon his life, from beginning to end.  The words, in concert with the music, reveal a life lived in doubt and anguish, as the protagonist struggles to reconcile his time on this planet before the last grain of sand falls through the hourglass.  Lyrics such as “These open eyes are closing down / I’m too tired to sleep through life alone / This gallant heart is a fairy tale grown old” (“Page 32”) and “Whoever feels irrelevant has become as one with death to the living / Whoever claims innocent is blinded by a sun that can’t be seen” (“Page 18”) offer a window into a soul that is indeed lurking among the shadows rather than relaxing in the warmth of the sun.  These are places where many would rather not tread, but we all find ourselves battling our own army of demons at some point in our lives (whether they originate from external sources or are self-inflicted)—and even in the more sinister realm, there is a beauty to be found that may end up saving one’s sanity if one clings to it tightly enough.  The beauty of these tracks lies in the arrangements that somehow manage to be musically uplifting and inspiring … even though the words and emotions may not be.
 
When dealing with the harder, more somber edges of post-rock, the easy path to follow is to overwhelm the listener with volume, both from an instrumental and a vocal standpoint. “We’re angry, we’re pissed, we’re going to bludgeon you over the head with our seismic swagger”. A Light Within knows well enough to rein in this urge when properly called for, but is unafraid to let the reins loose as needed. Preface shows the raw power and melodic maturity of a band that, even though it may be in its infancy, has a lot to say—and, more importantly, knows how to say it for maximum effect. 
 
Here’s to the next chapter that this preface is leading us into.
 
 
–Michael Byars
 

Michael Byars is desperately trying to reunite the legendary 70s Welsh hip-hop band Honey Black Dolphins for his next birthday party. He’s also thinking about reinventing himself as a busker in England. They need to know the time and temperature over there too, right?

 

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NYC

LI’s No Good News opens for Less Than Jake on June 11

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No Good News have nothing but good news lately, with probably one of their biggest shows yet to take place on June 11th at The Emporium in Patchogue, LI with ska-punk notables Less Than Jake, Hostage Calm, Pentimento and Last Great Hero. Formed in 2011, this rapidly rising band emerged from the LI Scene and has a knack for Pop-Punk that we think is pretty cool. Chris Regan’s powerful vocals and the band’s industrious power chords give the same feel as if a tanker of amplified kerosene were to smash into a wildfire of pop-punk causing an explosion of energy like no other, in a good way. Their most recent album, ‘In Constant Comparison,’ was dropped on 3/2 and can be streamed for free or purchased for $5 on bandcamp – Michael Haskoor (@Tweetskoor)

Portland

Crag Dweller at Kelly’s Olympian 5.31

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What would the end of the world sound like? I can’t really say for sure, but I imagine it would be something along the lines of Crag Dweller. Loud, scary, and totally badass. Musically, Crag Dweller draws on a tried and true formula of loud heavy guitar, racing bass, thundering drums, and great riff work. The vocals tie perfectly with the music, combining elements of heavy metal with jagged punk edge. I recently had the chance to sit down and listen to their album, Magic Dust and I was more than pleasantly surprised with what I heard. All seven tracks on the album draw on the finer points of various metal, from classic heavy-grinding power chords and riffs of the early 70’s, to the galloping fast paced rhythms of the 80’s.A standout track from Magic Dust is "Motel Burnout." The opening riffs set the stage for a heavy metal journey through Hades that could make Dante blush. Crag Dweller will be unleashing the sonic hounds of hell this month, May 31st at Kellys Olympian. – Cory Huennekens

Chicago

Joan of Arc “Testimonium Songs”

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Joan of Arc recently announced their next LP will be called Testimonium Songs and will be released on July 30th through Polyvinyl. Testimonium Songs collects the song cycle composed by Joan of Arc (Tim Kinsella, Bobby Burg, and Theo Katsaounis) to be performed live in Testimonium, a work of performance by well-respected experimental local theater ensemble Every house has a door.

This album is a departure for the band in style and structure and are a result of two years of work focusing on Charles Reznikoff’s monumental work Testimony. You can check out the the album opening track below.

Nashville

VITEK, “Skyfall” (The Deli Nashville Premiere)

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As a B-side to their most-recent and fantastically upbeat single, "Sunbird," VITEK are premiering "Skyfall," a slower-tempo track that is the perfect match to the band’s self-described "afro-electro-pop" sound. You can get started on the Sunbird/Skyfall journey by watching the video for "Sunbird" here and downloading the track for free over this way. Once you’ve done both, click play below to hear the glistening electro beats of "Skyfall."

VITEK, "Skyfall"

You can also catch VITEK live Friday night at the Basement at Cause A Scene Presents: VITEK with Hanzelle and Phin. Details here. –Brianne Turner

NYC

Starlight Girls debut “7×3” video + play Glasslands on 07.02

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Starlight Girls recently debuted on Stereogum this video for their new Xiu Xiu produced single ‘7×3’ (streaming below) which showcases a slightly noisier approach to their retro-pop. We are looking forward to a new release from this talented female fronted band that already delighted us with some fun, 60s infused pop gems. Mark your calendars for July 02, when they’ll play Glasslands with Zula, Tony Castles, and Ursula Starship. 

We added this song to The Deli’s playlist of Best songs by emerging NYC artists – check it out!

San Francisco

SF Based Dream Folk Band Split Screens Embarks on Brief Northwest Tour

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Multi instrumental, indie rock musician, Split Screens is embarking on a short Northwestern tour with Fox and Woman. This talented solo musician whose given name is Jesse Cafiero, creates soundscapes that are mellow and entrancingly beautiful. Cafiero has knack for composing tracks that are tastefully abstract and psychedelic, but still maintain an accessible folk foundation that makes his music hard to deny.

Make sure you follow his performances.

Split Screens Tour:

June 12 – Valentines – Portland, OR
June 13 – Axe & Fiddle – Cottage Grove, OR
June 14 – Mootsey’s – Spokane, WA
June 15 – House show – Seattle, WA
June 16 – Trillium Cafe – Hood River, OR

Philadelphia

Sickoids Record Release Show at Golden Tea House May 28

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Though the three members of Sickoids are currently living in different cities/coasts, they did manage to record a new album last August before leaving Philly. Tonight at the Golden Tea House, Rob Fitzpatrick, Vince Klopfenstein and Eric Montanez are back in town to celebrate the release of their kick-ass 6-song 12” No Home (Sorry State/Grave Mistake/Hardware), which you can rock out to below, and then they’ll be heading off on a European tour. Sickoids will be joined this evening by Bad Side, The Brood and possibly a special surprise. You don’t want to miss this show! Golden Tea House, (For more info, you can message the venue’s Facebook HERE.), 7pm, All Ages (Photo by Chani) – Alexis V.