San Francisco

Religious Girls Release New Video and Hit the Road

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Oakland based electro-noise party punkers, Religious Girls have recorded a new single, "Dead Dog", and shot a bizarre new video for the track to formalize its release. The trio has been busy collaborating with Bay Area production, Sprinkle Lab on the new video and embarking on an expansive US tour. Dead Dog offers a taste of the forthcoming album, I Want To Believe, which will be released this summer by fledgling indie label, Field Conditions. Religious Girls combines lush synths, frantic drumming and wailing vocals in an onslaught that’s extremely effective in getting an audience riled up.They’ll end their tour on April 18th at the Milk Bar in San Francisco. – Andy Lambert

Mar. 12th – SXSW Austin, TX @ The Granada House

Mar. 13th – SXSW Austin, TX @ Royal House Co-Op

Mar. 14th – SXSW Austin, TX @ SXSWendys

Mar. 15th – SXSW Austin, TX @ SXSHALLOWEEN!

Mar. 17th – SXSW Austin, TX @ HOLE IN THE WALL 

Philadelphia

Recap & Photos: The Orwells, The Kingston Springs & The Districts at North Star Bar

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The Districts, a group of young trailblazers from Lititz, PA., is a band whose popularity is increasingly rising in Philly (thanks in part to the high schoolers being embraced by our local folk/blues community). The group kicked things off for the evening at the North Star Bar with their jazzy blues-infused power rock. The four-piece came out on stage and demanded the eyes and ears of everyone in attendance within just a few strums of their guitars, and immediately every notion of a novice band had been completely thrown out the door. Their age and talent was definitely not an issue. With a variety of song styles ranging from the likes of “Lyla” and “Funeral Beds” with their contemplative folk arrangements that melt your soul like a hot knife through butter to the more up-tempo “Four & Four” and “Long Distance,” which rejuvenated your weathered mind by enticing you to grab a loved one and ecstatically spin with them into tomorrow. The Districts offer a glimpse into the creative minds of the young talent flocking to our not-so-secret-anymore music scene.

The Kingston Springs are a bunch of good ole boys from the middle o nowhere Tennessee, who currently reside in Nashville, and they brought the absolute best arsenal of their backyard classically inspired surf rock, with a twist of southern style and flare. You could hear such jovial and relaxed tones in “1991” and “Sweet Suzie” which made you want to stomp your feet and knock back a few shots of bourbon and PBRs. They’ll be heading on to perform at the Beale Street Music Festival with notables like The Flaming Lips and The Smashing Pumpkins.

Now, brash teenagers, The Orwells, like it loud. They like it really, really loud to say the least. The flower punk band from Elmhurst, IL acknowledged everything that came before them, and set it all on fire with songs like “Mallrats” and “In My Bed” and the timeless charge of “fuck you!” However, you could still find traces of Bowie, David Yow and Iggy Pop in the ashes after the smoke cleared, providing plenty of hope for what they’ll be sharing with us in the future. You can also check out our photos from the evening HERE. – John Clements

Philadelphia

Young Savage – “The Flow of a New Generation” at The Blockley March 3

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More and more, the Philly hip-hop community is making people take notice with their next generation of youthful up-and-coming emcees. With a style that he’s dubbed “The Flow of a New Generation,” Young Savage, a.k.a. Daeshawn Johnson, is proving that he can lay down positive bars, leading the way for a whole new crop of hip-hop artist to follow. The Southwest Philly rapper has his eye on the prize, and thanks to the guidance of his manager and hip-hop veteran Jimmy DaSaint, he understands that a good work ethic is how he’ll be able to reach that brass (or should I say platinum) ring. Savage will be showing off his lyrical skills tonight when he opens for Juelz Santana at The Blockley along with Ground Up, who are certainly making some serious waves of their own. So head out to University City this evening and surf the flow of some standout talent in the local hip-hop scene. The Blockley, 3801 Chestnut St., 9pm, $20 – $40, 18+ – H.M. Kauffman

NYC

Album review: The Blackbird Revue – Glow (EP)

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2013 is shaping up to be another very fine vintage for local music, with several quality releases already available and a slew of eagerly-anticipated albums coming soon to fine retailers and Bandcamp pages near you. Add to this list Glow, the third EP (and first since 2010) from The Blackbird Revue. Husband-and-wife team Jacob and Danielle Prestidge have established themselves as purveyors of an ear-pleasing sound that combines Americana, folk, country, and indie pop in various layers, and their vocal harmonies continue to astonish and devastate. Glow shows the twosome, with the help of several skilled musicians, bringing these skills to the listener in fine form.

 
The lead track, “When You Are Mine,” shows The Blackbird Revue at the height of its harmonic powers. Those of you who have taken singing lessons or been involved in choral music for any number of years will understand this: both Jacob and Danielle show great ability at singing over the notes. Coming at the music from above gives the vocals an airy, lilting quality during the softer moments at the beginning of this song (and throughout the EP), but the second half sees the tempo change from a gentle breeze to a howling gale, lifting the listener up and carrying said listener on a Thelma and Louise-esque ride straight over the cliff …
 
… where the title track awaits to catch you and cradle you in its gentle comfort. Glow paints a lyrical landscape with such verses as “fade / our sunsoaked yesterdays / to sepias and grays,” with the intertwined voices alternating in the roles of both palette and canvas. “Winter Rest” is the most pop-sensible track of the four, with undeniable hooks that make toe-tapping a near certainty. The EP concludes with “Lone Swan,” a winsome ballad that offers an encouraging word and a shoulder to lean on for someone whose burden has grown heavy (“this world is cruel this world is kind / and sometimes love is hard to find / so if you need to clear your mind / take the keys and take your time”).
 
When you listen to Glow, you hear music that pleases with its honesty and directness, but the notes that spring from your speakers don’t tell the entire story. Listening to Danielle and Jacob work together, harmonize together, and just be together, you realize that they have … something … indefinable, yet unmistakable. This isn’t just a musical duo, and this isn’t just a married couple. This is a union of two spirits and souls that complement each other perfectly as no other could. The underlying intensity and obvious passion shine brightly throughout this 14-minute love letter from the Blackbird Revue.
 
I hope someday we all get to experience that same glow.
 
The group’s next performance will be next Friday, March 8 at River’s Bend Restaurant and Bar in Parkville with Jason Craig and The Wingmen at 8:00 pm (Facebook event here). The Blackbird Revue will also be a part of the HomeGuard Festival VIP party on Saturday, March 16 at The Midwestern Musical Co. at 7:00 pm.
 
 
 
-Michael Byars
 

Michael Byars may or may not be pickling things at this moment. It’s possible that he’s already had four or five bottles of Mountain Dew by now. There’s a chance that he is at a hookah bar somewhere. You may say he’s a dreamer. But most of all, he spells pretty well and he works for free, so we let him write stuff for us sometimes. 

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Philadelphia

Embrace the Weird w/Man Man at Union Transfer March 2

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Tonight the madcap men of Man Man will be wrapping up a month-long national tour with Murder By Death at Union Transfer. The much-beloved traveling circus has been on the road testing out the new material from their upcoming album. Also in tow will be new members Shono Murphy and Adam “Brown Sugar” Schatz. The show is already sold out this evening, but for those who have their golden ticket, be prepared to embrace the weird. Union Transfer, 1026 Spring Garden St., 8pm, $20 (Sold Out), All Ages – Ed Newton 

NYC

Album review: The ACBs – Little Leaves

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The ACBs return with a rapid and manic compilation of mentally unstable orchestrations masquerading as two-minute pop songs. Extremely compact arrangements treat fluff like a four-letter word as the Kansas City foursome cruises through thirteen tracks in roughly 30 minutes.Seriously, only two tracks on this album crest the three-minute mark. Often they halt suddenly without cause or warning, which actually works well within the scope of Little Leaves, as each song almost serves like a poetic prelude into the following one.

The music is mostly driven by the pretty-boy sounding guitars, all cleaned up and ready to be taken home to meet your mom. Occasionally, they are allowed to dance with the distortion pedal which provides just enough 5 o’clock shadow to thicken the sonic landscape. The rhythm section and additional instrumentation are solidly envisioned and executed, rarely providing more than just the perfect amount of foundation, dynamics, and drive. Lead vocalist Konnor Ervin vocalizes with an unsure innocence, often coming across like a preteen Ben Gibbard or Connor Oberst just on the verge of hitting puberty. At times it is hard to tell if he is unwilling to commit to the idiosyncrasies of his voice, but in the scope of the whole record, the vocal performance becomes a sporadic, almost neurotic force of dynamics and mystery.
 
Thematically, Little Leaves is deliciously sinister. Under the sheen of ‘60s go-go girl guitars and booty-shaking beats, there are real issues being thrown around here. While other smiley pop songs are out pining over girls and living up the good life, these tracks are popping Xanax and cutting themselves. They know exactly how many times they can hit their heads on the wall before they pass out. It is an extremely interesting and impressive contrast of style and substance. Not too many bands can be so musically joyful and thematically self destructive at the same time.
 
The album kicks off with “All Over,” a perfect candidate for the background music to that montage from your favorite romantic comedy where the guy and girl desperately scramble to try to get over each other (only to later realize at the height of some sort of arbitrary “emergency” that they are destined to be together). But just as you are preparing yourself for a quiet and reserved collection of introspective lullabies, the album rushes through a handful of more straightforward pocket-sized burners, most effective being “Oceans.” Almost channeling the more recent work of The Get Up Kids, this song features some of the best usage of additional instrumentation on the record, slowly slipping into just enough sonic cacophony to separate it from the rest of the bunch.
 
“Underweight,” with its fraught longing and simplicity, seems like a cathartic demo that didn’t quite make the final cut for consideration on Pinkerton. Just a super gorgeous slice of sorrow.
 
(lyrics transcribed the best these musician ears can understand)
When we go up state
I won’t search for you I promise
Up till now I’ve been honest
I’m probably gonna find you there
I don’t want to be trapped under my weight
I don’t want to be trapped underweight and hated
 
 “Xanies” is another stand-out effort. It is a terrific microcosm of the whole album: a funky and dancey track on the surface, yet under the veneer actually more morose than the one-eyed dog from the saddest late-night Sarah McLachlan soundtracked commercial you’ve ever seen.
 
The ACBs have taken great strides to keep their often bubble gum sound heavily saturated with bittersweet layers of modern living. Overall, these thirteen tracks brilliantly sucker punch the gut with a deep neurosis full of anti-depressants and coping mechanisms, yet remain pleasant and bouncy enough on the surface to engage the casual radio listener. We’ve been anxiously awaiting this sophomore effort for quite some time. Safe to say, this beautiful collection of reality-sodden pop gems exceeds all expectations.
 
Little Leaves will officially be released this Tuesday, but The ACBs will celebrate the release of the vinyl on Saturday, March 9, at Vinyl Renaissance on 39th St. This free, all-ages show will kick off at 1:00 pm with The People, She’s A Keeper at 1:45, and The ACBs at 2:30. The ACBs will also be performing at Ink’s Middle of the Map Fest from April 4-6. Specific set times and venues TBA.
 
 
 
-Zach Hodson
 

Zach Hodson is a monster. He once stole a grilled cheese sandwich from a 4-year-old girl at her birthday party. He will only juggle if you pay him. I hear he punched Slimer right in his fat, green face. He knows the secrets to free energy, but refuses to release them until "Saved by the Bell: Fortysomethings" begins production.

He is also in Dolls on Fire and Drew Black & Dirty Electric, as well as contributing to various other Kansas City-based music, comedy, and art projects.

 

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Philadelphia

Penrose Album Release Show at Underground Arts March 2

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Power trios need to be tightly knit because musically there’s a lot of ground to cover. So who better to enlist than family? Penrose, a.k.a. the Brothers Murphy, consecrates the release of their new album Circe, which paired them with producer-extraordinaire Bill Moriarty (Man Man, Dr. Dog, Hoots & Hellmouth, etc.), tonight at Underground Arts. The band’s sound is a thick somewhat dark take on blues. Dan Murphy’s authoritative growling vocals fit the heavy artillery instrumental accompaniment. It’s aggressive with a pissed-off-don’t-get-in-our-way kind of edge. The drums bash, and the bass thuds like bumping into a bouncer standing like a brick wall. Penrose will be joined by a stacked lineup for the celebration with garage-psych rock enthusiasts St. James & the Apostles as well as the outlaw blues/rock of the Levee Drivers, and the soulful folk rock of The Lawsuits. Underground Arts, 1200 Callowhill St., 8pm, $8, 21+ – Michael Colavita 

Philadelphia

The Districts Opening for The Orwells at North Star Bar March 2

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The Districts are here to pour some soul back into your winter blues. A familiar folk twang cuts through their rising and falling rhythms, weaving itself through multi-layered instrumentals. It’s not polished; it’s personable. Singer/guitarist Rob Grote belts like he’s walked the world and faced its evils (which is pretty impressive considering he and his bandmates haven’t even graduated from high school yet). They’ll be opening the all-ages show for Illinois-based up-and-comers The Orwells. Despite all their members still hovering in their teenage years as well, The Orwells will take you to school and teach you the ways of down and dirty garage rock ‘n’ soul.  Both bands maintain their youthful honesty and despite a jaded disposition, there’s a lot of heart underneath. Dystopian futures are works of fiction with acts like these on rock’s horizon. North Star Bar, 2639 Poplar St., 7pm, $12, All Ages – Shaylin O’Connell

Portland

Battleme Plays Bunk Bar 3.2

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Sometimes you need a little bit of variety and Battleme gives his listeners plenty of that. Even so, his music doesn’t get so vastly different that there’s no flow between songs. He has a unique way to mesh different styles in the way artists such as Beck can. The pleasantly high pitched vocals of Matt Drenik bring everything together. While one song will breakdown in an electronic rock way like the last time you heard Daft Punk, another will sit back on the acoustic guitar in folk fashion. Matt’s voice combines with carefully written songs and masterful production (with help from Timothy Turner of Ghostland Observatory) to set the stage for the three piece live band to give a phenomenal and intimate performance at the Bunk Bar this Saturday night with Bike Thief. – Colin Hudson