Philadelphia

Where Is My Mind?: Pissed Jeans’ Matt Korvette

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These days, I generally don’t get out much in the day because I’m usually writing and/or editing for a bunch of sites that I work for, except when I occasionally get a chance to meet friends for lunch. One of my pals (who is a gifted music producer that lives in the neighborhood) and I will take his newborn for a bite and a walk whenever it’s his turn to watch the kid while his wife is at work. (My girlfriend generally cracks up when I tell her that we had lunch because she imagines us looking like an interracial gay couple out for a stroll with our adopted or artificially inseminated child. I can see the humor in that.) Well, we occasionally meet up with his friend from a mommy/daddy playgroup, who also lives in the hood, and she happens to be the girlfriend of Matt Korvette (a.k.a. Matt Kosloff) from Pissed Jeans so it was a rather odd situation for me when I was preparing for my interview with him this week. We’ve never met, but I do know bits and pieces of his life that generally come up in casual conversation – the way things tend to do when people talk about their significant others. I do admit that I find the non-stereotypical (and sometimes mundane) things that he does in contrast to fronting a badass noise-punk rock band signed to Sub Pop like Pissed Jeans rather fascinating. So while doing research to put together my questions for our interview, it didn’t really appeal to me to make him re-explain the thought processes and meanings behind the songs on Pissed Jeans’ new album Honeys that have already been covered in multiple interviews lately. I did touch on a few music questions that I didn’t come across in the pieces about Matt and the band. However, I was really more interested in asking him more personal questions that probably have popped into my head while having lunch with his girlfriend and son, but unfortunately, he wasn’t around to answer. You can read my recent interview with Pissed Jeans’ Matt Korvette HERE.

NYC

Video Premiere: Loveskills’ “Flash in the Dark” + Release Party at Mercury on 02.15

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Loveskills is a perfect marriage of sentimental indie pop and deep booty groove shaking. Because no matter how much stuff singer Richard Spitzer goes through each day, he always finds a way to bounce right back to the dance floor. And good for him. The latest video for ‘Flash in the Dark’ has him making his way to what’s probably the most awesomest club in heaven, all to the stop-start cadence of blank. It’s a perfect distillation of sentiment molding to wax. See Loveskills live at his release party at Mercury Lounge tomorrow night (Friday 02.15). First 50 people in the doors get a free 12". – Mike Levine (@Goldnuggets)

Philadelphia

Steer Into the Storm w/Bleeding Rainbow at JB’s Feb. 14

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When a musical duo doubles in size, listeners would naturally expect a bigger, more intricate sound. That’s exactly what bandmates/spouses Sarah Everton and Rob Garcia decided to do. The additions of Al Creedon and Greg Frantz for their third album, the recently released Yeah Right, have certainly rounded this duo turned quartet into form, and if Yeah Right is an indication of the decided path for their sonic evolution, then Bleeding Rainbow will be an intriguing group to follow. Right now, the group pushes Frantz’s heavy thumping percussion, and throws it in a pot with dueling distorted buzz-saw guitars building a thick, murky haze that isn’t just a musical atmosphere but also an attitude. Everton’s vocals often met with harmonies shine through like a guiding light among the fog; however, this is one storm you may want to steer into. The versatile Barrett Lindgren-fronted Ghost Light opens the evening adding a textured form of folk rock. Noise-pop outfit Pet Milk fall second in line with new lead singer Sarah Schimeneck. Johnny Brenda’s, 1201 N. Frankford Ave., 9pm, $10, 21+ – Michael Colavita 

Update: Here’s a new music video for "Waking Dream," which was directed by Sarah Everton. Bleading Rainbow will be heading on tour in April/May with Cave Singers.

NYC

Show recap: MidCoast Takeover Fundraiser #2 at Czar, 2.1.13

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(All photos by Randy Pace)

The night was gently prodded into motion by the serene sounds of Eyelit. This more Civil-Wars-than-The-Civil-Wars duo skillfully bounced from tender folk ballad to ballad, much to the delight of the already large crowd. Backed by a group of varied instrumentalists, the songs were at their best when allowed to become luxuriant and a little more upbeat, while at the same time not detracting from the lovely simplicity of Dansare and Austin Mark’s constantly harmonized vocals.

 
 
 
 
Jorge Arana Trio took the stage next. Shaming damn near every musician in the building, they tore through a compact and lively set of jazzy math rock (amongst many, many other descriptors I could have used). The band’s sound was playful and neurotic, often shifting from genre to genre with no remorse. Possibly most impressive was the trio’s ability to fuse all of these influences and sounds into a set of songs that was cohesive and impactful.
 
 
 
 
 
Next up was David George and A Crooked Mile. Despite being added to the bill at near the last minute, DG&ACM was able to put together a solid show that thoroughly pleased the full bar. Fronted by the namesake himself (who also has this little side job of playing guitar for John Fogerty), the band brought a brisk set of good old folk-country tinged rock ‘n roll. George’s tender, yet commanding vocals were the perfect counterpart the instrumentation beneath, provided by a concrete band of KC veterans. From the stripped-down acoustic moments to the lush and thumping strains, this band proved to be in full control of their sound.
 
 
 
 
 
 
 
The Latenight Callers finished up the evening with their customary blend of noir pop. Truly a growing and unique force in the KC music scene, they kept the crowd grooving and drooling with a sexy sound all their own. Ms. Julie was on her game this evening (but then again, when is she ever not?), teasing the crowd with overtly sensual vocal stylings. However, the band was plenty able to keep pace with her entertainment value, delivering blow after blow of well-orchestrated build ups and break downs. Even technical difficulties couldn’t stop The Latenight Callers on this night (kudos to the ginger superhero who shall remain nameless for having an amp in his car).
 
 
 
 
 
 
 
Overall, this night showcased the vast versatility of our scene. Countless kudos to all the bands that played and the fine folks at Midwest Music Foundation/MidCoast Takeover for putting together something that we can all be super proud of.
 
(Video by Nate Heavilin)
 
Don’t miss the fourth fundraiser for MidCoast Takeover, this Saturday, February 16, at The Brick. The lineup will include Rev Gusto, Cherokee Rock Rifle, David Hasselhoff on Acid and Not A Planet. Facebook event page here.
 

-Zach Hodson

 

Zach Hodson is a monster. He once stole a grilled cheese sandwich from a 4-year-old girl at her birthday party. He will only juggle if you pay him. I hear he punched Slimer right in his fat, green face. He knows the secrets to free energy, but refuses to release them until "Saved by the Bell: Fortysomethings" begins production.

He is also in Dolls on Fire and Drew Black & Dirty Electric, as well as contributing to various other Kansas City-based music, comedy, and art projects.

 
Chicago

Fletcher “Open Arms”

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Forming in early 2012, Fletcher (Oscar and Harvey Baker and Tom Fry) are set to release their debut ep, Open Arms, on April 9th. Despite calling Chicago home, Fletcher plays a unique brand of Brit Pop thanks in part to the the Baker’s originating originating in England. The trio has been gaining buzz throughout the Midwest over the last year, and are hoping to gain much deserved national recognition with this release.

You can catch Fletcher at Martyrs’ on March 2nd, Elbo Room on March 15th, and at Subt on April 5th. 

Portland

The Resolectrics and Steelhead CD Release Party at Mississippi Studios 2.15

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A soulful night and rocking party is set for two bands to release new albums this Friday at Mississippi Studios. Portland jammers, The Resolectrics will headline the bill with their bluesy-reggae sound that always gets the crowd moving. The songs are based around flawless instrumental work, but they can sing some sweet harmonies as well. Electric guitar solos combined with easy Sunday morning piano choruses define their tone while surf rock rhythms explain what the band is all about. Providing complementary grooves will be Steelhead. Similar to The Resolectrics, this group is heavy in soul and can also carry a vocal tune that stretches into R&B. Behind these vocals is a pop rock undertone that blends a big city (from LA originally) force into laid-back, wintertime Portland songwriters. – Colin Hudson

L.A.

Big Black Delta announces self-titled debut

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Highland Park native Jonathan Bates, otherwise known by his moniker Big Black Delta, made quite a splash last year with IFUCKINGLOVEYOU, a psych-freakout whirlwind of raw, unfettered emotion that immediately caught your attention. Though quiet for the past few months, Bates has finally come out of the dark to unveil his long-awaited self-titled debut, which is set to release on April 9th. He’s also released the album’s first single "Side of the Road", in which a sleazy, glitched-out torrent of synths are nestled with a thumping melodic grime; though his vocals are processed to the nth degree, it’s in the chorus where he discloses a charm akin to the spoken word projection of David Byrne. 

New England

HORSEHANDS RELEASES “SIRS” EP

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If you want to hear a good example of a category of music specific to the 21st century, and probably specific even to 2013, check out Horsehands’ “Sirs” EP. Rhythmically and melodically dense but with quick, upbeat songs and plucky guitar lines; “Sirs” doesn’t remind me of anything so much as music that’s coming out right now. The singer sounds to me like a bizarro-world David Bowie on Ziggy Stardust. If for no other reason, check out the album for the cool cover art, which is a picture of two men speed-walking away from a wall of lava that’s coming down the street. Picks include Ocho, Shirts and Skins, and A Spat. – Geoff Noble

Philadelphia

The Deli Philly’s Best of 2012 Poll Top Performer: Work Drugs

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Smooth-fi yacht rockers Work Drugs have come a long way from the "Caymen Islands," developing their musical skills with soft-spoken vocals, shakin’ tambourines, and chiming guitar rhythms. These guys are the givers that keep on givin’ prolifically releasing a barrage of sweet jams and found-footage music videos, since they slinked their way into the Philly indie music community. This year, they’ve wrangled together their finest collection of sexified tunes for the group’s first “official” full-length album release, Delta. The band also ended up on shortlist of cash-prize winners and a Spotify-promoted Bon Iver remix compilation with their reworked version of “Beth/Rest.” The awards and accolades in 2012 were all well and good, but what they should be most proud of is the solidification of their live performance lineup that consistently showed improvement impressing more and more audiences throughout the year. They’ll be hitting the road for a mini-tour next month to spread their smoothness, which kicks off on Saturday, March 9 at Kung Fu Necktie. (BTW: You can check out the full list of Top Performers from The Deli Philly’s Best of 2012 Poll HERE.) – Rachel Barrish