NYC

Weekly Feature: Sinkane

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Sinkane is the creative force behind many exciting releases by Brooklyn bands that are flirting with Afrobeat. If you listen to Yeasayer at all, chances are you’ve already heard Ahmed Gallab’s distinct vocal and drumming feel. The Sudanese export (who now makes his home in New York) nods to many of the high life flavors of his past, while stretching his muse to the future by collaborating with many of our local trendsetters. From Twin Shadow to James Murphy, Sinkane doesn’t just have his finger on the pulse; he is the man behind much of Brooklyn’s Ivory Coast obsessions. Now, he’s setting out on his own journey, and has carried his international roots over to his exciting sophomore album "Mars". – Read Mike Levine’s interview with Ahmed here. See him DJ at Ace Hotel on Friday in January.

This song was added to our curated Soundcloud playlist of the best tracks by emerging NYC artists here – check it out!.

Nashville

Rocketown Fires Employee Over Stance On Marriage Equality

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Yesterday, word began to leak out that an employee of Rocketown had been fired over his decision to wear a Hostage Calm band t-shirt supporting marriage equality. In less than 24 hours, the story hit Twitter, Reddit, and found some space over on the The Tennesseean blog. In response to his termination from the venue whose mission statement reads "Offering hope to the next generation through Christ’s love," Wes Breedwell took to his Instagram account, posting the photo above and stating:

Got fired from Rocketown today. Social media is what did it. So here is a picture to show my support for equality and free speech including social media. Cheers to my friends for having my back through all of this. #sevenyears

In response to the termination, Hostage Calm released the following (incredibly eloquent) statement via email and on their website:

Today, on Martin Luther King Jr. Day, a longtime supporter of Hostage Calm and marriage equality was fired from his job at the Nashville music venue, Rocketown, for wearing his “I Support Same-Sex Marriage” shirt to work. A friend from Nashville contacted me about the situation and told me of Wes Breedwell, this seven-year employee of Rocketown who now finds himself the victim of discrimination. We called this brave man to hear his story, demonstrate our support, and figure out how we can help.

What I heard from him was a long pattern of discrimination against him for not being Christian and for supporting marriage equality. Rocketown is a Christian-owned non-profit community center and venue: not a church. And yet, over the seven years he has worked there, he’s been denied opportunities for advancement and salary based on his non-Christian beliefs. Today, Rocketown fired him for wearing this shirt commemorating equality (along with his non-Christian activity on social media pages). Wes emphasized that employees routinely wear band shirts at Rocketown. So why did this shirt cause such a problem?

It’s important to note that they didn’t fire him for wearing A SHIRT. They fired him because of what that shirt stands for. For what that shirt threatens.

This shirt represents an idea that all people have the right to live their lives without being told who to love and whose love is more valuable. It represents equality under the law. It represents the freedom to choose.

So how could a youth center not support such a vital, foundational understanding of human freedom and equality as part of their social mission? Hostage Calm has played Rocketown multiple times. In my prior visits, I was under the impression that Rocketown was a positive force in this Nashville community: they had a music venue, skatepark, and other outlets for Nashville youth. But a youth center and music venue cannot be a positive force in the community if it degrades and belittles the value of some of our people based on sexual orientation or gender identity. That is the force that tears communities apart, not that enriches them.

I originally planned to make a post today about Dr. King, the status of his Dream, and how we can all work together to realize equality in modern America. This unfortunate event demonstrates that Dr. King’s Dream is still under threat, and that the struggle of the LGBT community for equal standing under the law is a Civil Rights issue of our time.

Hostage Calm promises to do everything in its power to raise awareness and challenge this injustice in Nashville. We will certainly never play Rocketown again. We’ll continue to post more information as Wes and H.C. take further action. For now, you can help by reposting his story to shine a light on this injustice, and by boycotting the venue. Most of all, please send all your support to Wes Breedwell and his fight for justice.

May Love Prevail,
Cmar, Hostage Calm

Though this story is gaining a lot of steam, no official statement has been released from Rocketown. For more details and some excellent reporting on the incident, visit No Country for New Nashville. –Brianne Turner

Philadelphia

New Bleeding Rainbow Album Available for Streaming

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After coming across Pitchfork‘s review last night of Bleeding Rainbow‘s Yeah Right (due out on January 29 via Kanine Records), we kind of had a feeling that there would be a response to it via the band’s Twitter account (because that seems to be how everyone does it these days). Well, it’s always interesting to see exchanges between artists and critics, especially when they don’t exactly see eye to eye. Basically, it comes down to what we’ve always believed everyone should do: Listen, and decide for yourself! You have the opportunity to do so right now because Yeah Right is currently streaming in its entirety via Pitchfork’s Advance.

Philadelphia

Roots Picnic 2013 Lineup Announced

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It was just announce that the 6th annual Roots Picnic will be returning once again to the Festival Pier at Penn’s Landing for one day only this year on Saturday, June 1. The lineup was also revealed with Lushlife and (of course) The Roots representing Philly so far. Other acts already confirmed on the bill include Grimes, How to Dress Well, Gary Clark, Jr., Naughty by Nature, Solange, and more, which you can check out on the flier (above). Tickets go on sale this Friday, January 25 via Ticketmaster with a limited supply of Early Bird Special ones.

NYC

Weekly Feature: St. Claire plays Pianos on 01.24

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Even though NYC is perceived as the US home of the indie rock and DIY scenes, folk music has a strong tradition and presence in the city – although admittedly the last folk revival in the Big Apple happened back in the 60s. After the indie "fireworks" of the early aughts, genres related to traditional American music seem to be back in vogue big time, and this is mostly thanks to bands who are instilling new life into a genre that it’s only traditional if you want it to be. Sister and brother band St. Claire is an up and coming Brooklyn based duo that – above all – writes great, soothingly melancholic folk songs. Mike Levine asked them a few questions here. Don’t miss their live show at Pianos on 01.24.

Chicago

Archie Powell & The Exports Sandy Hook Benefit

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Archie Powell & The Exports had a great 2012 that saw them gain national attention with the release of their latest album Great Ideas In Action. The band is giving something back this week by headlining a benefit show with all proceeds going to the My Sandy Hook Family Fund. The show will also feature Mutts, Brother George, and 500 Miles to Memphis at Goose Island Wrileyville on Jan. 25th. The show is only $8 and doors open at 8:30pm.

You can also catch Archie Powell & The Exports on Windy City Live at 9am today, Jan. 22nd playing tunes and promoting the benefit show.

Austin

Review – “Interference” by Candi and The Strangers (out February 5th, 2013)

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Sure, Richard Garriott got to ride a rocket into outer space. And meanwhile, Candi and The Strangers were left the task of generating music appropriate for such a feat. And boy did they.

Psych-flavored, ethereal shoegaze pop; kissed lightly with the flavor of dusty forsaken towns; these numbers come close to fulfilling the promise of the highly-respected brain-trust that is Candi and The Strangers. With ties to local favorites The Black Angels, Voxtrot, and The Octopus Project; the Constants + the Roses + Erik Wofford have generated this entity’s third release with machinistic precision; successfully nailing the "Spaghetti Western Space Dream" they aimed for; and using some rather esoteric instrumentation (theremin, vibraphone, omnichord) and talent (the Tosca String Quartet) in the dealio.  

Though this one started off as a score (for the word-ily titled "Man On A Mission: Richard Garriott’s Road to the Stars"), it deserves it’s own screen. And headline.

It’ll land here in it’s entirety 2/5/13.  Make plans to go snatch it up.

NYC

Album review: Olassa – I Love You Come Back To Me (EP)

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As a music journalist of nearly eight years, it has become rather noticeably difficult to stumble across new “firsts.” There comes a point where everything to be seen has been witnessed and everything to be discovered has been found. At times music begins to just feel played out—the bucket lists slowly start to lean towards being more completed than unchecked and everything becomes rather redundant. Then just when I stop looking, someone throws a tuba into the mix and shifts my perspective of everything.

 
In this instance that band is Olassa.
 
With a Midwest, alt-country impression of Gogol Bordello a la The Moldy Peaches (yes kids, that is that band from the movie Juno), Olassa brings an updated thrift store charm and chemistry to the otherwise straightforward, blue-collar Lawrence/Kansas City music scene. Packing a pretty hefty collection of bass and catchy song-styling, the band’s male to female vocal structures allow them the ability to come out swinging and sock their audience in the teeth, with enough talent and ability to leave a listener enamored with a song. Quite honestly, Olassa is the type of band that is easy to become completely smitten with.
 
Upon first spin of the album I fell in love with five of the six cuts on I Love You, Come Back to Me. “Where Will I Live,” the album’s opening track, sets the stage for Olassa’s unique style. With tuba breakdowns providing the bass and accordions replacing the lead guitar (or organ) parts, the cut provides an interesting and intriguing lo-fi gypsy punk feel. The song also gives us our first glimpse at the blended co-ed vocals, before shifting into the fully female-fronted “Sloe Gin.” With a beautiful front porch guitar intro and a truly Americana vocal structure, the album’s second track strives to give Beth Orton and Emmylou Harris a run for their money (long-term). The song is secured in its deep, stable songwriting as it builds and progresses slowly and accurately. The track shuts down suddenly before reentering with a flawless accordion and cello combo, which closes out the number. Overall, the track does wonders in terms of setting the tone of where Olassa is headed in 2013. If “Sloe Gin” is an indication of their future to build upon, I expect nothing but an upward swell.
 
Unfortunately, “Sloe Gin,” the album’s strongest track, lands coupled with the somewhat disappointing “Vega.” Feeling a bit incomplete and unfinished, regardless of its obvious intentions of being this way, the song seems to lack the lyrical strength and structure of the whole of the album. However, Allison Olassa’s beautiful vocals remain intact as she uses gorgeous vibrato as the song swells around her. While the song itself is not a total waste, it is certainly the weakest cut on the otherwise flawless EP.
 
The final three songs on the album, “Little Darlin’,” “Ponder,” and “Pretty Flowers,” close out the impressive early-season release. “Pretty Flowers” slams the door on the release in a solid and impressive way, combining the glimpses of Americana noise with the rapid use of tuba and accordion filtered throughout the album. The song has a sunshiny feel to it with an elegance highlighted previously through “Sloe Gin.” With split vocals attacking each ear equally through the headphone of the listener, the song manages to surround you with its flawlessness.
The same can be said for the album as a whole. With the band dropping such a well-crafted album so early in the new year, the bar has clearly been set to a higher level in the area for local album of the year. I personally want to thank Olassa for throwing out such a challenge to their peers and fellow mates in the scene. I am wholeheartedly looking forward to watching each of them try to keep up.
 
SCORE: 9/10
 
Catch Olassa this Saturday, January 26 at Replay Lounge when it releases I Love You Come Back To Me at a special release party. The band will be joined by The Calamity Cubes, KC Bear Fighters, and Alex Law.
 
–Joshua Hammond
 
After stints drumming for both The Afternoons and Jenny Carr and the Waiting List in the Lawrence/Kansas City music scene, Joshua Hammond found his footing as a music journalist, launching the national publication Popwreckoning. After running the show as Editor in Chief for 6 years, Hammond stepped away from the reigns to freelance for other publications like Under The Gun Review and High Voltage Magazine. This shift allowed the adequate amount of time for him to write passionately, allow the Kansas City Royals to break his heart on a daily basis and spoon his cats just enough that they don’t shred his vinyl. 

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NYC

Chicago Best of 2012 Readers and Fans Poll is over! Audiences win!

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Deli Readers,

The Deli Chicago’s Best of 2012 Readers and Fans’ Poll for local emerging artists is over, thanks to all those who cast their vote in support of the emerging local bands and artists in our list of nominees. Congrats to Audiences (pictured) for being The Deli’s Readers Best Chicago Artist of 2012 (see them live at House of Blues on February 1st!).

Kudos also to Glittermouse and Cassettes on Tape who placed in 2nd and 3rd position, here’s the top 10 chart:

 
ARTIST
VOTES
 
1
Audiences
463
2
Glittermouse
413
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3
Cassettes on Tape
181
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4
Fleur de Lune
153
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5
Jennifer Hall
142
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6
The Luck of Eden Hall
109
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7
Minor Characters
82
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8
Brendan Losch
74
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9
Xoe Wise
60
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10
Toupee
58
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Chicago Reader’s Poll Full Results Here.

We’ll soon publish the final overall composite chart, which will include the point nominees accumulated from the jurors and Deli writers’ votes, and will crown The Deli’s Best Emerging Chicago Artist of 2012.

Stay tuned!

The Deli’s Staff