Tomorrow, August 4th, Beverly, MA will hold the River “Music Matters” festival at Lynch Park. The free outdoor festival is being staged in order to benefit music in Beverly public schools. Among the bands playing will be Boston’s own Air Traffic Controller, who released their second album, “NORDO,” in June. “NORDO” is filled top-to-bottom with persistently happy and bouncy indie-pop. Even when lead singer Dave Munro sings, “I’m so miserable” like he does on “Pick Me Up,” the song still contains an underlying feeling that everything will turn out all right. ATC is a band sure to explode, so be sure to check them out for free while you still can. “Pick Me Up” is streaming below. – Josh Johnson
Shy Hunters release new video + play Glasslands on 08.09
In case you didn’t realize it yet, the music industry is rapidly marching from the home recording revolution to the home made music video making one – it is truly amazing what indie directors can do these days for indie bands with tiny budgets. We covered avant-dream-pop Brooklyn duo Shy Hunters back in March, and with this video of the song "Time Bomb" they are now giving us another good excuse to write about them The song itself is pretty impressive: its complex melodic structure is made accessible by a clean and jumpy drum patter, and by singer Indigo Street’s gorgeous vocals, while brooding, distorted and repetitive guitar riffs (somehow reminiscent of early King Krimson) flood the sonic background. This is not a band for everybody, but those who like us enjoy intensity should keep an ear on them. Shy Hunters will be playing Glasslands on August 9. –Time Bomb was added to our SoundCloud playlist of emerging NYC artists here.
Soundland Announces 2012 Lineup
It seems as if "short but sweet" is Next Big Nashville‘s state of mind these days. Last year, the event’s name was shortened to simply "Soundland," and this year the Nashville festival has been condensed to just one day of music. A self-described "one-day outdoor extravaganza," Soundland has a new home on the Riverfront Park lawn (which is such an ace venue in October, good choice) and the 2012 lineup features some local acts as well as some My Morning Jackets and some Young the Giants.
Local favorites such as Jonny Corndawg, Kopecky Family Band, and PUJOL are just a few of the supporting acts on the event’s roster, but if the highlights aren’t enticing enough, we have the full initial lineup here, too:
Soundland takes place on October 6th. Tickets are on sale now.
Grinding Gears with Jason Beers
It’s great to know why musicians do what they do. Why they write songs about heartache or joy. What kind of emotion they’re trying to express. Who they most look up to. That’s the magic of what they do. But then there’s the science of it. How do they make the most raw or sensual sounds come out of their instruments?
For this week’s edition of Grinding Gears, we sit down with multi-talented multi-instrumentalist Jason Beers, who plays with The Brannock Device, Dead Voices, and Rural Grit. If you want to hear from someone who plays bass, clawhammer banjo, musical saw, trumpet, and more, Jason is someone you want to hear from.
Read our interview at the link here!
-Michelle Bacon
Electro NYC artist on the rise: Michna announces release
Brooklyn-based producer Michna has been flying quietly under the radar for the past few years since releasing his debut album "Magic Monday" in 2008. Born Adrian Michna, the artist has kept busy painting, doing remixes for everyone from Joy Orbison to Kelis, and even producing for the NBA. But with his forthcoming EP "Moving Mountians," Michna returns with his own pulsating club beats. The hip-hop and electric infusion embraces his dual New York and Miami upbringing, combing the two worlds for another trans-inducing collection that picks up where "Magic Monday" (and a few remixes in between) left off. The premier track “Wanted Exotic” is streaming below, and the entire "Moving Mountains" EP is set for release on September 18 on Ghostly. – Devon Antonetti
Digital submissions: The Clox plays Living Room on 08.11
One of the best things about New York is how so many people, hailing from the world over, can congregate in the same place, and somehow they (we) all end up calling this land home for one reason or another. One of the most intriguing things about this situation is how good a lot of people from overseas have become in producing the "indie rock" music originally coming from the U.S. Take The Clox for example. Hailing from Kazakhstan, the group has set up shop here in Manhattan to show us all how a lot of this heavy rock business is supposed to be done.
Listen to the anthem ‘Jules Verne’ off their latest EP of the same name, and tell me these guys don’t know how to do it. Their unique cross between bands like INXS and Oasis does what this band is good at: sounding familiar and exotic at the same time. The rest of the EP follows this formula closely, leaving almost no stone unturned in carving out a large sound that just might work anywhere in the world.
After performing at Santos Party House on July 27, the band will take over The Living Room on August 11. – Mike Levine (@Goldnuggets)
From our digital submissions: Transitshop
Transitshop could be that missing band from your favorite John Hughes movie. Songs like ‘Life Goes On’ act as the perfect way to close any ’80s prom, and ‘Pick Me’ gives a perfect stage to that warm chorus effect I haven’t heard on guitars in far too long. But if any of this reminds you of ironic retro-pop, don’t be alarmed. Producer Chris O’Brien has invested the project with his passion and sincerity, even when singing about irony on tracks like ‘Irony Kills.’ – Mike Levine (@Goldnuggets) – This artist submitted music for review here
Thoughts on Lolla
Living in a city that has a music festival (or two) nearly every weekend through out the summer you have to be selective when it comes to your time and money. When you look at this years line-up for the annual mega-fest known as Lollapalooza you begin to wonder what the ultimate goal of the festival is. Yes, a main part of the fest is to buzz market for Bud Light, Sony, BMI, Google, and all of the other sponsors and vendors. However, for the festival goer it seems like at Lolla, unlike a fest like Pitchfork, the goal is not to hear or discover the newest and best in music.
If you head out early each day to Grant Park, which most ticket holders do not do, you can discover gems like Yellow Ostrich, Bowerbirds, First Aid Kit, FIDLAR or Chicago’s own JC Brooks & The Uptown Sound or Kid Color. However, most arrive late and camp out at a certain stage to see a Red Hot Chili Peppers or Jack White or Black Sabbath and ignore all else.
I suppose the point of a big commercial fest like Lolla is to present a little something for everyone, and on paper it seems like they fail every year. Yet, when you find yourself in center of a crowd pressed up against a metal railing pumping your fist at Twin Shadow or Passion Pit I am sure it will all be worth it.
Enjoy your weekend Lolla goers!
“Art Debt” Opening at Art in the Age August 3
Clearing out the archives of Sub Pop Records’ art department revealed enough hidden gems to fill a gallery, and this month’s exhibit at Art in the Age of Mechanical Reproduction does just that. “Art Debt,” presented by Philly design mainstays The Heads of State, will be opening at the chic Olde City store today for First Friday, and will remain up until August 24, presenting all manner of works produced for Sub Pop’s incomparable roster of bands. Sketches, designs, press materials, posters and album art that either became a part of the visual identity of bands ranging from Nirvana and Sebadoh to Fleet Foxes and No Age, or served a more unglamorous, functional purpose. Sub Pop is now as old as many people who frequent Art in the Age; watching music-scene old heads and young upstarts take in the show’s offerings is bound to be an eclectic, intergenerational sight. Art in the Age of Mechanical Reproduction, 116 North 3rd St., 6pm – 8pm, Free, All Ages – Alyssa Greenberg
Dan Deacon’s “True Thrush” Music Video
Baltimore’s avant-awesome Dan Deacon is set to release his next album America later this month on 8/28, and for now you can check out the fun collective visualization of one of the tracks "True Thrush" below. Deacon made his co-directorial debut alongside Ben O’Brien and features some familiar scene faces from Wham City, Dan Deacon Ensemble, Ed Schrader’s Music Beat, Future Islands, Red Room Collective, Copycat Theater, Effervescent Dance Collective, Showbeast, Annex Theater, Nuclear Power Pants, FlucT, BXDC, Bloody Panda, Foot Talk, Important Comics, the Baltimore Museum of Art, and various icons of the legendary Baltimore Arts Community.
Via Force Field PR- "Deacon’s concept for the video is loosely related to the lyrics, and mirrors his use of asymmetrical repetition and evolving patterns. For the video, Dan and Ben filmed a simple 13-second scene. That scene was then shown to the next team. After seeing the video that team had 1 hour to recreate it — characters, props, set, costumes, and actions — as close to exactly as possible from only their memory. With each new team the scene evolves. The energy begins to amplify and the chaos increases due to the distorting tendency of memory. The beauty of the video is in the completed arc, an arc that only exists because each team was blind to it.
Secret Mountains Announce Upcoming LP Release
Baltimore’s psych-folk rockers Secret Mountains have announced that their first LP Rainer will be coming out early this winter. Having already invested 2 years of envisioning and creating the release, they are now reaching out to fans via Kickstarter for pre-orders that’ll garner more studio time. For a taste of things to come, check out a stellar live recording of "Make Love Stay" below and you’ll know Baltimore has once again produced a rising band. –Dawn (photo: Suzanna Zak)
Catch Secret Mountains live Friday 8/31 at Scapescape in Baltimore.
Artist to Watch: Oren Lyons
Oren Lyons have released “Forever Found,” the first song off their much anticipated debut album. Originally a three-piece, the band has doubled in size to create the vast, sweeping, and eerily romantic track. Though “Forever Found” conjures up peaceful images, like great blue waves crashing on the beach, there’s an underlying feeling that everything could fall apart at any time. The result sounds like a combination of a quieter version of Portishead and the score of the film “Melancholia.” Be on the lookout for Oren Lyon’s currently untitled debut album due out later this year, and listen to “Forever Found” streaming below. – Joshua S. Johnson