NYC

Naomi Punk Playing at the Cairo Gallery on Friday

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Photo Source: Naomi Punk

Naomi Punk are joining several bands at the Cairo Gallery this Friday, August 17th before blasting off on their first full U.S. tour. On the bill with them are M. Women and Black Hat.

The three piece dwell in a sonic realm of jarring, angular rhythms, thick punkish riffs, and well-timed, mantra-like vocal melodies. With members hailing from Olympia and Seattle, Naomi Punk has played countless shows across the northwest over the last several years, including a recent showcase at the local radio station KEXP. Their most recent release The Feeling came out this past April; their other album is the eponymous Naomi Punk which debuted in 2009.

The Feeling is a storybook example of an album that is greater than the sum of its parts. Over the course of its approximate thirty five minute lifespan, it creates a feeling of suspense and mystery for the listener; song to song they connect like an elliptical orbit, passing through familiar grounds and picking up the essential nodes, then moving forth to forge new images and memories. 

Their mixture of punk and grunge is unique in its stalwart decision to shy away from break-neck speeds. Every note and beat are in tremendous sync; you feel the weight of each syllable and riff as if every second prior to that contributes to the present impact.

These songs are interupted – or rather, conjoined by – shorter instrumental pieces which convey more of this feeling, whatever ineffable feeling that may be. Tracks like "CLS + Death Junket" and "Eon of Love" feel evocative and pure alongside their noisy counterparts, which are no less emotional. This album is anything but cold, anything but sterile or vacant.

Naomi Punk play at Cairo on the 17th of August with an 8pm start time. All-Ages. Listen to the record’s closing track "The Buzz" below and make sure to stream the entire thing at their bandcamp. It is available for purchase through Couple Skate Records on vinyl.

– Cameron LaFlam

Philadelphia

Escape into the Woods w/Heyward Howkins at KFN Aug. 11

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Where can you go in the city to escape into the woods? Well, yes, Bartram’s Gardens or the Wissahickon Trail. But where in the local music scene? The answer is Heyward Howkins. His songs take you to some pine forested area, with fields passing by in a rearview mirror. Howkins released his debut LP The Hale and Hearty earlier this summer which is filled with captivating, well-crafted folk tunes. He’ll be on the bill at Kung Fu Necktie tonight along with another local Resistor (a.k.a. Steve Goldberg). Where Heyward takes you on a trip in the woods, Resistor helps you stumble upon the future in a clearing with his synthpop sounds. Young Man, Chicago-based artist Colin Caulfield and sort of a cross between the other two acts’ sounds, will also headline the evening. Kung Fu Necktie, 1250 N. Front St., 7:30pm, $10, 21+ – Maura Filoromo

L.A.

Being As An Ocean previews upcoming LP

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San Diego-based post-hardcore band Being As An Ocean will be releasing on October 23rd its first full-length album ‘Dear G-d’ on InVogue Records, which will be available in a limited edition double 12" vinyl. They introduced this debut with its title track, a powerful crossover between metal’s clean melodic guitars and the guttural screams of the brutal trash/hardcore tradition; the preview shows off a taste for spoken word breakdowns and the vital tension of the band’s aesthetic, a beautiful contrast of soft and violent appealing to a larger audience, seeing the considerable fan base they’ve already established in the US and beyond. They’ll be on stage at San Diego’s Soma tomorrow evening (8.11) with local bands My Iron Lung and Keyes

L.A.

Luna Is Honey at On The Rox (KROQ Locals Only) 8.22

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Coolbreeze, released June 1stis Luna Is Honey’s second EP (and fourth record). Under the cheeks, a fuzzy package of punk/post-punk/new wave/shoegaze influences sizzling under the California sun, with a warm energy and rollercoaster structure that switches between slow shimmering tracks and rough rapid ones, up and down and up again. The distortion & reverb de rigueur are sure present on the first couple of tracks, turning into pure instrumental freakouts punctuated with random sax spurts by ‘¿Cuál es Luna? ‘. Other than that though, hispanic flavours and smothered vocals don’t hurt a bit when it comes to brightening up their dense 80s-infused foudations. The band will be headlining a KROQ showcase of local talents on August 22nd at On The Rox (The Roxy), which will also feature Margate and Act As If.

Philadelphia

Weekend Warrior, August 10 – 12

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Professional secret: Writing show previews are much easier when there’s a ton of great artists in one place, which I admit is one of the reasons I’m stoked about the Kensington Picnic. The other, less selfish reason is that Saturday afternoon finds a bunch of the city’s illest talent gathered in one place. In an outdoor lot behind Liberty Vintage Motorcycles, you can see the genre-free instrumental prowess of Blues Control, the vintage garage kick of Birds of Maya, two experimental/psych duos in Chris Forsyth/Steve Gunn and Mary Lattimore/Jeff Ziegler, acclaimed singer-songwriter Meg Baird, young fingerpicking extraordinaire Daniel Bachman, and Watery Love, who Siltblog calls “Philadelphia’s best band at the moment,” and says sounds like “the gear shaft of a Kensington garbage truck,” which to me just sounds like fancy talk for kickass. It’s all good, all free, and goes from 2pm until whenever the sun goes down. The Lot behind Liberty Vintage Motorcycles, Frankford Ave. near E. Susquehanna Ave., 2pm, Free, All Ages (Illustration by Jason Killinger) – Adam Downer

 
More shows to hit this weekend…
 
Johnny Brenda’s (1201 N. Frankford Ave.) FRI Arrah and the Ferns, Former Belle, SAT Oldermost, D. Ryan Belski, Cape Wrath
 
Kung Fu Necktie (1250 N. Front St.) FRI Rumpelstiltskin Grinder, Vektor, Hessian, SAT Heyward Howkins, Resistor
 
PhilaMOCA (531 North 12th St.) FRI Salvation, SUN Liz and the Lost Boys, 2nd Opinion
 
Milkboy Philly (1100 Chestnut St.) FRI Ditto Demi, Kensington Sound House, Boog, SAT Johnny Action Figure, Young Summers
 
The Fire (412 W. Girard Ave.) FRI (All Ages) Ripping X-Ray, (Late) Store Cats, Christian Bitto Band, Orbit to Leslie, Fast Car, SAT King Slugger, Sinking Ocean Gods, Vitamin Cheese, SUN Horace Mann, Betty Iron Thumbs
 
M Room (15 W. Girard Ave.) FRI Rodent Lord, Dead People Screaming, SAT The Scovilles, The GTVs
 
World Café Live (3025 Walnut St.) FRI The Cold Roses, SAT (Early) Girls Rock Philly Showcase
 
The Blockley (3801 Chestnut St.) FRI MitiS
 
Ortlieb’s Lounge (847 N. Third St.) FRI Voice & Barz, SUN The 9’s
 
The Trocadero (1003 Arch St.) FRI Grind City, The Divine Lorraines
 
Triumph Brewery (117 Chestnut St.) FRI UZO, SAT Flux Capacitor
 
Tin Angel (20 S. 2nd St.) FRI (Early) Aiden James, FRI (Late) Adam Web
 
Fergie’s (1214 Sansom St.) FRI (Early) Toy Soldiers, Thom McCarthy, Dani Mari, Reverend TJ McGlinchey, (Late) Toy Soldiers, El El, The Whiskey Holler
 
The Legendary Dobbs (304 South St.) FRI Thee Shut Downs, Winston’s Dog, SPiN, Dirty Rotten Liars, Atomic Age, Johnny Moskal
 
The Grape Room (105 Grape St.) FRI Pete Groch, Early Ape, SAT The Matt Lyons Band, Wired to Fly, Platinum Moustache
 
JR’s Bar (2327 S. Croskey St.) SAT Empty Shapes, Time Hitler and the Assholes from Space, Dan Malloy
 
Ray’s Happy Birthday Bar (1200 E. Passyunk Ave.) SAT Ape!, Bandname, Bad Doctors
 
First Unitarian Church (2125 Chestnut St.) FRI Joshua Alvarez
 
Neighborhood Bike Works (508 S. 5th Street) FRI Bubonic Bear, Bardus, Tooth Decay
 
Little Berlin (2430 Coral St.) FRI Hott Tubb, New Hero
 
Brenda (1730 N. 5th St.) FRI Ghost Light, JRG
 
Glitoria (Please contact one of the acts or venue.) SUN Nothing Is Over, Nimbus Terrifix
 
Philadelphia

Album Review: Arc in Round – Arc in Round

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Following the release of their two EPs, 2010’s Diagonal Fields and 2011’s II, Arc in Round, the brainchild of producer/engineer extraordinaire Jeff Ziegler, has finally released a self-titled full-length album via La Société Expéditionnaire.
 
With “II,” Matt Ricchini’s drums kick in the door of the LP’s opener – almost immediately the layering of sound begins to take shape as the bass and percussion build an intense forward thrust while the vocals provide a cool calming force counterbalancing the speed of the initial instrumentation. The following track “One-sided” uses similar steady rolling rhythms; however, the overall feel is much more controlled. Its airy, naturally soothing vocals provide a carefree atmosphere even as the lyrics stir the pot. “Did you talk about it? Or did you keep shit to yourself?” Even amid the pop-backdrop, the combination of thudding bass and multifaceted keyboard work keeps things interesting. “Volume Sets All the Time” is an enjoyable mix of spaced-out musicality and Edwards’ definitive vocals. Distorted screaming guitar pushes toward the edges as continuously pumping drums snap in time breaking through the futuristic chaos, which continues into the next song and the album’s featured single “Hallowed.” The track is easily the highlight of the record for me with its dark, sinister ambience – something that I hope the band continues to explore in later works. Towards the end of the LP, “For Concern” generates steam as the various instruments relay the lead, from the menacing keyboards, to cyclical drums, and then guitar, which sears to the forefront. When Edwards’ vocals take their turn in the front seat it’s as though the music is planning its next move as the song scales along the various elements seemingly playing tag, yet combining forces to reach a powerful synergy.
 
In thiseponymous album, the band continues its journey creating space-age music that may sound chaotic at first. However, as the layers build, underlining harmonies emerge pulling you in and out of a dream-like state. Shall I say that you shouldn’t sleep on this LP? The record is currently available on limited edition white vinyl with exclusive remixes by Lymbyc Systym and Our Brother the Native, which you can purchase HERE. – Michael Colavita

New England

Artist of the Month Interview: Strange Changes

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The word “eclectic” doesn’t even begin to describe the music of Boston’s Strange Changes. The eight-piece band, led by singer/guitarist/chief songwriter Tom Dowd, combines elements of classical, jazz, metal, and pop into one totally unique sound. Deli readers have recognized the band’s talent, and Strange Changes was voted one of June’s Artists of the Month here at the Deli New England. In this interview, Dowd talked about the band’s influences, past and future releases, and the Boston music scene. Strange Changes will celebrate the release of their debut full-length album, “I Want You,” with a hometown release show at The Middle East October 5th.

Read the full interview here.

NYC

Darlings release new single + play glasslands on 08.10

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Darlings have been entertaining Brooklyn crowds for quite a few years now with their musical philosophy asserting that the best ingredients for fun are uptempo drums, plain distorted guitar chords, and most importantly simple, catchy melodies. The band remains faithful to its credo in the new 7" of "Pet the Ghost" (streaming below) which will be released today (August 10) with a show at Glasslands with like-minded lo-fi local heroes The Sundelles.

NYC

Weekly Feature: Motive – Live at Pianos, 08.18

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A long time ago, the founding members of Motive were shredding through jazzlead sheets and getting carted across the U.S. and Europe to showcase their young talent. Nowadays, Motive populates a different scene. Erupting from a Clinton Hill practice space onto stages and club circuits around the city, the band is taking NYC – and the internet – by storm. In the dawn of a quintessential political election, their song “Nobody Eats Dinner” was synced to clips of Mitt Romney at his worst. This video went viral and with it, Motive. Their music is masterfully layered and meticulously produced. With a new age, larger than life sound that slowly seeps into your brain, it’s hard not to hum the enchanting hook of “What’s So Bad” (streaming below) right before drifting into a rock and roll daydream. See the band at Pianos on August 18. – Read Ed Guardaro interview with the band here.

Philadelphia

The Deli Philly’s Featured Artist(s) Poll Winner: Idle Idols

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Being in a band with an awesome name like Idle Idols may not always guarantee you a crowd of worshippers. In fact, it might get you a knuckle sandwich to the head from a female audience member at a neighborhood basement show who may not agree with your controversial material. But that’s all part of antagonizing the rock gods at live performances. However, the band has still won enough fans over to help them emerge victorious in our most recent Featured Artist(s) Poll. Check out what the group has to say about being Idle Idols HERE. You can also catch them performing live this Sunday at Walla Fest in Norristown, PA with The Districts, Drew Mills from Blood Feathers, Shorty boy-boy and more. Shout out to the Walla Fest crew for their efforts of bringing and exposing up-and-coming Philly artists to the burbs.

NYC

Weekly Feature: Avan Lava plays Glasslands on August 31

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Avan Lava, as a whole, is a mind-blowing spectacle that takes time to behold. The band is a mix of seasoned pros and otherwise unknown underground talent. Ian Pai and Le Chev of Fischerspooner theorized this upbeat hard hitting disco-rock side project while on tour in Brazil four years ago. Since then the band has grown, but Avan Lava is really a troupe. Their live shows feature fantastic displays of laser lights, dance numbers and costumes unparalleled in an other wise too-cool-for-school indie music scene. They sought to remove themselves from the chilled out ambient norm, and erupt onto the indie music circuit with high-energy tracks that get people off the wall and back onto the dance floor. Avan Lava does not create generic four-on-the-floor dance tracks, their music is intricate and intense, but easy to listen to, and most of all fun. Their ear-tickling EP “Flex Fantasy” is available for free online. – Read Dean Van Nguyen’s interview with the band here.

Philadelphia

Fall for Arrah and the Ferns at JB’s Aug. 10

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When Arrah and the Ferns hit the stage at Johnny Brenda’s tonight, it may be difficult to fit the musical byproduct into a box, to slap on a genre nametag. However, what will be easy to decipher is the quality of the sound. Arrah and the Ferns play a fusion style that is indicative of the manner many of us listen. Dabbling with a variety of genres including, but not limited to blues, country, rock, and pop. Then pulling what they like best, and welding them together to create something quite refreshing with a trace of the path traveled to get there. Arrah Fisher’s vocals are a versatile foundation, invitingly warm and fiercely powerful at the same time. This is a band that you could instantaneously fall for in a big way. Johnny Brenda’s 1201 Frankford Ave., 9pm,  $10, 21+ (Photo by Daniel Muller) – Michael Colavita