Chicago

Ami Saraiya & The Outcome “Purging”

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We have mentioned the new album Ami Saraiya & The Outcome several times over the last month as we approached the release date. Soundproof Box was released this week and the band has released a new track from the album called "Purging". In a way the track represents the album well as it is wild, energetic, and pleasantly eclectic.

MP3: Ami Saraiya & The Outcome "Purging"

Ami Saraiya & The Outcome currently has two Chicago shows scheduled this summer and you can catch them at Ace Bar on June 27th and at Schubas on August 9th.

NYC

Show of the day: Blackbird Revue/Kentucky Knife Fight/The Latenight Callers at Nica’s 320

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(pictured above: The Blackbird Revue)

Tonight kicks off another busy, hot summer weekend in Kansas City. We recommend you begin it in the back room at Nica’s 320 with The Blackbird Revue, Kentucky Knife Fight (St. Louis) and The Latenight Callers.
 
Though all three bands have a far different approach to the music, the passion of each musician to his/her craft will be seen in these performances. The Blackbird Revue, made up of husband/wife team Jacob and Danielle Prestidge, kicks off the show at 8 pm with some of the best male/female vocal harmonies in Kansas City. Pieces of country and folk can be picked out of their style of indie rock. They’ll be sure to bring a personal touch to the evening.
 
The show will heat up with the stylings of Kentucky Knife Fight at 9 pm. This 5-piece St. Louis band has a raw, animalistic approach to its music with an old punk and a sexy blues combination. Songs are soaked in alcohol and sex and then ripped apart by razor-sharp guitar licks. It’s sure to rev up the crowd for the sultry noir sounds of The Latenight Callers, who will close out the show.
  
A performance by The Latenight Callers (see our review of their latest EP here) transports the observer into a 1920s speakeasy, where the smoke billows and the bourbon pours nonstop. Where dapper gentlemen tip their fedoras and open doors. Where short-skirted women daintily hang cigarettes from delicate fingers and redefine gender roles with their newly-found fashion sensibilities. Where a sexual revolution begins to take shape, propelled by a hypnotizing baritone, a subtle backbeat, and seductive vocals. Where the musical performance leaves the listener craving more than just a coy glance with a stranger.


–Michelle Bacon
 
 

NYC

The Everymen readies studio album. It might sound nasty (in a good way)

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Ah, the simple joys of dancing, drinking and puppets. Jersey band The Everymen have developed a sizable audience by creating the kind of music designed to perfectly compliment each of these activities, although the soundtrack of their puppet shows might be too noisy for kids.

Much of the band’s live recordings from their latest release ‘Seconds as an English Language (Live from Asbury Park),’ document a career spent convincing their audience to stop thinking so hard, and get down to the business at hand. This business can range from such activities as smoking tar (‘Rotten Smokes’) or insistent ruminations on inebriation (‘I Might Be Drinking’). However the sound pours down your ears, it’ll surely leave you in a better place than where you started. Such is the magic of The Everymen.

The band just finished studio recordings of their new album, which should be announced in early July. – Mike Levine (@Goldnuggets)

NYC

Show review: Betse Ellis/Loves It!/The Depth and The Whisper at The Brick, 6.15.12

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(Pictured above: Betse Ellis and Jason Beers)

The grit of Americana music is in the story. A person’s entire life can be summed up in 3 of 4 minutes. The most joyous of moments, the inexplicably painful experiences, the randomly bizarre episodes, all wrapped up in a neat little structure of verses and choruses. Last Friday at The Brick, an attentive crowd listened as 3 different groups of songwriters took the stage with handfuls of stories to tell.

The night got off to a fast-paced start with a solo set from Betse Ellis, the fiercest fiddle player in Kansas City and likely beyond. With the talent, the material, and the personality to enhance it, a solo set from Ellis can be far more captivating than watching many full bands. As an original member of The Wilders, Ellis has the experience and the chutzpah to command a stage by implementing a mix of her own tunes and classics. Her set included songs from artists like The Doc Watson Family and John Hartford, along with a few originals. These songs ran the gamut of humorous ("Drunkard’s Hiccups"), insightful ("It’s A Hard Time in This World," a song she played on tenor guitar), yet always entertaining. Ellis closed out her set with a rendition of The Clash’s "Straight To Hell" – a fine example of her rock influences tinged with a traditional flare and culminating in an amusing and accessible flavor.

Though Ellis set the bar high, Austin duo Loves It! took the show to another level. In the same vein as Ellis, they were able to connect the traditional with the modern, playing their blend of folk with hints of indie pop. At times, the interplay between Jenny Parrott and Vaughn Walters was lighthearted and whimsical, evoking stomping feet and bobbing heads. The duo’s cover of NOFX’s "Linoleum" stood up to Ellis’s Clash cover with its boldness and quirkiness without the schtick. Other songs were heartbreaking stories with tragically gorgeous vocal harmonies, hearkening The Avett Brothers with the sincerity and intimacy of The Civil Wars.
 
The night wrapped with The Depth and The Whisper, a Kansas City group relatively fresh to the scene but complete with veteran local musicians (Dave Tanner, Albert Bickley, Troy Van Horn, and Kelsey Cook, filling in on drums for Go-Go Ray). Though this 4-piece band did not quite fit the folky mood of the evening, they picked up where Loves It! left off in terms of sincerity, and continued in the storytelling tradition with a fuller but controlled voice. With a subtle but heartfelt set, the group closed out the evening on a poetic note and tied together the honesty and clarity of the previous acts.
 
Though each act had different influences, different approaches and different energy levels, each had a way of recounting individual stories and honoring the others before them, invoking a special sense of musical community.
 
 
 

 –Michelle Bacon

Michelle is editor-in-chief of The Deli – Kansas City. She also has a weekly column with The Kansas City Star and reviews music for Ink. She plays with Deco AutoDrew Black and Dirty Electric, and Dolls on Fire. In her spare time, she has no spare time, but fantasizes of the day where she can sleep and eat and travel to places where she can sleep and eat some more.
NYC

Electro Rock from Brooklyn: I’m In You

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It takes a special kind of confidence to name your group I’m in You, but with the naked honesty in elecro-charmer ‘Sure,’ I’m starting to believe this is exactly what singer Chris McHenry wants to do with… you. The unexpectedly catchy 5-piece loves a good drum machine, but the band makes it their own when placed underneath the twists and turns of their rolling bass, clashing guitars and even occassional horns and strings on display in their second LP "Songs". Standout song "DMNR" (streaming below) brings to mind a bouncier version of icy Brits Clinic, but caught us by surprise with its explosive chorus. – Mike Levine (@Goldnuggets) – I’m in You submitted their music for review here.

NYC

The Dust Engineers’ Alt Country live at… somebody’s Bushwick apartment, 06.28

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For a band buried in fictional roots, The Dust Engineers have a very lasting effect. The band started out in the mind of leader Zachary Meyer as a solo project soundtrack for a fictional South Dakota teenager on a roadtrip. The Ziggy Stardust-eqsue idealized singer songwriter idea didn’t pan out, but his songs stuck and a real band was formed around it did. Dust Engineers have a 90’s sound with alt-country influence, with wailing guitars over a bouncy, poppy melodies from the male-female vocals of Meyer and Sara Maeder. The group released a self-titled EP last year, following with the single “Snot Nosed Dweed” this June. See them on June 23 at somebody’s Bushwick apartment on 13 Thames St, 3rd floor.

Philadelphia

Brendan Codey Opening for 200 Years at Studio 34 June 22

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Tonight, it would behoove you to check out the newest installments of Fred Knittel’s Folkadelphia concert series. Started as a folk organization/radio show on XPN2, Folkadelphia is a much-needed supporter of the lush, understated folk scene in the Philadelphia area. This week’s show highlights the avant-folk “supergroup” consisting of Ben Chasny of Six Organs of Admittance and Elisa Ambrosio of Magik Markers together creating 200 Years. They released their debut, eponymous LP last November on Drag City, which is the same label that both Six Organs of Admittance and Magik Markers are on. Philly’s own Brendan Codey will be playing this stacked show. He paints himself as a Beat-era vagabond who consists solely on and for music. His dystopian, calm reserve often dissolves into a meditative hailstorm, placing the listener right in the eye of the storm looking out. You can grab a cassette of his newest record Casco, which is out on Treetop Sorbet records. Rounding out the show is Jonathan Byerley of the Brooklyn garage folk rock band Plates of Cake. All this is going down at West Philly utility space Studio 34, and don’t be that guy. Studio 34, 4522 Baltimore Ave., 8pm, $10 adv/$12 door, All Ages Adam G.

San Francisco

Meet Mr. Kind

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What happens when you’re a musician and you move from Boston to Oakland where you know no one? Obviously you make friends and start a band, duhhh…

After going it solo around the Bay for the last year, Brian Bergeron has merged powers with fellow Oaktowners Jon Devoto, Kyle Kelly Yahner and Matt Roads to form Mr. Kind. For a really, really new band they’ve got their social media bases covered and have also been offering their first song, "You’re OK" for free download (below).

Mr. Kind’s EP release party is scheduled for July 27 at Hotel Utah Saloon. It seems we’ve got quite a bit to look forward to from the pop rockers.

Philadelphia

New Video: “Funeral Beds” (HotBox Session) – The Districts

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Check out this video of The Districts performing a song called “Funeral Beds.” We were recently turned on to them by our pals at South Philly’s HotBox Studios. The band hails from Lititz, PA, and its members are still navigating their way through their teenage years. We heard that a couple of them plan on going to college in Philly while their other members finish up high school in their hometown so keep a look out for The Districts performing in a venue near you. In the meantime, enjoy a session that they did with the HotBox crew which recently went viral. Enjoy!