L.A.

El May plays Bootleg Theater on May 20

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Lara Meyerratken may be relatively new to the LA scene, but she is far from an amateur musician. Hailing from Australia, the songstress began her musical career at the ripe age of 17, when she wrote a letter to fellow Australian performer Ben Lee, suggesting the two’s respective bands play some underage shows together (Lee was 15 at the time). He obliged, and a few years later he called Meyerratken and invited her to play in his band. Three weeks later, she was in New York rehearsing. After years of touring with Lee, the ambitious young artist decided it was time for her to do her own thing. She left the band and recorded a solo album under the moniker El May. In January of 2010, Meyerratkan self-released her debut record, El May. The multi-instrumentalist recorded every part herself, including piano, woodwind, percussion, guitar and even vocal harmonies. The result is a masterful folk/pop record with a full, swelling sound.

After spending time in Australia, New York and Nashville, Meyerratkan has lived in Los Angeles for the past three-and-a-half years. El May is playing The Bootleg Theater this Sunday, May 20. $10. 9 pm. 21+. – Katrina Nattress

Chicago

Moritat “Cats”

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The trio known as Moritat is fairly new to the Chicago scene, but from what I have heard from their new album Clill Blanzin they are going to make a big impact. The will be released on June 26th and you can catch Venus Laurel, Konstantin Jace and Corey McCafferty at The Whistler on June 25th.

MP3: Moritat "Cats"

NYC

The Hairs plays Glasslands on May 18 with Big Troubles

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Playful pop with a lo-fi edge by way of two minute songs is the domain of Brooklyn’s The Hairs. “I Remember Alien Gonzales” serves up word play though a song title and chorus that cleverly references a headline grabbing story from a decade ago. “Duh” (streaming below, video here) is happy, foot tappin’ garage-punk, with traces of Robert Smith guitar interplay. “Ghetto Control” continues the lo-fi sonics, with lyrical references to cops and social disobedience. “Houseplant Songgg” is a compact 1:39 in length while still fulfilling the requirements one expects from a song, while the amusing (if redundantly) titled “Feeling a lot of Feelings” keeps the loose good times going. The band plays Glasslands on Friday with Big Troubles and Punks on Mars. – Dave Cromwell

San Francisco

New Release: Billy & Dolly’s ‘Dally Bon Idyll’

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Indie pop favorites Billy & Dolly (aka Bill Rousseau and Dahlia Gallin Ramirez formerly of the heavy 00s band Monolith) today released new album Dally Bon Idyll. Treading familiar territory, Dally Bon Idyll features powerful, yearning vocals telling intimate stories of love gone wrong.

Download the playful single "Gold," reminiscent of the duo’s inspirations Donovan, Simon & Garfunkel and Dolly Parton, and watch the video for "Oh Yeah" below.

–Amanda Dissinger

NYC

Brite Futures to Part Ways with Final Show Next Month

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After years of performing together (originally under the moniker Natalie Portman’s Shaved Head), Brite Futures announced today that they will no longer be writing and touring with one another. The announcement comes along with the confirmation that the band will play their final hometown show on June 16 at the Vera Project. Brite Futures posted this note on their Facebook page earlier in the day

Friends, BFFs, everyone,

It is with many bittersweet feelings that we announce that as of next month Brite Futures will cease to be an active band, and we will no longer be creating or playing music together. After almost seven years as a band (more than a quarter of our lives) we’ve unanimously reached the decision that it’s time to move on to other adventures-the irony of which, for a band with our name, is not lost on us. This separation is not due to a falling out or any ill feelings between us personally, but with the band’s momentum dying down and other aspirations beckoning, we’ve begun to look toward the next stage in our lives. And that’s exciting at the same time as it’s sad to leave behind a pursuit that saw us grow up together, from awkward high school spazzes singing about our first beards to more confident young adults.

 

NYC

Jump Into The Gospel becomes Hits + plays Mercury tonight (05.15)

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We covered NYC indie-pop outfit Jump Into The Gospel a bunch of times in the past and today we found out that the band has decided to change their name to HITS after the recording of their new EP, which reportedly triggered "major changes and commitments." The band will debut the new name with a show at The Mercury Lounge tonight May 15. Check out the new electronic single "Madness" streaming below.

Philadelphia

New Music Video: “Balloon in the City” (3D) – Cheers Elephant

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Below is a floaty new space adventure music video for the track “Balloon in the City” from Cheers Elephant. It takes advantage of YouTube’s 3D setting. You didn’t know that YouTube had a 3D setting – did ya? Yeah, neither did we. So throw on those cardboard glasses or the fancier plastic ones from your junk drawer that you stole from the movie theater. (BTW: Is it just us? This 3D function doesn’t seem to provide the pop that we are used to.) The video was directed, edited and effected by Ryan Suits.

NYC

Electronic NYC/SF bands on the rise: Kodacrome

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Hear Kodacrome scream and chill out at the same time. This isn’t a combination that comes naturally to most of us, but in channeling rage through rhythm, singer Elissa Pociask has carved out a unique space that’ll make you wonder why no one has thought of pairing an acoustic guitar with casiotones before (‘Modern Man’).

When there’s a limit to frustration, San Fran and Brooklyn based Kodacrome provides the perfect outlet. Tracks like the winding ‘All the Ama’ off their new EP ‘Perla,’ gives and takes in equal measure, pushing the listener through an unexpected series of events from big beat dancefloor to solo piano interlude. But whether quiet or loud, it’s proportions are always epic. – Mike Levine (@Goldnuggets) – Kodacrome submitted their music to The Deli for review digitally here.

NYC

Matt Cranstoun ends residency at Rockwood tonight (05.15)

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With his soul-infused folk, Matt Cranstoun’s music has a possessive mixture of character and earnestness. The Brooklyn-based singer released his sophomore album “The Last Drop of Color” last fall and has spent the past few months on stage set to an energetic “big band” supporting group. Complete with choral-like gospel singers and horn section, the album comes alive with the energetic backing band, showing the vulnerable but spirited singer at his best and charging his up already electric indie rock. Cranstoun and company will be performing their final show in the series at Rockwood Music Hall on May 15. – Devon Antonetti