NYC

Rachel Platten Headlining National Tour

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Some artists take years to finally reach a point where they’re ready to handle a headlining tour. But for Rachel Platten, it took the success of just one single, her ultra-catchy ‘1000 Ships,’ to catch the ears of her growing audience. This earned her slots opening for artists like David Cook and The Fray. Now after supporting these big acts in their national tours, Platten is headlining her own sojourn across the states. With the catchy wistfulness of songs like ‘Overwhelmed’ and ‘Nothing Ever Happens,’ Rachel aims to spread the love of her debut ‘Be Here’ over the next several months. Opening will be the mysterious and sensuous Madi Diaz. No New York dates have been announced yet, but she’ll be heading back home in June, so be sure and catch her then.

Mike Levine (@Goldnuggets)

Philadelphia

New Video: Freeway & Reef The Lost Cauze in Amsterdam

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Below is a video of Freeway and Reef The Lost Cauze in Amsterdam for the Cannabis Cup. The footage captures Freeway recording a track called “Primates,” which is produced by Big Ape, in the Rare Villains studio. You also get a taste of Reef and Freeway spitting live in the famed Amsterdam venue, De Melkweg. The video was edited by Remy Cadier and produced by UH44, Dub Ceasar and Coffeeshop Funkey Munkey.
 

Nashville

Local Band Takes Creativity on The Road, Part 4

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The Deli’s Dh Wright on tour with Deep Machine

It is hard to not feel sometimes that these guys might be insane and me a part of them, and that the routine world of day jobs is an admirable path. I wonder if this chosen path of independence is an escape from the routine ugliness of life by creating our own brand of ugliness under the demonic democracy of freedom and utopia. Are we vagabonds out to change the world or are we taking the easy way by setting our sites on getting fucked up while the world is so fucked up? Are we creating art and destroying it each night by drinking to help sleep through the hellish night? Or maybe we are just…simply…. bored.

“Why tour without a label backing you?” I asked as I snap out of this weird introspection of a band I am not a part of.
 

“It is the only way to play a show every night. We can play in front of new people and develop a regional fan base. Some people play in Nashville and expect to be discovered. Thief tried that but we think this will work better.”
 

“What are you working toward, as money can’t be the answer, I assume?” I ask.

“We want to do this full time,” says Walsh.

Each member is the leader of the band in one way or another, but it is Walsh who seems to be followed. He is a guitar virtuoso like I have never seen before. He is playing the guitar at all times and is comparable to the best in Nashville and around the world. Playing almost his whole life and studying Spanish Classical while listening to Radiohead, My Morning Jacket and John Coltrane, Walsh’s ability and focus to perform hard and fast is one component fellow bands and listeners come out to witness and learn from, but rarely emulate. – Dh Wright

Philadelphia

Blood Feathers Opening for Wild Flag & Hospitality at The Troc April 3

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Travel back in time tonight where pompadours and vintage guitar licks ruled the earth with Philly’s favorite retro sons Blood Feathers. They’ll be bringing their finely-crafted rock ‘n’ roll gems to the big stage of The Troc this evening to get the locals moving as the band warms up the crowd for rad grrrl power ensemble Wild Flag and Merge Records’ indie popsters Hospitality. Good times will be had by all! The Trocadero, 1003 Arch St., 9pm, $18 adv/$20 door, All Ages (Photo by Derek Brad) – H.M. Kauffman

Portland

Adventures! With Might Release Split 7″ with Pocketknife

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Synth pop favorites Adventures! with Might and local pop outfit Pocketknife embarked on a friendly challenge last fall: to cover each other’s favorite songs and release a glorious 7" together. Long time fans knew the results were obviously going to be fun, but this release is downright awesome.

The 7" has been released in a limited quantity of 200 through Marlin Gonda of Pocketknife’s vinyl-only label Vinyl Richie Records. The vinyl features one original song from each of the bands and one cover from each of the bands. Track listing is below and check out more info on the vinyl and the label here!

1. Pocketknife – Bats In The Belfry 04:17

2.Adventures! With Might – Teen Machine

3.Pocketknife – You Think Too Much (Adventures! With Might Cover)

4. Adventures! With Might – Should I Kiss The Viper’s Fang? (Pocketknife Cover)

— Amanda F. Dissinger

NYC

Dot Dash Release New Video

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DC’s post punk pop band Dot Dash have unleashed a new video for the track "Learn How To Fly" from their album Spark Flame Ember Ash. They’ve also made the track available for free download here.

Check them out live this Friday 4/6 at the Artisphere for the Chickfactor Magazine 20th Anniversary show with Stevie Jackson (Belle & Sebastian), Frankie Rose (Slumberland), and Honeybunch (ex-Velvet Crush.)

Austin

Lord Buffalo: Getting a little crazy and a new EP

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Something about Lord Buffalo’s eerie, reverb-laden strings and stretched, raspy vocals bear some not-so-subtle vibes of lunacy; blatantly, emotionally off-kilter. Even in a town that embraces those who veer from the norm, Lord Buffalo may be one of the more interesting emerging groups in Austin right now. Oddly enough, they also recently scored a friend’s theatrical interpretation of The Yellow Wallpaper (a famous short story about a woman’s slow descent into insanity) and have an EP due out in a week. Go get yourself a copy and see the guys play at their release party with the Black Books at Hotel Vegas on April 7th.

– Erin O’Keefe

Philadelphia

The Deli Philly’s April Album of the Month: Dope Boy Magick – PO PO

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The fuzz is strong with this one.

PO PO’s Dope Boy Magick sounds as if it’s being transmitted through a cloud. The debut full-length of once brother trio-turned-solo project of lone remaining bro Zeb Malik is a collage of outcast-rock past, with influences culled from goth, punk, and even witch house, but as its grungy bass crunch and oodles of reverb blur the borders between styles, the record becomes a sort of “Variations on Alienation for Drum Machine and Distorted Guitar."

I swear this is a good thing. For one, the murky hiss covering each track makes the jumps between creeping electro and squalling garage seamless, not to mention exciting. Malik is an expert appropriator, casually flipping between riff-heavy acid sludge (“Dnt Wnt U, Jst Wnt It All”), raucous surf (“Bummer Summer”), and pristine electro bliss (the phenomenal “Let’s Get Away”), making the record lively and unpredictable, like a mixtape for the counterculture.

It’s also mesmerizing; the reverb on these tracks distorts Malik’s whine to the point where he’s not communicating in words but in a wash of vowel sounds, and the dejection he’s able to convey with a sigh recalls the perpetual disaffection of Bradford Cox. Like Cox, Malik is able to settle comfortably over a noise record’s various faces, flying over Magick’s more interactive first half and becoming another texture on its subtler but-no-less excellent second. He almost disappears in the hypnotic rhythms of the final four tracks, adding the haunting echoes in “Sik Sik Sik” and becoming a droning hook for “POPONGZU.” This section ends the record on a baffling but tantalizing note. These tracks are some of the album’s most realized, and when “Teen Dreamz” slyly slinks away, it feels like a fitting end to such an elusive record.

I say elusive because Dope Boy Magick keeps its audience at a distance. There’s a tangible apathy here. On “Dnt Wnt U, Jst, Wnt It All,” Malik sings, “I fuckin’ love you,” but he doesn’t sound like he’s going to do anything about it. He’s not interested in action. His record’s bare-bones, catch-all ethos encourages thoughtful, meditative listening, and all that haze he provides seems to lend itself to smoky, dimly lit rooms where everyone’s on too many substances to do anything but gaze blankly and bop along. My advice? “Turn on, tune in, drop out.” You can purchase Dope Boy Magick via Mad Decent. – Adam Downer

PO PO – "Teen Dreamz / Let’s Get Away" from stereogum