Nashville

Local Band Takes Creativity on The Road, Part 2

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The Deli’s Dh Wright on tour with Deep Machine

The ride to Chattanooga was under way, and I had the feeling we were on the crest of something progressive that was neither good nor evil, but maybe a little of both, in search for reason behind the madness so many bands before them had done and failed to do; taking to the road without a label footing the bill. It was too late to get back home and write the entire idea of going along on tour as a pipe dream with the arching theme of “those who can’t do teach, and those who can’t teach write about it.” We were on our way south.

No one was at the venue when the band began to unload the equipment, but I suspected that people were hiding in the shadows getting their head leveled. We had extra coolant and oil in the van if anyone was interested, but there were no takers. This was the first tour Deep Machine had been on since reforming early this year with Bowden behind the bass. I ask DM what caused the split with their last bass player in the time before the set. “There were a lot of reasons,” Walsh says. “Things are just going to work better this way.” It seems, like all relationships, bands are no different, capable of discovering the worst and best in each other quickly and without mercy, and if the positives are not reiterated, the negatives creep up and have trouble ever going away.

It has only taken Zack a week to learn the complicated time changes, rhythm relapses, hyper metal dance beat mix ups and the color wheel of changes that make up the bands set list. “We can get fucked up when we are jamming, but I’ll wait til after the show,” Walsh says, and Bowden agrees. Starting to get worried about who will attend, “Shows don’t get started here til later,” says Crannel, who had spent the past year living in Chattanooga while Deep Machine had been on hiatus.

It is 10:30 p.m. and the opening song filters through JJ’s Bohemia. Tribal women in the front row move their feet with piercing screams. I think of what Walsh said when I asked him what he thought of having fans that are considered stereotypical hippies, whatever that word means. He says he thinks having fans, whoever they are, is great. “Hippies know how to have a good time. They dance, they are always in a good mood. They are awesome.” It did not hurt that Walsh forgot his black boots and went with sandals instead, as most of the crowd moved about in sandals and t-shirts.

Earlier that day we arrived in town at a diner where the band waited for to-go orders and we looked at the local newspaper already on the table, trying to avoid the full plates of leftovers gone uneaten by a family of food mongers on the adjacent table. I wondered why they didn’t take the rest home. Reading the front page of the local bi-weekly rag, I felt like the band was doing something special and that their story would be on the front page of this magazine or one like it soon. And while I saw the idea of touring as an attempt to define one’s own future on chosen terms, I began to wonder why anyone would care. And if anyone would see this endeavor of low budget touring as anything besides roaming from city to city like carefree gypsies with music and good booze on their side. – Dh Wright

Philadelphia

Album Review: “The Glimmer EP” – Young Gliss

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After a string of delays, a minor Twitter beef with 9th Wonder over a beat, and a few singles, Young Gliss has released The Glimmer EP. The follow-up to last year’s Dealing with The Pressure 2 features impressive cameos from rap legends Prodigy and Killer Mike, as well as local Roots Crew affiliates STS and Dice Raw.

The tape starts off with the a cappella track “Intro Song” by R&B vocalist Shane Chris, singing about the dreams of an up-and-coming rapper to living in the fantasy world of a rap superstar, while also acknowledging the problems such success brings. Gliss is at war with the contrasting themes of the opener’s lyrics, “Fancy cars, fancy clothes, movies no one knows, candy canes in their nose, they’re not happy, sold their soul for a check, money, power, respect, platinum chains round their neck and a Grammy” throughout the mixtape.

Title track, “Glimmer” is one of the album’s standouts, putting the struggles of a rising rapper into perspective. The lyrics, “Success is what I vision, some shoes I can’t yet fit in,” speak to the fact that Gliss has not yet reached his goal of being a rap star, and his rhymes explain why he feels that he hasn’t received wide-spread attention for his work. Young Gliss sums up the lyrical themes touched on in this track with his motto, “It’s easy to be Gucci Mane; it’s harder to be Nas.” Many emcees choose to “work on their image making whack dance tracks” or “grab a down South beat and slowly ride the tide” to success, but the Philly native is going to keep doing hip hop his way and stay independent from current hit trends or avoid watering down his music for mainstream success.

On the track “Charles Bradley,” named after the soul singer whom the sample is borrowed from, Young Gliss takes a time-out from his personal dreams of making it as a rapper to discuss social issues of the world over one of the most soulful beats on the album courtesy of Les Professionels. This track was released back around the holiday season as a single to promote The Glimmer EP, but it still remains one of the best songs on the tape.

On the seven minute posse cut, “No One Can Stop Us Now,” Gliss returns to the EP’s themes of making it in the music industry and being a successful rapper. Feature verses from rap legends Prodigy of Mobb Deep and Killer Mike give a different perspective to the track because they have already reached critical success in the rap game. In his verse, Prodigy states, “I reside with the stars, I belong right where I am/these n****s don’t deserve to be where I am,” warning other emcees and their critics that Gliss and his crew deserve to be on top of the rap world and won’t let anyone take it from them once they have it. Gliss also addresses his independent mindset and “it’s easy to be Gucci Mane; it’s harder to be Nas” motto in his lyrics, “I’m on a mission to get rich quick and reaching it all up on our own.”

The EP closes with “Midnight Sonata,” featuring a sample of M83’s massive hit “Midnight City” from his album Hurry Up We’re Dreaming, which ties the themes about the dream of being a successful emcees together perfectly. The lyrics on this track find Young Gliss at his most inspiring, rapping, “They say the sky is the limit, but it’s really just as far as you can see/So believe in yourself out here and you can be anything that you want to be.” The track closes on the repeated phrase of “one day,” signaling that, although success is just a dream now, Gliss has his eyes set on the prize in the not-so-distant future.

You can download The Glimmer EP for free HERE, and look for Young Gliss and the rest of The Roots Crew at this summer’s annual Roots Picnic. – Dan Brightcliffe

Philadelphia

New Track: “Monuments” – Cop Problem

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Below is the explosive lead single from local crust punks Cop Problem called “Monuments.” Their self-titled 7” EP is available today via War Torn Records (US) and Prejudice Me Records (UK).

NYC

The Suzan play The Delancey on 03.29

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The Suzan is an indie pop band from New York with Japanese roots. Their bouncy pop and fun attitude earned them a tour with party bands Chromeo and MNDR in 2011. We won’t say that songs like “Hahaha” and “High and Low” stand out as lyrical masterpieces, but they can surely induce even the most adamant of wallflowers to tap their toes to the driving beat. Our favorite track “Devils” (see awesome video below) has a more serious undertone, with the internal conflict between The Devil and Jesus addressed, but still manages to cause an uncontrollable urge to shake your booty. The Suzan will be performing Thursday, March 29th at The Delancey in NYC. – Christine Cauthen


 

Philadelphia

Peasant Celebrates Album Release at WCL Mar. 29

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Bound for Glory Cover Art

Damien DeRose, a.k.a Peasant, has gained critical acclaim for his previous two releases, especially the highly regarded Shady Retreat. But the upcoming follow-up, Bound for Glory might be Peasant’s most complete and multi-layered release to date (it has already gained DeRose some airtime on BBC Radio and MTV Studios). When he celebrates the album’s release at World Café Live tonight, it will also be the local debut of his new full band lineup that features members of Former Belle and Sparta Philharmonic. This will also be Former Belle’s final local show before heading out on a European tour, so it will be a good time to hear some of the new material that they’ve been recording in the studio. The evening will also feature a rare acoustic solo performance from Chris Archibald of Illinois. World Café Live, 3025 Walnut St., 8pm, $10 + processing fees, all ages – Bill McThrill

New England

Satellites Fall’s Mark Charron Discusses the Band and the New EP — Lines on the Road.

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It was a clash of cultures when I met Mark Charron, guitarist and lead vocalist for Satellites Fall at Pedro’s in Billerica. We were two guys just getting off work at our day jobs selling software, in order to talk about our true passion—music.

It’s not often that our lives in corporate America intersect our musical lives. Oddly, this is not the story you might expect—two guys trudging through mindless day jobs pining for their big break; one becoming a rock n roll star, the other a feature writer for Rolling Stone Magazine. Nope, this story goes a little differently.

Click here to read the rest of George Dow’s interview with Mark Charron.

(Photo credit Tracy Dupuis)

NYC

Robbers on High Street release “Anything Could Happen”

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Brooklyn based, somewhat Beatlesque Americana-Pop mainstays Robbers on High Street will be releasing a new EP, “Anything Could Happen” on April 21st 2012. In honor of this effort, the band will be playing a record release party with Diamond Doves (who used to be Elvis Perkins’ backing band) at the Mercury Lounge on the day of the release. The doors will be opening at 7:30 PM with Diamond Doves set to play immediately, so get a good spot. Both bands are known for their exciting live shows so this promises to be a fun evening. Streaming below "Didn’t Wanna Know" from the new EP. – Chelsea Eriksen

New England

The Suicide Dolls to Appear on Tribute Album Covering Songs from Repo Man

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The Suicide Dolls have just announced that they are to appear on a tribute album covering the songs from the movie Repo Man a compilation of songs that celebrates the southern California punk movement of the 70’s and 80’s.

The Suicide Dolls, who won best new act of 2011 at The New England Music Awards, will appear on the album alongside artists such as Black Francis, Mike Watt, Amanda Palmer, Matthew Sweet, and many others. For more information click here. The album has a projected release date of September 18 later this year.

The Suicide Dolls will be playing at Radio in Somerville MA on Friday, April 13 with Await Rescue, Before Disorder, and Ghost Box Orchestra.

–Chrissy Prisco

New England

Band on the Rise: Tall Heights

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Boston duo Tall Heights (Tim Harrington and Paul Wright) produce a signature brand of acoustic folk music, prominently featuring a cello. What started out as two passionate performers performing on the streets in Boston became a viable musical project with the musicians independently selling 2,000 copies of their debut album, Rafters, which you can find on their website (www.tallheights.com).

Austin

Prolific and Unknown: Have you ever heard of Bobee?

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Combining the pained, lo-fi disjointedness of early Smog, the weird isolated love songs of Daniel Johnston, and hints of the pseudo-hip-hop and sarcasm of 90’s Beck, it’s hard to tell whether or not to take Bobee seriously. His simple beats that call to mind a crappy 80s Roland drum machine barely mix with acoustic guitars and keyboards (that often clash uncomfortably) and lovestruck vocals that are not always in key. Yet there is something extremely charming in his unique brand of sad, lo-fi isolation and bedroom-tape weirdness that will worm its way into your chest long before you can begin to put your finger on what the hell it is… Download all of his albums for free on Bandcamp.

NYC

Frankie Rose debuts new video + tours with DIVE

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We wrote about Frankie Rose’s new album and video of "Gospel/Race" just over a month ago, and the lady already has a new sonic and visual treat for us: the video for "Night Swim". We’ve been digging Frankie’s new album, and music fans in the US and Canada will be able to hear these songs live this spring during her tour with Dive. Newyorkers should mark May 5th, date of the homecoming show at The Mercury Lounge